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A Prodigy in Auschwitz: Simon
Book
When Nazi Germany troops enter Krakow, Poland on September 2, 1939, fourteen-year-old Simon Baron...
Historical Fiction WWII Auschwitz Jewish Survivor Story
Daniel Boyd (1066 KP) rated Bronson (2009) in Movies
Nov 14, 2017
Beautifully Brutal
I saw this movie years ago and recently re-watched it. Tom Hardy has given some great performances over the years, but an argument could be made for this being his best. He is in almost every scene in the movie and he commands the screen masterfully. He is domineering yet endearing, in other words you can't take your eyes off of this guy, but you wouldn't want to be left in a room alone with him either. You really do get a sense of him being extremely dangerous and highly unpredictable.
The movie was directed by Nicolas Winding Refn and his unique directorial style works well in the context of this insane story. Refn clearly took influence from other stories of violent insanity, such as A Clockwork Orange and Natural Born Killers, but the movie wears this on its sleeve and never feels derivative for it. The cinematography and lighting are also well implanted in the film, shot by Larry Smith, who has previously worked with Kubrick on Eyes Wide Shut and The Shining. The addition of Smith's eerily pretty camera work adds to the off kilter tone that the movie maintains throughout.
I also like the way that this movie is structured. It comes across as erratic and unconventional, but this is intentional and serves the bizarre narrative perfectly. You have to remember that this is an insane person recalling his deranged memories to an audience inside his own head, it is going to be sporadic and manic at times.
Overall, I think Bronson is a fantastic view into a severely fractured psyche. It is a disturbing and intense watch, so it may not be for everyone, especially if aggressive violence bothers you, but I think it is a masterful film, with one of the greatest lead performances I have ever seen.
The movie was directed by Nicolas Winding Refn and his unique directorial style works well in the context of this insane story. Refn clearly took influence from other stories of violent insanity, such as A Clockwork Orange and Natural Born Killers, but the movie wears this on its sleeve and never feels derivative for it. The cinematography and lighting are also well implanted in the film, shot by Larry Smith, who has previously worked with Kubrick on Eyes Wide Shut and The Shining. The addition of Smith's eerily pretty camera work adds to the off kilter tone that the movie maintains throughout.
I also like the way that this movie is structured. It comes across as erratic and unconventional, but this is intentional and serves the bizarre narrative perfectly. You have to remember that this is an insane person recalling his deranged memories to an audience inside his own head, it is going to be sporadic and manic at times.
Overall, I think Bronson is a fantastic view into a severely fractured psyche. It is a disturbing and intense watch, so it may not be for everyone, especially if aggressive violence bothers you, but I think it is a masterful film, with one of the greatest lead performances I have ever seen.
Midge (525 KP) rated The Year After You in Books
Feb 19, 2019
A Story Of Hope And Sadness
This is a wonderful, soul-searching, but sad story of hope and grief and it is one of the best books that I have read in a while.
It is set in Hope Hall, a Swiss boarding school located in the Alps. For me, one of the things that Nina de Pass did very cleverly was using the setting to maximum effect in THE YEAR AFTER YOU. Since my childhood, I have loved boarding school settings, as everything is so much more intense when in close proximity, such as romantic liaisons and relationships which tend to run at a different rate.
The main protagonist in this novel is Cara, who I found to be exceptionally frustrating at times, though this did not spoil the story for me in any way. From an honesty point of view, she was pretty unreliable as a narrator, however, I had a great deal of empathy for her because of what happened to her best friend Georgina. I loved that Nina de Pass developed Cara’s character so well.
I really liked all of the characters in THE YEAR AFTER YOU because they were so well formed as people with their own parts to play and were not just added after-thoughts to make the protagonist look better. For me, the story-telling also held some poignant messages about support mechanisms of friends and family and mental health issues.
I think that THE YEAR AFTER YOU is a book that I will remember. I would certainly recommend reading it.
Thank you to NetGalley, Black & White Publishing and Nina de Pass for a free ARC of this book in exchange for a voluntary, honest review.
It is set in Hope Hall, a Swiss boarding school located in the Alps. For me, one of the things that Nina de Pass did very cleverly was using the setting to maximum effect in THE YEAR AFTER YOU. Since my childhood, I have loved boarding school settings, as everything is so much more intense when in close proximity, such as romantic liaisons and relationships which tend to run at a different rate.
