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Eilidh G Clark (177 KP) rated Goblin in Books
Jul 2, 2019
Brilliant book, well wriiten, original
Winner of the Saltire Society first book of the year award 2017, Goblin, by Ever Dundas is a brilliant and brave first novel. Set in both London during WW2 and in Edinburgh in 2011, the story is told in flashback. For me, the first half of the novel is the best, we meet Goblin as a nine-year-old tomboy with a love for animals and a passion for storytelling - both of which the protagonist collects.
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Daniel Radcliffe: The Biography
Book
Daniel Radcliffe went from shy schoolboy to the world's most famous boy wizard overnight. Aged just...
Joe Goodhart (27 KP) rated Ultimate Comics Spider-Man by Brian Michael Bendis, Volume 1 in Books
Nov 30, 2020
So, before I begin my review of ULTIMATE COMICS: SPIDER-MAN Vol. 1, I feel the need to confess something: there was a point in life where I was a lot less liberal, a lot less "forward thinking". I felt heroes like Miles Morales were unnecessary, examples of "lazy writing". I felt that instead of creating a non-white Spider-Man, he should have been a newly created hero, not a copy of one already in existence.
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Emma @ The Movies (1786 KP) rated What We Do In The Shadows (2014) in Movies
Jun 2, 2020
I don't think I ever really knew what this was before seeing it, but then I genuinely think it would be difficult to conceive this in your brain accurately from the description.
Viago, Deacon, Vladislav and Petyr live together in Wellington, New Zealand. There's nothing too odd about a group of men living together, they do all the usual things, argue over the chores, have guests for dinner, clean blood out of their new second-hand clothing... oh right, yes, and they're vampires. Life is fine until Nick comes into their lives. He's young and hip and starts to show them what the modern world has to offer. We watch the story of these ordinary vampires as their night to night lives unfold.
The documentary style is always an interesting idea, it's not even something that actual documentaries get right all the time so a fictionalised version was intriguing and they really staked it through the heart with this one. We cut between interview and footage styles and it really does help to give you that real-life documentary feel as well as a sense of each individual character. The addition of historical photographs and illustrations was a fun way to get bits of their backstory and I thought they were created really well.
There is a brilliant casual nature about all the acting and being able to just be yourself means it does all feel a lot more real. While I like all the characters my favourite is definitely Viago played by Taika Waititi. There's a wonderful innocence to him and a kind nature that is really at odds with the whole vampire thing. He's keen for everyone to get along and he's got a very positive outlook on death. Waititi gives Viago that bouncy energy that always makes me smile, so many of his moments genuinely made me smile.
Everyone brings that bit of supernatural fun, the rivalry with the werewolves, meeting with other vampires on the street, and the vampire "tricks" that lead to one of my favourite pieces in the whole film... the police officers. Their reactions to everything were priceless.
I've watched it a few times recently and honestly, each watch is just as entertaining as the first. It might not have the high production values of other films but it really has a wonderful presence. There are some days when you need this sort of amusement (with a tiny bit of devastation thrown in), this is the antidote to so many of the world's troubles.
If you haven't already done so then check out these episodes of At The Flicks (Mega Shark In Lockdown) and MovieDrone (Episode 91) where I talking with all your favourite movie men about What We Do In The Shadows.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/what-we-do-in-shadows-movie-review.html
Viago, Deacon, Vladislav and Petyr live together in Wellington, New Zealand. There's nothing too odd about a group of men living together, they do all the usual things, argue over the chores, have guests for dinner, clean blood out of their new second-hand clothing... oh right, yes, and they're vampires. Life is fine until Nick comes into their lives. He's young and hip and starts to show them what the modern world has to offer. We watch the story of these ordinary vampires as their night to night lives unfold.
The documentary style is always an interesting idea, it's not even something that actual documentaries get right all the time so a fictionalised version was intriguing and they really staked it through the heart with this one. We cut between interview and footage styles and it really does help to give you that real-life documentary feel as well as a sense of each individual character. The addition of historical photographs and illustrations was a fun way to get bits of their backstory and I thought they were created really well.
There is a brilliant casual nature about all the acting and being able to just be yourself means it does all feel a lot more real. While I like all the characters my favourite is definitely Viago played by Taika Waititi. There's a wonderful innocence to him and a kind nature that is really at odds with the whole vampire thing. He's keen for everyone to get along and he's got a very positive outlook on death. Waititi gives Viago that bouncy energy that always makes me smile, so many of his moments genuinely made me smile.
