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Neon's Nerd Nexus (360 KP) rated Aladdin (2019) in Movies
May 24, 2019
Shine bright like a diamond
#aladdin dazzles/soars putting a fresh & thrilling spin on a timeless #disney #classic. Like many I wasnt exactly excited to see one of the greatest #animated movies ever was getting the live action treatment but during the first 5 minutes when #WillSmith started to #sing chills ran up my spine, #goosebumps appeared on my arms & I sank into the #magical world in front of me immersed fully until the credits rolled. I wont be comparing this to the #original (as one is #animated i feel its unfair to compare) so judging this as a film on its own i think #Guyritchie has knocked it out of the park here. First of all i watch a fair few #bollywood movies & have to say the similar tone & vibe they went for here echoes/fits Aladdin perfectly making the film feel fresh, vibrant, #energetic & #enchanting. Just like an #indian film #musical numbers come seemingly out of nowhere extravagantly & on a grand scale, sets/clothing are all immaculate & vivid (all free from wear & tear/dirt & muck), acting is ludicrously exaggerated/over the top & theres such an air of clumsiness/awkwardness to everything that only amplifies is overall charm. Themes of temptation, corruption, weakness, greed & power all add great tension/deepen characters making them all feel more human. While the message of learning to love who you are before you can love another is as #heartwarming as ever. Everyone was likeable with Will Smith bringing something new to the #genie character as with a more mellow, humble, smooth jazz/r&b spin to the musical numbers which i felt worked a treat. However its #Naomiscott who absolutely kills it here, not only is she so #beautiful & mesmerising but her performance is filled with #passion & energy. #Menamassound is also very #charming & disney esque too. Over all i couldnt see this being done in a more fitting way its #laugh out loud #hilarious, the #music is toe tapping, theres enough changes to make things feel new/fresh & its deliciously camp, awkward, dazzling, #creative & over the top. #Aladdinmovie had me leaving the cinema with a grin from ear to ear excited to see it again it simply is phenomenal cosmic #fun for people of all ages. #robbinwilliams #princess
BookwormMama14 (18 KP) rated The Illusionist's Apprentice in Books
Jan 2, 2019
An incredible story brimming with suspense, illusion, questions, romance, sacrifice, and redemption. Spanning the course of Wren's life, we jump around quite a bit as her story and character unfolds, but it is easy to follow. We also get to see the world through a few different viewpoints which helps to draw your heart into the world of vaudeville.
LOVE - LOVE - LOVE Elliot. He is protective and gentle, yet firm and carries a strength that Wren needs, although she denies it. Wren is such an incredible person. I fell in love with her from chapter one. With her eccentric style and lifestyle, a performer, giving the public the illusion of grandeur...when in reality, her lifestyle is quite simple. A woman with a past that tears at her soul, longing for freedom, but not knowing where to turn. When Agent Elliot Matthews bullies his way on to her stage, her life takes a dramatic turn and the impossible becomes possible.
Wren struggles to forgive herself for something in her past that she has been led to believe is her fault. We follow her on a journey of realization that forgiveness is not just an illusion, but something very real. That it penetrates the very heart and soul of who we are. It shapes and molds us. And that we can be free if we choose to be. But if we spend too long believing in an illusion, it will distort our view of reality.
So, embrace the truth. Let Papa God open your eyes to see yourself as He created you. To see your gifts, your strengths, and the forgiveness that He has poured out on you. Take a step back in time to the Jazz Age. Step into the world of Harry Houdini and Wren Lockhart in the center of vaudeville. Let them dazzle you with a story of truth, forgiveness...and illusion.
I received a complimentary copy of The Illusionist's Apprentice through BookLook Bloggers and NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
Review originally published at http://www.bookwormmama.org
LOVE - LOVE - LOVE Elliot. He is protective and gentle, yet firm and carries a strength that Wren needs, although she denies it. Wren is such an incredible person. I fell in love with her from chapter one. With her eccentric style and lifestyle, a performer, giving the public the illusion of grandeur...when in reality, her lifestyle is quite simple. A woman with a past that tears at her soul, longing for freedom, but not knowing where to turn. When Agent Elliot Matthews bullies his way on to her stage, her life takes a dramatic turn and the impossible becomes possible.
