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Goddess in the Stacks (553 KP) rated It's Not Like It's a Secret in Books
Jun 4, 2019
Sana is a California transplant from Wisconsin; both her parents are immigrants from Japan, so despite feeling like she's a midwesterner, none of her friends think of her as one. There's a cringe-y scene early in the book where she cheers with her friends about being "midwestern farmer's daughters" and they tell her she's cute for thinking that, but she's Japanese, obv. I felt really bad for her. When her family moves to California, suddenly she's not the only Asian girl in a sea of whiteness. It's an interesting mix of having a place with your own people but also fighting the stereotypes of sticking with your own ethnicity. It's assumed she'll be friends with the other Asian kids, which annoys her, but she also finds to be true; having not had the opportunity to have friends like her before, she finds she really likes it. But she also tries to break that mold and be friends with people she's not assumed to like - like Jamie Ramirez and her Hispanic friends, and Caleb and his white goth friends.
The book also explores the way racism hits races differently; the Hispanic kids get hassled by cops while the Asian kids don't - though they also have things expected of them that the Hispanic kids don't. The book gets into cultural expectations as well - PDAs are not really a thing in Sana's world, so she's reluctant to be public about her affections at school, which drives misunderstandings.
It's only in the last few chapters that all the secrets come out, and Sana struggles to put things right.
One thing I really liked about the book is the narrative structure. At the beginning of the school year, Sana's English teacher gives them a project, which is to keep a journal to transcribe poems into and talk about what they mean to you. Chapters from Sana's poetry journal are interspersed with chapters of the narrative, and give some nice insight to how she's feeling. Her love interest, Jamie, also loves poetry, and it plays a large part in their relationship.
I quite enjoyed this book.You can find all my reviews plus more at http://goddessinthestacks.com
The book also explores the way racism hits races differently; the Hispanic kids get hassled by cops while the Asian kids don't - though they also have things expected of them that the Hispanic kids don't. The book gets into cultural expectations as well - PDAs are not really a thing in Sana's world, so she's reluctant to be public about her affections at school, which drives misunderstandings.
It's only in the last few chapters that all the secrets come out, and Sana struggles to put things right.
One thing I really liked about the book is the narrative structure. At the beginning of the school year, Sana's English teacher gives them a project, which is to keep a journal to transcribe poems into and talk about what they mean to you. Chapters from Sana's poetry journal are interspersed with chapters of the narrative, and give some nice insight to how she's feeling. Her love interest, Jamie, also loves poetry, and it plays a large part in their relationship.
I quite enjoyed this book.You can find all my reviews plus more at http://goddessinthestacks.com
Gareth von Kallenbach (971 KP) rated The Magnificent Seven (2016) in Movies
Jul 15, 2019
Full disclosure, I have never seen The 1960s Magnificent Seven film, nor do I care that at its core it is a retelling of the Japanese legend of the Seven Samurai. This is not a comparison review. Instead this is a simple review of what I watched on screen. Not beholden to anything other than itself as film and it being a western.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
Jesters_folly (230 KP) rated Monster Hunter (2020) in Movies
Jun 25, 2021
Contains spoilers, click to show
First off I'll start by saying that I've never played any of the Monster Hunter games so I went into this with no real point of reference.
For the most part I found 'Monster Hunter' a pretty average film, the story has been done many times before, a group of solders find themselves in another reality and try to find there way back. Excepted (Spoolers) most of the solders are killed off near the beginning and there is no explanation as to why Artemis (Milla Jovovich) comes back to life (or if there is it's a blink and miss it explanation), I'm guessing that this is something explained more in the games.
There is no real investigation to how they got there they just see a storm by a strange tower and figure that a storm brought them there so that must be the way back.
This all leads to there being almost no story, there are hints to back story's, Artemis keeps looking at a wedding ring, the Hunter (Tony Jaa) preys to icons of his (assumed) family and the Admiral (Ron Perlman) states that people from Artemis' world (earth) had been there before. But that's it, apart from one or to other one liners that's all the back story we get.
The essence of 'Monster hunter' is that it's a journey, mostly Artemis and the Hunter going from the dessert to the tower, but a journey with monsters. The monsters are part of what pushes the film (just) above average, TOHO were involved in the production of the film and, for those of you who don't know, TOHO were the people behind the original, Japanese, Godzilla monster and they have continued do monsters eve since so you know that, when they are involved the monsters are going to be more than just cannon fodder.
