Search

Search only in certain items:

What a Wicked Web We Weave
What a Wicked Web We Weave
William G. R. Hamilton | 2019 | Fiction & Poetry
7
7.0 (1 Ratings)
Book Rating
Genre: Mystery, Thriller, Fiction, New-Adult

Type: Stand-alone

Audience/ Reading Level: 18+

Interests: Murder, Fraud, Law Enforcement, Sexual Assault, Family.

Point of View: Honestly, I’m not sure because the views changed all the time.

Promise: What a Wicked Web We Weave is a novel full of mystery, intrigue, murder, revenge, fraud and betrayal amongst many other things. It has several twists and turns as you get enthralled into each chapter and it will leave the reader in suspense and at the edge of their seat, right up to the end.

Insights: I really was hoping to love this little book. But I just couldn’t get over how much the author blew over certain controversial topics and how he wrote this novel. The story was there, there was background on not only the characters but also the story. But I won’t be reading this book again because it wasn’t as enjoyable as I thought it would be. There was also a massive amount of grammatical errors that took away from the surrounding story. Finally, the plot was not the greatest. Two out of five stars.

Can we talk about how the author thought writing a sexual assault scene and then blowing it off like it meant nothing was okay? Also, can we talk about the fact that the victims brother and his lover thought it was alright to go back to the assailant’s room and assualt him in return? I do not take lightly to sexual assualt and this just really put me off on the rest of the story.

Favorite Quotes: “Tony Lodge eat your heart out.”

“‘It’s going to be a long night,’ Tony thoight. ‘Come to Tony you asshole.'”

What will you gain?: An interesting story that is not the greatest read.

Aesthetics: I was intrigued by the synopsis when I first requested this. But I’m majorly disappointed with the way the author set up this novel.
  
Death on the Nile (2022)
Death on the Nile (2022)
2022 | Mystery
To start with, there's only so much you can hate on an Agatha Christie adaption. The film could be torrid tripe, but there's still a particular brand of intrigue which always comes with one of her whodunits. This latest re-telling of Death on the Nile just about scrapes by, mainly thanks to its second half, and that aforementioned Christie narrative, but sadly, not much else.
There's glimpses of something good there. Kenneth Branagh can be hit or miss as far as I'm concerned. For every Belfast (soaringly wonderful) there's an Artemis Fowl (what I imagine a lobotomy feels like). This is somewhere in the middle. There are moments of promise sprinkled here and there, but they struggle to break through all the bloated hot air that is draped over everything.
All of the characters are ridiculous. I get that's part of it, but it just falls flat here. It's hard to enjoy comic relief when everyone is comic relief. Gal Gadot seems like she is half-arsing every line. Russell Brand feels jarringly out of place. I traditionally enjoy French & Saunders but they also feel alien in every scene they're in. I know this shouldn't really impact my view, but Armie Hammer look like he just wants to eat everyone he talks to. Even the usually reliable Annette Benning comes across completely disinterested. There's no chemistry anywhere, and it all just feels a bit odd. Branagh is pretty great as Poirot to his credit. He just about holds proceedings together along with Sophie Okonedo, and they both manage to inject some charisma when things become arduous, which is farily regularly.

A bit of a misfire then, but not a complete disaster. I can firmly file Death on the Nile under "films I don't really like, but would probably watch again if it was on TV, or maybe on Christmas day at my Mums house".