Search
Search results
365Flicks (235 KP) rated Leopard (2016) in Movies
Nov 20, 2019
A Beautiful, Twisted, Dark, Intense and Mesmerizing tale of Betrayal, Violence and Heart Breaking Brotherly Love..
Anyone who listens to ourleopard5-1 Podcast knows that while Chris and myself love the fanfare of the Huge Blockbuster Marvel/DC/Star Wars releases. Well nothing can quite compare to the
smaller Independent Films that you just know every second of screen time came straight from one persons passion to make a piece of Cinema that is all there’s. A movie that can display such mastery of there craft and hit you square in the heart (or balls) and make you feel something that… In my opinion Capes and Spandex just cant do.
Leopard is available On Demand this month from Osiris Entertainment.
Leopard is exactly that type of movie. A true passion piece that is driven by the wonderfully carefully calculated mind of its Writer/Director/Actor, BUT smashed out of the park by his outstanding team of Actors. Most revleopard6iews and articles I have read liken this movie to the wonderful Paris,Texas but I personally thought it had a feeling of Shane Meadows Dead Man Shoes.
Leopard tells the story of Jack (Eoin Macken. Merlin, NBCs Night Shift Also the Writer/Director) and his brother Tom (Tom Hopper. Merlin, Black Sails). Jack is returning to his home town in Ireland after a prolonged absence and it is clear from the outset he is not all that welcome. We find that his father has passed away and he is back for the reading of the Will along with his brother Tom who is not all there (Think Lenny from Mice and Men). There relationship is fairly strained and we spend the course of the movie figuring out what happened 5 years ago and where that has left the two brothers now. Throw in some Hostile locals, A left for Dead girl to become the point of Toms fixation and a creepy Strip Club, you have leopard.
Chris and I cannot speak highly enough of this movie it ticks all of our boxes when looking for something a little bit different. The Irish setting not only makes for a great backdrop but also becomes a character within itself. The score to this movie is often hopeful and optimistic but full of eerie dread at the same time, truly wonderful. Eoin and Tom bring a level of chemistry you would hope for after there time together on Merlin. However I am going to say it here and now Tom Hopper is a Brit star to watch out for he smashed this out of the park. There is also a damn fine supporting cast in Jack Reynor (Transformers: Age of Extinction) Rebecca Night (Sky 1s The Starlings) and Helen Pearson (Mrs O from Hollyoaks).
Anyone who listens to ourleopard5-1 Podcast knows that while Chris and myself love the fanfare of the Huge Blockbuster Marvel/DC/Star Wars releases. Well nothing can quite compare to the
smaller Independent Films that you just know every second of screen time came straight from one persons passion to make a piece of Cinema that is all there’s. A movie that can display such mastery of there craft and hit you square in the heart (or balls) and make you feel something that… In my opinion Capes and Spandex just cant do.
Leopard is available On Demand this month from Osiris Entertainment.
Leopard is exactly that type of movie. A true passion piece that is driven by the wonderfully carefully calculated mind of its Writer/Director/Actor, BUT smashed out of the park by his outstanding team of Actors. Most revleopard6iews and articles I have read liken this movie to the wonderful Paris,Texas but I personally thought it had a feeling of Shane Meadows Dead Man Shoes.
Leopard tells the story of Jack (Eoin Macken. Merlin, NBCs Night Shift Also the Writer/Director) and his brother Tom (Tom Hopper. Merlin, Black Sails). Jack is returning to his home town in Ireland after a prolonged absence and it is clear from the outset he is not all that welcome. We find that his father has passed away and he is back for the reading of the Will along with his brother Tom who is not all there (Think Lenny from Mice and Men). There relationship is fairly strained and we spend the course of the movie figuring out what happened 5 years ago and where that has left the two brothers now. Throw in some Hostile locals, A left for Dead girl to become the point of Toms fixation and a creepy Strip Club, you have leopard.
Chris and I cannot speak highly enough of this movie it ticks all of our boxes when looking for something a little bit different. The Irish setting not only makes for a great backdrop but also becomes a character within itself. The score to this movie is often hopeful and optimistic but full of eerie dread at the same time, truly wonderful. Eoin and Tom bring a level of chemistry you would hope for after there time together on Merlin. However I am going to say it here and now Tom Hopper is a Brit star to watch out for he smashed this out of the park. There is also a damn fine supporting cast in Jack Reynor (Transformers: Age of Extinction) Rebecca Night (Sky 1s The Starlings) and Helen Pearson (Mrs O from Hollyoaks).