The other thing that raises the film up are the action scenes, especially the fights between Artemis and the Hunter.
If you have nothing better to do then maybe give 'Monster Hunter' a watch, just don't expect a master peace, there is nothing wrong with the film but I feel that I've seen it all before in other films.
For the most part I found 'Monster Hunter' a pretty average film, the story has been done many times before, a group of solders find themselves in another reality and try to find there way back. Excepted (Spoolers) most of the solders are killed off near the beginning and there is no explanation as to why Artemis (Milla Jovovich) comes back to life (or if there is it's a blink and miss it explanation), I'm guessing that this is something explained more in the games.
There is no real investigation to how they got there they just see a storm by a strange tower and figure that a storm brought them there so that must be the way back.
This all leads to there being almost no story, there are hints to back story's, Artemis keeps looking at a wedding ring, the Hunter (Tony Jaa) preys to icons of his (assumed) family and the Admiral (Ron Perlman) states that people from Artemis' world (earth) had been there before. But that's it, apart from one or to other one liners that's all the back story we get.
The essence of 'Monster hunter' is that it's a journey, mostly Artemis and the Hunter going from the dessert to the tower, but a journey with monsters. The monsters are part of what pushes the film (just) above average, TOHO were involved in the production of the film and, for those of you who don't know, TOHO were the people behind the original, Japanese, Godzilla monster and they have continued do monsters eve since so you know that, when they are involved the monsters are going to be more than just cannon fodder.
The other thing that raises the film up are the action scenes, especially the fights between Artemis and the Hunter.
If you have nothing better to do then maybe give 'Monster Hunter' a watch, just don't expect a master peace, there is nothing wrong with the film but I feel that I've seen it all before in other films.
Gareth von Kallenbach (971 KP) rated Kubo and the Two Strings (2016) in Movies
Jul 15, 2019
If you must blink, do it now” or you might miss any number of details the
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
Ryan Hill (152 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 29, 2019
"We opened Pandora's box. And there's no closing it now."
With Godzilla (2014) Legendary Pictures was the first American studio to get it right. No idiotic US edits of the latest Japanese films. No remakes that went out of it's way to be anything but Godzilla. It was GODZILLA! Now from what I understand from an interview with Shinji Higuchi is that Legendary only has the rights to Godzilla until 2020. So what do you do in that case? Well since you only have time to make one more Godzilla film before Godzilla vs. Kong, you do the obvious; You remake Destroy All Monsters!
There is some Michael Bay level stupidity going on in some moments of this film, but I don't care. I loved it. Some of the great Toho Godzilla films have goofy science combined with forgettable human characters. This one isn't even close to being the greatest offender of this in the franchise. Besides, when it comes to Vera Farmiga and Kyle Chandler I'm going to care about their characters at least a little no matter how they're written.
The film makers really went out of their way with tons of references from Godzilla's history. They even find a way to do a subtle nod to the Shobijin which I didn't think they'd ever touch with a 10 foot pole. I don't want to spoil anything, but it's just things that are used in the film that aren't part of American pop culture like the character itself of Godzilla. There's a lot of shit that only people who have seen the original films will pick up on.
The score is great, but even greater is that they actually used Gozilla's theme which is god damn iconic and shockingly even Mothra's theme. How can you not love that? I dunno. Maybe I'm just a geek, but seeing Ghidorah, Mothra, Rodan and Godzilla in a big budget Hollywood movie just blows my mind. I loved it. It's basically the American remake of Destroy All Monsters. Don't bother telling me how dumb the movie is either. I fully realize how dumb it is.
There is some Michael Bay level stupidity going on in some moments of this film, but I don't care. I loved it. Some of the great Toho Godzilla films have goofy science combined with forgettable human characters. This one isn't even close to being the greatest offender of this in the franchise. Besides, when it comes to Vera Farmiga and Kyle Chandler I'm going to care about their characters at least a little no matter how they're written.
The film makers really went out of their way with tons of references from Godzilla's history. They even find a way to do a subtle nod to the Shobijin which I didn't think they'd ever touch with a 10 foot pole. I don't want to spoil anything, but it's just things that are used in the film that aren't part of American pop culture like the character itself of Godzilla. There's a lot of shit that only people who have seen the original films will pick up on.