Everyone brings that bit of supernatural fun, the rivalry with the werewolves, meeting with other vampires on the street, and the vampire "tricks" that lead to one of my favourite pieces in the whole film... the police officers. Their reactions to everything were priceless.
I've watched it a few times recently and honestly, each watch is just as entertaining as the first. It might not have the high production values of other films but it really has a wonderful presence. There are some days when you need this sort of amusement (with a tiny bit of devastation thrown in), this is the antidote to so many of the world's troubles.
If you haven't already done so then check out these episodes of At The Flicks (Mega Shark In Lockdown) and MovieDrone (Episode 91) where I talking with all your favourite movie men about What We Do In The Shadows.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/what-we-do-in-shadows-movie-review.html
Gareth von Kallenbach (980 KP) rated Good Boys (2019) in Movies
Aug 16, 2019
Every generation has a coming of age classic that they can point to and say that it resonated with them. Whether it be classic John Hughes movies such as Pretty in Pink or The Breakfast Club, there is always something that defines the youth of that generation. Whether it be the situations that the main characters find themselves in, or even something as simple as the music and fashion, there is usually something that will strike a familiar chord with the audience. Even when I go back and rewatch the classics, it reminds me of a simpler time, when my life struggles involved asking a girl to a dance or attempting to fit in to any number of awkward first-time moments that each of us at one time or another go through. Good Boys is such a movie, about the awkwardness and naivety of youth, even if the kids had a bigger potty mouth than I did as a child.
Max (Jacob Tremblay), Thor (Brady Noon), and Lucas (Keith L. Williams) are a group of 12-year old boys known to their family and friends as the Bean Bag boys. Why do they refer to themselves as the Bean Bag Boys you ask? Why because they sit on Bean Bag chairs of course. Entering 6th grade they are trying to stand out but tend to do so in all the worst ways. Thor loves to sing but is bullied to not sign up for the school musical because it’s not a cool thing to be. Lucas is dealing with his parent’s new divorce and has a propensity to always tell the truth (even when the truth potentially causes more damage than a lie). Then there is Max, a young man whose hormones are beginning to take over his brain and can only think of the love of his life (and future wife of course) Brixlee.
Max being to shy to even look at Brixlee when she is looking his way is finally given a golden opportunity when he is invited by popular kid Soren (Izaac Wang) to a kissing party. The idea of being able to not only speak to Brixlee but be able to kiss her causes a rush of emotions that gravitate from excitement to terror. Max, believing that the way to his true-loves heart is by being a kissing expert recruits his fellow Bean Bag Boys on a quest to learn to kiss.
His quest will take him from spying on his “nymphomaniac” neighbor, to a treacherous highway crossing to get to the mall. They will have to brave frat houses, and potentially risky run-ins with pedophiles and the police, all to learn how to be a better kisser. Of course, there is plenty of laughs and situations that only naïve children could get themselves into, all of which had me and the entirety of the audience laughing the entire way through
Good Boys is a movie that relies on the audience connection with the main characters to succeed. Without that, you are left with a movie full of foul language and crude humor which have lately become a dime a dozen. Thankfully the casting of Good Boys far exceeds any expectations I had going into the theater. Comedies of these type lean heavily on the actors to carry the story through the hi-jinx that are around every corner and the actors were more than up to the challenge. Jacob Tremblay portrays perfectly the fear that every young boy (or girl) goes through when they imagine their first kiss. Keith L. Williams shows the heart break that a young kid goes through when deal with personal tragedy (in this case his parents’ divorce) and yet still remains true-to-himself anyway. Brady Noon excels at his desire to be cool, and still struggle with how coolness affects what he truly loves and wants to ultimately do. All three as a group convincingly take us on a journey that may seem outlandish, yet ultimately feel believable as well.
Good Boys also has a strong supporting cast, that add further dimension to the film. The two “old” girls Lily (Midori Francis) and Hannah (Molly Gordon) are fantastic in their portrayal of two women who simply want their drugs to get high. They will go to almost any lengths to get them back from the boys who stole them and yet end up becoming a bigger part to the film as a whole. Even the well meaning yet clueless parents of Lucas (Lil Rel Howery and Retta) add to the laughs as a couple trying their best to protect their son even as their own lives are driven apart.
Good Boys may come across in previews as a crude comedy with loads of foul language and sexual situations. While at first glance that may be what it is, as you pull back the layers you soon begin to realize that it’s a story, not about the words that are said, but the innocence of youth and what it means to grow apart as friends. The laughs are non-stop and the language excusable because of the innocence of those on the screen who are spouting them. As parents maybe you’d be looking to wash their mouths out with soap, but as the audience you can’t help but think how innocent they truly are. Good Boys is a movie that will resonate with many in the audience, who likely went through some of these very same dilemmas in their own coming of age stories. Maybe not through paintball fights at a frat house, or crossing a busy freeway, but we each have our own unique stories that helped to mold us into who we are today. It’s funny how watching a film like this can make you reminisce on your own experiences, even if it isn’t on the big screen for all to see.
