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BankofMarquis (1832 KP) rated Causeway (2022) in Movies
Feb 10, 2023
Strong Performances
Welcome back, Jennifer Lawrence, the movies missed you.
Shot to stardom early - a 3x Oscar Nominee by the age of 23 (winning once for SILVER LININGS PLAYBOOK) and the top paid actress in 2015, 2016 - Jennifer Lawrence took a hiatus from filmmaking right before the pandemic.
With the lowkey, PTSD character study CAUSEWAY, let’s hope that Lawrence is back for good.
Directed by Lila Neugebauer (ROOM 104), Causeway tells the tale of Lynsey (played by Lawrence) who returns home after suffering a Traumatic Brain Injury while serving overseas. Once home, she forms an unlikely friendship with James (an Oscar Nominated Brian Tyree Henry) who also has some trauma to work through.
It is a low-key, pensive film about friendship, recovery and dealing with loss/pain. Most of the film is the 2 lead characters talking and in order for it to succeed, the 2 main characters better be performed by 2 charismatic, interesting actors.
And fortunately for CAUSEWAY, it is.
Starting with Lawrence. She is a unique acting talent in that one can see what she is thinking and feeling with a minimum of facial gestures. She draws the audience into her portrayal of Lynsey - making her a person to empathize with (but not pity). Lynsey is strong, fearful, focused and damaged and the audience sees every part of this in Lawrence’s performance. It is a wonderfully understated performance and it’s a shame that she, too, was not nominated for an Oscar.
But, of course, with a talk-y, two character piece, BOTH performances better be Oscar caliber to keep the audience engaged and with the surprising strong and vulnerable performance of here-to-fore known as comedy performer Henry (BULLET TRAIN) Causeway has the 2nd anchor to this film.
When James (Henry’s character) is first introduced, the audience gets the impression that he is the funny, affable, friendly rock that Lynsey needs to get back on her feet, but as the film progresses and we peel back the layers of James’ onion, we find out that he is just as damaged - and as real - as she is. Henry embodies James with the same strength and vulnerability that Lawrence shows as Lynsey - and Henry is a well-deserved Oscar nominee for his work.
Creidt, of course, for this paring - and the performances therein - lies with Director Neugebauer who lets her camera linger on the performances and the emotions that are laid raw in front of the viewer.
Not the fastest paced film, Causeway is a marvelous unlikely pairing of 2 damaged souls portrayed, strongly, by 2 fine actors.
Letter Grade: B+
7 1/2 stars (out of 10)
Shot to stardom early - a 3x Oscar Nominee by the age of 23 (winning once for SILVER LININGS PLAYBOOK) and the top paid actress in 2015, 2016 - Jennifer Lawrence took a hiatus from filmmaking right before the pandemic.
With the lowkey, PTSD character study CAUSEWAY, let’s hope that Lawrence is back for good.
Directed by Lila Neugebauer (ROOM 104), Causeway tells the tale of Lynsey (played by Lawrence) who returns home after suffering a Traumatic Brain Injury while serving overseas. Once home, she forms an unlikely friendship with James (an Oscar Nominated Brian Tyree Henry) who also has some trauma to work through.
It is a low-key, pensive film about friendship, recovery and dealing with loss/pain. Most of the film is the 2 lead characters talking and in order for it to succeed, the 2 main characters better be performed by 2 charismatic, interesting actors.
And fortunately for CAUSEWAY, it is.
Starting with Lawrence. She is a unique acting talent in that one can see what she is thinking and feeling with a minimum of facial gestures. She draws the audience into her portrayal of Lynsey - making her a person to empathize with (but not pity). Lynsey is strong, fearful, focused and damaged and the audience sees every part of this in Lawrence’s performance. It is a wonderfully understated performance and it’s a shame that she, too, was not nominated for an Oscar.
