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Purple Phoenix Games (2266 KP) rated Abstract Academy in Tabletop Games
Feb 25, 2022
There’s just something about a well-thought out and appealing box cover to really get you into it, am I right? Look at that graphic. The negative space used for the A and Y in AcademY is just sublime! Wait, I recognize those names on the box. Didn’t they also design some other games I enjoy? (1 minute later after consulting BGG) IT’S THE TEAM BEHIND TRUFFLE SHUFFLE, POINT SALAD, AND DOLLARS TO DONUTS?? I love those games! Oh, this is going to be good! AND it’s from Crafty Games? Boom. Gotta be a hit, I just know it. But where is all the food?
Abstract Academy is a card laying, hand management, pattern building game for two to four players. In it, players become art school students trying to impress their teachers. The only problem is that they must share a canvas, as the costs of school allow them very few luxuries. The player who can most effectively build masterpieces and satisfy all tested requirements over three rounds will ace the class and claim victory over the other starving artists.
DISCLAIMER 1: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
DISCLAIMER 2: My current temporary housing did not want me to have great lighting for photos in this review. Please try to ignore the yellow tint; I do not enjoy over-editing game photos.
To setup, shuffle each deck type and place the decks on the table. The rulebook does not specify where, so just throw them wherever. This is a game about art, so be creative. Each player draws a hand of three Canvas cards (with the whitish back and colors on the faces). The starting Teacher’s Pet player will then reveal cards according to the round from the respective decks, per the rules and provided reference cards. Each round will reveal different sets of Assignment and Professor cards. Players also draw one Inspiration card and the game is ready to begin! Paintbrushes at the ready!
Turns could not be simpler: Play a Canvas card, and then Draw a Canvas card. Both of these actions are self-explanatory, but let me expound on this a bit. Once the first Canvas card has been played by the current Teacher’s Pet, each subsequent card must be played orthogonally adjacent to another card on the table. To define the size of the entire project’s canvas, players will be confined to a 4 x 4 grid of cards. Once a column (the cards that would lead a path to the opponent) has been completed with four cards, the rows gain special rules. Firstly, the row closest to each player becomes the “Home Row.” Players may only play cards into their own Home Row, unless the only legal place to play a card is in the opponent’s Home Row. Secondly, the Home Row and the row above it is now consider the Scoring Zone, and will dictate which cards are able to be used to satisfy Inspiration, Professor, and Assignment requirements for VP. Therefore, until the 4 x 4 grid has been solidified, players are unaware which cards may end up in their Home Rows or Scoring Zones!
Victory Points are earned by scoring the special requirements of Inspiration, Professor, and Assignment cards once the entire 4 x 4 grid of Canvas cards is complete. Oftentimes players will need to compare scores to determine which player earns the points. For example, the Moret Professor card states that five VP are earned when the player controls the “most color areas with four or more quadrants.” Each Canvas card is divided into four quadrants, and quadrants are colored with one of the primary colors. A “color area” is simply a connected network of the same color within the player’s Scoring Zone. So, to satisfy Professor Moret, the player who controls the most amount of color areas that are four quadrants or larger.
Assignment cards come in Red, Blue, and Yellow, and pertain to those colors. For example, the red “Get to the Point!” Assignment requires the “most red areas with only one quadrant.” So the assignment is asking players to dapple their canvas with unconnected red quadrants.
In stark contrast, the Inspiration card requirements resemble shapes of quadrants, as opposed to colors or numbers of quadrants. Most of the shapes on these cards are reminiscent of Tetris-style shapes, where players will score their Inspiration cards by building the correct shape of connected quadrants of the same color within their Scoring Zone.
Once these cards are all scored for the round, the Teacher’s Pet sets up for the next round per the rulebook/reference cards. The subsequent rounds will require alternate decks to reveal cards, or choice of decks. When the third and final round has been scored, the points are tallied and the victor is crowned! With a construction paper and macaroni crown, most likely. They ARE starving artists, after all.
Components. This game is a double-card-deck box with 90+ cards and a rulebook. The cards are great quality, but the true hero here is, and appropriately so, the artwork. Every card is very stylish, the Professors are all nods to real artists (well, except maybe not the promo), and it has just a really great look overall. While being played, it just has an amazing table presence. I like that a lot.
