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Men’s Health ist der Lifestyle-Coach, der Männer motiviert, das Beste aus sich herauszuholen und...
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BankofMarquis (1832 KP) rated Saltburn (2023) in Movies
Dec 29, 2023
Interesting...Intriguing...and Dark
Actress/Writer/Director Emerald Fennell is turning into an artistic voice that bears noticing and with SALTBURN - her follow-up to PROMISING YOUNG WOMAN (the film that won her the Academy Award for Best Original Screenplay) - Fennell’s artistic voice is in full bloom.
Starring Barry Keoghan (Oscar nominated for THE BANSHEES OF INISHERIN), SALTBURN tells the story of an Oxford student who befriends the rich, cool kid (Jacob Elordi, EUPHORIA) who invites him back to his family compound, SALTBURN, for the summer with his eccentric (to say the least) family.
As written and directed by Fennell, SALTBURN is a satire on the elite rich, showing them in their extravagant, quirky isolation in their compound, looking down on the common folk from their piles of money (or…in some cases…oblivious of the common folk because of their money) while peeling back the layers to show the unhappiness and manipulation underneath.
Fennell layers this story richly, slowly folding back facades and layers to show the ugliness of inherently unhappy people who cover their unhappiness up with wealth, money and parties.
Into this world comes Oliver Quick (Keoghan) who is the audiences’ conduit into this level of living - and who has secrets of his own.
Keoghan is interesting to watch (as always) and the family…Elordi, Sadie Soverall (his sister) and Archie Madekwe (another outsider who is jealous of Oliver’s appearance) all are good looking, good enough performers who live the hedonistic lifestyle and deny the consequences and responsibilities thereof.
When a film needs an “ice queen” as the matriarch of a family, Rosamund Pike is, inevitably, brought in and she brings the goods to Saltburn. She is perfectly cast as the mother of the family who says what she thinks, does not show what she is feeling and doesn’t give a darn about anyone else. She is suitably balanced by the off-balanced, quirky performance of the always good Richard E. Grant as the patriarch of the family who is (usually) lost in his own little world of whatever fantasy he is currently involved in.
But if this was just a film about a quirky family, it would be a fun, interesting romp. But…in Fennell’s hands, it becomes something much more sinister - and much more interesting - to watch.
Saltburn is a film that one must sit with after watching to digest what was just witnessed, but…ultimately…is one that is very interesting….and intriguing…and dark.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Barry Keoghan (Oscar nominated for THE BANSHEES OF INISHERIN), SALTBURN tells the story of an Oxford student who befriends the rich, cool kid (Jacob Elordi, EUPHORIA) who invites him back to his family compound, SALTBURN, for the summer with his eccentric (to say the least) family.
As written and directed by Fennell, SALTBURN is a satire on the elite rich, showing them in their extravagant, quirky isolation in their compound, looking down on the common folk from their piles of money (or…in some cases…oblivious of the common folk because of their money) while peeling back the layers to show the unhappiness and manipulation underneath.
Fennell layers this story richly, slowly folding back facades and layers to show the ugliness of inherently unhappy people who cover their unhappiness up with wealth, money and parties.
Into this world comes Oliver Quick (Keoghan) who is the audiences’ conduit into this level of living - and who has secrets of his own.
Keoghan is interesting to watch (as always) and the family…Elordi, Sadie Soverall (his sister) and Archie Madekwe (another outsider who is jealous of Oliver’s appearance) all are good looking, good enough performers who live the hedonistic lifestyle and deny the consequences and responsibilities thereof.
When a film needs an “ice queen” as the matriarch of a family, Rosamund Pike is, inevitably, brought in and she brings the goods to Saltburn. She is perfectly cast as the mother of the family who says what she thinks, does not show what she is feeling and doesn’t give a darn about anyone else. She is suitably balanced by the off-balanced, quirky performance of the always good Richard E. Grant as the patriarch of the family who is (usually) lost in his own little world of whatever fantasy he is currently involved in.
But if this was just a film about a quirky family, it would be a fun, interesting romp. But…in Fennell’s hands, it becomes something much more sinister - and much more interesting - to watch.