But, of course, with a talk-y, two character piece, BOTH performances better be Oscar caliber to keep the audience engaged and with the surprising strong and vulnerable performance of here-to-fore known as comedy performer Henry (BULLET TRAIN) Causeway has the 2nd anchor to this film.
When James (Henry’s character) is first introduced, the audience gets the impression that he is the funny, affable, friendly rock that Lynsey needs to get back on her feet, but as the film progresses and we peel back the layers of James’ onion, we find out that he is just as damaged - and as real - as she is. Henry embodies James with the same strength and vulnerability that Lawrence shows as Lynsey - and Henry is a well-deserved Oscar nominee for his work.
Creidt, of course, for this paring - and the performances therein - lies with Director Neugebauer who lets her camera linger on the performances and the emotions that are laid raw in front of the viewer.
Not the fastest paced film, Causeway is a marvelous unlikely pairing of 2 damaged souls portrayed, strongly, by 2 fine actors.
Letter Grade: B+
7 1/2 stars (out of 10)
Jamie (131 KP) rated 1984 Nineteen Eighty-Four in Books
Jun 4, 2017
Overwhelmingly bleak (1 more)
Stars slow and a little bit didactic
A true nightmare world, a dystopian classic
Winston is our everyman, a middle aged average male living under the heel of a totalitarian regime. His work is bland, his food is bland, his every day routine is bland. Winston is losing it, he wonders about the world that was before the party and resists in small ways. He ponders about the subtle ways that the party exerts it’s control, by perpetual war, by rewriting history, by lying so blatantly that the members of the party have to accept the lies as truth. Winston dreams of revolution and finds himself seeking out others likes him.
Nineteen Eighty-Four was not an easy ready by any means, it’s startlingly brutal. The beginning starts off rather slow as the readers gets to know Winston, the way he thinks and learns about his every day routine and are introduced to key characters. The middle of the book picks up, but it breaks up the pacing of the novel due to the fact that it essentially turns into an essay that outlines the structure of the party and the moral implications of it’s actions. While info dumps can be a bit disjointing to read, I could bear with it for this novel. The third half of the novel caught me off guard and it spun wildly out of control. I loved it, even when I found it difficult to digest. This is what made the book so brilliant, it doesn’t just tell you about right and wrong and then wrap things up nicely, the horrible reality of the book comes crashing down on both Winston and the reader’s head in full force.
The power structure of the party is just downright diabolical. I could think of any other way to describe it; the method of control, the reasons for maintaining such a strict social order, the sheer scale of the party’s reach – all of it was terrifying when taken as a whole. There were points in the second half of the novel where I had to put the book down because it was stressing me out too much, and this was a first for me. I now understand fully what folks mean when they label something as “Orwellian,” and why this novel is hailed as one of the very best of the dystopia genre. Hell, there are others that I read that I thought were bleak, but none quite to this degree. Nineteen Eighty-Four makes other books in the dystopia genre seem like lighthearted adventures novels.
The novel is extremely effective in the delivery of it’s core message about government control and humanity by creating a potential future that is harrowing, particularly because of it’s plausibility, as a warning to all. This is the type of book that will stick with me for a long time and I’m glad I finally sat down to read it.
Nineteen Eighty-Four was not an easy ready by any means, it’s startlingly brutal. The beginning starts off rather slow as the readers gets to know Winston, the way he thinks and learns about his every day routine and are introduced to key characters. The middle of the book picks up, but it breaks up the pacing of the novel due to the fact that it essentially turns into an essay that outlines the structure of the party and the moral implications of it’s actions. While info dumps can be a bit disjointing to read, I could bear with it for this novel. The third half of the novel caught me off guard and it spun wildly out of control. I loved it, even when I found it difficult to digest. This is what made the book so brilliant, it doesn’t just tell you about right and wrong and then wrap things up nicely, the horrible reality of the book comes crashing down on both Winston and the reader’s head in full force.
