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The Messenger of Luci
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Have you ever felt as though you were being watched? Have you ever had the feeling that there was...
Self-help Family Personal development
Ross (3284 KP) rated Cold Iron (Masters & Mages #1) in Books
Jan 22, 2019
Elaborate prose and an unsettling amount of "wait and see" damaged my enjoyment
This book feels like your standard coming-of-age fantasy - young man from a simple village finds himself in the big city destined for greatness and surrounds himself with strong watchers while he grows into his potential. It is that and it is so much more.
The story that is told is how Aranthur, this young man (selected from his village to attend the big city university) finds himself in the midst of conflict and significant events in the empire's changing status. The idea of fate dictating that this one man would be at the centre of things (see Wheel of Time) is not one that is explored here. While it is hinted at (he is frequently told off for ending up in unusual circumstances), it isn't overly laboured. Nobody tells him he was chosen or anything like that. Instead he gradually learns that he has found himself at the centre of political intrigue, plotting, counter-plotting, conspiracies and war.
This book is not about Aranthur. He is just the focal point of the book, the story is so much bigger than him. This meant it did at times become a little hard to take that he always just happened to meet the right person, go to the right place at the right time in order to witness or participate in a number of significant plot events. In hindsight, this is largely all explained as some hidden agenda and him being put in those places to make those decisions but at the time it was a little jarring.
The narrative is more akin to Robert Jordan than many contemporary writers - so much overly elaborate description of people, places, clothes, horses, weapons etc. At times this adds to the reading experience but I found it over-used and made the book feel like a much longer read (I was shocked when I found out it was just under 450 pages - it reads like around 700). Also, so much of the narrative is in either italics (to show it is a magic/majick/magik delete as appropriate) or is in some odd variation of French ("gonne" for gun, "quaveh" for coffee etc) to become irritating. At times the book is more like a decent fantasy tale or conspiracy and intrigue which has been edited by a historical re-enactment nut. Given this is fictional and the world is the author's to do with as he wishes, forcing some historical accuracy at the expense of reader enjoyment seemed an odd decision to make.
The magical system seems fairly standard fantasy fayre, albeit it is not described or explored in any detail, people just suddenly do things which haven't previously been mentioned. A large aspect of the book is Aranthur's being chosen to translate an ancient text to decode the magical secrets hidden there. I think in all he decodes three of these, and uses them, but there is no mention of them until he has to use them in a fight. It could just be that I have been reading a lot of LitRPG recently, where every spell is described in intimate detail and its uses are discussed way in advance of being needed in combat, but I felt like it was something of an afterthought or rescue from a plot dead-end ("oh sod it, say he done a magic").
While I did enjoy this book on the whole, the narrative style and the focus being on clothes rather than describing the interesting aspects of the world were to its detriment. Also, the book is written as two "books" (chapters), the first "book" covers around 80% and all in one long chapter without breaks. To my mind, ending there would have sufficed. The final 20% in "book 2" felt like part epilogue, part sequel and should maybe have been split as such.
My advice to anyone reading this, is to suspend disbelief that little bit further and trust that things do largely get explained satisfactorily before the end.
The story that is told is how Aranthur, this young man (selected from his village to attend the big city university) finds himself in the midst of conflict and significant events in the empire's changing status. The idea of fate dictating that this one man would be at the centre of things (see Wheel of Time) is not one that is explored here. While it is hinted at (he is frequently told off for ending up in unusual circumstances), it isn't overly laboured. Nobody tells him he was chosen or anything like that. Instead he gradually learns that he has found himself at the centre of political intrigue, plotting, counter-plotting, conspiracies and war.
This book is not about Aranthur. He is just the focal point of the book, the story is so much bigger than him. This meant it did at times become a little hard to take that he always just happened to meet the right person, go to the right place at the right time in order to witness or participate in a number of significant plot events. In hindsight, this is largely all explained as some hidden agenda and him being put in those places to make those decisions but at the time it was a little jarring.
The narrative is more akin to Robert Jordan than many contemporary writers - so much overly elaborate description of people, places, clothes, horses, weapons etc. At times this adds to the reading experience but I found it over-used and made the book feel like a much longer read (I was shocked when I found out it was just under 450 pages - it reads like around 700). Also, so much of the narrative is in either italics (to show it is a magic/majick/magik delete as appropriate) or is in some odd variation of French ("gonne" for gun, "quaveh" for coffee etc) to become irritating. At times the book is more like a decent fantasy tale or conspiracy and intrigue which has been edited by a historical re-enactment nut. Given this is fictional and the world is the author's to do with as he wishes, forcing some historical accuracy at the expense of reader enjoyment seemed an odd decision to make.