4 out of 5 stars
http://sknr.net/2019/08/14/good-boys/
Max (Jacob Tremblay), Thor (Brady Noon), and Lucas (Keith L. Williams) are a group of 12-year old boys known to their family and friends as the Bean Bag boys. Why do they refer to themselves as the Bean Bag Boys you ask? Why because they sit on Bean Bag chairs of course. Entering 6th grade they are trying to stand out but tend to do so in all the worst ways. Thor loves to sing but is bullied to not sign up for the school musical because it’s not a cool thing to be. Lucas is dealing with his parent’s new divorce and has a propensity to always tell the truth (even when the truth potentially causes more damage than a lie). Then there is Max, a young man whose hormones are beginning to take over his brain and can only think of the love of his life (and future wife of course) Brixlee.
Max being to shy to even look at Brixlee when she is looking his way is finally given a golden opportunity when he is invited by popular kid Soren (Izaac Wang) to a kissing party. The idea of being able to not only speak to Brixlee but be able to kiss her causes a rush of emotions that gravitate from excitement to terror. Max, believing that the way to his true-loves heart is by being a kissing expert recruits his fellow Bean Bag Boys on a quest to learn to kiss.
His quest will take him from spying on his “nymphomaniac” neighbor, to a treacherous highway crossing to get to the mall. They will have to brave frat houses, and potentially risky run-ins with pedophiles and the police, all to learn how to be a better kisser. Of course, there is plenty of laughs and situations that only naïve children could get themselves into, all of which had me and the entirety of the audience laughing the entire way through
Good Boys is a movie that relies on the audience connection with the main characters to succeed. Without that, you are left with a movie full of foul language and crude humor which have lately become a dime a dozen. Thankfully the casting of Good Boys far exceeds any expectations I had going into the theater. Comedies of these type lean heavily on the actors to carry the story through the hi-jinx that are around every corner and the actors were more than up to the challenge. Jacob Tremblay portrays perfectly the fear that every young boy (or girl) goes through when they imagine their first kiss. Keith L. Williams shows the heart break that a young kid goes through when deal with personal tragedy (in this case his parents’ divorce) and yet still remains true-to-himself anyway. Brady Noon excels at his desire to be cool, and still struggle with how coolness affects what he truly loves and wants to ultimately do. All three as a group convincingly take us on a journey that may seem outlandish, yet ultimately feel believable as well.
Good Boys also has a strong supporting cast, that add further dimension to the film. The two “old” girls Lily (Midori Francis) and Hannah (Molly Gordon) are fantastic in their portrayal of two women who simply want their drugs to get high. They will go to almost any lengths to get them back from the boys who stole them and yet end up becoming a bigger part to the film as a whole. Even the well meaning yet clueless parents of Lucas (Lil Rel Howery and Retta) add to the laughs as a couple trying their best to protect their son even as their own lives are driven apart.
Good Boys may come across in previews as a crude comedy with loads of foul language and sexual situations. While at first glance that may be what it is, as you pull back the layers you soon begin to realize that it’s a story, not about the words that are said, but the innocence of youth and what it means to grow apart as friends. The laughs are non-stop and the language excusable because of the innocence of those on the screen who are spouting them. As parents maybe you’d be looking to wash their mouths out with soap, but as the audience you can’t help but think how innocent they truly are. Good Boys is a movie that will resonate with many in the audience, who likely went through some of these very same dilemmas in their own coming of age stories. Maybe not through paintball fights at a frat house, or crossing a busy freeway, but we each have our own unique stories that helped to mold us into who we are today. It’s funny how watching a film like this can make you reminisce on your own experiences, even if it isn’t on the big screen for all to see.
4 out of 5 stars
http://sknr.net/2019/08/14/good-boys/
Heather Cranmer (2721 KP) rated Where the Crawdads Sing in Books
Feb 3, 2019
The beautiful prose (2 more)
The interesting plot
The well written characters
A Beautifully Written Novel
I have to admit that when I first heard about Where the Crawdads Sing by Delia Owens, it didn't sound like a book I'd want to read. However, as I kept seeing rave reviews for it, I decided to take a chance on it, and I am so glad I did because this book was amazing!
