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A Job Well Done
A Job Well Done
Rose Maefair | 2025 | Contemporary, LGBTQ+, Romance
8
8.0 (1 Ratings)
Book Rating
a relatively easy read.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

Alex is a hit man, sent to eliminate a witness for a crime lord. But meeting Bryce makes Alex question everything. Then the pair of them have a target on their backs, and neither man will walk away unscathed.

I liked this, I liked this A LOT.

It's a little bit steamy, a little bit emotional, full of drama, and intrigue, danger and some funny moments too.

I liked that Bryce didn't really question his attraction to Alex, only the timing. Bryce had not come out as bi, and had not done anything with another man either, and his attraction and growing feelings for Alex were solid and he wasn't questioning them too closely. The situation isn't ideal, though!

I liked the way the story flowed, and I loved that both men had a voice.

I liked how this author tells her tales. I can only see one other, a much older book, than this, so I'm not sure how many books this author has written. It's clear she has skill and I would like to read something else. I would LOVE to read books about Alex' brothers, Michael, Luke and Abe and Bryce's brother, Clay. They all play a part here, even minor, but Abe and Clay piqued my interest!

However.

I did find that there were quite a few points that names were not used in the correct manner. For example, at one point, Bryce is speaking, and he says "Look, Bryce, about that . . " and another point, Alex looks into the water, but can see no sign of Alex. Minor points, but enough to make them stand out and for me to notice them, and make the comment about them.

I did enjoy it, though, apart from this point. It was a relatively easy read, that hit quite a few positive buttons.

4 very good stars

*same worded review will appear elsewhere
  
Death on the Nile (2022)
Death on the Nile (2022)
2022 | Mystery
To start with, there's only so much you can hate on an Agatha Christie adaption. The film could be torrid tripe, but there's still a particular brand of intrigue which always comes with one of her whodunits. This latest re-telling of Death on the Nile just about scrapes by, mainly thanks to its second half, and that aforementioned Christie narrative, but sadly, not much else.
There's glimpses of something good there. Kenneth Branagh can be hit or miss as far as I'm concerned. For every Belfast (soaringly wonderful) there's an Artemis Fowl (what I imagine a lobotomy feels like). This is somewhere in the middle. There are moments of promise sprinkled here and there, but they struggle to break through all the bloated hot air that is draped over everything.
All of the characters are ridiculous. I get that's part of it, but it just falls flat here. It's hard to enjoy comic relief when everyone is comic relief. Gal Gadot seems like she is half-arsing every line. Russell Brand feels jarringly out of place. I traditionally enjoy French & Saunders but they also feel alien in every scene they're in. I know this shouldn't really impact my view, but Armie Hammer look like he just wants to eat everyone he talks to. Even the usually reliable Annette Benning comes across completely disinterested. There's no chemistry anywhere, and it all just feels a bit odd. Branagh is pretty great as Poirot to his credit. He just about holds proceedings together along with Sophie Okonedo, and they both manage to inject some charisma when things become arduous, which is farily regularly.

A bit of a misfire then, but not a complete disaster. I can firmly file Death on the Nile under "films I don't really like, but would probably watch again if it was on TV, or maybe on Christmas day at my Mums house".