The score is great, but even greater is that they actually used Gozilla's theme which is god damn iconic and shockingly even Mothra's theme. How can you not love that? I dunno. Maybe I'm just a geek, but seeing Ghidorah, Mothra, Rodan and Godzilla in a big budget Hollywood movie just blows my mind. I loved it. It's basically the American remake of Destroy All Monsters. Don't bother telling me how dumb the movie is either. I fully realize how dumb it is.
Ivana A. | Diary of Difference (1171 KP) rated Multiverse in Books
Aug 3, 2020
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
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Multiverse is a collection of poems as well as short paragraphs that take on interesting topics and thought-provoking scenarios of our life.
After reading Multiverse, I cannot say for certain whether he is being arrogant or brave. I am still undecided as to whether I love or hate his style of writing. There is something very intriguing about his writing; sometimes he makes me smirk, and sometimes his words trigger me.
<b><i>"In a democracy, shouldn't there be room for those who don't want a fair society?"</i></b>
Even though I appreciate the style this book was written in, and the way the topics are being expressed, I am not in awe of how bombshells are dropped and then he proceeds to move on to a different subject.
Following up on this, I would also like to note the poem "Forsaking the Poppy", where the author opens us the suggestion of declining to wear a poppy. The thought process behind it is that this could be seen as synonymous with racism and chauvinism.
<b><i>One thing is certain though. </i></b>
This book will definitely leave an impact on you, whether good or bad. And it will prompt a discussion, or at least spark a bit of curiosity on various topics that are relevant in today's world.
I recommend it to all curious minds out there. It may not be your cup of tea, but you never know. As for me, I like books that either make me feel good or learn something, so i will end this review with something I learnt from this book:
<b><i>"According to ancient Japanese culture, the Sakura tree represents the beauty and fragility of life, reminding us that things in life are incredibly precious but also tragically ephemeral." </i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/04/Book-Review-Banner-38.png"/>;
Multiverse is a collection of poems as well as short paragraphs that take on interesting topics and thought-provoking scenarios of our life.
After reading Multiverse, I cannot say for certain whether he is being arrogant or brave. I am still undecided as to whether I love or hate his style of writing. There is something very intriguing about his writing; sometimes he makes me smirk, and sometimes his words trigger me.
<b><i>"In a democracy, shouldn't there be room for those who don't want a fair society?"</i></b>
Even though I appreciate the style this book was written in, and the way the topics are being expressed, I am not in awe of how bombshells are dropped and then he proceeds to move on to a different subject.
Following up on this, I would also like to note the poem "Forsaking the Poppy", where the author opens us the suggestion of declining to wear a poppy. The thought process behind it is that this could be seen as synonymous with racism and chauvinism.
<b><i>One thing is certain though. </i></b>
This book will definitely leave an impact on you, whether good or bad. And it will prompt a discussion, or at least spark a bit of curiosity on various topics that are relevant in today's world.
I recommend it to all curious minds out there. It may not be your cup of tea, but you never know. As for me, I like books that either make me feel good or learn something, so i will end this review with something I learnt from this book:
<b><i>"According to ancient Japanese culture, the Sakura tree represents the beauty and fragility of life, reminding us that things in life are incredibly precious but also tragically ephemeral." </i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
LeftSideCut (3778 KP) rated Alita: Battle Angel (2019) in Movies
May 26, 2020 (Updated Jun 18, 2020)
Alita: Battle Angel is great. Is there a good helping of sci-fi dumbfuckery to be found? Of course. But the positives far outweigh any negatives in this instance.
Based on a Manga series and subsequent Anime from the early nineties, Alita brings the signature Japanese comic style to life in style, as a whole heap of (mostly) decent digital effects collides with real-life.