The power structure of the party is just downright diabolical. I could think of any other way to describe it; the method of control, the reasons for maintaining such a strict social order, the sheer scale of the party’s reach – all of it was terrifying when taken as a whole. There were points in the second half of the novel where I had to put the book down because it was stressing me out too much, and this was a first for me. I now understand fully what folks mean when they label something as “Orwellian,” and why this novel is hailed as one of the very best of the dystopia genre. Hell, there are others that I read that I thought were bleak, but none quite to this degree. Nineteen Eighty-Four makes other books in the dystopia genre seem like lighthearted adventures novels.
The novel is extremely effective in the delivery of it’s core message about government control and humanity by creating a potential future that is harrowing, particularly because of it’s plausibility, as a warning to all. This is the type of book that will stick with me for a long time and I’m glad I finally sat down to read it.
Hazel (1853 KP) rated To Kill a Kingdom in Books
Apr 9, 2018
A princess must have her prince but perhaps not in the usual happy-ever-after fairytale way. With sirens, princes, pirates, mermaids and magic, To Kill a Kingdom by Alexandra Christo is a dark fantasy novel perfect for those who grew up with Peter Pan and The Little Mermaid. But, as with most traditional fairy tales, this book is riddled with trickery and lies, making it a heart-stopping adventure.
Lira is a siren princess who is nearing her eighteenth birthday. In order to celebrate the life of their goddess Keto and get revenge for her death at the hands of the humans, each siren must kill and remove the heart of a human victim. Lira has always targeted princes and aims to steal the heart of Prince Elian of Midasan, however, her mother, the sea queen, has different ideas.
As punishment for disobeying her orders, the evil queen temporarily turns Lira into a human, stripping her of her siren power. In order to return, she must kill Prince Elian and return to the sea with his heart. However, things get complicated when Prince Elian saves Lira from drowning and takes her aboard his ship.
Elian is a prince-cum-pirate who has no wish to be the heir of the golden kingdom of Midasan. He spends his days as the captain of his ship, hunting and killing sirens. Not realising Lira is the siren he most wishes to destroy, he gradually gets used to her presence and believes she will be useful to him on his quest to find a crystal that will destroy the sea queen forever. Lira agrees to help, however, she has an ulterior motive – perhaps she can help Elian find the crystal then kill him and destroy her mother …
It takes a while for this dark, romantic young adult novel to get going; there is a lot of introduction to characters and the way their fantasy world operates. With different customs to get familiar with, particularly in the case of the sirens, it is a little monotonous for the first few chapters. However, once Lira and Elian meet, events become far more interesting.
The banter and insults hurled between Elian, Lira and the rest of the crew is a humorous addition to the storyline and makes the prince and princesses growing relationship all the more exciting. With the sea queen lurking in the shadows, the story builds up to a fateful conclusion, however, maybe Lira can steal the prince’s heart a different way.
Once the story is well underway it becomes an engrossing piece of literature that is difficult to put down. With romance, danger and a cataclysmic ending, it has everything that a young adult fantasy fan wishes for. To Kill a Kingdom is Christo’s debut and it is exciting to find out what she will write next.
Lira is a siren princess who is nearing her eighteenth birthday. In order to celebrate the life of their goddess Keto and get revenge for her death at the hands of the humans, each siren must kill and remove the heart of a human victim. Lira has always targeted princes and aims to steal the heart of Prince Elian of Midasan, however, her mother, the sea queen, has different ideas.
As punishment for disobeying her orders, the evil queen temporarily turns Lira into a human, stripping her of her siren power. In order to return, she must kill Prince Elian and return to the sea with his heart. However, things get complicated when Prince Elian saves Lira from drowning and takes her aboard his ship.
