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Leanne Crabtree (480 KP) rated The Girl He Used to Know in Books
Jan 12, 2021
This review and more can be found at my blog
https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
I'll admit I bought this as a spur of the moment thing from one of my favourite bargain book shops The Works. I've never read anything by this author though I do have her book, "On the Island", to read on my Kindle - and have done for several years now.
This book switches between 1991 and 2001 with almost every chapter after Annika meets her college love for the first time in years, bringing back memories of their time together and making her want to reconnect with him. They meet for coffee and decide to reconnect as friends, going out to dinner later on in the week. Things slowly progress between them and they try again.
The last few chapters of the book take place around September 2001. I honestly had no idea where the author was going with this until the news channel Annika was watching started talking about "a plane crashing into the North Tower" and I'll admit a little shiver went through me.
I'm assuming Annika has some sort of Autism because she has a lot of the same traits as Rikki - from - that I read a little while ago. Doesn't like certain clothing because of how it feels, hates loud sounds, doesn't know how to interact with people very well...etc. In fact this was discussed further on in the book and she is on the Autism spectrum.
I guess people are a bit cruel to those they don't get or understand but I really like how Jonathan always seemed to know what to say and do to ease Annika's anxieties when they were out together. He didn't mind putting his own wants aside to help Annika cope better in situations. They were perfect for each other in that.
I just found the story a little slow and not much seemed to happen in it really. The jumping between months seemed to miss out a lot of their growing relationship and I always feel a little cheated when that happens. I like to read it all.
https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
I'll admit I bought this as a spur of the moment thing from one of my favourite bargain book shops The Works. I've never read anything by this author though I do have her book, "On the Island", to read on my Kindle - and have done for several years now.
This book switches between 1991 and 2001 with almost every chapter after Annika meets her college love for the first time in years, bringing back memories of their time together and making her want to reconnect with him. They meet for coffee and decide to reconnect as friends, going out to dinner later on in the week. Things slowly progress between them and they try again.
The last few chapters of the book take place around September 2001. I honestly had no idea where the author was going with this until the news channel Annika was watching started talking about "a plane crashing into the North Tower" and I'll admit a little shiver went through me.
I'm assuming Annika has some sort of Autism because she has a lot of the same traits as Rikki - from - that I read a little while ago. Doesn't like certain clothing because of how it feels, hates loud sounds, doesn't know how to interact with people very well...etc. In fact this was discussed further on in the book and she is on the Autism spectrum.
I guess people are a bit cruel to those they don't get or understand but I really like how Jonathan always seemed to know what to say and do to ease Annika's anxieties when they were out together. He didn't mind putting his own wants aside to help Annika cope better in situations. They were perfect for each other in that.
I just found the story a little slow and not much seemed to happen in it really. The jumping between months seemed to miss out a lot of their growing relationship and I always feel a little cheated when that happens. I like to read it all.
Ryan Hill (152 KP) rated Kong: Skull Island (2017) in Movies
Jun 26, 2019
"is that a monkey?"
There are very few things that I respect more than a movie that is unafraid to embrace its own stupidity. Kong: Skull Island has thinly written characters, extreme tonal dissonance, bad dialogue, and a complete and utter disregard for the talents of Oscar-winning actress Brie Larson, but it’s absolutely glorious in its brazen spectacle. Its thin characters and tonal dissonance don’t matter as much because it thoroughly commits to its premise, and it seems like the movie is one ridiculous–but hilarious–visual gag after another. The bad dialogue is all part of the fun. It’s not trying to be something it’s not, and that’s something I appreciate in any movie, especially a nostalgia-laced B-movie blockbuster about a giant ape.
Some might draw connections to the time era explored or the interplay between man and nature, but the movie succeeds at its main goal: entertain the hell out of the audience. Actors like Tom Hiddleston and Brie Larson are (pretty) pieces of cardboard in this, but seasoned vets like Samuel L. Jackson and John C. Reilly thoroughly understand what it is they’re being asked to do. They both ham it up big time, with Vogt-Roberts’s visual flourishes adding to their performances in beautiful ways throughout. They both give pitch perfect performances that are 100% appropriate for their roles, and Reilly in particular becomes the heart and soul of the story. As an actor, the best response to a movie like this is to embrace the ridiculous, and Jackson and Reilly certainly do.