The world of A:BA is really well realised, with the film taking place in the 26th Century, a future that sees man and cyborg live side by side. The plot takes place in The Iron City on the ground, eclipsed by the floating city of Zalem above. It's a striking aesthetic that reminded me of something from a Final Fantasy game. The main narrative follows Dr. Ido (Christoph Waltz) who finds the remains of a deactivated cyborg in a trash heap. He gives the cyborg a new body and a new life, and gives her the name Alita. She has no memory of who she was before, but as she begins to explore the world, her memories slowly return. Alita (Rosa Salazar) is a stupidly likable protagonist. She's a fiery, lethal weapon who has a child like innocence. The motion capture combined with Salazar's performance work really well. In fact, the whole cast is great. Christoph Waltz, Mahershala Ali, Jennifer Connelly, Jackie Earl-Hailey - it's a stellar line up. The only cast member I couldn't get on with was Hugo (Keean Johnson) who mainly serves as Alita's love interest. I didn't particularly like his character and as a result didn't fully buy their romance side plot.
The main issue I had was the pacing. The plot is trying to pack so much into 2 hours, that it moved forward at breakneck speed at times. Some plot points become a bit lost in the whole thing, and a few of the characters seemed inconsequential as a result.
It does go a bit CGI overload at times but that's to be expected by the very nature of what A:BA is. The effects on some of the other cyborg characters are ropey as well, but honestly, these are small gripes against a film that I found myself really enjoying.
I sincerely hope a sequel gets green lit as I for one want more of this world to be explored.
Based on a Manga series and subsequent Anime from the early nineties, Alita brings the signature Japanese comic style to life in style, as a whole heap of (mostly) decent digital effects collides with real-life.
The world of A:BA is really well realised, with the film taking place in the 26th Century, a future that sees man and cyborg live side by side. The plot takes place in The Iron City on the ground, eclipsed by the floating city of Zalem above. It's a striking aesthetic that reminded me of something from a Final Fantasy game. The main narrative follows Dr. Ido (Christoph Waltz) who finds the remains of a deactivated cyborg in a trash heap. He gives the cyborg a new body and a new life, and gives her the name Alita. She has no memory of who she was before, but as she begins to explore the world, her memories slowly return. Alita (Rosa Salazar) is a stupidly likable protagonist. She's a fiery, lethal weapon who has a child like innocence. The motion capture combined with Salazar's performance work really well. In fact, the whole cast is great. Christoph Waltz, Mahershala Ali, Jennifer Connelly, Jackie Earl-Hailey - it's a stellar line up. The only cast member I couldn't get on with was Hugo (Keean Johnson) who mainly serves as Alita's love interest. I didn't particularly like his character and as a result didn't fully buy their romance side plot.
The main issue I had was the pacing. The plot is trying to pack so much into 2 hours, that it moved forward at breakneck speed at times. Some plot points become a bit lost in the whole thing, and a few of the characters seemed inconsequential as a result.
It does go a bit CGI overload at times but that's to be expected by the very nature of what A:BA is. The effects on some of the other cyborg characters are ropey as well, but honestly, these are small gripes against a film that I found myself really enjoying.
I sincerely hope a sequel gets green lit as I for one want more of this world to be explored.
Fred (860 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Mar 15, 2019
Spider-Ham (3 more)
Fantastic design
Good music
Good voice acting
The choppy animation is headache inducing (2 more)
Story is bland
Some of the characters are wasted
Good. Not great.
Here we go again. Another over-rated superhero movie. Yes, it's good, but it's not great. Basically, what we got here is Miles Morales' origin story. I do love the characters & they are all acted well. I love the new Doc Oc & all of the Spider-people. The design of the characters & settings are a sight to see. The main problem is the movement of them. Every other frame is cut out, so the characters have a jerky movement to them. Supposedly, this is meant to encapsulate a comic book. Since a comic book does not move, this is a stupid reason given for lack-luster animation. There are quite a few anime out there today that use CGI-drawn animation. It looks choppy, cheap & crappy. And that's what we got here. Instead of smooth, graceful, Spider-Man like movement, we got what looks like low bitrate video. I truly feel this is why the movie, although it did well, did not do stupendous numbers at the box office compared to other recent animated movies.
Anyway, tossing that aside & taking account the design of the movie, I also found that the story was lackluster. I didn't find it too interesting or original. It just didn't grab me. I felt myself many times saying to myself that nothing special was going on. When they introduced the others from the Spider-Verse, I felt that some of them were a waste of space. Spider-Man Noir, played by Nicholas Cage, was funny but didn't do anything special. The Japanese girl with the robot, was utterly useless. If she wasn't in the film, it would be no different, except maybe to sell some toys. Now, I will say, I loved Spider-Ham, but I've been a fan of his since the 80s & still have all the original comic books. So, I am biased towards him. I would love to see him get his own movie, but I doubt he will.