I struggled with assigning a score to this one for a few reasons. First, I like so much about this game, and I dislike a few things. I very much enjoy having so many ways to score points each round, as it keeps my mind busy with trying to put the puzzle together. The monkey wrench, though, is that when you start a round, you play cards that may not even end up in your Scoring Zone. As your hand is always three cards, it is difficult to really plan too far in advance to create a perfect Scoring Zone. Is that a bad thing? Maybe, but I think it is also quite necessary to add a little chaos to this specific game. I will explain what I mean in a bit. Perhaps a few points docked for that.
Playing Canvas cards effectively is absolutely the crux of this game, because if a pattern or shape is being built to your benefit, your opponent can easily (and definitely accidentally) ruin your best laid plans with an ill-placed card to wonkify the grid. I think that is both delicious and very very frustrating. You know what? I will decide to give a few points back for this.
The ability for the Teacher’s Pet, a title that can be passed to the other player throughout the game, to choose which two of the three Assignment decks to reveal during Round 3 just adds to the replayability factor of Abstract Academy. True, there are only five cards in each Assignments deck, and there are mathematical or statistical formulae that can calculate the exact number of possible different unique games, the ever-changing grid of cards is what makes this nearly infinitely replayable. Okay, more points earned here.
I guess I judged too harshly, and my true rating is a little lower than perhaps this little game deserves. I absolutely know that I will be playing this a whole lot more – with gamers of all ages and weight preferences. It is easy to teach, keeps the brain engaged throughout, and forces players to step back and truly appreciate that which they have equally built together. I can completely foresee my score for Abstract Academy increasing with more and more plays, so please do not regard a 4 / 6 from Purple Phoenix Games as an absolute and inflexible score.
If you are a gamer who enjoys just a little chaos added to their careful planning, light and quick card games that pack more punch than expected, and some truly awesome table presence, then you most certainly need to grab a copy of Abstract Academy. I am soon to be culling my collection and curating it to only include games I thoroughly enjoy. I have a feeling Abstract Academy is going to make the cut. It checks off so many boxes for me and how I game, and I cannot wait to introduce my kiddos to it when they can grasp the concepts.
Abstract Academy is a card laying, hand management, pattern building game for two to four players. In it, players become art school students trying to impress their teachers. The only problem is that they must share a canvas, as the costs of school allow them very few luxuries. The player who can most effectively build masterpieces and satisfy all tested requirements over three rounds will ace the class and claim victory over the other starving artists.
DISCLAIMER 1: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
DISCLAIMER 2: My current temporary housing did not want me to have great lighting for photos in this review. Please try to ignore the yellow tint; I do not enjoy over-editing game photos.
To setup, shuffle each deck type and place the decks on the table. The rulebook does not specify where, so just throw them wherever. This is a game about art, so be creative. Each player draws a hand of three Canvas cards (with the whitish back and colors on the faces). The starting Teacher’s Pet player will then reveal cards according to the round from the respective decks, per the rules and provided reference cards. Each round will reveal different sets of Assignment and Professor cards. Players also draw one Inspiration card and the game is ready to begin! Paintbrushes at the ready!
Turns could not be simpler: Play a Canvas card, and then Draw a Canvas card. Both of these actions are self-explanatory, but let me expound on this a bit. Once the first Canvas card has been played by the current Teacher’s Pet, each subsequent card must be played orthogonally adjacent to another card on the table. To define the size of the entire project’s canvas, players will be confined to a 4 x 4 grid of cards. Once a column (the cards that would lead a path to the opponent) has been completed with four cards, the rows gain special rules. Firstly, the row closest to each player becomes the “Home Row.” Players may only play cards into their own Home Row, unless the only legal place to play a card is in the opponent’s Home Row. Secondly, the Home Row and the row above it is now consider the Scoring Zone, and will dictate which cards are able to be used to satisfy Inspiration, Professor, and Assignment requirements for VP. Therefore, until the 4 x 4 grid has been solidified, players are unaware which cards may end up in their Home Rows or Scoring Zones!
Victory Points are earned by scoring the special requirements of Inspiration, Professor, and Assignment cards once the entire 4 x 4 grid of Canvas cards is complete. Oftentimes players will need to compare scores to determine which player earns the points. For example, the Moret Professor card states that five VP are earned when the player controls the “most color areas with four or more quadrants.” Each Canvas card is divided into four quadrants, and quadrants are colored with one of the primary colors. A “color area” is simply a connected network of the same color within the player’s Scoring Zone. So, to satisfy Professor Moret, the player who controls the most amount of color areas that are four quadrants or larger.