JT (287 KP) rated The Grey (2012) in Movies
Mar 10, 2020
Director Joe Carnahan has a popular back catalogue. One that is considered his best to date is Narc. Of course he helmed the bat shit crazy, guns-a-blazing Smokin Aces and who could forget for a minute the over the top and some what bonkers reboot of The A-Team.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Gareth von Kallenbach (980 KP) rated No Escape (2015) in Movies
Aug 6, 2019
Full disclosure…I am not a fan of Owen Wilson. In fact, I have down right loathed him since I first saw him in Armageddon. In my opinion, he always plays an annoying, somewhat exaggerated and not very funny character. To make things worse, No Escape is a non-comedy, non-quirky, straight man Owen Wilson film. Seems like a terrible idea. Still, the trailer intrigued me because I wanted to see if Wilson had any range to be a “normal action” character for once or would he continue to live up to my low expectations of him.
Surprisingly, I enjoyed him in this performance greatly. Wilson plays a father who uproots his wife Annie (Lake Bell) and their two little girls and moves them to Southeast Asia to work on a project to bring clean drinking water to the country and provide a better life for his family. However shortly after arrival, the family finds themselves in the middle of a violent political uprising they do not understand nor have any idea why it is happening and must somehow find sanctuary and escape this foreign city where Americans are being executed on sight. The film is intense. As soon as the coup begins, we are taken on a ride of constant tension and emotion, broken up with quiet moments where Wilson uses “dad humor” to comfort his family. Wilson shines in these moments because his “lame Dad humor” is not only believable, but his demeanor throughout the film is realistic and loving. His chemistry with his cast mates is stellar as the family all deliver solid performances and you can believe they are an actual family.
As they are moving through the city they come across a familiar face in Pierce Brosnan who plays some kind of mercenary ex-agent type. Brosnan’s screen time is short but he steals every scene he is in. He also gives an explanation, though simple, of what is going on and how the family can find safety. Critics of this film may fault it for glossing over a real world issue of western colonialism and no attempt to humanize the plight of the locals, however for me at least, this film isn’t trying to tell a giant story, but rather a far simpler one which is about family. Additionally, the trailers for this film present it as more of an action film, which it is not.
In the end we are left with a frightening atmosphere where we constantly might ask ourselves what we would do in that situation. The strength of this film is the family dynamic and the strong performances that give them life. Though the film mostly ignores a real world issue, it delivers a thrilling fast paced ride from almost start to finish.
Surprisingly, I enjoyed him in this performance greatly. Wilson plays a father who uproots his wife Annie (Lake Bell) and their two little girls and moves them to Southeast Asia to work on a project to bring clean drinking water to the country and provide a better life for his family. However shortly after arrival, the family finds themselves in the middle of a violent political uprising they do not understand nor have any idea why it is happening and must somehow find sanctuary and escape this foreign city where Americans are being executed on sight. The film is intense. As soon as the coup begins, we are taken on a ride of constant tension and emotion, broken up with quiet moments where Wilson uses “dad humor” to comfort his family. Wilson shines in these moments because his “lame Dad humor” is not only believable, but his demeanor throughout the film is realistic and loving. His chemistry with his cast mates is stellar as the family all deliver solid performances and you can believe they are an actual family.
As they are moving through the city they come across a familiar face in Pierce Brosnan who plays some kind of mercenary ex-agent type. Brosnan’s screen time is short but he steals every scene he is in. He also gives an explanation, though simple, of what is going on and how the family can find safety. Critics of this film may fault it for glossing over a real world issue of western colonialism and no attempt to humanize the plight of the locals, however for me at least, this film isn’t trying to tell a giant story, but rather a far simpler one which is about family. Additionally, the trailers for this film present it as more of an action film, which it is not.
In the end we are left with a frightening atmosphere where we constantly might ask ourselves what we would do in that situation. The strength of this film is the family dynamic and the strong performances that give them life. Though the film mostly ignores a real world issue, it delivers a thrilling fast paced ride from almost start to finish.
Gareth von Kallenbach (980 KP) rated Furious 7 (2015) in Movies
Aug 6, 2019
As most would expect from the Fast & Furious franchise, the 7th installment was full of the absurd, ridiculous and spectacular. How a former FBI agent and reticent street racer came to be the leaders of a highly sought after band of not-so-merry brothers (and sisters), hired to accomplish what special ops couldn’t is just part of the absurd. The ridiculous can be found in the escapades they find themselves mired in as well as the stunts they have to pull off to get out of said predicaments. But tied into the absurd and ridiculous are the spectacular adrenaline rushes charged with a lot of shiny metal and ferocious revs and rumbles of finely tuned engines.