Saltburn is a film that one must sit with after watching to digest what was just witnessed, but…ultimately…is one that is very interesting….and intriguing…and dark.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Haley Mathiot (9 KP) rated Replication: The Jason Experiment in Books
Apr 27, 2018
Replication: the Jason Experiment has many different components that make it an excellent book.
The plot is intricately woven, exciting, fast-paced, and realistic. Yes it's about clones, but Williamson does an excellent job of keeping it from feeling ridiculous and impossible. She builds her world realistically and believably. The story starts off compelling, keeps you interested the whole time, and ends with potential. I like the ending because it doesn't feel like happyland syndrome (even though it's a happy ending) because it's an open ending: Williamson doesn't write everything down, but you pretty much know what happens, and it makes you feel so happy.
The characters are very complex. Abby is a Christian, but she's not perfect by any stretch. The youth pastor is a good guy, but he's not perfect either. Abby's relationship with God is realistic, her relationship with her father (who isn't saved) is hard to watch, but she tries to stay above reproach in the way she deals with his misunderstandings of her. I would have liked to know more about how Abby came to know Christ, but not knowing didn't take away from her story or her character. And maybe that's a story for another time.
Even though all the Jason's are clones, they are all very different. There are similar things about them, like their expressions (and probably their likes and dislikes) but they all have very unique characters. This story tackles the concept that yes we are born with DNA that determines a lot about us, but the way we grow up and the lifestyle we have and the influences around us also seriously impact our thoughts and choices. It's a balancing act; Williamson exposes it.
This book is a Christian novel, but it doesn't feel preachy (I call this Fictional Preaching), nor does it feel like a girl with a perfect almost sappy relationship with God. It's realistic. Abby fails, Abby sins, but she keeps going the right direction and she doesn't give up.
Lastly, the romance between the characters starts off subtle enough that you don't think anything of it, and stays real. It's not about the physical—so many teen romances start off that way. In fact, this novel says a lot about love: it's about them as people seeing examples of the love of Christ in each other! and because they love Christ, they love each other. And that's the way love is supposed to be: We love because He first loved us. It's a beautiful picture, and an excellent execution.
This novel was exciting, fast-paced, realistic, encouraging, and inspiring. On top of it all, it was totally clean. I recommend this one to anyone. Seriously. Read it. You won't regret it.
Check out the interview with Jill Williamson and the giveaway for a copy of the novel!
The plot is intricately woven, exciting, fast-paced, and realistic. Yes it's about clones, but Williamson does an excellent job of keeping it from feeling ridiculous and impossible. She builds her world realistically and believably. The story starts off compelling, keeps you interested the whole time, and ends with potential. I like the ending because it doesn't feel like happyland syndrome (even though it's a happy ending) because it's an open ending: Williamson doesn't write everything down, but you pretty much know what happens, and it makes you feel so happy.
The characters are very complex. Abby is a Christian, but she's not perfect by any stretch. The youth pastor is a good guy, but he's not perfect either. Abby's relationship with God is realistic, her relationship with her father (who isn't saved) is hard to watch, but she tries to stay above reproach in the way she deals with his misunderstandings of her. I would have liked to know more about how Abby came to know Christ, but not knowing didn't take away from her story or her character. And maybe that's a story for another time.
Even though all the Jason's are clones, they are all very different. There are similar things about them, like their expressions (and probably their likes and dislikes) but they all have very unique characters. This story tackles the concept that yes we are born with DNA that determines a lot about us, but the way we grow up and the lifestyle we have and the influences around us also seriously impact our thoughts and choices. It's a balancing act; Williamson exposes it.
This book is a Christian novel, but it doesn't feel preachy (I call this Fictional Preaching), nor does it feel like a girl with a perfect almost sappy relationship with God. It's realistic. Abby fails, Abby sins, but she keeps going the right direction and she doesn't give up.
Lastly, the romance between the characters starts off subtle enough that you don't think anything of it, and stays real. It's not about the physical—so many teen romances start off that way. In fact, this novel says a lot about love: it's about them as people seeing examples of the love of Christ in each other! and because they love Christ, they love each other. And that's the way love is supposed to be: We love because He first loved us. It's a beautiful picture, and an excellent execution.
