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Haley Mathiot (9 KP) rated Genocide of One: A Thriller in Books
Apr 27, 2018
Genocide of One completely blew my mind, multiple times. The plot twists just kept happening, new characters kept being introduced and then turning out to be totally different characters than I thought they’d be, and the adrenalin was pumping almost immediately. There were so many little things that became big later, so many details, so many connections, that I feel like if I read it again, it would be just as exciting, maybe more exciting the second time, because I might actually understand it on a deeper level. The ending was fulfilling but left opportunity and excitement. I definitely didn’t want it to end and I would read a sequel or another book by Takano in a heartbeat.
The book switches from one side of the world to the other every chapter. Initially I wasn’t sure how the two totally different stories were connected, but one connection at a time the two sides became one. There was a war thriller and a medical mystery happening at the same time and they were two different aspects of the same problem.
The hardest part of the book was the technical lingo and jargon in the medical chapters. I won’t say it was unnecessary because I’m not sure how else the author could have described the specifics of what went on, and being vague just wouldn’t have worked for this kind of story, but the jargon was a little hard to follow. I got won’t say I understand genetics now, but I do have a pretty good idea of what happened (medically speaking) in the story and I think it added to the book rather than taking away from it, so I’m okay with it.
The narration was excellent and not in any way distracting from the story. Joe Knezevich did an excellent job with all the different voices and accents, American and Japanese.
The bottom line is I loved this story and recommend it to anyone who likes thrillers or adventure stories. There was some violence during the war scenes, but it wasn’t gruesome or grotesque.
The book switches from one side of the world to the other every chapter. Initially I wasn’t sure how the two totally different stories were connected, but one connection at a time the two sides became one. There was a war thriller and a medical mystery happening at the same time and they were two different aspects of the same problem.
The hardest part of the book was the technical lingo and jargon in the medical chapters. I won’t say it was unnecessary because I’m not sure how else the author could have described the specifics of what went on, and being vague just wouldn’t have worked for this kind of story, but the jargon was a little hard to follow. I got won’t say I understand genetics now, but I do have a pretty good idea of what happened (medically speaking) in the story and I think it added to the book rather than taking away from it, so I’m okay with it.
The narration was excellent and not in any way distracting from the story. Joe Knezevich did an excellent job with all the different voices and accents, American and Japanese.
The bottom line is I loved this story and recommend it to anyone who likes thrillers or adventure stories. There was some violence during the war scenes, but it wasn’t gruesome or grotesque.
Neon's Nerd Nexus (360 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
May 17, 2019
Dantes Inferno
#johnwick3 is an adrenalin shot to the #heart, delivering on almost all of its promises to be bigger, better & smarter than its previous instalments. #johnwick films have always risen above the generic & mundane action films we get bombarded with nowadays as they seem to understand what makes action thrilling as well as learning from the best action #classics of the past & #johnwick3parabellum is no exception to this either. JW3 (like John Wick the character himself) shows just how much its evolved, learnt new skills & matured as a film realising that action its self is too an art form just as graceful, elegant & smooth flowing as a #ballet. In fact the comparison to ballet, #dance & #theatre is present during most #action scenes making them a beautifully choreographed, atmospheric & visually stunning display of bullet barrages & swooping movement. Comparisons dont end there either i was thrilled to see John compared to #Dante (from #DantesInferno) & there are countless scenes inspired by or paying homage to old #westerns, #90s action films, #Korean #revenge films & old #kungfu/#Japanese mob films which was #respectful & added to the films #charm too. World building is expanded on more in this one also as are some characters stories & I absolutely #loved seeing John evolve & learn from each fight to help him progress/gain an edge over his opponents. #Fights are thrilling, wincingly #violent & so exhilarating that I once again found my #heart racing with highlights being a #knife in an old shop & gunfight involving attack #dogs which was incredibly fresh & intense. Cinematography is ravishing always especially when smoke, #neon & rain is being pumped out all across the screen with #electrifying & mood drenching effect. Sadly I do have some negatives, I found the last act shoddy compared to the intelligence, thrill & beauty of the first two. In this act an odd #humour creeps in that felt a bit off, #action feels subpar compared to what we've just already seen, the ending a little silly & i also found the main #villain under used & under developed. That being said its still a fantastically made, must see showstopper thats learnt from the best. #keanureeves #matrix
Goddess in the Stacks (553 KP) rated It's Not Like It's a Secret in Books
Jun 4, 2019
Sana is a California transplant from Wisconsin; both her parents are immigrants from Japan, so despite feeling like she's a midwesterner, none of her friends think of her as one. There's a cringe-y scene early in the book where she cheers with her friends about being "midwestern farmer's daughters" and they tell her she's cute for thinking that, but she's Japanese, obv. I felt really bad for her. When her family moves to California, suddenly she's not the only Asian girl in a sea of whiteness. It's an interesting mix of having a place with your own people but also fighting the stereotypes of sticking with your own ethnicity. It's assumed she'll be friends with the other Asian kids, which annoys her, but she also finds to be true; having not had the opportunity to have friends like her before, she finds she really likes it. But she also tries to break that mold and be friends with people she's not assumed to like - like Jamie Ramirez and her Hispanic friends, and Caleb and his white goth friends.
The book also explores the way racism hits races differently; the Hispanic kids get hassled by cops while the Asian kids don't - though they also have things expected of them that the Hispanic kids don't. The book gets into cultural expectations as well - PDAs are not really a thing in Sana's world, so she's reluctant to be public about her affections at school, which drives misunderstandings.
It's only in the last few chapters that all the secrets come out, and Sana struggles to put things right.
One thing I really liked about the book is the narrative structure. At the beginning of the school year, Sana's English teacher gives them a project, which is to keep a journal to transcribe poems into and talk about what they mean to you. Chapters from Sana's poetry journal are interspersed with chapters of the narrative, and give some nice insight to how she's feeling. Her love interest, Jamie, also loves poetry, and it plays a large part in their relationship.
I quite enjoyed this book.You can find all my reviews plus more at http://goddessinthestacks.com
The book also explores the way racism hits races differently; the Hispanic kids get hassled by cops while the Asian kids don't - though they also have things expected of them that the Hispanic kids don't. The book gets into cultural expectations as well - PDAs are not really a thing in Sana's world, so she's reluctant to be public about her affections at school, which drives misunderstandings.
It's only in the last few chapters that all the secrets come out, and Sana struggles to put things right.
One thing I really liked about the book is the narrative structure. At the beginning of the school year, Sana's English teacher gives them a project, which is to keep a journal to transcribe poems into and talk about what they mean to you. Chapters from Sana's poetry journal are interspersed with chapters of the narrative, and give some nice insight to how she's feeling. Her love interest, Jamie, also loves poetry, and it plays a large part in their relationship.
I quite enjoyed this book.You can find all my reviews plus more at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated The Magnificent Seven (2016) in Movies
Jul 15, 2019
Full disclosure, I have never seen The 1960s Magnificent Seven film, nor do I care that at its core it is a retelling of the Japanese legend of the Seven Samurai. This is not a comparison review. Instead this is a simple review of what I watched on screen. Not beholden to anything other than itself as film and it being a western.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
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