The main protagonist in this novel is Cara, who I found to be exceptionally frustrating at times, though this did not spoil the story for me in any way. From an honesty point of view, she was pretty unreliable as a narrator, however, I had a great deal of empathy for her because of what happened to her best friend Georgina. I loved that Nina de Pass developed Cara’s character so well.
I really liked all of the characters in THE YEAR AFTER YOU because they were so well formed as people with their own parts to play and were not just added after-thoughts to make the protagonist look better. For me, the story-telling also held some poignant messages about support mechanisms of friends and family and mental health issues.
I think that THE YEAR AFTER YOU is a book that I will remember. I would certainly recommend reading it.
Thank you to NetGalley, Black & White Publishing and Nina de Pass for a free ARC of this book in exchange for a voluntary, honest review.
Andy K (10823 KP) rated Suspiria (2018) in Movies
Feb 25, 2019
Not the Suspiria you were looking for.
"Reimagined" would be the only word to describe this new vision of the original cult horror Argento classic from director Luca Guadagnino. It reminded me of a lot of other 70s and 80s horror including the original Hellraiser, The Wicker Man, or some early David Cronenberg body horror films.
The same basic story of American dancer Susie Banion coming to join a famous European dance company only to discover its leaders are a coven of witches is still there, but with much more complexity. As with the original, the coven does not take kindly when girls try and leave the group and usually meet with some sort of gruesome outcome.
Things get intense slowly over the 2 1/2 hour runtime with the last 20 minutes being some of the most explicit freak show, sadistic, torturous bloodbath I have ever seen. Not sure how this would play with a mainstream audience. I think some would be bored with the beginning and then get up and leave during the extreme climax scene.
Since I watch a ton of movies, I seek out the strange and unusual at this point and this one did not disappoint. It is interesting to see another director's take on the story and going in a completely opposite direction. Argento was always known, especially in this film, for his use of wild colors and patterns and this new version stands as a stark contrast opting for more neutral tones and white and black.
If you have a strong stomach and crave an interesting challenge, I highly recommend. Then let me know so we can discuss.
The same basic story of American dancer Susie Banion coming to join a famous European dance company only to discover its leaders are a coven of witches is still there, but with much more complexity. As with the original, the coven does not take kindly when girls try and leave the group and usually meet with some sort of gruesome outcome.
Things get intense slowly over the 2 1/2 hour runtime with the last 20 minutes being some of the most explicit freak show, sadistic, torturous bloodbath I have ever seen. Not sure how this would play with a mainstream audience. I think some would be bored with the beginning and then get up and leave during the extreme climax scene.
Since I watch a ton of movies, I seek out the strange and unusual at this point and this one did not disappoint. It is interesting to see another director's take on the story and going in a completely opposite direction. Argento was always known, especially in this film, for his use of wild colors and patterns and this new version stands as a stark contrast opting for more neutral tones and white and black.
If you have a strong stomach and crave an interesting challenge, I highly recommend. Then let me know so we can discuss.
Molly J (Cover To Cover Cafe) (106 KP) rated Imperfect Justice (Hidden Justice #2) in Books
Feb 27, 2019
Holy Justice, Batman! This book was AH-mazing! Having read book one in this incredibly addictive, incredibly chiseled, incredibly captivating series, I was anxiously awaiting the chance to read this novel. When I got my greedy hands on it.......well, let's just say that this book right here, was absolutely one of the best books of 2017! I am always looking forward to a new Cara Putman novel now, and when she delivers one, I. Am. Hooked.
This book is powerful. It's filled with edge of your seat twists, as Emilie and Reid work together to find the clues, the pieces of the puzzle, to find Reid's neice. The roller coaster ride that follows these two incredible characters is enough to take your breath away. I felt every bit of emotion that these two felt, every heartache, every heartpounding piece of evidence within the pages left me wanting to wrap them up and hug them close!
If you love suspense with a dash of romance, then this intricately woven novel is one that you don't want to miss out on. It's 5 star worthy. It's a book that you must stay up past your bed time to finish, as you'll not want it to end. Every page turn will leave you breathless. This is absolutely, simply put, award winning. Once again, Ms. Putman has used her skills to throw her fans a book that will satisfy their hunger for the intense justice, and Godly messages that is Putman trademark! Bravo and hats off to you, Ms. Putman!