This novel was exciting, fast-paced, realistic, encouraging, and inspiring. On top of it all, it was totally clean. I recommend this one to anyone. Seriously. Read it. You won't regret it.
Check out the interview with Jill Williamson and the giveaway for a copy of the novel!
Rachel King (13 KP) rated The Claiming of Sleeping Beauty (Sleeping Beauty, #1) in Books
Feb 11, 2019
Anne Rice wrote a trilogy of books under the pen name A. N. Roquelaure, based on the fairy tale Sleeping Beauty. These books were titled The Claiming of Sleeping Beauty, Beauty's Punishment (Sleeping Beauty), and Beauty's Release: The Conclusion of the Classic Erotic Trilogy of Sleeping Beauty. Yep, you read it right - erotica. The set is the only thing I have ever read by Anne Rice, and the only erotica books I have ever read. I have told maybe one or two other people that I have read the series, because it just does not match up with my "good girl" persona, and it resulted in the shocked expression I was expecting. Why would I read such an abomination? One part boredom, one part fairy tale superfan, and three parts secret naughty indulgence/curiousity (one for each book) - I found the books at a slow point while working at a bookstore, and sneakily read them at the customer service desk when I had nothing else to do.
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
Rachel King (13 KP) rated The Sandalwood Tree in Books
Feb 11, 2019
he book is like a story within a story. The book begins with the framing story of a woman, Evie, in 1947, who accompanies her husband and young son to India with the dual purpose of seeking adventure and hoping to mend her failing marriage with a man just returned from World War II, broken. When she discovers a bundle of 90-year-old letters hidden in the wall during a cleaning frenzy, the second story of the friendship between Felicity and Adela is revealed. From there, Evie's story diverges from that of Felicity and Adela's as Evie struggles to find more evidence of the two other women's existence and uses her fascination as a distraction from the political turmoil occurring around her.
The British are pulling out of India and separating the religious factions of Muslims and Hindus into the two countries of India and Pakistan, causing chaos and mayhem all over the country of India. The imagery and descriptions that Newmark fills the pages with are mesmerizing in their intensity and splendor. The colors, smells, and sounds have me half-falling in love with India to the point that I search for images online to match what I am reading to get a clearer picture of what the characters experience. Even though I struggled to stay interested in the plot for the first third of the book, the descriptions kept me reading and reading.
Felicity and Adela's story begins from childhood, describing how Felicity was born in India, but fostered with Adela's family. The infamous husband hunt brought them both back to India through different means, though neither had any interest in a husband, for different scandalous reasons. Residing in the same home that Evie now occupies, Felicity and Adela shun the conventional life of an Englishwoman in India, instead adopting an independent lifestyle and embracing India in all its diverse beauty.
Evie herself also seeks to shun what is expected of her, desiring to fully experience the culture of India all around her and use it to heal the problems in her own life. Eventually, she reconnects with the story of the two other women, even as major obstacles present themselves in both her private life and in the immediate villages. Letters take over the narration of Felicity and Adela's tale as Evie finds more to continue the story, instead of the author simply narrating what Evie can't find.
On the whole, the novel was beautifully written and contained a worthwhile plot, though I struggled to stay interested at the beginning. I would recommend this book to anyone who enjoys a mystery and craves the beauty of India.
The British are pulling out of India and separating the religious factions of Muslims and Hindus into the two countries of India and Pakistan, causing chaos and mayhem all over the country of India. The imagery and descriptions that Newmark fills the pages with are mesmerizing in their intensity and splendor. The colors, smells, and sounds have me half-falling in love with India to the point that I search for images online to match what I am reading to get a clearer picture of what the characters experience. Even though I struggled to stay interested in the plot for the first third of the book, the descriptions kept me reading and reading.
Felicity and Adela's story begins from childhood, describing how Felicity was born in India, but fostered with Adela's family. The infamous husband hunt brought them both back to India through different means, though neither had any interest in a husband, for different scandalous reasons. Residing in the same home that Evie now occupies, Felicity and Adela shun the conventional life of an Englishwoman in India, instead adopting an independent lifestyle and embracing India in all its diverse beauty.