Assignment cards come in Red, Blue, and Yellow, and pertain to those colors. For example, the red “Get to the Point!” Assignment requires the “most red areas with only one quadrant.” So the assignment is asking players to dapple their canvas with unconnected red quadrants.
In stark contrast, the Inspiration card requirements resemble shapes of quadrants, as opposed to colors or numbers of quadrants. Most of the shapes on these cards are reminiscent of Tetris-style shapes, where players will score their Inspiration cards by building the correct shape of connected quadrants of the same color within their Scoring Zone.
Once these cards are all scored for the round, the Teacher’s Pet sets up for the next round per the rulebook/reference cards. The subsequent rounds will require alternate decks to reveal cards, or choice of decks. When the third and final round has been scored, the points are tallied and the victor is crowned! With a construction paper and macaroni crown, most likely. They ARE starving artists, after all.
Components. This game is a double-card-deck box with 90+ cards and a rulebook. The cards are great quality, but the true hero here is, and appropriately so, the artwork. Every card is very stylish, the Professors are all nods to real artists (well, except maybe not the promo), and it has just a really great look overall. While being played, it just has an amazing table presence. I like that a lot.
I struggled with assigning a score to this one for a few reasons. First, I like so much about this game, and I dislike a few things. I very much enjoy having so many ways to score points each round, as it keeps my mind busy with trying to put the puzzle together. The monkey wrench, though, is that when you start a round, you play cards that may not even end up in your Scoring Zone. As your hand is always three cards, it is difficult to really plan too far in advance to create a perfect Scoring Zone. Is that a bad thing? Maybe, but I think it is also quite necessary to add a little chaos to this specific game. I will explain what I mean in a bit. Perhaps a few points docked for that.
Playing Canvas cards effectively is absolutely the crux of this game, because if a pattern or shape is being built to your benefit, your opponent can easily (and definitely accidentally) ruin your best laid plans with an ill-placed card to wonkify the grid. I think that is both delicious and very very frustrating. You know what? I will decide to give a few points back for this.
The ability for the Teacher’s Pet, a title that can be passed to the other player throughout the game, to choose which two of the three Assignment decks to reveal during Round 3 just adds to the replayability factor of Abstract Academy. True, there are only five cards in each Assignments deck, and there are mathematical or statistical formulae that can calculate the exact number of possible different unique games, the ever-changing grid of cards is what makes this nearly infinitely replayable. Okay, more points earned here.
I guess I judged too harshly, and my true rating is a little lower than perhaps this little game deserves. I absolutely know that I will be playing this a whole lot more – with gamers of all ages and weight preferences. It is easy to teach, keeps the brain engaged throughout, and forces players to step back and truly appreciate that which they have equally built together. I can completely foresee my score for Abstract Academy increasing with more and more plays, so please do not regard a 4 / 6 from Purple Phoenix Games as an absolute and inflexible score.
If you are a gamer who enjoys just a little chaos added to their careful planning, light and quick card games that pack more punch than expected, and some truly awesome table presence, then you most certainly need to grab a copy of Abstract Academy. I am soon to be culling my collection and curating it to only include games I thoroughly enjoy. I have a feeling Abstract Academy is going to make the cut. It checks off so many boxes for me and how I game, and I cannot wait to introduce my kiddos to it when they can grasp the concepts.
Chris Sawin (602 KP) rated Lightyear (2022) in Movies
Jun 17, 2022
Visually gorgeous animation (2 more)
Sox
Designs of the insects, robots, and especially Zurg
Too much Star Wars influence (1 more)
Writing is a bit underwhelming
A Visually Gorgeous Nod to Science Fiction
Lightyear has a simple premise that fits it into the Toy Story timeline while also giving the film the freedom to creatively do just about whatever it wants. This on-screen version of Buzz Lightyear is what inspired the toy and this film was Andy’s favorite film.
Test pilot Buzz Lightyear (now voiced by Chris Evans) wakes up from hyper sleep to research and explore a nearby planet that is off the course of his ship’s destination. The mission results in Buzz’s entire crew being marooned on a planet overrun by giant insects and bothersome vines. With guilt weighing heavily on his shoulders, Buzz takes it upon himself to be the pilot responsible for hyper speed tests.
After spending a year on the planet, there’s finally enough resources for a test flight. But the mission fails and when Buzz returns, four years have passed. Intending to finish the mission despite the consequences, Buzz pilots test flight after test flight as each mission results in years passing while he’s away. He watches his friends age and die until he finally returns to a planet that now cowers to the ominous Zurg and his battalion of relentlessly inhuman robots.