Elian is a prince-cum-pirate who has no wish to be the heir of the golden kingdom of Midasan. He spends his days as the captain of his ship, hunting and killing sirens. Not realising Lira is the siren he most wishes to destroy, he gradually gets used to her presence and believes she will be useful to him on his quest to find a crystal that will destroy the sea queen forever. Lira agrees to help, however, she has an ulterior motive – perhaps she can help Elian find the crystal then kill him and destroy her mother …
It takes a while for this dark, romantic young adult novel to get going; there is a lot of introduction to characters and the way their fantasy world operates. With different customs to get familiar with, particularly in the case of the sirens, it is a little monotonous for the first few chapters. However, once Lira and Elian meet, events become far more interesting.
The banter and insults hurled between Elian, Lira and the rest of the crew is a humorous addition to the storyline and makes the prince and princesses growing relationship all the more exciting. With the sea queen lurking in the shadows, the story builds up to a fateful conclusion, however, maybe Lira can steal the prince’s heart a different way.
Once the story is well underway it becomes an engrossing piece of literature that is difficult to put down. With romance, danger and a cataclysmic ending, it has everything that a young adult fantasy fan wishes for. To Kill a Kingdom is Christo’s debut and it is exciting to find out what she will write next.
graveyardgremlin (7194 KP) rated Dear Sister (Sweet Valley High, #7) in Books
Feb 15, 2019
Warning: This is more book report than review but I just couldn't help myself. :P
In a fit of nostalgia I decided to pick up a Sweet Valley High book. I used to read these nonstop starting when I was eleven or so. Part of the reason I decided to read this particular one is of a supposedly risque scene between Liz and Bruce Patman, and even though I know I had read this exact book before, I had no recollection of this event.
So even though this is really an immediate sequel to number six in the series (confusing much), it's easy to pick up where the plot left off (aren't they always?). Elizabeth, part of the all-American, blonde, perfect size-six figure (in the newest books they're size four), sunny personality, Californian duo that make up the Wakefield twins, along with sister Jessica, lies in a coma. She got that way by riding on the back of her boyfriend Todd's new motorcycle and getting hit by a drunk driver. Jessica was partially at fault because she was supposed to pick her up at a party but never showed up. First evidence of Jessica's self-absorbed nature. So Liz miraculously recovers from her coma after the doctor tells Jessica that she could help Liz by talking to her because she has the strongest link or some other malarkey. During her supposedly heartfelt talks, she inadvertently calls Liz a jerk ("Only a jerk would count on me." pg. 5), once again showing what a b*tch Jessica really is. So when Liz wakes up at the end of the chapter, she immediately only cares with how she looks, Jess is only slightly off-put by this turn of events.
So the rest of the book is Liz forgoing her usual nature of sweet, responsible, older sis-type and instead out-Jessica-ing-Jessica, which I think was actually used in the book. That ain't good, two Jessica's? Could there be anything worse? Yeah, so Jessica is forced to turn more into what Elizabeth is usually like in this book, but we all know that won't last and she won't learn any lessons either. Liz proceeds to make excuses to get out of doing any kind of work, sneaking off, wearing next to nothing, including a barely there bikini, and basically acting like an irresponsible 16-year-old. Sweet Valley is full of obtuse people who don't realize Liz is any different than usual (uh, hello?), even her own parents stay astonishingly dimwitted, which I guess isn't really all that surprising. I won't give anything away to anyone who wants to read the outcome, but at the end all's well that ends well as usual in the soap opera town of Sweet Valley, California.
And yes, the scene was racy for its time and series.
In a fit of nostalgia I decided to pick up a Sweet Valley High book. I used to read these nonstop starting when I was eleven or so. Part of the reason I decided to read this particular one is of a supposedly risque scene between Liz and Bruce Patman, and even though I know I had read this exact book before, I had no recollection of this event.