Wren struggles to forgive herself for something in her past that she has been led to believe is her fault. We follow her on a journey of realization that forgiveness is not just an illusion, but something very real. That it penetrates the very heart and soul of who we are. It shapes and molds us. And that we can be free if we choose to be. But if we spend too long believing in an illusion, it will distort our view of reality.
So, embrace the truth. Let Papa God open your eyes to see yourself as He created you. To see your gifts, your strengths, and the forgiveness that He has poured out on you. Take a step back in time to the Jazz Age. Step into the world of Harry Houdini and Wren Lockhart in the center of vaudeville. Let them dazzle you with a story of truth, forgiveness...and illusion.
I received a complimentary copy of The Illusionist's Apprentice through BookLook Bloggers and NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
Review originally published at http://www.bookwormmama.org
Cate Le Bon recommended Se Taire Pour Une Femme Trop Belle by Fille Qui Mousse in Music (curated)
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LeftSideCut (3778 KP) rated Spider-Man 3 (2007) in Movies
Sep 24, 2020 (Updated Sep 24, 2020)
The third and final entry in the Sam Raimi trilogy of Spider-Man films is arguably the most well known, unfortunately for all the wrong reasons, and it's a real shame as there are flashes of greatness, but the finished product is a hot mess.
One of the main issues is of course the three big villains all battling for screentime. Sandman (Thomas Haden Church) is a great villain to add to the series, but his story is executed poorly, and includes a dumb retcon in a half arsed attempt to link him to the original film. It's just unnecessary and soils something that could have been good. And then there's Venom - A huge fan favourite villain who Sam Raimi apparently doesn't like, and it's evident. Eddie Brock (Topher Grace) is rushed into the narrative, and his reasons for hating Peter Parker feel forced as a result. Venoms inclusion feels a bit tacked on, and unfortunately reaks of studio meddling.
Other than that, there's also the issue of over confidence - the assumption that an audience wants to watch an edgy version of Tobey Maguire's Peter Parker swanning and dancing down a street is bold to say the least - I could even forgive the infamous scene if it wasn't immediately followed up with a second dance number in a jazz bar. I get that it's designed to portray the symbiote suits hold over Peter and his deteriorating character attributes, buts it's a massive shitty swing and a miss (much like the whole movie in general) that makes me want to scream.
It's not all bad though. All of the cast, new and familiar, are good. I think Bryce Dallas Howard is a great Gwen Stacy. It has some decent set pieces as well - the scene where Sandman is discovering his new powers is brilliant, as is the fight between him and black suit Spider-Man in the underground. I also quite enjoy the final showdown when we (finally) get to see Venom properly.
It's not enough though, and Spider-Man 3 ultimately is a flawed if ambitious comic book sequel.
One of the main issues is of course the three big villains all battling for screentime. Sandman (Thomas Haden Church) is a great villain to add to the series, but his story is executed poorly, and includes a dumb retcon in a half arsed attempt to link him to the original film. It's just unnecessary and soils something that could have been good. And then there's Venom - A huge fan favourite villain who Sam Raimi apparently doesn't like, and it's evident. Eddie Brock (Topher Grace) is rushed into the narrative, and his reasons for hating Peter Parker feel forced as a result. Venoms inclusion feels a bit tacked on, and unfortunately reaks of studio meddling.
Other than that, there's also the issue of over confidence - the assumption that an audience wants to watch an edgy version of Tobey Maguire's Peter Parker swanning and dancing down a street is bold to say the least - I could even forgive the infamous scene if it wasn't immediately followed up with a second dance number in a jazz bar. I get that it's designed to portray the symbiote suits hold over Peter and his deteriorating character attributes, buts it's a massive shitty swing and a miss (much like the whole movie in general) that makes me want to scream.
It's not all bad though. All of the cast, new and familiar, are good. I think Bryce Dallas Howard is a great Gwen Stacy. It has some decent set pieces as well - the scene where Sandman is discovering his new powers is brilliant, as is the fight between him and black suit Spider-Man in the underground. I also quite enjoy the final showdown when we (finally) get to see Venom properly.
It's not enough though, and Spider-Man 3 ultimately is a flawed if ambitious comic book sequel.