After co-directing Finding Dory and while working as an animator for Pixar since 1998’s A Bug’s Life, Lightyear is the directorial debut of Angus MacLane. Written by MacLane, Matthew Aldrich (Coco), and Jason Headley (Onward), Lightyear is receiving a lot of backlash for including a same sex relationship as well as an on-screen lesbian kiss (some countries are refusing to release the film in theaters because of it). The relationship involves another Space Ranger named Alisha Hawthorne (Uzo Aduba, Orange is the New Black, Steven Universe). Hawthorne and the life she builds on a planet she is essentially stuck on ends up being the inspiration for not only Buzz, but as well as Alisha’s granddaughter, Izzy (Keke Palmer). Even if you’re against homosexuality, Alisha’s relationship is undeniably the most sentimental aspect of the film. Lightyear wouldn’t be the same without its inclusion.
The film does some different stuff with Zurg as far as who he is and how he relates to Buzz that may or may not retcon what was established in Toy Story 2. Both the story and the writing of the film seem to play it safe as they take a predictable approach to what essentially could have been something more unique. The discussion that’s been floating around about the film is that the jokes, sillier moments, and more absurd lines of dialogue seem to always disrupt the film whenever it tries to take a step towards being a thrilling sci-fi film. It’s difficult to argue with this statement, especially since Mo Morrison’s (Taika Waititi) whole purpose in the film is to broadcast his incompetence and the film revolves around a team of misfits attempting to save the planet despite their shortcomings.
The film is visually one of the year’s best looking films; animated or otherwise. Taking inspiration from early sci-fi films and space operas like Star Wars, Angus MacLane wanted Lightyear to look, “cinematic,” and, “chunky.” If you see the film in IMAX, this is the first animated film to ever have sequences shown in the 1.43:1 aspect ratio (it’s usually 2.39:1) as visual effects supervisor Jane Yen states that a virtual IMAX camera was developed to shoot said sequences, which were then cropped to standard definition. The film is gorgeous and even looks different in comparison to other Pixar films. With its lush colors, heavy use of shadows, bright lighting for highlights, and character designs for insects and robots that seem to be directly inspired by the likes of Starship Troopers and Gundam, Lightyear is a visually delicious treat.
Angus MacLane has his love for Star Wars showcased a bit too often in Lightyear as certain sequences seem to be directly lifted from the George Lucas created franchise. Many of Zurg’s scenes are a direct homage to various Darth Vader sequences in the Star Wars films. When Buzz is carried upside down by a Zyclops as Izzy and the others try to help him free borrows heavily from The Empire Strikes Back when Luke is hanging upside down in the icy Wampa cave; Buzz is even wearing an orange and white outfit that resembles Luke’s when he pilots the X-Wing. The love for Star Wars is as much a hindrance as it is an inspiration. The film spends more time referencing its origins rather than putting more of a focus on establishing its own identity.
Sox is legitimately the most fun character of the film. He’s humorous and resourceful; a robot cat that is Buzz’s most useful tool and companion. If Disney doesn’t resurrect Teddy Ruxpin technology for a new Sox animatronic toy then it will end up being wasted potential to a soul crushing extent.
Like Toy Story 4, Lightyear is an unnecessary installment to the Toy Story franchise, but is enjoyable nevertheless. Its homage to science fiction makes the animated film feel more like a sci-fi actioner rather than an animated film the majority of the time. It has a rich and palpable atmosphere that is gorgeously animated and is filled with the laugh out loud and heartfelt moments Pixar is typically known for.
Test pilot Buzz Lightyear (now voiced by Chris Evans) wakes up from hyper sleep to research and explore a nearby planet that is off the course of his ship’s destination. The mission results in Buzz’s entire crew being marooned on a planet overrun by giant insects and bothersome vines. With guilt weighing heavily on his shoulders, Buzz takes it upon himself to be the pilot responsible for hyper speed tests.
After spending a year on the planet, there’s finally enough resources for a test flight. But the mission fails and when Buzz returns, four years have passed. Intending to finish the mission despite the consequences, Buzz pilots test flight after test flight as each mission results in years passing while he’s away. He watches his friends age and die until he finally returns to a planet that now cowers to the ominous Zurg and his battalion of relentlessly inhuman robots.