So even though this is really an immediate sequel to number six in the series (confusing much), it's easy to pick up where the plot left off (aren't they always?). Elizabeth, part of the all-American, blonde, perfect size-six figure (in the newest books they're size four), sunny personality, Californian duo that make up the Wakefield twins, along with sister Jessica, lies in a coma. She got that way by riding on the back of her boyfriend Todd's new motorcycle and getting hit by a drunk driver. Jessica was partially at fault because she was supposed to pick her up at a party but never showed up. First evidence of Jessica's self-absorbed nature. So Liz miraculously recovers from her coma after the doctor tells Jessica that she could help Liz by talking to her because she has the strongest link or some other malarkey. During her supposedly heartfelt talks, she inadvertently calls Liz a jerk ("Only a jerk would count on me." pg. 5), once again showing what a b*tch Jessica really is. So when Liz wakes up at the end of the chapter, she immediately only cares with how she looks, Jess is only slightly off-put by this turn of events.
So the rest of the book is Liz forgoing her usual nature of sweet, responsible, older sis-type and instead out-Jessica-ing-Jessica, which I think was actually used in the book. That ain't good, two Jessica's? Could there be anything worse? Yeah, so Jessica is forced to turn more into what Elizabeth is usually like in this book, but we all know that won't last and she won't learn any lessons either. Liz proceeds to make excuses to get out of doing any kind of work, sneaking off, wearing next to nothing, including a barely there bikini, and basically acting like an irresponsible 16-year-old. Sweet Valley is full of obtuse people who don't realize Liz is any different than usual (uh, hello?), even her own parents stay astonishingly dimwitted, which I guess isn't really all that surprising. I won't give anything away to anyone who wants to read the outcome, but at the end all's well that ends well as usual in the soap opera town of Sweet Valley, California.
And yes, the scene was racy for its time and series.
MaryAnn (14 KP) rated Revealed (Intrigue under Western Skies) (Volume 3) in Books
Mar 5, 2019
Nothing can be hidden that won’t be revealed.
When her father dies, Katherine Levinson discovers her parents have kept secrets that render her happy childhood a farce. She and her gravely ill mother face eviction, and she has no choice but to appeal to the brother she’s never seen, the famous cattle baron, Rhyan Cason. Over her gravely ill mother’s objections, they move to Nebraska and the sprawling cattle ranch, Sollano.
Instead of the warm welcome, Katherine expects, she and her mother are met with whispers and scorn in the little prairie town near Sollano. Gradually, the sins of her parents’ past surface
and Katherine begins to doubt her very identity. With her brother busy with cattle rustlers and her mother too ill to be bothered, Katherine turns to Colt Holliman, a soft-spoken neighboring rancher, for comfort.
Tired of waiting for the right woman to come along, Colt has promised to wait for Charley Ryder, an acclaimed female sharpshooter and equestrian acrobat with the Wild West Show, but it’s becoming clear Charley loves the show more than him. As his attraction to Katherine grows, he finds himself spiritually conflicted. How can he break from past commitments and follow his heart?
Then unexpected danger strikes, testing Katherine’s and Colt’s faith in God—and each other.
My Thoughts: This was a delightful novel to read, the storyline is based in Nebraska. Nebraska is known for their corn, beef , horses ,rodeos and sugar beets! I lived in Nebraska and this brought back some great memories for me. The author has done a phenomenal job of bringing the reader into the ranching life. I love that she brings in the Wild West shows as well, there is so much history from the west that people don't have any idea that living in the west is truly like and the author has given the reader a great glimpse of the history.
Katherine is such a loveable character, the reader feels her plight, her father has passed away, her mother is ill, there are bills to pay. What is she to do?
Katherine sends a letter to a brother she hasn't met which changes her life forever.
Katherine has many things to deal with, the lies that her parents told her, gossip, and of course love. How must it feel to fall in love with someone promised to another? will she repeat her mother's past?
It's not hard to fall in love with Colt. He is every woman's dream, including Katherine's but Colt is promised to Charley; who it seems cares more about herself than anyone else.
This is a novel full of love, mystery, and suspense. It also shows us what happens when the love of money and pride come into our lives. It also teaches us that we must lean on God for everything and to turn to him when times get troubled.