The magical system seems fairly standard fantasy fayre, albeit it is not described or explored in any detail, people just suddenly do things which haven't previously been mentioned. A large aspect of the book is Aranthur's being chosen to translate an ancient text to decode the magical secrets hidden there. I think in all he decodes three of these, and uses them, but there is no mention of them until he has to use them in a fight. It could just be that I have been reading a lot of LitRPG recently, where every spell is described in intimate detail and its uses are discussed way in advance of being needed in combat, but I felt like it was something of an afterthought or rescue from a plot dead-end ("oh sod it, say he done a magic").
While I did enjoy this book on the whole, the narrative style and the focus being on clothes rather than describing the interesting aspects of the world were to its detriment. Also, the book is written as two "books" (chapters), the first "book" covers around 80% and all in one long chapter without breaks. To my mind, ending there would have sufficed. The final 20% in "book 2" felt like part epilogue, part sequel and should maybe have been split as such.
My advice to anyone reading this, is to suspend disbelief that little bit further and trust that things do largely get explained satisfactorily before the end.
Siren's Call (Dark Tides #1)
8.0
Rate It
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Between desire and love there are some things that can’t stay buried, even in the deep of the...
Uptown Oracle (24 KP) rated The House of Mountfathom in Books
Jun 30, 2017
Family, Adventure and Magic
Family, adventure and magic. A perfect combination for this middle grade book. The House of Mountfathom is set in Ireland during times of unrest. The Driochta, always peacekeepers, must choose a side to survive.
My favourite aspect was how alive the house felt as it was so full of magic. The House of Mountfathom seemed like another member of the family almost like it had a mind of it's own. There was so much time given to explaining the house, magic and family though, that it reduced the actual plot to the second half of the book.
The House of Mountfathom has a strong focus on family. The Mountfathom family are the protagonists of the book. The Order of Driochta are another kind of family. There's no romance subplot which was a big plus point for me.
Another thing was that the house was in Ireland. I cant think off the top of my head another book I've read based in Ireland. The introduction of both historical aspects and folklore was great. There's also a distinct discussion about class systems. The 'big houses' aka the upper class in Ireland are in trouble, including the Mountfathom house, even though they're trying to keep the peace.
A problem I had was the format seemed odd, I assume it would be best in a printed book. My kindle seemed to push everything together and it was difficult to discern between chapters. The illustrations would have also worked much better within a book. Since this was an e-ARC though, I wouldn't take that into account.
Another problem is the book doesn't seem quite finished. Understandable as Nigel McDowell passed away in February. Although the ambiguous ending does give something towards the mysterious aspect of the book as a whole.
I really enjoyed how McDowell described the hows of magic. The first part of the book follows Luke as he grows up and learns magic. The five principles are distinct in how Luke learns them. I would compare The House of Mountfathom to Lemony Snicket and Neil Gaiman's Coraline. It was a bit dark and creepy in places. Full of intrigue and magic.
My favourite aspect was how alive the house felt as it was so full of magic. The House of Mountfathom seemed like another member of the family almost like it had a mind of it's own. There was so much time given to explaining the house, magic and family though, that it reduced the actual plot to the second half of the book.
The House of Mountfathom has a strong focus on family. The Mountfathom family are the protagonists of the book. The Order of Driochta are another kind of family. There's no romance subplot which was a big plus point for me.
Another thing was that the house was in Ireland. I cant think off the top of my head another book I've read based in Ireland. The introduction of both historical aspects and folklore was great. There's also a distinct discussion about class systems. The 'big houses' aka the upper class in Ireland are in trouble, including the Mountfathom house, even though they're trying to keep the peace.
A problem I had was the format seemed odd, I assume it would be best in a printed book. My kindle seemed to push everything together and it was difficult to discern between chapters. The illustrations would have also worked much better within a book. Since this was an e-ARC though, I wouldn't take that into account.
Another problem is the book doesn't seem quite finished. Understandable as Nigel McDowell passed away in February. Although the ambiguous ending does give something towards the mysterious aspect of the book as a whole.
I really enjoyed how McDowell described the hows of magic. The first part of the book follows Luke as he grows up and learns magic. The five principles are distinct in how Luke learns them. I would compare The House of Mountfathom to Lemony Snicket and Neil Gaiman's Coraline. It was a bit dark and creepy in places. Full of intrigue and magic.
Katie Burrows (1 KP) rated A Court of Frost and Starlight: Court of Thorns and Roses in Books
May 21, 2018
More time with beloved characters (2 more)
Got to find out more about side character backstories
The development of Feyre's sisters and their post-Cauldron struggles felt realistic and honest
No real point or feeling to the plot (4 more)
3/4 of the way through the book, still not sure what the point is
The sudden decision to write from multiple perspectives in this book (as opposed to just Feyre's) felt cheap
It's a Christmas story that was released May 1st, which was a strange publishing choice
After all the excitement in the precious book, the pace of this one was too slow
Not as exciting as previous installments
I wanted to love this book as much as I loved the third book in the series, but it just wasn't as good. It felt as though the author was maybe forced to publish the next installment of the series even though she didn't have a fully fleshed-out story yet.