The plot for Where the Crawdads Sing was an interesting one. I found myself immersed in it throughout, even the parts about nature and poetry which I'm not into. Delia Owens wrote this book beautifully where ever piece fit together perfectly. Where the Crawdads Sing felt so realistic and like I was there every step on the way. The prose was amazing, and I can honestly say that I have not read a more beautifully written book. There are a few plot twists, and I didn't see them coming! I didn't even get the death of Chase right! There are no cliff hangers in this book, and all of my questions where answered.
I thought each and every character in Where the Crawdads Sing were written superbly. I loved the main character of Kya. It was so interesting watching her grow up without a family and turn into a beautiful, intelligent, and kind young lady. Her innocence was reassuring even if did get her in trouble. The character of Kya was such a breath of fresh air. It was amazing how she was able to look after herself when she had no one else even at a young age. Jumpin' was another one of my favorite characters. He was such a larger than life character, and he always seemed so optimistic was was fantastic! I loved how caring Tate was and how patient he was with Kya. I was always hoping those two would end up together. I didn't trust Chase from the get go, but even he was written really well. I loved how the author, Delia Owens, even included what happened to most of the characters years in the future. The only minor thing that bothered me was that when the characters spoke, they spoke in their own dialect which could be annoying at times, but it did not ruin this book for me at all.
The pacing in Where the Crawdads Sing was done so well. I was hooked from the very first page. Never once did the pacing slow down where I found myself bored. I was constantly enthralled by every page in this book. I could not get enough! The words flowed beautifully.
Trigger warnings for Where the Crawdads Sing include profanity, child neglect and abandonment, child abuse, attempted rape, violence, possible murder, sexual situations, alcoholism, racial slurs, and overly judgmental people.
All in all, Where the Crawdads Sing is a beautifully written book through and through. The writing was brilliant, and the characters were written beautifully. The plot is just as fantastic and very interesting. I would definitely recommend Where the Crawdads Sing by Delia Owens to everyone aged 16+. This is one of those books that needs to be read!
The plot for Where the Crawdads Sing was an interesting one. I found myself immersed in it throughout, even the parts about nature and poetry which I'm not into. Delia Owens wrote this book beautifully where ever piece fit together perfectly. Where the Crawdads Sing felt so realistic and like I was there every step on the way. The prose was amazing, and I can honestly say that I have not read a more beautifully written book. There are a few plot twists, and I didn't see them coming! I didn't even get the death of Chase right! There are no cliff hangers in this book, and all of my questions where answered.
I thought each and every character in Where the Crawdads Sing were written superbly. I loved the main character of Kya. It was so interesting watching her grow up without a family and turn into a beautiful, intelligent, and kind young lady. Her innocence was reassuring even if did get her in trouble. The character of Kya was such a breath of fresh air. It was amazing how she was able to look after herself when she had no one else even at a young age. Jumpin' was another one of my favorite characters. He was such a larger than life character, and he always seemed so optimistic was was fantastic! I loved how caring Tate was and how patient he was with Kya. I was always hoping those two would end up together. I didn't trust Chase from the get go, but even he was written really well. I loved how the author, Delia Owens, even included what happened to most of the characters years in the future. The only minor thing that bothered me was that when the characters spoke, they spoke in their own dialect which could be annoying at times, but it did not ruin this book for me at all.
The pacing in Where the Crawdads Sing was done so well. I was hooked from the very first page. Never once did the pacing slow down where I found myself bored. I was constantly enthralled by every page in this book. I could not get enough! The words flowed beautifully.
Trigger warnings for Where the Crawdads Sing include profanity, child neglect and abandonment, child abuse, attempted rape, violence, possible murder, sexual situations, alcoholism, racial slurs, and overly judgmental people.
All in all, Where the Crawdads Sing is a beautifully written book through and through. The writing was brilliant, and the characters were written beautifully. The plot is just as fantastic and very interesting. I would definitely recommend Where the Crawdads Sing by Delia Owens to everyone aged 16+. This is one of those books that needs to be read!
Heather Cranmer (2721 KP) rated Amity & Sorrow in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
So when I read the blurb about this book, it definitely interested me. I find these kind of cults interesting. Amity & Sorrow: A Novel by Peggy Riley is such a good read when it comes to religious cults and just a great read in general.
Amaranth is on the run from her polygamous, cult leader husband. She's also brought her two children, Amity and Sorrow, with her. When she crashes her car in Oklahoma, she doesn't plan on staying. However, after spending time with Bradley, she wants to stay. Sorrow, her eldest child, wants to go back to her father. Amity just wants to make her sister happy. Sorrow will do anything she can to get back to the compound and her father. Will Amaranth stay with Bradley or will she miss the compound's ways?