Anyway, here's my bottom line. The movie was good. The style was great. Music was great. Characters were great. Story was meh. Animation was bad. After I watched the movie, I said, well that was pretty much a waste of time, but I'm not mad I watched. I just probably would never watch it again.
Anyway, tossing that aside & taking account the design of the movie, I also found that the story was lackluster. I didn't find it too interesting or original. It just didn't grab me. I felt myself many times saying to myself that nothing special was going on. When they introduced the others from the Spider-Verse, I felt that some of them were a waste of space. Spider-Man Noir, played by Nicholas Cage, was funny but didn't do anything special. The Japanese girl with the robot, was utterly useless. If she wasn't in the film, it would be no different, except maybe to sell some toys. Now, I will say, I loved Spider-Ham, but I've been a fan of his since the 80s & still have all the original comic books. So, I am biased towards him. I would love to see him get his own movie, but I doubt he will.
Anyway, here's my bottom line. The movie was good. The style was great. Music was great. Characters were great. Story was meh. Animation was bad. After I watched the movie, I said, well that was pretty much a waste of time, but I'm not mad I watched. I just probably would never watch it again.
Sassy Brit (97 KP) rated Shinrin Yoku: The Art of Japanese Forest Bathing in Books
Jun 5, 2019
Do you like slowly wandering around the woods with no particular aim than to take in the surrounding beauty, breathe in the fresh air and be present and at one with nature? Then this book Shinrin-yoku: The Japanese Way of Forest Bathing for Health and Relaxation by Yoshifumi Miyazaki, should definitely be on your bookshelf! Honestly, if you’d asked me if there was such as thing a couple of weeks ago, I would have laughed at you and told you, you were just lazy. But it really is a thing.
Shinrin Yoku or ‘forest bathing’ was developed in Japan in the 1980s and brings together ancient ways and wisdom with cutting edge environmental health science. Believe it not, (oh, you must!) there are now forest bathing stations and walkways scattered throughout Japan, but you don’t have to all the way over there (although I would love to) to experience this simple, calming practice. No! With this book you can learn the art, strap on your walking shoes and get on out there and start your own Shinrin Yoku pathway.
Although, reading the book, it’s got a certain appeal and much more “hippyish” in China, including an itinerary of forest therapy (and tree-hugging), soba-noodle making, pottery workshops and stargazing – and that’s just day one! Can also include mediation, yoga, aromatherapy and forest concerts.
Involving all the senses, and taking all the greenery around you (and green is a very relaxing colour) you will find Shinrin Yoku benefits you in ways you didn’t know were possible. Numerous tests and studies have been made for this book. One example I’d like to share was how subjects were monitored (and properly measured) after just 15 mins walking in the morning, and 15 mins sitting and viewing the greenery in the afternoon. This short break in everyday life – reduced stress, blood pressure, pulse rate and cortisol, and increased a whole range of feelings from comfort and calmness with a decrease in anxiety.
Another great example showed the effects of just staring at a Bonsai tree for 60 seconds. Well, I tell you, I’m getting everyone I know who needs de-stressing a Bonsai tree for Christmas! It will be the best bloody present they could ask for – even if they do look at me as if I’m going mad when I ask them to just do one thing for me. Sit and stare at it for 60 seconds every day…
Now. Are there any Bonsai specialists in the UK? I want one or two.
Shinrin Yoku or ‘forest bathing’ was developed in Japan in the 1980s and brings together ancient ways and wisdom with cutting edge environmental health science. Believe it not, (oh, you must!) there are now forest bathing stations and walkways scattered throughout Japan, but you don’t have to all the way over there (although I would love to) to experience this simple, calming practice. No! With this book you can learn the art, strap on your walking shoes and get on out there and start your own Shinrin Yoku pathway.
Although, reading the book, it’s got a certain appeal and much more “hippyish” in China, including an itinerary of forest therapy (and tree-hugging), soba-noodle making, pottery workshops and stargazing – and that’s just day one! Can also include mediation, yoga, aromatherapy and forest concerts.