Furious 7 tries to tie together the storylines of its predecessors. At least that was the original intent. But with only a couple weeks of filming left, the movie lost one of its leading men, Paul Walker in a horrifically ironic car accident. When the cast and crew, as well as Universal and Walker’s family agreed to finish filming, the movie became more about giving his character, Brian O’Connor, his last hurrah, a final dance with bullets he told his wife he missed before he finally accepted a more domesticated existence.
As much as I enjoyed Furious 7, it was hard to watch on so many levels. The fans will love the intense fight scenes, some wincingly brutal, some intricately choreographed. There are plenty of jaw-dropping stunts and heart-racing car chases, and plenty of one-liners to laugh or groan at, mainly from Dwayne Johnson’s character, Hobbs. This movie also had two villains, Jason Statham’s Deckard Shaw and Djimon Honsou’s Jakande; one intent on avenging his brother, the other bent on getting his hands on “God’s Eye”, a device that would essentially give Jakande control of the world, of course. The movie also introduced a new character named Mr. Nobody, played by an amusing Kirk Russell.
With the aid of CGI and Walker’s brothers, Cody and Caleb, as stand-ins, director James Wan was able to keep Brian in most of the film. That’s where I found some difficulty in watching the movie. Wan and his staff combed through footage that normally would’ve ended on the cutting room floor to find usable shots that Wan came to refer to as “Walker Gold” because each shot became more and more precious. I understood that sentiment as each of Walker’s scenes, especially with Vin Diesel and Jordana Brewster, became even more poignant knowing they were some of his last. Wan didn’t try to make the audience forget that Walker was gone, instead he made Furious 7 the satisfying closing chapter for the character Walker brought to life, effectively paying tribute to Walker himself.
Furious 7 tries to tie together the storylines of its predecessors. At least that was the original intent. But with only a couple weeks of filming left, the movie lost one of its leading men, Paul Walker in a horrifically ironic car accident. When the cast and crew, as well as Universal and Walker’s family agreed to finish filming, the movie became more about giving his character, Brian O’Connor, his last hurrah, a final dance with bullets he told his wife he missed before he finally accepted a more domesticated existence.
As much as I enjoyed Furious 7, it was hard to watch on so many levels. The fans will love the intense fight scenes, some wincingly brutal, some intricately choreographed. There are plenty of jaw-dropping stunts and heart-racing car chases, and plenty of one-liners to laugh or groan at, mainly from Dwayne Johnson’s character, Hobbs. This movie also had two villains, Jason Statham’s Deckard Shaw and Djimon Honsou’s Jakande; one intent on avenging his brother, the other bent on getting his hands on “God’s Eye”, a device that would essentially give Jakande control of the world, of course. The movie also introduced a new character named Mr. Nobody, played by an amusing Kirk Russell.
With the aid of CGI and Walker’s brothers, Cody and Caleb, as stand-ins, director James Wan was able to keep Brian in most of the film. That’s where I found some difficulty in watching the movie. Wan and his staff combed through footage that normally would’ve ended on the cutting room floor to find usable shots that Wan came to refer to as “Walker Gold” because each shot became more and more precious. I understood that sentiment as each of Walker’s scenes, especially with Vin Diesel and Jordana Brewster, became even more poignant knowing they were some of his last. Wan didn’t try to make the audience forget that Walker was gone, instead he made Furious 7 the satisfying closing chapter for the character Walker brought to life, effectively paying tribute to Walker himself.
Afghanistan '11
Games
App Watch
The year is 2011, you are commanding the US army operations in Afghanistan. But contrary to the...
games
1st to Die (Women's Murder Club, #1)
7.9
Rate It
Book
James Patterson, bestselling author of the Alex Cross novels Along Came a Spider, Kiss the Girls,...
CHAOS Combat Copters -‐ #1 Multiplayer Helicopter Simulator 3D
Games and Entertainment
App
"ENJOY WHAT IS SIMPLY THE BEST MULTIPLAYER HELICOPTER ARCADE ON SMARTPHONES C.H.A.O.S - Combat...
Colossatron: Massive World Threat
Games
App
AN EXPLOSIVE NEW GAME FROM THE CREATORS OF FRUIT NINJA AND JETPACK JOYRIDE! Colossatron: Massive...
The Moorad Choudhry Anthology: Past, Present and Future Principles of Banking and Finance + Website
Book
The definitive and timeless guide to the principles of banking and finance, addressing and meeting...
The Alex Crow
Book
From the critically acclaimed author of cult teen novel Grasshopper Jungle, Andrew Smith, comes a...