The title is pretty straight forward. Amity and Sorrow are the names of the children in this book. I kind of like the title although I think it's not very original.
The cover is simplistic. I was a bit confused though when I started reading the book because the two girls look like adults judging by what their bodies look like. Amity is supposed to be 12 years old, and although Sorrow's age is never revealed, she is referred to as a child. I think the cover would've suited this book better had it looked like a pre-teen and a teenage girl holding hands.
The setting and world building were done beautifully. Everything was written the way I'd think a polygamous cult would be and the how the people in it would act. Riley's portrayal of a woman who escaped from a religious cut is fantastic!
I can not fault the pacing in this book. Not once was I bored when reading Amity & Sorrow: A Novel. Every chapter ending left me wanting more. Every page came alive in my mind for me.
The characters were very well developed and well written. I enjoyed reading about Amity. I loved her innocence and the way she was protective of her sister. I couldn't stand Sorrow, not because she wasn't written well but because I just found her to be so much of a spoiled brat. Amaranth was a great character, and I thought she was a great mother to her children.
Like the pacing, the dialogue is fantastic. The children who were raised in the religious cult speak the way I'd imagine them too. The dialogue between the characters is very interesting. There's no real swear words although there are sexual references.
Amity & Sorrow: A Novel by Peggy Riley is a fantastic read that will leave its readers thinking about it long after they've finished the ending. It is a touching story about love, survival, and the human spirit.
I'd recommend this book to everyone aged 16+ due to sexual references and adult themes.
(I received this book for free from the Goodreads Firstreads program).
So when I read the blurb about this book, it definitely interested me. I find these kind of cults interesting. Amity & Sorrow: A Novel by Peggy Riley is such a good read when it comes to religious cults and just a great read in general.
Amaranth is on the run from her polygamous, cult leader husband. She's also brought her two children, Amity and Sorrow, with her. When she crashes her car in Oklahoma, she doesn't plan on staying. However, after spending time with Bradley, she wants to stay. Sorrow, her eldest child, wants to go back to her father. Amity just wants to make her sister happy. Sorrow will do anything she can to get back to the compound and her father. Will Amaranth stay with Bradley or will she miss the compound's ways?
The title is pretty straight forward. Amity and Sorrow are the names of the children in this book. I kind of like the title although I think it's not very original.
The cover is simplistic. I was a bit confused though when I started reading the book because the two girls look like adults judging by what their bodies look like. Amity is supposed to be 12 years old, and although Sorrow's age is never revealed, she is referred to as a child. I think the cover would've suited this book better had it looked like a pre-teen and a teenage girl holding hands.
The setting and world building were done beautifully. Everything was written the way I'd think a polygamous cult would be and the how the people in it would act. Riley's portrayal of a woman who escaped from a religious cut is fantastic!
I can not fault the pacing in this book. Not once was I bored when reading Amity & Sorrow: A Novel. Every chapter ending left me wanting more. Every page came alive in my mind for me.
The characters were very well developed and well written. I enjoyed reading about Amity. I loved her innocence and the way she was protective of her sister. I couldn't stand Sorrow, not because she wasn't written well but because I just found her to be so much of a spoiled brat. Amaranth was a great character, and I thought she was a great mother to her children.
Like the pacing, the dialogue is fantastic. The children who were raised in the religious cult speak the way I'd imagine them too. The dialogue between the characters is very interesting. There's no real swear words although there are sexual references.
Amity & Sorrow: A Novel by Peggy Riley is a fantastic read that will leave its readers thinking about it long after they've finished the ending. It is a touching story about love, survival, and the human spirit.
I'd recommend this book to everyone aged 16+ due to sexual references and adult themes.
(I received this book for free from the Goodreads Firstreads program).
Hazel (1853 KP) rated The Wolf Road in Books
Dec 14, 2018
3.5 Stars
<i>I received this book for free through Goodreads First Reads.</i>
“Any lie can turn into the truth if you believe it long enough.” <i>The Wolf Road</i> is the debut literary thriller by British author Beth Lewis. The post-apocalyptic world is not a very safe place to be, especially for a seven year old during a fierce and dangerous storm. Lost in the woods, a young girl comes across a man who, after naming her Elka, gives her a place to stay for the next ten years of her life. During this time he teaches her how to trap animals, use hunting knives and move silently between the trees – all the vital things needed to survive in the wild. For a long time Elka views this man as a father figure, but on discovering that her beloved Daddy is a serial killer, she realizes she has been living a life of lies.