Involving all the senses, and taking all the greenery around you (and green is a very relaxing colour) you will find Shinrin Yoku benefits you in ways you didn’t know were possible. Numerous tests and studies have been made for this book. One example I’d like to share was how subjects were monitored (and properly measured) after just 15 mins walking in the morning, and 15 mins sitting and viewing the greenery in the afternoon. This short break in everyday life – reduced stress, blood pressure, pulse rate and cortisol, and increased a whole range of feelings from comfort and calmness with a decrease in anxiety.
Another great example showed the effects of just staring at a Bonsai tree for 60 seconds. Well, I tell you, I’m getting everyone I know who needs de-stressing a Bonsai tree for Christmas! It will be the best bloody present they could ask for – even if they do look at me as if I’m going mad when I ask them to just do one thing for me. Sit and stare at it for 60 seconds every day…
Now. Are there any Bonsai specialists in the UK? I want one or two.
Jesters_folly (230 KP) rated The Fast and the Furious: Tokyo Drift (2006) in Movies
Jun 6, 2021
I've been told that 'The Fast and the Furious: Tokyo Drift' is the worst of the franchise and, so far, I'd have to agree. For what it is it's not terrible but it's not great either.
In my review for the the first 'The Fast and the Furious' I mentioned that parts of it felt like one of those movies set in a high school, well, 'Tokyo Drift' takes that and runs (Rides?) with it. The opening scenes are exactly that, a high school movie, we have the jocks being, well, jocks, as portraited in most 80's & 90's movies, bulling and making life miserable for those that aren't there own. But don't worry the film soon shifts from an American high school to a Japanese one and, lets face it we knew it would have to happen, the clues in the title after all. To be fair, from this point on most of the action is on the roads and not the school but as a lot of the plot revolves around Sean and Neela, a girl he met in his new school the high school film feel remains.
One good thing that 'Tokyo Drift' manages is to continue the idea of 'Family' that is present in the previous films with Sean finding his new family in Tokyo and his relationship with his, first his mother and then his farther and also with Neela having to choose which side side (or which family) she belongs to as well as the surprise cameo at the end (it's an old film but I didn't know about it so I'm probably not the only one).
One thing missing from 'Tokyo Drift' was the crime aspect (except, of course the street racing), the first movie had touched on it with the truck robbery's and the second was almost all about finding and moving the drug money. The Yakuza are mentioned and there are underground clubs but the yakuza are there more as another symbol of family and the clubs just are, there is no one investigating them and they are more just an excuse to have lots of scantily clad women wondering around.
If you just want a film that you can turn your brain off to then 'The Fast and the Furious: Tokyo Drift' is ok, it has action in the form of car chases, plenty of 'eye candy' and a bit of a story. Just don't expect anything to taxing.
In my review for the the first 'The Fast and the Furious' I mentioned that parts of it felt like one of those movies set in a high school, well, 'Tokyo Drift' takes that and runs (Rides?) with it. The opening scenes are exactly that, a high school movie, we have the jocks being, well, jocks, as portraited in most 80's & 90's movies, bulling and making life miserable for those that aren't there own. But don't worry the film soon shifts from an American high school to a Japanese one and, lets face it we knew it would have to happen, the clues in the title after all. To be fair, from this point on most of the action is on the roads and not the school but as a lot of the plot revolves around Sean and Neela, a girl he met in his new school the high school film feel remains.
One good thing that 'Tokyo Drift' manages is to continue the idea of 'Family' that is present in the previous films with Sean finding his new family in Tokyo and his relationship with his, first his mother and then his farther and also with Neela having to choose which side side (or which family) she belongs to as well as the surprise cameo at the end (it's an old film but I didn't know about it so I'm probably not the only one).
One thing missing from 'Tokyo Drift' was the crime aspect (except, of course the street racing), the first movie had touched on it with the truck robbery's and the second was almost all about finding and moving the drug money. The Yakuza are mentioned and there are underground clubs but the yakuza are there more as another symbol of family and the clubs just are, there is no one investigating them and they are more just an excuse to have lots of scantily clad women wondering around.
If you just want a film that you can turn your brain off to then 'The Fast and the Furious: Tokyo Drift' is ok, it has action in the form of car chases, plenty of 'eye candy' and a bit of a story. Just don't expect anything to taxing.