Evie herself also seeks to shun what is expected of her, desiring to fully experience the culture of India all around her and use it to heal the problems in her own life. Eventually, she reconnects with the story of the two other women, even as major obstacles present themselves in both her private life and in the immediate villages. Letters take over the narration of Felicity and Adela's tale as Evie finds more to continue the story, instead of the author simply narrating what Evie can't find.
On the whole, the novel was beautifully written and contained a worthwhile plot, though I struggled to stay interested at the beginning. I would recommend this book to anyone who enjoys a mystery and craves the beauty of India.
Ryan Hill (152 KP) rated Iron Man 2 (2010) in Movies
May 9, 2019
"if you could make god bleed people would cease to believe in him"
What made Iron Man so great was its original story, exciting action, and stellar performances. But beneath all the spectacle was a heart, characters we cared about and a coherent story in which we watched a narsasistic asshole become a good guy. All of that has vanished in the rushed, noisy, but enjoyable sequel.
Tony Stark is now living the life of a rockstar, a superhero that everyone knows the identity of, enjoying a celebrity lifestyle. Meanwhile, a villain connected to Tony's past recreates his technology and seeks revenge. Tony also deals with the mystery of his dead parents, his relationship with Pepper, wards off government attempts to control his technology, rebuffs his corporate rival, and has to rework his technology that is slowly killing him. Oh, and The Avengers show up.
If that sounds like an overcrowded movie to you, that's because it is. Iron Man 2 acts as an Iron Man sequel and an Avengers prequel. The clashing of these two stories is due to an unfocused narrative trying to cram in ten different storylines. Half the stories don't conclude in a satisfying way, and we're left with a pretty looking movie.
Luckily the performances are still great, Robert Downey Jr. is again a delight to watch, Sam Rockwell is fun as his counterpart rival, and Don Cheadle replaces Terrence Howard as best friend Rhodes, a worthy replacement. Scarlett Johansson joins the cast as an Avengers refenerence, with very little to do other than look good and kick ass.
Jon Favreau seems much less interested in the project this time around, as he falls under the weight of the studio pushing for a sequel in two years as opposed to three. The script has a couple of witty highlights, mostly with Same Rockwell as Tony's business rival.
The action is thrilling and everything you'd want when it comes, but it doesn't show up often. The visual effects are improved, and the sound design is top notch. The score is mediocre, with a few notable exceptions.
There is too much going on for one movie, but by the end of the movie you're left wanting more. Not enough time was devoted to the different characters and plot lines, which results in a highly uneven movie with short bursts of excitement and a solid cast. Worth one watch.
Tony Stark is now living the life of a rockstar, a superhero that everyone knows the identity of, enjoying a celebrity lifestyle. Meanwhile, a villain connected to Tony's past recreates his technology and seeks revenge. Tony also deals with the mystery of his dead parents, his relationship with Pepper, wards off government attempts to control his technology, rebuffs his corporate rival, and has to rework his technology that is slowly killing him. Oh, and The Avengers show up.
If that sounds like an overcrowded movie to you, that's because it is. Iron Man 2 acts as an Iron Man sequel and an Avengers prequel. The clashing of these two stories is due to an unfocused narrative trying to cram in ten different storylines. Half the stories don't conclude in a satisfying way, and we're left with a pretty looking movie.
Luckily the performances are still great, Robert Downey Jr. is again a delight to watch, Sam Rockwell is fun as his counterpart rival, and Don Cheadle replaces Terrence Howard as best friend Rhodes, a worthy replacement. Scarlett Johansson joins the cast as an Avengers refenerence, with very little to do other than look good and kick ass.
Jon Favreau seems much less interested in the project this time around, as he falls under the weight of the studio pushing for a sequel in two years as opposed to three. The script has a couple of witty highlights, mostly with Same Rockwell as Tony's business rival.
The action is thrilling and everything you'd want when it comes, but it doesn't show up often. The visual effects are improved, and the sound design is top notch. The score is mediocre, with a few notable exceptions.
There is too much going on for one movie, but by the end of the movie you're left wanting more. Not enough time was devoted to the different characters and plot lines, which results in a highly uneven movie with short bursts of excitement and a solid cast. Worth one watch.