Desperate to get away from the horrifying realization, Elka runs off deep into the forest with only a hunting knife and the clothes on her back. With nowhere to go, she decides to try and find her birth parents, but although she can easily survive in the wild, she is completely unprepared for the human world. With a childlike innocence, Elka finds herself in trouble on numerous occasions, only feeling at ease once she is back in the woods living the life of wolves. However she soon realizes that she will never be safe no matter how far she travels – not until that murderer is dead himself.
Once you get used to Elka’s colourful dialect, the gripping narrative pulls us into a world with danger around every corner. Elka’s revelation at the beginning of the book seems like a small issue compared with all the trouble she finds herself in later on. The reader will sympathize with Elka as she discovers the evils of man, and admire her strength as well as the development of a conscience after meeting and making her first ever friend. But whilst Elka learns how to walk amongst humans, there is a foreboding sense of doom as evilness keeps her within its sights.
<i>The Wolf Road</i> is a great post-apocalyptic story with a strong protagonist. At times it takes on a similar theme to a western novel, with guns, gold mining, and violence; but it is essentially a thriller built up of lies that are gradually unpicked. There is no psychological element to the book, thus nothing to try and work out for yourself. You simply need to read and discover what happens. As a result this book is the kind you will either love or hate. Some people may find it disturbing or gruesome, whereas others may find it exciting and enjoy reading about the unique main character.
Personally I think <i>The Wolf Road</i> is a great, original piece of work, and it only loses stars because I found a few parts a bit too grisly. Beth Lewis writes well and it cannot have been easy to keep the dialect up for the entire novel. This is an author who definitely has promise for the future.
<i>I received this book for free through Goodreads First Reads.</i>
“Any lie can turn into the truth if you believe it long enough.” <i>The Wolf Road</i> is the debut literary thriller by British author Beth Lewis. The post-apocalyptic world is not a very safe place to be, especially for a seven year old during a fierce and dangerous storm. Lost in the woods, a young girl comes across a man who, after naming her Elka, gives her a place to stay for the next ten years of her life. During this time he teaches her how to trap animals, use hunting knives and move silently between the trees – all the vital things needed to survive in the wild. For a long time Elka views this man as a father figure, but on discovering that her beloved Daddy is a serial killer, she realizes she has been living a life of lies.
Desperate to get away from the horrifying realization, Elka runs off deep into the forest with only a hunting knife and the clothes on her back. With nowhere to go, she decides to try and find her birth parents, but although she can easily survive in the wild, she is completely unprepared for the human world. With a childlike innocence, Elka finds herself in trouble on numerous occasions, only feeling at ease once she is back in the woods living the life of wolves. However she soon realizes that she will never be safe no matter how far she travels – not until that murderer is dead himself.
Once you get used to Elka’s colourful dialect, the gripping narrative pulls us into a world with danger around every corner. Elka’s revelation at the beginning of the book seems like a small issue compared with all the trouble she finds herself in later on. The reader will sympathize with Elka as she discovers the evils of man, and admire her strength as well as the development of a conscience after meeting and making her first ever friend. But whilst Elka learns how to walk amongst humans, there is a foreboding sense of doom as evilness keeps her within its sights.
<i>The Wolf Road</i> is a great post-apocalyptic story with a strong protagonist. At times it takes on a similar theme to a western novel, with guns, gold mining, and violence; but it is essentially a thriller built up of lies that are gradually unpicked. There is no psychological element to the book, thus nothing to try and work out for yourself. You simply need to read and discover what happens. As a result this book is the kind you will either love or hate. Some people may find it disturbing or gruesome, whereas others may find it exciting and enjoy reading about the unique main character.
Personally I think <i>The Wolf Road</i> is a great, original piece of work, and it only loses stars because I found a few parts a bit too grisly. Beth Lewis writes well and it cannot have been easy to keep the dialect up for the entire novel. This is an author who definitely has promise for the future.
Phillip McSween (751 KP) rated Harry Potter and the Half-Blood Prince (2009) in Movies
Sep 10, 2020
Beautiful Visuals
A part of being a critic means being able to separate the art from the creator. In my recent review of Swing Time, I came to the conclusion that the movie as a whole was still enjoyable despite their use of blackface in one scene. While I don’t agree with everything JK Rowling is saying at this point in time, I can’t deny the magical world that she has created and the stories that lie within. Harry Potter and the Half-Blood Prince, the sixth installment in the franchise, is no exception. In this darker film, Harry is finding himself in preparation of facing off against the evil Lord Voldemort.