After co-directing Finding Dory and while working as an animator for Pixar since 1998’s A Bug’s Life, Lightyear is the directorial debut of Angus MacLane. Written by MacLane, Matthew Aldrich (Coco), and Jason Headley (Onward), Lightyear is receiving a lot of backlash for including a same sex relationship as well as an on-screen lesbian kiss (some countries are refusing to release the film in theaters because of it). The relationship involves another Space Ranger named Alisha Hawthorne (Uzo Aduba, Orange is the New Black, Steven Universe). Hawthorne and the life she builds on a planet she is essentially stuck on ends up being the inspiration for not only Buzz, but as well as Alisha’s granddaughter, Izzy (Keke Palmer). Even if you’re against homosexuality, Alisha’s relationship is undeniably the most sentimental aspect of the film. Lightyear wouldn’t be the same without its inclusion.
The film does some different stuff with Zurg as far as who he is and how he relates to Buzz that may or may not retcon what was established in Toy Story 2. Both the story and the writing of the film seem to play it safe as they take a predictable approach to what essentially could have been something more unique. The discussion that’s been floating around about the film is that the jokes, sillier moments, and more absurd lines of dialogue seem to always disrupt the film whenever it tries to take a step towards being a thrilling sci-fi film. It’s difficult to argue with this statement, especially since Mo Morrison’s (Taika Waititi) whole purpose in the film is to broadcast his incompetence and the film revolves around a team of misfits attempting to save the planet despite their shortcomings.
The film is visually one of the year’s best looking films; animated or otherwise. Taking inspiration from early sci-fi films and space operas like Star Wars, Angus MacLane wanted Lightyear to look, “cinematic,” and, “chunky.” If you see the film in IMAX, this is the first animated film to ever have sequences shown in the 1.43:1 aspect ratio (it’s usually 2.39:1) as visual effects supervisor Jane Yen states that a virtual IMAX camera was developed to shoot said sequences, which were then cropped to standard definition. The film is gorgeous and even looks different in comparison to other Pixar films. With its lush colors, heavy use of shadows, bright lighting for highlights, and character designs for insects and robots that seem to be directly inspired by the likes of Starship Troopers and Gundam, Lightyear is a visually delicious treat.
Angus MacLane has his love for Star Wars showcased a bit too often in Lightyear as certain sequences seem to be directly lifted from the George Lucas created franchise. Many of Zurg’s scenes are a direct homage to various Darth Vader sequences in the Star Wars films. When Buzz is carried upside down by a Zyclops as Izzy and the others try to help him free borrows heavily from The Empire Strikes Back when Luke is hanging upside down in the icy Wampa cave; Buzz is even wearing an orange and white outfit that resembles Luke’s when he pilots the X-Wing. The love for Star Wars is as much a hindrance as it is an inspiration. The film spends more time referencing its origins rather than putting more of a focus on establishing its own identity.
Sox is legitimately the most fun character of the film. He’s humorous and resourceful; a robot cat that is Buzz’s most useful tool and companion. If Disney doesn’t resurrect Teddy Ruxpin technology for a new Sox animatronic toy then it will end up being wasted potential to a soul crushing extent.
Like Toy Story 4, Lightyear is an unnecessary installment to the Toy Story franchise, but is enjoyable nevertheless. Its homage to science fiction makes the animated film feel more like a sci-fi actioner rather than an animated film the majority of the time. It has a rich and palpable atmosphere that is gorgeously animated and is filled with the laugh out loud and heartfelt moments Pixar is typically known for.
Eilidh G Clark (177 KP) rated The Portrait of Mr W.H. in Books
May 14, 2017
. As a paradox to the realism and ethics of the period, decadent writers, artists, and poets challenged a society that strove for a standard in public discourse.
First published in 1889, Oscar Wilde’s The Portrait of Mr W.H., is a short story about the efforts of three characters trying to discover the identity of Shakespeare’s Mr W.H. ; the dedicatee of his many sonnets. Wilde’s novel is a prime example of decadent literature and aestheticism, which, as a result, challenges the Victorian ideals of moral decency and public rectitude. The author uses paradox in the novel to present a theory that contradicts the conservative critics of Shakespeare’s sonnets.
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
Goddess in the Stacks (553 KP) rated Rebel of the Sands in Books
May 19, 2018 (Updated May 19, 2018)
Amani is a girl in a country that doesn't value women, and treats them as useless property only good for breeding sons. The country is basically occupied by another country that the Sultan is "allied" with, but lets run roughshod over his people. She has her sights set on escaping her backwoods, dead-end town, and running to the capital city, where the aunt she's never met lives. All of that is derailed when she meets Jin at an underground shooting competition, and then later hides him from the armed forces hunting him.