While I enjoyed learning the characters' backstories, I was not a fan of how the author switched character perspectives each chapter. It was tedious to keep up with at times, and felt like a forced way to introduce the backstories. In the last installment, the backstories we heard were drawn out by plot and circumstance, which helped drive the story as we learned relevant info at relevant times. In this book it felt as though the revealing of character info was gratuitous, almost an excuse to avoid developing an actual plot.
Speaking of plot, the story was slow (in part because of continually switching between so many character perspectives during the same stretches of time), and because for most of the book nothing important or exciting happens.
The cover art was gorgeous. The dust jacket is absolutely beautiful. But, this is largely a Christmas or winter solstice story, and might have been more aptly published in late fall or closer to the holiday season, rather than the beginning of May.
I would still love to see more books in this series, but only if future installments see a return to the action and intrigue of the first 3 stories.
While I enjoyed learning the characters' backstories, I was not a fan of how the author switched character perspectives each chapter. It was tedious to keep up with at times, and felt like a forced way to introduce the backstories. In the last installment, the backstories we heard were drawn out by plot and circumstance, which helped drive the story as we learned relevant info at relevant times. In this book it felt as though the revealing of character info was gratuitous, almost an excuse to avoid developing an actual plot.
Speaking of plot, the story was slow (in part because of continually switching between so many character perspectives during the same stretches of time), and because for most of the book nothing important or exciting happens.
The cover art was gorgeous. The dust jacket is absolutely beautiful. But, this is largely a Christmas or winter solstice story, and might have been more aptly published in late fall or closer to the holiday season, rather than the beginning of May.
I would still love to see more books in this series, but only if future installments see a return to the action and intrigue of the first 3 stories.
Sensitivemuse (246 KP) rated Falconer's Crusade in Books
Apr 7, 2018
Great historical aspect, mystery not so much
This is a pretty short mystery to read through. Looks can be deceiving though. Despite being short, it’s packed in with some heavy duty stuff.
The setting for example. Very rich in detail and gives you a sense on how it was back then in William Falconer’s time. Add in some political intrigue, a Jewish Quarter, and some rioting and it gets pretty exciting. I really can’t get over how great the setting is. It’s so descriptive you can feel the darkness and the dampness that permeates throughout the novel. Morson also does an excellent job to stay close to historical accuracy here in this novel as well. Forensic pathology is frowned upon, and you even get to see Falconer try on a strange contraption that looks a lot like Medieval opera glasses at the time. :)
The plot is pretty straight forward although there is not much of a secret mystery element in it. The suspect list is not extensive (thankfully! You’ll see why as you read further into this review) and when revealed it’s not much of a surprise or an a ha! Moment. There isn’t much personality to the characters except Falconer and his student Thomas. Thomas is a particular dolt. A Farmer boy who managed to be gifted and chosen to study and be a Scholar, well, for all the idiotic moves he makes, you have to wonder how the University chose this guy to let him attend their school. He fumbles and stumbles at the worst times and always manages to get himself into some life threatening situations (and doesn’t learn from it). It was funny the first few times, but after a while it gets annoying and you want to slap this boy upside the head. (You don’t deserve Hannah’s attention, you twit).
I’m going to assume it will get better with other books in this series, and this one serves as an introduction to the series. Since I really do love the historical aspect I will stick with this series and see where it takes me. Historical mystery lovers will love the setting and theme of this book, the mystery part, not so much.
The setting for example. Very rich in detail and gives you a sense on how it was back then in William Falconer’s time. Add in some political intrigue, a Jewish Quarter, and some rioting and it gets pretty exciting. I really can’t get over how great the setting is. It’s so descriptive you can feel the darkness and the dampness that permeates throughout the novel. Morson also does an excellent job to stay close to historical accuracy here in this novel as well. Forensic pathology is frowned upon, and you even get to see Falconer try on a strange contraption that looks a lot like Medieval opera glasses at the time. :)
The plot is pretty straight forward although there is not much of a secret mystery element in it. The suspect list is not extensive (thankfully! You’ll see why as you read further into this review) and when revealed it’s not much of a surprise or an a ha! Moment. There isn’t much personality to the characters except Falconer and his student Thomas. Thomas is a particular dolt. A Farmer boy who managed to be gifted and chosen to study and be a Scholar, well, for all the idiotic moves he makes, you have to wonder how the University chose this guy to let him attend their school. He fumbles and stumbles at the worst times and always manages to get himself into some life threatening situations (and doesn’t learn from it). It was funny the first few times, but after a while it gets annoying and you want to slap this boy upside the head. (You don’t deserve Hannah’s attention, you twit).