*Cafinated Reads received a complimentary copy of this book from LitFuse Blog Tours and was under no obligation to post a review, positive or negative.*
This book is powerful. It's filled with edge of your seat twists, as Emilie and Reid work together to find the clues, the pieces of the puzzle, to find Reid's neice. The roller coaster ride that follows these two incredible characters is enough to take your breath away. I felt every bit of emotion that these two felt, every heartache, every heartpounding piece of evidence within the pages left me wanting to wrap them up and hug them close!
If you love suspense with a dash of romance, then this intricately woven novel is one that you don't want to miss out on. It's 5 star worthy. It's a book that you must stay up past your bed time to finish, as you'll not want it to end. Every page turn will leave you breathless. This is absolutely, simply put, award winning. Once again, Ms. Putman has used her skills to throw her fans a book that will satisfy their hunger for the intense justice, and Godly messages that is Putman trademark! Bravo and hats off to you, Ms. Putman!
*Cafinated Reads received a complimentary copy of this book from LitFuse Blog Tours and was under no obligation to post a review, positive or negative.*
RəX Regent (349 KP) rated The Adjustment Bureau (2011) in Movies
Mar 7, 2019
No Adjustment Necessary
Contains spoilers, click to show
Is it just me, or is Matt Damon just getting better and better? He is developing into a well-rounded actor, with a definite ability to draw in his audience and deliver some great performances. In this, Damon is a would-be Senator who meets a falls in love with Emily Blunt, a modern ballet dancer.
Meanwhile it quickly becomes clear that the world is being organised by a group of shady men in 50's suits and hats, don't forget the hats, who 'Adjust' Peoples life paths to adhere to the grand plan. Unfortunately for the star-crossed lovers, they are not meant to be together and the they must ultimately challenge them to pursue their own fate.
Philip K. Dick is a strange and often wonderful sci-fi novelist, whose work has often been adapted for the screen, with the likes of Bladerunner, Total Recall, Minority Report and more recently, and I believe more faithfully In A Scanner Darkly.
The cinematography, art direction and ultimately the direction as a whole was very stylised without becoming uncomfortable or otherworldly, which I think was quite an achievement.
This has been referred to by other critics as 'Inception light', and though I can recognise a vague comparison, I wouldn't like to compare them myself. This was an interesting science fiction story, dealing with deep ideas in a lighter and ultimately more palatable way. Damon and Blunt were both enjoyable to watch as their romance blossomed, though be it in small vignettes, and the shady men themselves were often amusing if not outright funny.
There is nothing particularly new for fans of the genre, and though it is not as deep or intense as Bladerunner, this is certainly a nice addition to the Philip K. Dick movie cannon and it's always great to see a decent Sci-Fi film.
Meanwhile it quickly becomes clear that the world is being organised by a group of shady men in 50's suits and hats, don't forget the hats, who 'Adjust' Peoples life paths to adhere to the grand plan. Unfortunately for the star-crossed lovers, they are not meant to be together and the they must ultimately challenge them to pursue their own fate.
Philip K. Dick is a strange and often wonderful sci-fi novelist, whose work has often been adapted for the screen, with the likes of Bladerunner, Total Recall, Minority Report and more recently, and I believe more faithfully In A Scanner Darkly.
The cinematography, art direction and ultimately the direction as a whole was very stylised without becoming uncomfortable or otherworldly, which I think was quite an achievement.
This has been referred to by other critics as 'Inception light', and though I can recognise a vague comparison, I wouldn't like to compare them myself. This was an interesting science fiction story, dealing with deep ideas in a lighter and ultimately more palatable way. Damon and Blunt were both enjoyable to watch as their romance blossomed, though be it in small vignettes, and the shady men themselves were often amusing if not outright funny.
There is nothing particularly new for fans of the genre, and though it is not as deep or intense as Bladerunner, this is certainly a nice addition to the Philip K. Dick movie cannon and it's always great to see a decent Sci-Fi film.
Whatchareadin (174 KP) rated Take One With You in Books
Apr 9, 2019
Imagine a world where you could get back at those who had done you wrong. "An eye for an eye." In, Take One With You, Oak Anderson takes that ideal to a whole new extreme.
Charlie and Sarah had both suffered great loss. They had 'met' each other online in chat rooms dedicated to such things. They met several other people with the same suffering. One particular person, though, was an inspiration to them. She was courageous and brave.