The country is definitely middle-east inspired, but there's a lot of religion-bashing, and complaining about the culture oppressing women. It's the same problem I have with a lot of knight-and-castle era fantasy - just because historically in OUR world those time periods weren't kind to women, doesn't mean they have to be the same in fantasy. It's FANTASY! It can be anything you want! Break the tropes! It's a fine line to walk, taking the good parts of a culture without just cherry-picking and appropriating the culture, and who's judging what the good and bad parts are, anyway? So I understand it's difficult, but bashing the culture in a book inspired by their mythology is not quite cool, either. I feel like City of Brass, another fantasy book set in the middle east, hit a better middle ground of embracing the culture of the inspiration without bashing parts of it.
That gripe aside, I really enjoyed the world-building. I'm not quite sold on the characters yet - Amani is far too quick to abandon things she should fight for - but I'm interested enough to see how they progress in the next two books.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The country is definitely middle-east inspired, but there's a lot of religion-bashing, and complaining about the culture oppressing women. It's the same problem I have with a lot of knight-and-castle era fantasy - just because historically in OUR world those time periods weren't kind to women, doesn't mean they have to be the same in fantasy. It's FANTASY! It can be anything you want! Break the tropes! It's a fine line to walk, taking the good parts of a culture without just cherry-picking and appropriating the culture, and who's judging what the good and bad parts are, anyway? So I understand it's difficult, but bashing the culture in a book inspired by their mythology is not quite cool, either. I feel like City of Brass, another fantasy book set in the middle east, hit a better middle ground of embracing the culture of the inspiration without bashing parts of it.
That gripe aside, I really enjoyed the world-building. I'm not quite sold on the characters yet - Amani is far too quick to abandon things she should fight for - but I'm interested enough to see how they progress in the next two books.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Heathere' (25 KP) rated Fables & Fairy Tales to Cross Stitch in Books
Apr 24, 2018
Cross Stitch/ point de croix~with a retro feel!
There are so many patterns to choose from in this book by, Véronique Enginger. This is a newer release book and originally available in French with a different cover and at a much higher price. I adore Véronique's patterns and am a big fan of her work! This book is full of fairy tale characters, characters from fables and French nursery rhymes. My favorite is Little Red Riding Hood but Beauty & The Beast and The Little Mermaid were also in the run for my favorite. I would complete all of the patterns, I love this book, that much! I like that Véronique creates patterns that can tell a story or you can choose to stitch a smaller scene or character. Véronique's patterns of faces are incredible and look like true works of art. It is very difficult finding cross stitch patterns with such natural looking faces. I have made several of her patterns and they are easy to follow and look just like the finished samples on the pages of her books. This book has given me so much inspiration and joy and I can't wait to work on more of the patterns. The book is hardcover and has nice big pages to make it easy to work from. The patterns have a retro feel that you might find on a 1940's-50's apron, blanket or tablecloth. I highly recommend this book for cross stitch enthusiasts, like myself. This isn't a beginner's book, however and should know how to read a cross stitch graph. It's also helpful to know how to stitch on linen to give these a more professional feel and more realistic look.
Molly J (Cover To Cover Cafe) (106 KP) rated Starting From Scratch in Books
Feb 25, 2019
After reading A Letter From Lancaster County and loving it, I knew I had to get my hands on this book. I was so excited when I got that chance! Don't get me wrong, when it comes to Amish Fiction, I'm very picky. With favorites like Wanda Brunstetter, Beverly Lewis and Amy Clipston, I have high expectations when it comes to well written, inspiring simple lives of the Amish variety. Ms. Lloyd is right up there with them and I loved every second of this page-turning, scrumptiously written, novel.
The characters within this novel are chiseled flawfully and beautifully. Jake and Eva remind me a lot of my own husband and myself. We both had a rough go for many years, and after meeting each other, and seeking God, we got to start over with each other, start from scratch and create a beautiful life together. Eva and Jake are captivating both alone in their stories, and when they are together. Watching them come to terms with their need to seek God in all they do, and for their need to start over and move on from the past, really tugged at my emotions.
Ms. Lloyd is truly talented. This novel is so worthy of the 5 star praises I'm singing to people. This book will wrap you up, twist you inside out, and land you in a place that only God can prepare for you. The inspiration that Ms. Lloyd pieces into the pages is beyond amazing and before I knew it, I was done with this novel. I can't wait for another fantabulously done, awesometastic Amish story in this incredible series! Well done, and hats off to you, Ms. Lloyd! Bring on the next!