I’m going to assume it will get better with other books in this series, and this one serves as an introduction to the series. Since I really do love the historical aspect I will stick with this series and see where it takes me. Historical mystery lovers will love the setting and theme of this book, the mystery part, not so much.
Rachel King (13 KP) rated Summers at Castle Auburn in Books
Feb 11, 2019
With all of the series that I constantly fight to keep up with, this was a nice change with an all-in-one plot. The story is told entirely from Coriel Halsing's point of view, so the reader only gets to know things when she learns of them. Sometimes first person P.O.V. is limiting and somewhat claustrophobic, but in this case it simplified the story line and helped me to better get inside the mind of Coriel.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
RəX Regent (349 KP) rated Warcraft (2016) in Movies
Feb 19, 2019
To begin, I am not really up on the plot of the game in which this movie is based, though I do understand that this is a prequel and that the tone is reasonably accurate to the that of the long enduring PC game.
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
Midge (525 KP) rated Chocolate a la Murder in Books
Mar 25, 2019
A Delightful Paranormal Mystery!
I jumped at the chance to read this delightful little mystery as I have come to adore cozy novels in recent months. This is the fourth book in the ‘A Perfectly Proper Paranormal Museum’ series by Kirsten Weiss, the first book being ‘The Perfectly Proper Paranormal Museum,’ followed by ‘Pressed to Death’ and ‘Deja Moo.’
The setting for the story is a town called San Benedetto in the California wine country. In “Chocolate a la Murder,” owner, Maddie Kosloski, of the Perfectly Proper Paranormal Museum, is preparing for The Wine and Chocolate Days Festival in San Benedetto. Maddie has sweet dreams about her new Magic of Chocolate exhibit. Her latest attraction is a haunted Mexican whisk called a molinillo that rattles if someone lies.
When Maddie visits the town's new boutique chocolate shop, she finds one of the owners dead and covered in melted cocoa. Maddie's determined to catch the killer, and she soon uncovers deadly dealings in the world of artisan chocolate. But the deception surrounding those dealings are enough to make the molinillo rattle all night. Will Maddie have to temper her passion for sleuthing before a killer makes her their next target?
Although I haven’t any read of the first three books of the series, Kirsten Weiss, provides plenty of back-stories, so “Chocolate a la Murder” works well as a stand-alone novel. Written in the first person, the characters in this novel were a real laugh and I especially liked Maddie’s feistiness. I even found myself asking the same questions and thinking along the same lines as Maddie when trying to work out the identity of the perpetrator. I really enjoyed the easy-to-read writing style, the plot and the pace of the book. The paranormal element helped to add intrigue to the tale, whilst making it a little different to some of the other books in the genre.
All in all, “Chocolate a la Murder” is a lighthearted, lovely read, that combines mystery, thrills and murder and mayhem and I'm looking forward to reading the first three books of the series.
[Thanks to #NetGalley and Midnight Ink Publishing for the free ARC of #ChocolateAlaMurder in exchange for an honest review.]
The setting for the story is a town called San Benedetto in the California wine country. In “Chocolate a la Murder,” owner, Maddie Kosloski, of the Perfectly Proper Paranormal Museum, is preparing for The Wine and Chocolate Days Festival in San Benedetto. Maddie has sweet dreams about her new Magic of Chocolate exhibit. Her latest attraction is a haunted Mexican whisk called a molinillo that rattles if someone lies.
When Maddie visits the town's new boutique chocolate shop, she finds one of the owners dead and covered in melted cocoa. Maddie's determined to catch the killer, and she soon uncovers deadly dealings in the world of artisan chocolate. But the deception surrounding those dealings are enough to make the molinillo rattle all night. Will Maddie have to temper her passion for sleuthing before a killer makes her their next target?
Although I haven’t any read of the first three books of the series, Kirsten Weiss, provides plenty of back-stories, so “Chocolate a la Murder” works well as a stand-alone novel. Written in the first person, the characters in this novel were a real laugh and I especially liked Maddie’s feistiness. I even found myself asking the same questions and thinking along the same lines as Maddie when trying to work out the identity of the perpetrator. I really enjoyed the easy-to-read writing style, the plot and the pace of the book. The paranormal element helped to add intrigue to the tale, whilst making it a little different to some of the other books in the genre.
All in all, “Chocolate a la Murder” is a lighthearted, lovely read, that combines mystery, thrills and murder and mayhem and I'm looking forward to reading the first three books of the series.
[Thanks to #NetGalley and Midnight Ink Publishing for the free ARC of #ChocolateAlaMurder in exchange for an honest review.]