Acting: 10
This is my first review of a Harry Potter film. I must say, it has been a pleasure to watch these young actors grow into stars. Daniel Radcliffe was made for the role of Harry Potter and it appears he has matured at the same time his character has. Gone is the young innocence of the first film, replaced by teenage angst and anger. It is hard to imagine anyone else playing the role just as it is hard to imagine anyone but Alan Rickman playing the role of the hard-faced, dark Professor Snape.
Beginning: 10
The mayhem starts almost instantly and wastes no time in getting you sucked into the movie. You know right away what the heroes are up against and it ain’t looking good for the heroes. I appreciated that immediate intensity.
Characters: 10
The gang is all here from the previous five films, the characters we have grown to know and love. I respect the fact that every character continues to grow and mature in their own way, particularly Harry. Thrust into this world of magic and wizardry, becoming an adult becomes ten times more challenging with all the Hogwarts-related biz thrown into the mix.
Cinematography/Visuals: 10
At some point in the movie, there is a scene shot in black and white involving Albus Dumbledore that’s super cool to watch unfold. Visually this film is just as strong as the previous ones, if not stronger as it is working with darker tones throughout. With beautiful camerawork, director David Yates makes you feel the tension of each scene as you are taken on this journey.
Conflict: 8
Entertainment Value: 9
Even if you aren’t a die-hard Harry Potter fan, the film takes you on an extremely intense journey. You experience a rollercoaster of emotions, many unexpected if you haven’t read the books. It is a wonderful setup for the film’s final act.
Memorability: 8
Pace: 7
Plot: 10
Resolution: 5
While the ending was necessary, it definitely left a bad taste in my mouth. it also didn’t quite feel complete as it was an obvious setup for things to come. The last ten minutes were mediocre at best for me.
Overall: 87
I could think of worse ways to spend your time than watching Harry Potter and the Half-Blood Prince. The series continues to improve upon itself and this was a worthy installment. It has just the right level of creepiness factor to pique one’s interest.
Acting: 10
This is my first review of a Harry Potter film. I must say, it has been a pleasure to watch these young actors grow into stars. Daniel Radcliffe was made for the role of Harry Potter and it appears he has matured at the same time his character has. Gone is the young innocence of the first film, replaced by teenage angst and anger. It is hard to imagine anyone else playing the role just as it is hard to imagine anyone but Alan Rickman playing the role of the hard-faced, dark Professor Snape.
Beginning: 10
The mayhem starts almost instantly and wastes no time in getting you sucked into the movie. You know right away what the heroes are up against and it ain’t looking good for the heroes. I appreciated that immediate intensity.
Characters: 10
The gang is all here from the previous five films, the characters we have grown to know and love. I respect the fact that every character continues to grow and mature in their own way, particularly Harry. Thrust into this world of magic and wizardry, becoming an adult becomes ten times more challenging with all the Hogwarts-related biz thrown into the mix.
Cinematography/Visuals: 10
At some point in the movie, there is a scene shot in black and white involving Albus Dumbledore that’s super cool to watch unfold. Visually this film is just as strong as the previous ones, if not stronger as it is working with darker tones throughout. With beautiful camerawork, director David Yates makes you feel the tension of each scene as you are taken on this journey.
Conflict: 8
Entertainment Value: 9
Even if you aren’t a die-hard Harry Potter fan, the film takes you on an extremely intense journey. You experience a rollercoaster of emotions, many unexpected if you haven’t read the books. It is a wonderful setup for the film’s final act.
Memorability: 8
Pace: 7
Plot: 10
Resolution: 5
While the ending was necessary, it definitely left a bad taste in my mouth. it also didn’t quite feel complete as it was an obvious setup for things to come. The last ten minutes were mediocre at best for me.
Overall: 87
I could think of worse ways to spend your time than watching Harry Potter and the Half-Blood Prince. The series continues to improve upon itself and this was a worthy installment. It has just the right level of creepiness factor to pique one’s interest.
Beckie Shelton (40 KP) rated Beast: The Beginning (Hate Story, #1) in Books
Oct 6, 2017
I loved Beast: The Beginning (Hate Story, #1). From the minute I started reading This I was lost in another world, one of blood, hate and organised crime.
Where being bad was good and innocence is soon corrupted and lost forever.
So beast is about Frankie Notte and Anteros Drago a boss in the Pavoni family.
Frankie trades herself for her Papas life accompanying the beast to a fate unknown.
The Beast himself has every intention of selling Frankie to the Institute to be sold to the highest bidder.
But sometimes the best-laid plans can go awry, as is what happens here, leaving the beast with a slave that he's not quite sure what to do with.