*I received a complimentary copy of this book from the publisher and was under no obligation to post a review, positive or negative.*
The characters within this novel are chiseled flawfully and beautifully. Jake and Eva remind me a lot of my own husband and myself. We both had a rough go for many years, and after meeting each other, and seeking God, we got to start over with each other, start from scratch and create a beautiful life together. Eva and Jake are captivating both alone in their stories, and when they are together. Watching them come to terms with their need to seek God in all they do, and for their need to start over and move on from the past, really tugged at my emotions.
Ms. Lloyd is truly talented. This novel is so worthy of the 5 star praises I'm singing to people. This book will wrap you up, twist you inside out, and land you in a place that only God can prepare for you. The inspiration that Ms. Lloyd pieces into the pages is beyond amazing and before I knew it, I was done with this novel. I can't wait for another fantabulously done, awesometastic Amish story in this incredible series! Well done, and hats off to you, Ms. Lloyd! Bring on the next!
*I received a complimentary copy of this book from the publisher and was under no obligation to post a review, positive or negative.*
Molly J (Cover To Cover Cafe) (106 KP) rated The Unexpected Champion (High Sierra Sweethearts, #3) in Books
Feb 27, 2019
Y’all! Let me tell you a little something about this book right here. It’s fantabulous. That’s right. Fantabulous. Mary Connealy has been on my auto read authors list for years now. And, I always get giddy like a school kid on the play ground when I get to read her novels. This upcoming addition to her High Sierra Sweethearts series was no exception.
From the start, we are taking to the heart of the plot line, and into the lives of John and Penny. Oh sweet Penny, how I loved her! I loved her strong willed ways. And John. Lord have mercy, did I ever love him! His character really came to life for me, and I pictured myself beside him, taking each new twist and turn of being kidnapped with Penny as if I was there.
I loved the way Connealy created her characters with her trademark charm and wit. I love to get lost between the covers of one of her amazing novels because they are lighthearted and keep me chuckling on a bad day. The wit and charm of Penny and John were definitely evident in this page turner!
If you ask me, and even if you don’t, I’m going to tell you that I highly recommend this book with hats-off, two thumbs, and highest of 5 stars. Inspiration, hope, mercy and love are all wrapped up into another incredible cowboy story from the talented Mary Connealy. So, grab ya a copy, kick your boots off, and get ready to get wrapped up in another impeccably done novel from Mrs. Connealy!
*I received a complimentary copy of this book from NetGalley and was under no obligation to post a review, positive or negative.*
From the start, we are taking to the heart of the plot line, and into the lives of John and Penny. Oh sweet Penny, how I loved her! I loved her strong willed ways. And John. Lord have mercy, did I ever love him! His character really came to life for me, and I pictured myself beside him, taking each new twist and turn of being kidnapped with Penny as if I was there.
I loved the way Connealy created her characters with her trademark charm and wit. I love to get lost between the covers of one of her amazing novels because they are lighthearted and keep me chuckling on a bad day. The wit and charm of Penny and John were definitely evident in this page turner!
If you ask me, and even if you don’t, I’m going to tell you that I highly recommend this book with hats-off, two thumbs, and highest of 5 stars. Inspiration, hope, mercy and love are all wrapped up into another incredible cowboy story from the talented Mary Connealy. So, grab ya a copy, kick your boots off, and get ready to get wrapped up in another impeccably done novel from Mrs. Connealy!
