Search
BookwormLea (3034 KP) rated The Exorcist in Phoenix Theatre (London, United Kingdom) in Shows
Jul 16, 2020
Fantastically terrifying!
I truly love a horror. Whether that is a book, movie or even a play as I found out after watching The Exorcist. It is so much more intriguing than the film! So very close in plot, nothing much is changed from the 'true' story it is based upon. But the sounds that echo throughout the theatre, draw you in and everyone disappears, leaving only yourself and the cast. The girl that plays Regan is so believable! She could have been possessed for real and I would have believed it! And unlike the film, I actually jumped! The lighting is crazy and the bass literally bounces your seat so you really feel it!!
What I also loved was how clever the stage setting was! It was all one set. Nothing moved or changed. It looked like a dollhouse and the only thing they did was switch the light on the room they were in. So clever and very effective!!! If you're ever in London, go see it!!!!
What I also loved was how clever the stage setting was! It was all one set. Nothing moved or changed. It looked like a dollhouse and the only thing they did was switch the light on the room they were in. So clever and very effective!!! If you're ever in London, go see it!!!!
The Resurrectionist
Book
It's 1820, and the physicians of London are on fire to unlock the secrets of human anatomy, some...
Historical Fiction Gothic Horror
Gareth von Kallenbach (971 KP) rated Lights Out (2016) in Movies
Aug 6, 2019
Growing up, we all had a fear of the dark. Years later, many of us still carry this phobia. It prevents us from going into certain parts of our homes or places we are familiar with unless we have the assistance of light in some form. The darkness symbolizes and encapsulates the unknown. What is it that is hiding in the darkness? Why is it that we cannot trust it? Is there really something lurking in the shadows or is it all in our minds?
In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.
The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.
For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.
In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.
The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.
For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.
Dianne Robbins (1738 KP) rated The Rocky Horror Picture Show (1975) in Movies
May 5, 2019 (Updated May 5, 2019)
Subversiveness (3 more)
Costumes and makeup
Tim Curry
Entertaining songs
Great in the theater. Lackluster at home.
This is not a movie so much as it is an experience. The movie itself is not great. But if you get the chance to see it in a theater with a live cast performing at the same time the movie is playing and when audience participation is encouraged, this is hella fun. I used to spend most weekend nights in high school and college at the midnight showing of Rocky Horror at the local arthouse theater dressed in a bustier, getting panties, garter belt, thigh-high stockings, and high heels with all the other weirdos enjoying the hell out of the movie, live cast, and audience. I highly recommend the help of alcohol and/or chemical indulgences to enhance the experience. But maybe not an entire bottle of Sambuca as I did one nonmemorable evening.
The songs in the movie are fun to sing. Dancing to the Time Warp, as well. If you're lucky, the theater will also play music videos from Tim Curry's Fearless album Paradise Garage and I Do the Rock and Meatloaf's Bat out of Hell and Paradise by the Dashboard Light before the movie.
This is one of Susan Sarandon's first films. She and Barry Bostwick play the innocent couple Brad and (Dammit) Janet. And Tim Curry is a God in this movie.
I have such great memories of my time at as Rocky Horror fan back in the day. I hope many generations continue to enjoy this movie in the theater. It's a blast!
The songs in the movie are fun to sing. Dancing to the Time Warp, as well. If you're lucky, the theater will also play music videos from Tim Curry's Fearless album Paradise Garage and I Do the Rock and Meatloaf's Bat out of Hell and Paradise by the Dashboard Light before the movie.
This is one of Susan Sarandon's first films. She and Barry Bostwick play the innocent couple Brad and (Dammit) Janet. And Tim Curry is a God in this movie.
I have such great memories of my time at as Rocky Horror fan back in the day. I hope many generations continue to enjoy this movie in the theater. It's a blast!