Now, this was described as a dark read, and there is plenty of evidence of that darkness scattered throughout Beast, but behind closed doors, the Beast becomes increasingly fascinated with his new toy and there is at times a surprising gentleness to some of his interactions with Frankie.
He continues to try and keep up a front in front of his wolves as they start to lose confidence in their leader, questioning his actions towards an inconsequential Slave.
There is also a lot of secrets and intrigue running beneath the surface and rumours running amok concerning the Pavoni Princess, even Beast himself starts to listen and doubt what is real.
So dissecting our two main honchos here.
Anteros Drago/ Beast first, he's Ruthless, cruel, seemingly without mercy, he wants to break Frankie reducing her to nothing, he even initially tells her she is nothing.
His Black-heart is dark to the core, he lives for the job having spent years planning, with his wolves there rise to the top of the family from mere foot soldiers.
He appears to have no weaknesses. that is until Frankie slowly starts to thaw his ice-cold heart, not that you would major notice this as he's still a complete bastard to Frankie subjecting her to awful situations to teach her her place and generally playing mind games, belittling her at every turn while fighting his growing affections and deceiving himself regarding his feelings towards her.
Now Frankie herself, she is multi-faceted in regards to what she portrays outwardly.
Shes, not a worldly girl having been ill much of her teenage years, but From day one despite her apprehension, Frankie refuses to back down, sometimes even stupidly goading Beast, She grows so much in character throughout this story, seeming to get stronger with each new trial experienced, she also tries daily to fight her strange attraction towards the Beast that she swears she hates.
When we get the final satisfying reveal, setting us up for book two all players have been moved around into their new places almost like a chess match.
Or maybe even a new blood war.
You can see straight off that the next instalment is going to be very different in regards to changing tides.
So Really well done to the author I can't wait to get stuck into Beauty: The End (Hate Story, #2).
This may have been my first Mary Catherine Gebhard book, but definitely won't be my last.
It's been quite a while since I indulged myself in a good Dark romance and though this was not as dark as some I have read I found this a great addition to its genre.
So Give this a go if you like a good anti-hero romance, happy reading.
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Where being bad was good and innocence is soon corrupted and lost forever.
So beast is about Frankie Notte and Anteros Drago a boss in the Pavoni family.
Frankie trades herself for her Papas life accompanying the beast to a fate unknown.
The Beast himself has every intention of selling Frankie to the Institute to be sold to the highest bidder.
But sometimes the best-laid plans can go awry, as is what happens here, leaving the beast with a slave that he's not quite sure what to do with.
Now, this was described as a dark read, and there is plenty of evidence of that darkness scattered throughout Beast, but behind closed doors, the Beast becomes increasingly fascinated with his new toy and there is at times a surprising gentleness to some of his interactions with Frankie.
He continues to try and keep up a front in front of his wolves as they start to lose confidence in their leader, questioning his actions towards an inconsequential Slave.
There is also a lot of secrets and intrigue running beneath the surface and rumours running amok concerning the Pavoni Princess, even Beast himself starts to listen and doubt what is real.
So dissecting our two main honchos here.
Anteros Drago/ Beast first, he's Ruthless, cruel, seemingly without mercy, he wants to break Frankie reducing her to nothing, he even initially tells her she is nothing.
His Black-heart is dark to the core, he lives for the job having spent years planning, with his wolves there rise to the top of the family from mere foot soldiers.
He appears to have no weaknesses. that is until Frankie slowly starts to thaw his ice-cold heart, not that you would major notice this as he's still a complete bastard to Frankie subjecting her to awful situations to teach her her place and generally playing mind games, belittling her at every turn while fighting his growing affections and deceiving himself regarding his feelings towards her.
Now Frankie herself, she is multi-faceted in regards to what she portrays outwardly.
Shes, not a worldly girl having been ill much of her teenage years, but From day one despite her apprehension, Frankie refuses to back down, sometimes even stupidly goading Beast, She grows so much in character throughout this story, seeming to get stronger with each new trial experienced, she also tries daily to fight her strange attraction towards the Beast that she swears she hates.
When we get the final satisfying reveal, setting us up for book two all players have been moved around into their new places almost like a chess match.
Or maybe even a new blood war.
You can see straight off that the next instalment is going to be very different in regards to changing tides.
So Really well done to the author I can't wait to get stuck into Beauty: The End (Hate Story, #2).
This may have been my first Mary Catherine Gebhard book, but definitely won't be my last.
It's been quite a while since I indulged myself in a good Dark romance and though this was not as dark as some I have read I found this a great addition to its genre.
So Give this a go if you like a good anti-hero romance, happy reading.
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm