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Annie Chanse (15 KP) rated Death is but a Dream in Books
Dec 19, 2017
Contains spoilers, click to show
*contains spoilers*
A police detective -- Callista, Callie for short -- saves a little girl from getting hit by a bus. She, herself, is then hit instead. She wakes up to find herself in the Underworld where she is taken before Hades and offered a deal. Protect his son, Plutus, and find out who wants him dead, and Hades will restore her to life. However, if Callie fails in her objective or dies while in the Underworld, she will die an eternal death, and her soul will never be allowed to have an afterlife.
It doesn't seem like a super great choice, but when a god offers you a deal, the "offering" part is really just a polite term to cover up the fact that you are going to do what that god wants you to do or your screwed. And so Callie has little choice but to accept Hades' offer. She meets several interesting characters along the way, including one of the Furies, Tisiphone, who becomes Callie's friend and ally in the Underworld.
Callie's job is complicated, however, by the fact that Hades forbids her to interview, interrogate, or even outwardly suspect any of his royal family of trying to kill his son, and even FURTHER complicated by the fact that Hades lies to her and manipulates her at every turn.
"Death is but a Dream" is a beautiful and original story of the Olympian gods, and it is quite unique in its view of Greek mythology. Perhaps the closest comparison I can make to a book/series already out there in the market is with Amber Benson's series that starts with "Death's Daughter." (I'm sorry. I can't actually remember what the series is called as a whole.) It has the same tone. Both feature strong, independent female protagonists who are thrown into a fantastical world that they want no part of, so yes, fans of Amber Benson's work will really enjoy this book, I think.
The only complaint I have is that the book could have benefited from some series editing. I had an e-book copy of the novel, and there were quite a few more errors than I would expect a published, completed book to have. Most of the errors were inconsequential -- missing commas, wrong words, etc. -- and could be easily overlooked or fixed by the reader simply inserting the correct word while reading, but still, a polished book should be as free of errors as is possible, and this book had a good number.
I still really, really enjoyed the book, though. I highly recommend it.
A police detective -- Callista, Callie for short -- saves a little girl from getting hit by a bus. She, herself, is then hit instead. She wakes up to find herself in the Underworld where she is taken before Hades and offered a deal. Protect his son, Plutus, and find out who wants him dead, and Hades will restore her to life. However, if Callie fails in her objective or dies while in the Underworld, she will die an eternal death, and her soul will never be allowed to have an afterlife.
It doesn't seem like a super great choice, but when a god offers you a deal, the "offering" part is really just a polite term to cover up the fact that you are going to do what that god wants you to do or your screwed. And so Callie has little choice but to accept Hades' offer. She meets several interesting characters along the way, including one of the Furies, Tisiphone, who becomes Callie's friend and ally in the Underworld.
Callie's job is complicated, however, by the fact that Hades forbids her to interview, interrogate, or even outwardly suspect any of his royal family of trying to kill his son, and even FURTHER complicated by the fact that Hades lies to her and manipulates her at every turn.
"Death is but a Dream" is a beautiful and original story of the Olympian gods, and it is quite unique in its view of Greek mythology. Perhaps the closest comparison I can make to a book/series already out there in the market is with Amber Benson's series that starts with "Death's Daughter." (I'm sorry. I can't actually remember what the series is called as a whole.) It has the same tone. Both feature strong, independent female protagonists who are thrown into a fantastical world that they want no part of, so yes, fans of Amber Benson's work will really enjoy this book, I think.
The only complaint I have is that the book could have benefited from some series editing. I had an e-book copy of the novel, and there were quite a few more errors than I would expect a published, completed book to have. Most of the errors were inconsequential -- missing commas, wrong words, etc. -- and could be easily overlooked or fixed by the reader simply inserting the correct word while reading, but still, a polished book should be as free of errors as is possible, and this book had a good number.
I still really, really enjoyed the book, though. I highly recommend it.
Jamie (131 KP) rated The Haunting of Hill House in Books
Jul 30, 2017
Extremely clever (2 more)
Slow-burn terror
Ambiguous and open to interpretation
Indirect and slow plot (1 more)
Dense with metaphor
Is Hill House haunted or is it madness?
Hill House is suffocating in its isolation–the house is buried in hills far away from the nearest town. The house’s architecture is imperfect, the crookedness throwing one’s balance just a little bit off. The urban legends of the house’s tragic history are dark and ripe for a haunted house story. But is the house actually haunted? Is there some supernatural force that drives the inhabitants to madness? Or perhaps the hauntings are the product of a disturbed mind?
This book is absolutely brilliant in its ambiguity. I loved that things aren’t very direct, leaving the reader to decide how to interpret the story for themselves. A reader’s imagination is a writer’s best tool.
One of the first things that struck me was the unusual dialogue between characters, particularly Eleanor. At times it felt like characters were talking at the other person rather than with them. This behavior is a sign of a person that is unable to relate or empathize with other people.
It becomes clear not long after this that there’s something not quite right about Eleanor. She’s lonely and depressed, she lies constantly about her life and desperately seeks approval. She reassures herself constantly that she belongs at Hill House with the other people there and struggles with her attempts to make connections with the other guests. As the story goes on Eleanor perceives everyone else as being both loving and cruel. She sneers at Theo for trying to steal attention away from her out of some conceived notion of jealousy. Eleanor can only view relationships as being built on dependency, she is a textbook definition of an unreliable narrator.
I won’t go into too much more of my thoughts because I don’t want to spoil the plot. It’s definitely not an average ghost story and those looking for more visceral horror will probably be disappointed. The plot is thick with metaphor and the slow-burn while it worked for me may be too slow for others. Regardless, I loved this book and completely understand why it is held in such high regard and the more I think about it, the more my love for it grows. There were points where my gut was in knots with anxiety and anticipation and I just have to admire Jackson’s master craft with her prose.
This book is absolutely brilliant in its ambiguity. I loved that things aren’t very direct, leaving the reader to decide how to interpret the story for themselves. A reader’s imagination is a writer’s best tool.
One of the first things that struck me was the unusual dialogue between characters, particularly Eleanor. At times it felt like characters were talking at the other person rather than with them. This behavior is a sign of a person that is unable to relate or empathize with other people.
It becomes clear not long after this that there’s something not quite right about Eleanor. She’s lonely and depressed, she lies constantly about her life and desperately seeks approval. She reassures herself constantly that she belongs at Hill House with the other people there and struggles with her attempts to make connections with the other guests. As the story goes on Eleanor perceives everyone else as being both loving and cruel. She sneers at Theo for trying to steal attention away from her out of some conceived notion of jealousy. Eleanor can only view relationships as being built on dependency, she is a textbook definition of an unreliable narrator.
I won’t go into too much more of my thoughts because I don’t want to spoil the plot. It’s definitely not an average ghost story and those looking for more visceral horror will probably be disappointed. The plot is thick with metaphor and the slow-burn while it worked for me may be too slow for others. Regardless, I loved this book and completely understand why it is held in such high regard and the more I think about it, the more my love for it grows. There were points where my gut was in knots with anxiety and anticipation and I just have to admire Jackson’s master craft with her prose.
This book is an excellent resource for anyone who has gone through a painful experience and has yet to heal from it. Big or small, public or secret. Maybe you've gone through the Bible, gone to counseling, talked to people, taken medicine, and nothing is helping. Maybe you haven't told a soul and you don't know what to do.
This book is for you.
The ten decisions (and ten lies exposed!) are so straightforward that they totally change your thinking. It's blunt, clear, easy to read, and divided up into chunks that are easy to swallow (although I had no problem tearing through several chunks at a time because of how clear and understandable it is).
Here are 5 reasons why this is a great book for individuals and small groups:
It comes from someone who has not only counseled people with problems, but someone who has been through emotional and spiritual pain himself. He understands what you're thinking and feeling, and he has a way of writing it that everything makes sense.
It is extremely biblically founded. It's not just quoting a few verses and most of it psychology… It's all straight from God's word.
The new version has a workbook built right into it. There are journaling places, Bible verses to look up and relate back to the chapter, and exercises to complete (individually, or as a group, depending on your situation).
It can be used as a devotional, or as a small-group handbook, because everything in here will apply to every small or large problem you have.
I know this is really random, but there are decent sized margins and good space between the lines. This makes for good annotating and note taking. I don't know about you, but all my non-fiction books—especially God books—have writing all over them. It annoys me when I don't have space to write my thoughts in the book. There is space in this one.
All in all, I encourage you to grab this book. It's excellent and I love it, and have been using it for my personal Bible study.
Content/Recommendation: Some of the stories used for examples included in this book are about very…mature topics. I would recommend ages 14+, and if used for anyone younger than that, maybe a parent or small-group leader to guide the younger students and explain certain things, or assign only specific readings. That being said, there is nothing graphic or offensive. In my experience, however, some young teens are just not ready for certain content. As always, this is only a personal recommendation.
This book is for you.
The ten decisions (and ten lies exposed!) are so straightforward that they totally change your thinking. It's blunt, clear, easy to read, and divided up into chunks that are easy to swallow (although I had no problem tearing through several chunks at a time because of how clear and understandable it is).
Here are 5 reasons why this is a great book for individuals and small groups:
It comes from someone who has not only counseled people with problems, but someone who has been through emotional and spiritual pain himself. He understands what you're thinking and feeling, and he has a way of writing it that everything makes sense.
It is extremely biblically founded. It's not just quoting a few verses and most of it psychology… It's all straight from God's word.
The new version has a workbook built right into it. There are journaling places, Bible verses to look up and relate back to the chapter, and exercises to complete (individually, or as a group, depending on your situation).
It can be used as a devotional, or as a small-group handbook, because everything in here will apply to every small or large problem you have.
I know this is really random, but there are decent sized margins and good space between the lines. This makes for good annotating and note taking. I don't know about you, but all my non-fiction books—especially God books—have writing all over them. It annoys me when I don't have space to write my thoughts in the book. There is space in this one.
All in all, I encourage you to grab this book. It's excellent and I love it, and have been using it for my personal Bible study.
Content/Recommendation: Some of the stories used for examples included in this book are about very…mature topics. I would recommend ages 14+, and if used for anyone younger than that, maybe a parent or small-group leader to guide the younger students and explain certain things, or assign only specific readings. That being said, there is nothing graphic or offensive. In my experience, however, some young teens are just not ready for certain content. As always, this is only a personal recommendation.
Rachel King (13 KP) rated Masquerade in Books
Feb 11, 2019
I was surprised at how much I enjoyed reading this novel by the end of it. The beginning is a bit slow and dry, as Moser sets up the background information and almost struggles to get the reader to "side" with the main character Charlotte Gleason by using her maid's voice to excuse Charlotte's "spoiled rich girl" behavior. I really have a hard time buying the lines that Charlotte really is a good person even though she chooses to be naive about the world she lives in because she feels helpless to enact change. But what happens to her family to force her to travel to America is just the thing to wake her up to the real world and her own responsibilities in it.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
Sassy Brit (97 KP) rated The Beguiled in Books
Jun 5, 2019
“A classic slice of Southern Gothic, shot through with psychological suspense, which is the basis for Sofia Coppola’s (winner of Best Director at Cannes) 2017 film of the same name starring Nicola Kidman, Colin Farrell and Kirsten Dunst”. Source: wiki/The_Beguiled_(2017_film).
The book was originally written with the title A Painted Devil and some of you eagle-eyed readers and film fanatics may also remember this was a film starring Clint Eastwood and Geraldine Page in the ’70s. The maid in the latter film and this 1966 novel, was black and there was also another bi-racial character, too. However, in the new film, mentioned above, this bi-racial character was played by Kirsten Dunst. This totally ruined the whole point of the book that the black woman was really a slave in their household and the bi-racial woman (who was a free woman) could not seem to see that she herself was not truly white. And that, dear readers, is a very relevant part of the original book, why change it? (Rolls eyes). Is it so wrong to portray this black woman exactly how the author intended her to be? The way I see it, what she did in that house was her way of surviving. It’s an integral part of the story. Why hide it?
After all, if you look at the underage sex and the way the main male character acts by taking advantage of his position in a household full of young girls who are basically shut away from society, should he also be seen as wrong? These young girls are easy prey, but some, are also very willing to learn… Incidentally, I must say the heat and sexual tension within the book is superbly done.
I found parts of the way this was written to be a little repetitive and confusing in style, despite this, it was still a great story. It’s only told from the girls’ perspective, which in many ways adds to this atmospheric, hothouse of lies and deceit the further into the story you delve.
The Beguiled is chock full with a Gothic sense of foreboding and unease, set against a backdrop of the Civil War, which made for some serious, ghostly tension. Who is this injured solider who turns up on their doorstep? How can these girls protect themselves from this seductive man when they have no idea what life is like outside the four walls of the house they live in?
If you read right to the end you’ll find out the brilliant twist of fate this story has in store for you. A devious surprise!
The book was originally written with the title A Painted Devil and some of you eagle-eyed readers and film fanatics may also remember this was a film starring Clint Eastwood and Geraldine Page in the ’70s. The maid in the latter film and this 1966 novel, was black and there was also another bi-racial character, too. However, in the new film, mentioned above, this bi-racial character was played by Kirsten Dunst. This totally ruined the whole point of the book that the black woman was really a slave in their household and the bi-racial woman (who was a free woman) could not seem to see that she herself was not truly white. And that, dear readers, is a very relevant part of the original book, why change it? (Rolls eyes). Is it so wrong to portray this black woman exactly how the author intended her to be? The way I see it, what she did in that house was her way of surviving. It’s an integral part of the story. Why hide it?
After all, if you look at the underage sex and the way the main male character acts by taking advantage of his position in a household full of young girls who are basically shut away from society, should he also be seen as wrong? These young girls are easy prey, but some, are also very willing to learn… Incidentally, I must say the heat and sexual tension within the book is superbly done.
I found parts of the way this was written to be a little repetitive and confusing in style, despite this, it was still a great story. It’s only told from the girls’ perspective, which in many ways adds to this atmospheric, hothouse of lies and deceit the further into the story you delve.
The Beguiled is chock full with a Gothic sense of foreboding and unease, set against a backdrop of the Civil War, which made for some serious, ghostly tension. Who is this injured solider who turns up on their doorstep? How can these girls protect themselves from this seductive man when they have no idea what life is like outside the four walls of the house they live in?
If you read right to the end you’ll find out the brilliant twist of fate this story has in store for you. A devious surprise!
Ellie seems to have the picture perfect life - and now, the picture perfect wedding. She's finally marrying Rob, seemingly the man of her dreams. But at her wedding, Ellie's world collapses, as she finds out Rob is not what he seems. She is quickly swept up into his world of lies and yes, murder. Rob is counting on Ellie to free them from the constrictive life he's been leading, but that may mean she has to kill someone. Is Ellie prepared to do this? Is Rob what he seems? What has happened to Ellie's perfect life?
This was an interesting thriller, to say the least. It starts out a little slow (seems like a conventional he said/she said back and forth point-of-view tale) but quickly turned into an actual, compelling mystery. The book is told in a "Then" and "Now" format, but with a couple of twists: first, you hear not only from Ellie and Rob, but also a detective, Lucien, who is investigating several cases that have ensnared the pair, and second, the "Then" portions aren't chronological, so you are really skipping around in time. It is confusing at times, but certainly adds to the page-turning aspect. A good 3/4 of the book passes by in a flash.
I was wary most of the book - who is telling the truth? Rob? Ellie? No one? This one reminded me a bit of another excellent book I read recently - J.T. Ellison's "No One Knows" (which I preferred), where you just don't know which spouse to trust, or if you even like either of them! They are both flawed, but not really in a way you could sympathize with. Lucien was certainly the only character who seemed to have any redemptive qualities to him at times, and his inclusion was intriguing and enjoyable.
Overall, this book left me feeling confused and a little wanting. It seemed to fall apart a little with the ending - I was almost not quite sure exactly what transpired. It left me a little wanting. Still, as I write my review 24 hours later, the book is still haunting me, and I imagine it will for quite some time-- which is certainly a feat in itself. I'm glad I read it; it was a strange and interesting experience to say the least.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 3/22. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was an interesting thriller, to say the least. It starts out a little slow (seems like a conventional he said/she said back and forth point-of-view tale) but quickly turned into an actual, compelling mystery. The book is told in a "Then" and "Now" format, but with a couple of twists: first, you hear not only from Ellie and Rob, but also a detective, Lucien, who is investigating several cases that have ensnared the pair, and second, the "Then" portions aren't chronological, so you are really skipping around in time. It is confusing at times, but certainly adds to the page-turning aspect. A good 3/4 of the book passes by in a flash.
I was wary most of the book - who is telling the truth? Rob? Ellie? No one? This one reminded me a bit of another excellent book I read recently - J.T. Ellison's "No One Knows" (which I preferred), where you just don't know which spouse to trust, or if you even like either of them! They are both flawed, but not really in a way you could sympathize with. Lucien was certainly the only character who seemed to have any redemptive qualities to him at times, and his inclusion was intriguing and enjoyable.
Overall, this book left me feeling confused and a little wanting. It seemed to fall apart a little with the ending - I was almost not quite sure exactly what transpired. It left me a little wanting. Still, as I write my review 24 hours later, the book is still haunting me, and I imagine it will for quite some time-- which is certainly a feat in itself. I'm glad I read it; it was a strange and interesting experience to say the least.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 3/22. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Mayhawke (97 KP) rated This is Going to Hurt: Secret Diaries of a Junior Doctor in Books
Feb 13, 2018
A Trip tThrough the NHS in Easy, Accessible Anecdotes
On the surface of it this is an engaging and often hilarious collection of anecdotes from someone who worked as a doctor in the NHS for several years. There is an abundance of stories for those who love to hear about the quirks and peculiarities of humanity. Dark and funny things that will make you laugh out loud whilst simultaneously making your toes curl. The de-gloved penis. The dehydrated cocaine users. The homeless man who preferred to go back out on the streets rather than run the risk of MRSA.
Referring to the diaries he was obliged to keep during his years as an obstetrician, Kay has pulled together a raft of stories and thoughts ranging from simple one line 'notes-to-self' to more lengthy tales of patients he cared for. The happy, the funny and the occasional simply uplifting make for an easy and read that clips along nicely. I had this in audio book form and it was a little over six hours long. It is easy to pick up, slightly less easy to put down.
You may also have seen this book referred to as 'heart-breaking'.
And it is. Because in writing a highly entertaining memoir Kay has found the perfect vehicle to deliver some brutal truths about the state of our NHS these days. To highlight the lies being pedalled by the Secretary of State for Health and the government.This is not a treatise on the issues facing the National Health Service and the people who work there-in delivering health care, there is no lengthy analysis - he simply punctuates the usually funny, sometimes tragic stories with brutal realities he has experienced first-hand:
- being told that he would have to come back for a weekend halfway through a two-week holiday abroad because the cover he had had to arrange himself fell through.
- falling asleep in his car in the hospital car park before he even managed to start it and waking up the next morning only to find he'd slept so long he was still late for work. On Christmas Eve.
- working out that with the unpaid overtime he was expected to put in his actual wage was £6.60ph - less than if he'd worked in McDonalds.
This is far more important book than it is really given credit for. It should be mandatory reading for anyone who has ever nodded their head when Jeremy Hunt's lips have been flapping.
Referring to the diaries he was obliged to keep during his years as an obstetrician, Kay has pulled together a raft of stories and thoughts ranging from simple one line 'notes-to-self' to more lengthy tales of patients he cared for. The happy, the funny and the occasional simply uplifting make for an easy and read that clips along nicely. I had this in audio book form and it was a little over six hours long. It is easy to pick up, slightly less easy to put down.
You may also have seen this book referred to as 'heart-breaking'.
And it is. Because in writing a highly entertaining memoir Kay has found the perfect vehicle to deliver some brutal truths about the state of our NHS these days. To highlight the lies being pedalled by the Secretary of State for Health and the government.This is not a treatise on the issues facing the National Health Service and the people who work there-in delivering health care, there is no lengthy analysis - he simply punctuates the usually funny, sometimes tragic stories with brutal realities he has experienced first-hand:
- being told that he would have to come back for a weekend halfway through a two-week holiday abroad because the cover he had had to arrange himself fell through.
- falling asleep in his car in the hospital car park before he even managed to start it and waking up the next morning only to find he'd slept so long he was still late for work. On Christmas Eve.
- working out that with the unpaid overtime he was expected to put in his actual wage was £6.60ph - less than if he'd worked in McDonalds.
This is far more important book than it is really given credit for. It should be mandatory reading for anyone who has ever nodded their head when Jeremy Hunt's lips have been flapping.
Sarah (126 KP) rated The Staircase in TV
Aug 10, 2018
A Compelling Watch
All are punish'd.
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
Hazel (1853 KP) rated Divergent Thinking: YA Authors on Veronica Roth's Divergent Trilogy in Books
Dec 17, 2018
My rating: 4.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
For fans of Veronica Roth’s <i>Divergent</i> series here is a book that delves deeper into the trilogy. Commonly referred to as “the next <i>Hunger Games</i>” Leah Wilson has compiled together several essays that treat <i>Divergent</i> in its own right. <i>Divergent Thinking: YA Authors on Veronica Roth’s Divergent Trilogy</i> is full of a variety of ideas each expressed by a different well-known author.
Although <i>Divergent</i> is a dystopian novel leaning heavily towards the science fiction genre, the essays in this book compare the storyline and its components with reality. Through the complex heroine, Tris, the reader learns about family values, friendships, secrets and lies – all of these things being something that is experienced within everyone’s lives.
What are really interesting are the various authors’ perceptions on Roth’s use of factions - from this stem essays on personality types, life choices, psychology, bravery and science. <i>Divergent Thinking</i> is full of thought-provoking ideas that many readers would not have considered when first reading the trilogy. These authors make the reader think more about their own lives in relation to Tris and Tobias’. Most importantly Wilson’s compilation draws attention to the amount of research Roth must have done in order to create a dystopian future.
What is particularly good about this book is that the authors treat the characters as people in their own right with their own personalities and opinions. Instead of criticizing the way Roth has portrayed someone they comment instead on how they disagree with a particular characters thought or action. This proves, in a way, the brilliance behind Roth’s writing. Through reading <i>Divergent</i> we are not only staring at a page of writing, we are drawn directly into the storyline.
To be able to appreciate the essays included in this book readers need to already have a good understanding of the original novels, in other words read the trilogy first. There are also many spoilers for those who have not yet reached the final installment, <i>Allegiant</i>. It would also help to be a fan of <i>Divergent</i> as all these authors clearly are. Overall this is such a fascinating read. Some chapters are more interesting than others but that will also depend on the reader. If you prefer science and facts there are essays in here for you, likewise if you prefer a more personal touch there is something for you too.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
For fans of Veronica Roth’s <i>Divergent</i> series here is a book that delves deeper into the trilogy. Commonly referred to as “the next <i>Hunger Games</i>” Leah Wilson has compiled together several essays that treat <i>Divergent</i> in its own right. <i>Divergent Thinking: YA Authors on Veronica Roth’s Divergent Trilogy</i> is full of a variety of ideas each expressed by a different well-known author.
Although <i>Divergent</i> is a dystopian novel leaning heavily towards the science fiction genre, the essays in this book compare the storyline and its components with reality. Through the complex heroine, Tris, the reader learns about family values, friendships, secrets and lies – all of these things being something that is experienced within everyone’s lives.
What are really interesting are the various authors’ perceptions on Roth’s use of factions - from this stem essays on personality types, life choices, psychology, bravery and science. <i>Divergent Thinking</i> is full of thought-provoking ideas that many readers would not have considered when first reading the trilogy. These authors make the reader think more about their own lives in relation to Tris and Tobias’. Most importantly Wilson’s compilation draws attention to the amount of research Roth must have done in order to create a dystopian future.
What is particularly good about this book is that the authors treat the characters as people in their own right with their own personalities and opinions. Instead of criticizing the way Roth has portrayed someone they comment instead on how they disagree with a particular characters thought or action. This proves, in a way, the brilliance behind Roth’s writing. Through reading <i>Divergent</i> we are not only staring at a page of writing, we are drawn directly into the storyline.
To be able to appreciate the essays included in this book readers need to already have a good understanding of the original novels, in other words read the trilogy first. There are also many spoilers for those who have not yet reached the final installment, <i>Allegiant</i>. It would also help to be a fan of <i>Divergent</i> as all these authors clearly are. Overall this is such a fascinating read. Some chapters are more interesting than others but that will also depend on the reader. If you prefer science and facts there are essays in here for you, likewise if you prefer a more personal touch there is something for you too.
Kristy H (1252 KP) rated Twice in a Blue Moon in Books
Oct 24, 2019
Tate first fell in love on a trip to London, where she met the mysterious Sam Brandis. They shared all their deepest secrets and dreams together every night in their hotel's garden. It was a whirlwind, beautiful romance. Sam was the only person that Tate told her biggest secret: she is the daughter of one of Hollywood's biggest film stars. But their brief love story ended abruptly when Sam betrayed Tate, revealing her secret and outing her to the world. Now, fourteen years later, Tate is a famous actress herself. She's on set on her biggest project to date. The last person she's expecting to see is Sam Brandis. But here he is. Now Tate is forced to confront what happened fourteen years ago--and how it has affected her all these years later.
"What would you do if you got a second chance with your first love?"
Well, I was totally caught up in this captivating romance. I'm a real sucker for Hollywood drama, so this was right up my alley. The daughter of a Hollywood star, who abandoned her and her Mom after a messy divorce? Said daughter grows up and decides to be a film star after being outed by her first love? I'm so in.
This Christina Lauren novel is told just from Tate's point of view, so we don't get some of the back-and-forth POV that we see in some of the duo's other books. There is more drama, less witty banter, than we might see in other books. But there's still plenty of the usual lies, longing, and misunderstandings. There are also lots of sexy moments and romantic interludes, too.
Tate is a fun character; I liked the divide between young Tate and Sam and then cutting to them fourteen years later. Honestly, older Tate is a little clueless at times. It takes her a while to catch on to things that seem pretty obvious to the rest of us. As usual, some things are rather predictable and other moments are a bit overblown, but it didn't diminish my enjoyment of the book. While Sam and Tate might not have had a constant humorous dialogue going, I liked the seriousness that the book brought to their relationship, as well as the funny moments it dropped in too. Tate's family, friends, and co-stars add a lighthearted touch, too.
Overall, this is a sweet, engaging romance. I loved the Hollywood aspect and the changing dynamic between Tate and Sam. 4 stars.
"What would you do if you got a second chance with your first love?"
Well, I was totally caught up in this captivating romance. I'm a real sucker for Hollywood drama, so this was right up my alley. The daughter of a Hollywood star, who abandoned her and her Mom after a messy divorce? Said daughter grows up and decides to be a film star after being outed by her first love? I'm so in.
This Christina Lauren novel is told just from Tate's point of view, so we don't get some of the back-and-forth POV that we see in some of the duo's other books. There is more drama, less witty banter, than we might see in other books. But there's still plenty of the usual lies, longing, and misunderstandings. There are also lots of sexy moments and romantic interludes, too.
Tate is a fun character; I liked the divide between young Tate and Sam and then cutting to them fourteen years later. Honestly, older Tate is a little clueless at times. It takes her a while to catch on to things that seem pretty obvious to the rest of us. As usual, some things are rather predictable and other moments are a bit overblown, but it didn't diminish my enjoyment of the book. While Sam and Tate might not have had a constant humorous dialogue going, I liked the seriousness that the book brought to their relationship, as well as the funny moments it dropped in too. Tate's family, friends, and co-stars add a lighthearted touch, too.
Overall, this is a sweet, engaging romance. I loved the Hollywood aspect and the changing dynamic between Tate and Sam. 4 stars.