However, the ridiculous can sometimes move aside to reveal a visually stunning movie with a large heart. The production design is gorgeous, and the classic shot–a character whose back is turned to us, staring up in awe and fear at Kong–is breathtaking. The movie itself has that type of reaction to its own character, to its own force of nature, looking up in wonder and childish glee as Kong destroys another piece of its surroundings. This is big, bold, and confident filmmaking, precisely because the movie understands what it’s not.
Some might draw connections to the time era explored or the interplay between man and nature, but the movie succeeds at its main goal: entertain the hell out of the audience. Actors like Tom Hiddleston and Brie Larson are (pretty) pieces of cardboard in this, but seasoned vets like Samuel L. Jackson and John C. Reilly thoroughly understand what it is they’re being asked to do. They both ham it up big time, with Vogt-Roberts’s visual flourishes adding to their performances in beautiful ways throughout. They both give pitch perfect performances that are 100% appropriate for their roles, and Reilly in particular becomes the heart and soul of the story. As an actor, the best response to a movie like this is to embrace the ridiculous, and Jackson and Reilly certainly do.
However, the ridiculous can sometimes move aside to reveal a visually stunning movie with a large heart. The production design is gorgeous, and the classic shot–a character whose back is turned to us, staring up in awe and fear at Kong–is breathtaking. The movie itself has that type of reaction to its own character, to its own force of nature, looking up in wonder and childish glee as Kong destroys another piece of its surroundings. This is big, bold, and confident filmmaking, precisely because the movie understands what it’s not.
Kristy H (1252 KP) rated Girls Like Us in Books
Jul 12, 2019
Nell Flynn has reluctantly returned home to Long Island after the death of her father, Martin Flynn, a homicide detective. Nell hasn't seen her father in years, but must settle his estate after his motorcycle skidded off Montauk Highway in the early morning. She assumes her dad was drunk, per usual, when the incident occurred. Nell's mom was murdered when she was a child, and there's nothing about being home that makes her happy. But when Lee, a young homicide detective and her dad's latest partner, asks her to informally help with a case, Nell's curiosity is piqued. She is, after all, on paid medical leave from the Behavioral Analysis Unit at the FBI. Lee and team have found the body of a girl, murdered, near the dunes. It's similar to a case her father worked a year ago. Nell gets caught up in the investigation and the more she digs, the more she can't help but wonder if her father was involved in the killings.
"Dad had his own code. I learned early not to second guess it. At least, not out loud."
This was a great thriller--it features an interesting plot, a strong, complicated female heroine, and it's so easy to get caught up in it from the start. I had a great time unraveling the puzzle of the two murders, figuring things out alongside Nell. She's a really engaging character--smart, funny yet not without her own problems.
"The bureau thinks my head should be on straight, too. It isn't yet. Maybe it never was to begin with."
I really enjoyed the way this story is told--via Nell, but since she's not formally FBI or police, we get the pieces of the puzzle and story along with her. It's a twisted web that she uncovers: a dark, gritty story that feels timely and real. It's a fast read that kept me flipping the pages, desperately wanting to know what was happening next.
It's clear that Alger knows her stuff--police/FBI procedures, investigative techniques, and more. There are no tricks or unreliable narrators: just a strong, well-told story. And there's certainly series potential with Nell. I would love to see her again! 4+ stars.
"Dad had his own code. I learned early not to second guess it. At least, not out loud."
This was a great thriller--it features an interesting plot, a strong, complicated female heroine, and it's so easy to get caught up in it from the start. I had a great time unraveling the puzzle of the two murders, figuring things out alongside Nell. She's a really engaging character--smart, funny yet not without her own problems.
"The bureau thinks my head should be on straight, too. It isn't yet. Maybe it never was to begin with."
I really enjoyed the way this story is told--via Nell, but since she's not formally FBI or police, we get the pieces of the puzzle and story along with her. It's a twisted web that she uncovers: a dark, gritty story that feels timely and real. It's a fast read that kept me flipping the pages, desperately wanting to know what was happening next.
It's clear that Alger knows her stuff--police/FBI procedures, investigative techniques, and more. There are no tricks or unreliable narrators: just a strong, well-told story. And there's certainly series potential with Nell. I would love to see her again! 4+ stars.
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