Melissa Stevenson was tired and wanted to end her life. But there was someone else's life that had to end too. The person who made her life so horrible. Missy was going to take her life and take him with her.
From this inspiration, Charlie and Sarah created the TOWY website. People who were suicidal or terminally ill could take their own life and take the life of someone else as well. What a way to rid this earth of all the scum!
I really enjoyed this book. It's an original idea that is eerily realistic. The relationship between Charlie and Sarah is very intense. One part of this book, that was very different from any other book that I have ever read was the use of different media articles that talk about the effects the website is having on the world. I didn't like where they were placed in the book, but that was my own issue.
This is a great novel that will get you thinking. Are there really people out here who are already doing these things. Murder/suicide is a common practice. "If you die tomorrow...who would you kill tonight?"
Please read Take One With You!
Charlie and Sarah had both suffered great loss. They had 'met' each other online in chat rooms dedicated to such things. They met several other people with the same suffering. One particular person, though, was an inspiration to them. She was courageous and brave.
Melissa Stevenson was tired and wanted to end her life. But there was someone else's life that had to end too. The person who made her life so horrible. Missy was going to take her life and take him with her.
From this inspiration, Charlie and Sarah created the TOWY website. People who were suicidal or terminally ill could take their own life and take the life of someone else as well. What a way to rid this earth of all the scum!
I really enjoyed this book. It's an original idea that is eerily realistic. The relationship between Charlie and Sarah is very intense. One part of this book, that was very different from any other book that I have ever read was the use of different media articles that talk about the effects the website is having on the world. I didn't like where they were placed in the book, but that was my own issue.
This is a great novel that will get you thinking. Are there really people out here who are already doing these things. Murder/suicide is a common practice. "If you die tomorrow...who would you kill tonight?"
Please read Take One With You!
Lee (2222 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 7, 2019
Awful dialogue (1 more)
Pointless villain
Disappointing
Dark Phoenix marks the end of an era for the X-Men franchise, being the last of their movies to go into production before the recent acquisition of Fox by Disney. It's a series of movies which unfortunately has had more misfires than hits. But for me, the hits have been right up there with the biggest of the MCU movies in terms of storytelling and entertainment. It's therefore a real shame that Dark Phoenix turns out to be yet another misfire.
Dark Phoenix start off well though. It's 1992, and the X-Men are currently riding high on popularity, with Charles Xavier even having his own hotline to the president. A trip up into space to save some astronauts in peril is impressive, with the X-Men working effectively as a team under pressure. In fact, these team moments are the best thing about the movie - all working together, with every character getting a chance to utilise their specific set of skills.
The worst thing about Dark Phoenix is the script - awkward, cheesy or just plain boring. Moments that are supposed to be emotional, intense or poignant just come across as dull and frustrating, making the heavy handed soundtrack all the more noticeable. Many of the cast do their best with what they've been given, but it rarely works. Add to that a completely pointless villain (Jessica Chastain) without any clearly defined motivation that you can get behind, and the negative elements far outweigh the positive for me. Who knows what form the X-Men may eventually take within the MCU, but hopefully they'll be utilised to their full potential once more.
Dark Phoenix start off well though. It's 1992, and the X-Men are currently riding high on popularity, with Charles Xavier even having his own hotline to the president. A trip up into space to save some astronauts in peril is impressive, with the X-Men working effectively as a team under pressure. In fact, these team moments are the best thing about the movie - all working together, with every character getting a chance to utilise their specific set of skills.
The worst thing about Dark Phoenix is the script - awkward, cheesy or just plain boring. Moments that are supposed to be emotional, intense or poignant just come across as dull and frustrating, making the heavy handed soundtrack all the more noticeable. Many of the cast do their best with what they've been given, but it rarely works. Add to that a completely pointless villain (Jessica Chastain) without any clearly defined motivation that you can get behind, and the negative elements far outweigh the positive for me. Who knows what form the X-Men may eventually take within the MCU, but hopefully they'll be utilised to their full potential once more.