Midge (525 KP) rated The Birthday Mystery in Books
Dec 29, 2018
Strong characters (2 more)
Good mystery
Great for food-lovers
Great Whodunit!
Over recent months I've become a great fan of cozy mysteries so, when I saw a new series featuring Jenny Starling being launched, I knew I had to read "The Birthday Mystery." Also, it has a culinary theme which I love and a little light humour.
First, we are introduced to Jenny who is catering for the twenty-first birthday party of upper-class twins, Alicia and Justin. In her late twenties, Jenny is an impressive woman. Curvaceous and sexy, she’s a modern single woman, living the lifestyle that suits her – that of a travelling cook. Her famous father is a ‘celebrity’ cook, divorced from Jenny’s mother. Jenny is happy travelling the country catering for events and cooking great food. She is on a mission to bring back traditional home cooked food and to offer new and exciting recipes made with fresh ingredients. She arrives at the twins family country house located in a picturesque and charming village and is immediately met by the police. A young man has drowned in the pond. Was it an accident or murder?
The birthday party goes ahead and then, just after midnight, everyone gathers for a champagne toast . . . and one of the guests falls down dead. The police are baffled and there is a whole party full of suspects.
Jenny finds crime very distracting, especially when there is chocolate to temper or pike to poach. She is very observant, with an agile mind and an amazing ability to interpret clues and hidden meanings. Her wit and sense of humour help her sanity when all around her, people are dropping like flies. When it comes to someone possibly adding the extra ingredient of poison to her own precious recipes, Jenny isn't going to take it lying down. She has a reputation to protect.
Jenny Starling won't stop until the murderer is found.
There are many suspects in this mystery, clues a-plenty and red herrings all the way through this book. It was a thoroughly satisfying read and I often found myself asking the same questions as Jenny and I was kept in suspense to the end. The pacing in "The Birthday Mystery" was very good and I never lost interest, as it wasn't long before something intriguing would happen. Things came together for a great finish and wrapped everything up very neatly.
I'm definitely looking forward to reading the next novel featuring Jenny Starling very soon and other books by the author, Faith Martin. "The Birthday Mystery" whets your appetite for more to come.
My thanks to NetGalley, Joffe Books and the author for providing me with an advanced copy of this novel.
First, we are introduced to Jenny who is catering for the twenty-first birthday party of upper-class twins, Alicia and Justin. In her late twenties, Jenny is an impressive woman. Curvaceous and sexy, she’s a modern single woman, living the lifestyle that suits her – that of a travelling cook. Her famous father is a ‘celebrity’ cook, divorced from Jenny’s mother. Jenny is happy travelling the country catering for events and cooking great food. She is on a mission to bring back traditional home cooked food and to offer new and exciting recipes made with fresh ingredients. She arrives at the twins family country house located in a picturesque and charming village and is immediately met by the police. A young man has drowned in the pond. Was it an accident or murder?
The birthday party goes ahead and then, just after midnight, everyone gathers for a champagne toast . . . and one of the guests falls down dead. The police are baffled and there is a whole party full of suspects.
Jenny finds crime very distracting, especially when there is chocolate to temper or pike to poach. She is very observant, with an agile mind and an amazing ability to interpret clues and hidden meanings. Her wit and sense of humour help her sanity when all around her, people are dropping like flies. When it comes to someone possibly adding the extra ingredient of poison to her own precious recipes, Jenny isn't going to take it lying down. She has a reputation to protect.
Jenny Starling won't stop until the murderer is found.
There are many suspects in this mystery, clues a-plenty and red herrings all the way through this book. It was a thoroughly satisfying read and I often found myself asking the same questions as Jenny and I was kept in suspense to the end. The pacing in "The Birthday Mystery" was very good and I never lost interest, as it wasn't long before something intriguing would happen. Things came together for a great finish and wrapped everything up very neatly.
I'm definitely looking forward to reading the next novel featuring Jenny Starling very soon and other books by the author, Faith Martin. "The Birthday Mystery" whets your appetite for more to come.
My thanks to NetGalley, Joffe Books and the author for providing me with an advanced copy of this novel.