I enjoyed the author's writing and will certainly be looking forward to reading more from Elaine Manders.
When her father dies, Katherine Levinson discovers her parents have kept secrets that render her happy childhood a farce. She and her gravely ill mother face eviction, and she has no choice but to appeal to the brother she’s never seen, the famous cattle baron, Rhyan Cason. Over her gravely ill mother’s objections, they move to Nebraska and the sprawling cattle ranch, Sollano.
Instead of the warm welcome, Katherine expects, she and her mother are met with whispers and scorn in the little prairie town near Sollano. Gradually, the sins of her parents’ past surface
and Katherine begins to doubt her very identity. With her brother busy with cattle rustlers and her mother too ill to be bothered, Katherine turns to Colt Holliman, a soft-spoken neighboring rancher, for comfort.
Tired of waiting for the right woman to come along, Colt has promised to wait for Charley Ryder, an acclaimed female sharpshooter and equestrian acrobat with the Wild West Show, but it’s becoming clear Charley loves the show more than him. As his attraction to Katherine grows, he finds himself spiritually conflicted. How can he break from past commitments and follow his heart?
Then unexpected danger strikes, testing Katherine’s and Colt’s faith in God—and each other.
My Thoughts: This was a delightful novel to read, the storyline is based in Nebraska. Nebraska is known for their corn, beef , horses ,rodeos and sugar beets! I lived in Nebraska and this brought back some great memories for me. The author has done a phenomenal job of bringing the reader into the ranching life. I love that she brings in the Wild West shows as well, there is so much history from the west that people don't have any idea that living in the west is truly like and the author has given the reader a great glimpse of the history.
Katherine is such a loveable character, the reader feels her plight, her father has passed away, her mother is ill, there are bills to pay. What is she to do?
Katherine sends a letter to a brother she hasn't met which changes her life forever.
Katherine has many things to deal with, the lies that her parents told her, gossip, and of course love. How must it feel to fall in love with someone promised to another? will she repeat her mother's past?
It's not hard to fall in love with Colt. He is every woman's dream, including Katherine's but Colt is promised to Charley; who it seems cares more about herself than anyone else.
This is a novel full of love, mystery, and suspense. It also shows us what happens when the love of money and pride come into our lives. It also teaches us that we must lean on God for everything and to turn to him when times get troubled.
I enjoyed the author's writing and will certainly be looking forward to reading more from Elaine Manders.
Ryan Hill (152 KP) rated Doctor Strange (2016) in Movies
May 11, 2019
"Try me Beyoncé"
The 14th instalment in the Marvel Cinematic Universe marks the arrival of yet another avenger into the already crowded Marvel family while also bringing mystic arts & alternate dimensions into its ever-expanding universe. But even though it offers a kaleidoscopic journey through astral realms, infinite realities & spacetime contortions, it isn't entirely different from the norm.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.
Hazel (1853 KP) rated To Kill a Kingdom in Books
Dec 7, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
A princess must have her prince but perhaps not in the usual happy-ever-after fairytale way. With sirens, princes, pirates, mermaids and magic, <i>To Kill a Kingdom</i> by Alexandra Christo is a dark fantasy novel perfect for those who grew up with <i>Peter Pan</i> and The Little Mermaid. But, as with most traditional fairy tales, this book is riddled with trickery and lies, making it a heart-stopping adventure.
Lira is a siren princess who is nearing her eighteenth birthday. In order to celebrate the life of their goddess Keto and get revenge for her death at the hands of the humans, each siren must kill and remove the heart of a human victim. Lira has always targeted princes and aims to steal the heart of Prince Elian of Midasan, however, her mother, the sea queen, has different ideas.
As punishment for disobeying her orders, the evil queen temporarily turns Lira into a human, stripping her of her siren power. In order to return, she must kill Prince Elian and return to the sea with his heart. However, things get complicated when Prince Elian saves Lira from drowning and takes her aboard his ship.