Kristy H (1252 KP) rated The Hopefuls in Books
Feb 13, 2018
Beth is less than thrilled when her husband, Matt, announces they are moving to Washington, DC. Beth loves New York City and all that comes with it, and DC is an intense culture shock. Matt is involved with President Obama's campaign and the couple's life revolves completely around politics. Beth, a writer, tires easily of the endless business talk and her husband's obsession with politics and the DC scene. Soon Matt and Beth meet Jimmy and Ashleigh. Jimmy works at the White House as well. The couples become fast friends, sharing meals, parties, and vacations. But as Jimmy raises in the ranks in politics, the friendship becomes quickly threatened by jealousy.
I was intrigued by the premise of this book--a relationship set to the backdrop of the Obama campaign and administration. Living close to the DC area, I can say that Close's description of many DC citizens is spot on: the Blackberrys, the obsession with security clearance and work standing, the fashion. She's excellent at weaving a story in the details.
The problem, however, is that Beth--the novel's narrator--is just so dull. She's beyond passive, willing to watch life unravel as she watches. It doesn't seem as if Beth is interested in anything, beyond whining. After a while, I just became so frustrated with her, I wanted to scream. It doesn't help that her husband, Matt, is similarly self-absorbed, and Jimmy and Ashleigh aren't any more likable. The book sort of bumps along, with no real movement to swing it along, or a character with any redeeming quality of any sort (good or bad). Even the DC details can't save this often frustrating novel from its own irksome and passive characters. 2.5 stars.
I was intrigued by the premise of this book--a relationship set to the backdrop of the Obama campaign and administration. Living close to the DC area, I can say that Close's description of many DC citizens is spot on: the Blackberrys, the obsession with security clearance and work standing, the fashion. She's excellent at weaving a story in the details.
The problem, however, is that Beth--the novel's narrator--is just so dull. She's beyond passive, willing to watch life unravel as she watches. It doesn't seem as if Beth is interested in anything, beyond whining. After a while, I just became so frustrated with her, I wanted to scream. It doesn't help that her husband, Matt, is similarly self-absorbed, and Jimmy and Ashleigh aren't any more likable. The book sort of bumps along, with no real movement to swing it along, or a character with any redeeming quality of any sort (good or bad). Even the DC details can't save this often frustrating novel from its own irksome and passive characters. 2.5 stars.
Eve Oxspring (14 KP) rated Phantom Thread (2017) in Movies
Feb 15, 2018
Excellent performances (2 more)
Interesting concept
Beautiful cinematography
An intense character study with a side of high fashion
Contains spoilers, click to show
I haven't been able to stop thinking about this movie for days. On the surface, it's a somewhat absurd look into the life of a overly privileged, egotistical fashion designer (Day-Lewis). His every whim is provided for by his stoic sister (Manville) and a number of lovers that he, in some way or other, always manages to drive away.
It should have been forgettable, but, in fact was the complete opposite.
The lack of context really makes this film. There are clues throughout, the odd word or image littered here and there, but it is left almost entirely to the audience to piece together the meaning of everything. Woodcock clearly has issues when it comes to his mother, who taught him everything he knew and who died years before the film takes place. He projects these issues onto those around him, involving them in the "game" that is his life. As we, the audience, begin to realise this, so, too, does Alma (Krieps), his current lover. She repeatedly poisons him, knowing the only time she will be truly alone and at his full attention is when he is incapable of being anywhere else. She takes care of him almost as a mother would a small child, further adding to (or relieving?) already prevalent issues in him.
The more I think about this film, the more I love it. I admit, I didn't care for it at all when I first walked out of the cinema, but as time has passed - as I've had a chance to digest and unpack all the gifts this film gives - I find myself liking it more and more. A second viewing is definitely on the cards.
It should have been forgettable, but, in fact was the complete opposite.
The lack of context really makes this film. There are clues throughout, the odd word or image littered here and there, but it is left almost entirely to the audience to piece together the meaning of everything. Woodcock clearly has issues when it comes to his mother, who taught him everything he knew and who died years before the film takes place. He projects these issues onto those around him, involving them in the "game" that is his life. As we, the audience, begin to realise this, so, too, does Alma (Krieps), his current lover. She repeatedly poisons him, knowing the only time she will be truly alone and at his full attention is when he is incapable of being anywhere else. She takes care of him almost as a mother would a small child, further adding to (or relieving?) already prevalent issues in him.
The more I think about this film, the more I love it. I admit, I didn't care for it at all when I first walked out of the cinema, but as time has passed - as I've had a chance to digest and unpack all the gifts this film gives - I find myself liking it more and more. A second viewing is definitely on the cards.