*I received a complimentary copy of this book from NetGalley and was under no obligation to post a review, positive or negative.*
Neon's Nerd Nexus (360 KP) rated One Cut of the Dead (Kamera o Tomeru na!) (2017) in Movies
May 13, 2019
A cut above
#onecutofthedead is an extremely #fun and stressful look into the #art of #lowbudget #filmmaking. #Zombie films have literally been done to #death now so when i got the chance to catch this one i was sceptical but still the zombie #fan in me decided it wouldn't hurt to give it a shot. I have to say one cut is possibly the most refreshing and unique take on the genre ive seen in quite some time. Essentially 2 films the first half is an impressive little low budget zombie movie creatively shot in one long take while the second half is a look into the film making process itself. Its essentially one big love letter to the art of film making (especially on a low budget) full of #nostalgia and nods to films we all grew up enjoying. We are shown all the passion, team work, #stress, mistakes, cost cutting, disasters, preparation, energy and #emotional investment and above all fun that goes into the making a movie which is extremely refreshing to see. Acting is full of life especially since most of the cast are unknowns and each of them manage to bring great #comedy, realisum and likability to the characters. Themes of #bullying and social awkwardness are touched on here too and the film touches on how a directors can sometimes go to far ending up pushing actors over the brink not only physicall but mentally. Fancy something #gory, #funny, different and quirky? one cut is a film about inspiration, passion, motivation and comitment that pleasantly surprised me and has successfully reanimated the art of zombie movie making. #gore #horror #friyay #scary #silly #movie #filmbuff #filmcritic #beautiful #oldschool #classic #georgeromero #dawnofthedead #throwback #walkingdead
Neon's Nerd Nexus (360 KP) rated John Wick: Chapter 2 (2017) in Movies
May 17, 2019
Baba Yaga
#keanureeves #johnwick2 #johnwick When i got up out my seat after this had ended my heart was pounding and thats when i realised john wick 2 was something special. Its been a while since an action film has made me feel this excited, engaged and short of breath but this film nailed everything almost flawlessly. From the start this film oozes quality, every shot its perfect and has a gritty kind of beauty to it. Its filmed so well too with none of those stupid jump cuts action films today seem to shove in your face constantly to hide bad cgi or awful choreography, but in john wick 2 every fight, every trigger pull is framed so carefully and perfect that you see EVERYTHING thats going on in one clean swoop. The sound too is outstanding, you hear every cartridge hit the floor during gun fights and the roar of a cars engine you feel it in your chest and even the cinema floor was rumbling too. Id say this is way better than the fist one too as the director has clearly learnt more techniques/styles and take inspiration from older action films and stuntmen. I also can not wait to see this on #4k because the detail and destruction is nuts, mud, water, blood and glass is literally splashed everywhere. Blood fans will be happy also as this film is gratuitously violent (cough cough pencil scene). A definite must see film, its such an explosive rush from start to finish and its a lot smarter/fun and well made than your average action film. So excited for part 3. #film #review #action ##gore #blood #new #rubyrose #violent #style #odeonlimitless #odeon #cinema #2017
Daniel Boyd (1066 KP) rated Skyscraper (2018) in Movies
Sep 20, 2018
Absolute Garbage From Start To Finish
I have a pretty high tolerance of cheesy horseshit in movies - I am a fan of even the more poorly received Fast & Furious movies, - but this one took it too far, even for me.
I wanted to like this thing, I like the Rock, I like big dumb blockbusters, I enjoyed the trailers for this movie and I like Die Hard, which was clearly a major inspiration for this film. I didn't like it, any of it. From start to finish I went from cringe to cringe.
The quality of this movie is something that you might expect from something from early in the Rock's acting career, just after he broke away from wrestling and way before he was a big name in Hollywood, but this comes out now, after he has starred in movies like Fast & Furious and Moana. Not that Fast & Furious and Moana are deep, Oscar-worthy movies, but compared to Skyscraper they at lease deserve a nomination!
The only positive that I can give this movie is that it may be an okay film to put on in the background. Maybe if you have some friends over for a drink, this might be a good shout to put on in the background on low volume or if you are looking for something to have on while you tidy the house or go for a nap, then this is the film for you.
Overall, I am honestly really disappointed in the Rock for being in this atrocity, I thought he was above trash like this, but apparently I should have known better. Please, do yourself a favour and don't waste your time with this pointless nonsense like I did.
I wanted to like this thing, I like the Rock, I like big dumb blockbusters, I enjoyed the trailers for this movie and I like Die Hard, which was clearly a major inspiration for this film. I didn't like it, any of it. From start to finish I went from cringe to cringe.
The quality of this movie is something that you might expect from something from early in the Rock's acting career, just after he broke away from wrestling and way before he was a big name in Hollywood, but this comes out now, after he has starred in movies like Fast & Furious and Moana. Not that Fast & Furious and Moana are deep, Oscar-worthy movies, but compared to Skyscraper they at lease deserve a nomination!
The only positive that I can give this movie is that it may be an okay film to put on in the background. Maybe if you have some friends over for a drink, this might be a good shout to put on in the background on low volume or if you are looking for something to have on while you tidy the house or go for a nap, then this is the film for you.
Overall, I am honestly really disappointed in the Rock for being in this atrocity, I thought he was above trash like this, but apparently I should have known better. Please, do yourself a favour and don't waste your time with this pointless nonsense like I did.