Elian is a prince-cum-pirate who has no wish to be the heir of the golden kingdom of Midasan. He spends his days as the captain of his ship, hunting and killing sirens. Not realising Lira is the siren he most wishes to destroy, he gradually gets used to her presence and believes she will be useful to him on his quest to find a crystal that will destroy the sea queen forever. Lira agrees to help, however, she has an ulterior motive – perhaps she can help Elian find the crystal then kill him and destroy her mother …
It takes a while for this dark, romantic young adult novel to get going; there is a lot of introduction to characters and the way their fantasy world operates. With different customs to get familiar with, particularly in the case of the sirens, it is a little monotonous for the first few chapters. However, once Lira and Elian meet, events become far more interesting.
The banter and insults hurled between Elian, Lira and the rest of the crew is a humorous addition to the storyline and makes the prince and princesses growing relationship all the more exciting. With the sea queen lurking in the shadows, the story builds up to a fateful conclusion, however, maybe Lira can steal the prince’s heart a different way.
Once the story is well underway it becomes an engrossing piece of literature that is difficult to put down. With romance, danger and a cataclysmic ending, it has everything that a young adult fantasy fan wishes for. To Kill a Kingdom is Christo’s debut and it is exciting to find out what she will write next.
A princess must have her prince but perhaps not in the usual happy-ever-after fairytale way. With sirens, princes, pirates, mermaids and magic, <i>To Kill a Kingdom</i> by Alexandra Christo is a dark fantasy novel perfect for those who grew up with <i>Peter Pan</i> and The Little Mermaid. But, as with most traditional fairy tales, this book is riddled with trickery and lies, making it a heart-stopping adventure.
Lira is a siren princess who is nearing her eighteenth birthday. In order to celebrate the life of their goddess Keto and get revenge for her death at the hands of the humans, each siren must kill and remove the heart of a human victim. Lira has always targeted princes and aims to steal the heart of Prince Elian of Midasan, however, her mother, the sea queen, has different ideas.
As punishment for disobeying her orders, the evil queen temporarily turns Lira into a human, stripping her of her siren power. In order to return, she must kill Prince Elian and return to the sea with his heart. However, things get complicated when Prince Elian saves Lira from drowning and takes her aboard his ship.
Elian is a prince-cum-pirate who has no wish to be the heir of the golden kingdom of Midasan. He spends his days as the captain of his ship, hunting and killing sirens. Not realising Lira is the siren he most wishes to destroy, he gradually gets used to her presence and believes she will be useful to him on his quest to find a crystal that will destroy the sea queen forever. Lira agrees to help, however, she has an ulterior motive – perhaps she can help Elian find the crystal then kill him and destroy her mother …
It takes a while for this dark, romantic young adult novel to get going; there is a lot of introduction to characters and the way their fantasy world operates. With different customs to get familiar with, particularly in the case of the sirens, it is a little monotonous for the first few chapters. However, once Lira and Elian meet, events become far more interesting.
The banter and insults hurled between Elian, Lira and the rest of the crew is a humorous addition to the storyline and makes the prince and princesses growing relationship all the more exciting. With the sea queen lurking in the shadows, the story builds up to a fateful conclusion, however, maybe Lira can steal the prince’s heart a different way.
Once the story is well underway it becomes an engrossing piece of literature that is difficult to put down. With romance, danger and a cataclysmic ending, it has everything that a young adult fantasy fan wishes for. To Kill a Kingdom is Christo’s debut and it is exciting to find out what she will write next.
Ivana A. | Diary of Difference (1171 KP) rated Awakened (Vampire Awakenings #1) in Books
Sep 13, 2018
www.diaryofdifference.com
Awakened is the first book from the Vampire Awakening Series and it is written by USA Today bestselling author Brenda K. Davies. This is a book where a guy meets a girl. Girl has a secret and tells it on their first date. Boy is a vampire, but we are 80% in the book until it’s mentioned (even though title clearly states it, and you keep expecting it to happen). When secret is told - boy gives girl a choice to escape. Girls chooses to stay, and boy becomes possessive because he wants her too much. Then he does something to her, kind of against her will. And then they live happily ever after.
