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Daniel Pinchbeck recommended Minor Characters in Books (curated)

 
Minor Characters
Minor Characters
Joyce Johnson | 1996 | Biography
(0 Ratings)
Book Favorite

"My mother wrote this memoir about her childhood, her bohemian and Beatnik friends, and her early love affair with Jack Kerouac. She was with him when On the Road came out, and witnessed how his sudden rise to prominence hastened his dissolution."

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Kenny Scharf recommended On the Road in Books (curated)

 
On the Road
On the Road
Jack Kerouac, Ann Charters | 2000 | Fiction & Poetry
8.5 (4 Ratings)
Book Favorite

"The classic Jack Kerouac On the Road is every teenager’s bible to escape the rigors and the boredom of the “straight” world, to expand their horizons, and to question authority and what it dictates is appropriate and normal societal behavior. But most of all, it represents true freedom!"

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John Hawkes recommended Harold and Maude (1971) in Movies (curated)

 
Harold and Maude (1971)
Harold and Maude (1971)
1971 | Comedy, Drama, Romance
8.6 (5 Ratings)
Movie Favorite

"This was a life changing experience for me. I went to one year of college at a small college in Minnesota, and during that year I befriended an older student named Tim Streeter who I hung out with a lot. He played Tom Waits for me and handed me On The Road by Jack Kerouac. Since I’m from this small farming community, I wasn’t exposed to a lot of unusual art. I had seen The Seventh Seal when I was a kid on PBS. One night [Tim Streeter] said “There’s a movie playing at the student union and you should go.” It was Harold and Maude, and I was amazed by it. There’s no dialogue for the beginning of the film, and it begins with Harold killing himself. His mother berates him for it. Bud Cort’s performance is so great, that this is when I began to become a Hal Ashby fan. I could name his films as all of my Five Favorites if I wanted. Being There is certainly near the top. I chose this one because it was so formative for me. Ruth Gordon, when she tells Harold to go out and love and have experience and give him something to talk about in the locker room, it’s such a great thing, such a beautiful moment. When Ruth Gordon throws the ring or piece of jewelry that Harold’s given to her, and she said, “Now I’ll always know where it is,” I think it’s in that scene where the camera catches a concentration camp number on her wrist that’s never mentioned or talked about. It gives me chills because it’s so affecting and subtle."

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