If I was a few years younger, I would have loved this book, probably because I wouldn’t have noticed all the glitches in it. But right here, right now - I didn’t enjoy it as much I wanted too.
Strong, sexual language and sex scenes can be found throughout the book. This was a book from my sister Tea’s Wishlist Challenge - and I was embarrassed to tell her I am reading this book - because I knew what kind of scenes she has read…
Apart from that - the characters were unrealistic. And unlikable. I liked their friends and their enemies more than I liked the main characters.
Sera - a girl that doesn’t talk to men, and has her own opinion on things, suddenly meets this guy, and he becomes possessive of her, and her character development stops right here. She keeps nodding at him, and obeys his every command. Not much of a heroine, is she?
Liam - a guy that is actually a vampire, but doesn’t tell Sera until things get really serious. He lies to her, is possessive, wants to kill everyone that touches her, and loves her and wants her so much that he has to turn her into a vampire, otherwise he’ll kill her. Really?
Now, if we take the fact that this is a vampire book - firstly, we don’t get to read about vampires until the book is almost finished. And when we do, it is unfinished, and barely even described. I don’t know anything about the way they become vampires, how they survive in the world, how they feed, how they die, but apparently, they can have children, so I guess the author covered everything. Oh, and, also - vampires can walk into the sun, but the more they kill, the more the sun hurts them. So believable - and FAIR.
The only thing that I liked was the ending - the point about how children are possible seemed to have worked out well. Not believable, but it was nice to see that as a theory. And it was also a great layout for the next story to come - which I will be reading, just to see if this writing will improve.
What is your favorite vampire book?
Awakened is the first book from the Vampire Awakening Series and it is written by USA Today bestselling author Brenda K. Davies. This is a book where a guy meets a girl. Girl has a secret and tells it on their first date. Boy is a vampire, but we are 80% in the book until it’s mentioned (even though title clearly states it, and you keep expecting it to happen). When secret is told - boy gives girl a choice to escape. Girls chooses to stay, and boy becomes possessive because he wants her too much. Then he does something to her, kind of against her will. And then they live happily ever after.
If I was a few years younger, I would have loved this book, probably because I wouldn’t have noticed all the glitches in it. But right here, right now - I didn’t enjoy it as much I wanted too.
Strong, sexual language and sex scenes can be found throughout the book. This was a book from my sister Tea’s Wishlist Challenge - and I was embarrassed to tell her I am reading this book - because I knew what kind of scenes she has read…
Apart from that - the characters were unrealistic. And unlikable. I liked their friends and their enemies more than I liked the main characters.
Sera - a girl that doesn’t talk to men, and has her own opinion on things, suddenly meets this guy, and he becomes possessive of her, and her character development stops right here. She keeps nodding at him, and obeys his every command. Not much of a heroine, is she?
Liam - a guy that is actually a vampire, but doesn’t tell Sera until things get really serious. He lies to her, is possessive, wants to kill everyone that touches her, and loves her and wants her so much that he has to turn her into a vampire, otherwise he’ll kill her. Really?
Now, if we take the fact that this is a vampire book - firstly, we don’t get to read about vampires until the book is almost finished. And when we do, it is unfinished, and barely even described. I don’t know anything about the way they become vampires, how they survive in the world, how they feed, how they die, but apparently, they can have children, so I guess the author covered everything. Oh, and, also - vampires can walk into the sun, but the more they kill, the more the sun hurts them. So believable - and FAIR.
The only thing that I liked was the ending - the point about how children are possible seemed to have worked out well. Not believable, but it was nice to see that as a theory. And it was also a great layout for the next story to come - which I will be reading, just to see if this writing will improve.
What is your favorite vampire book?