LeftSideCut (3778 KP) rated Fresh (2022) in Movies
Apr 6, 2022
Mimi Cave's feature debut is a delightfully slick, quirky, and gruesomely entertaining thriller that dives head first into the perils of dating in the modern world. Its first 30 minutes are pretty light hearted, with a whole bunch of funny moments, and a relatable and likable protagonist in Daisy Edgar-Jones' Noa. The chemistry she shares with Steve (Sebastian Stan) feels natural and the two of them make for an enjoyable couple to watch onscreen, and exactly the same can be said when it goes full horror suddenly. If it wasn't for the fairly aggresive advertising campaign that heavily focused on the cannibal side of the plot, one could be forgiven for thinking that Fresh was a straight up rom-com. The sudden change in vibe is executed nicely, complete with a title card 30 minutes in, and I'm a sucker for that shit.
What follows is a sometimes fun, sometimes grim, fight for survival. Edgar-Jones is a solid Final Girl, and Sebastian Stan is picture perfect as the suave psychopath that we've seen a fair few times before at this point, but he's clearly having a blast. It helps no end that he's so well known as Bucky Barnes, ensuring that his sinister role here hits even harder.
The last 40 minutes or so suffer from being quite predictable in how the narrative unfolds, but the films cast and some nice camera work ensure that it crosses the finish line without too many hiccups.
Horror comedy is a sub genre that shows no sign of dying anytime soon, and films like Fresh make sure of that. Definitely worth your attention.
What follows is a sometimes fun, sometimes grim, fight for survival. Edgar-Jones is a solid Final Girl, and Sebastian Stan is picture perfect as the suave psychopath that we've seen a fair few times before at this point, but he's clearly having a blast. It helps no end that he's so well known as Bucky Barnes, ensuring that his sinister role here hits even harder.
The last 40 minutes or so suffer from being quite predictable in how the narrative unfolds, but the films cast and some nice camera work ensure that it crosses the finish line without too many hiccups.
Horror comedy is a sub genre that shows no sign of dying anytime soon, and films like Fresh make sure of that. Definitely worth your attention.
Chris Sawin (602 KP) rated Jennifer's Body (2009) in Movies
Jun 22, 2019
Devil's Kettle is a small town where everyone knows everybody. The story revolves around the relationship between Needy (Amanda Seyfried) and Jennifer (Megan Fox) and other than having similar interests, the two are polar opposites. Needy is more of the quiet, girl next door type that is a bit of a bookworm with a heart of gold whereas Jennifer is more spontaneous, mean spirited, and the stuck-up, hot cheerleader type that every high school boy seems to dream about being with. One night, Jennifer drags Needy to Melody Lane, the one bar in town, to see a new flavor of the week indie band called Low Shoulder. When the bar catches on fire and most of the people inside are crushed or burned in the destruction, Needy thinks that's where this horrible night gone wrong would end. That is until Jennifer decides to go off with the band in their van and Needy has to make her way back home alone. After that night, a demon is transferred into Jennifer's body with an unquenchable hunger for high school guys. As Needy begins to accept what's happened to her BFF, she realizes that she's the only one that has a chance of stopping Jennifer once and for all.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Awix (3310 KP) rated Sightseers (2012) in Movies
Mar 8, 2018
Extremely offbeat study in British eccentricity works better as a very black comedy than a horror movie, but the level of gore suggests it really wants to be the latter; animal lovers may want to look away at some points, too. New-minted couple embark on caravan tour/erotic odyssey around northern England and manage to find time for a little light serial killing, too.
Attention to detail and atmosphere mean that this is a consistently funny film, with great performances from the two leads - it's really much more about their relationship than the campaign of bloody slaughter which ends up becoming a significant element of their holiday. This is excruciatingly well-observed and in some ways rather more disturbing than watching various characters get their heads smashed in. Micro-budget nature of the film is never in doubt, but also never really a problem. The ending is a bit arbitrary and abrupt, but not to the point where it's a major flaw in the film. By anyone's standards but Ben Wheatley's, this would be a fairly extraordinary little film, but for this director the extraordinary is actually fairly ordinary.
Attention to detail and atmosphere mean that this is a consistently funny film, with great performances from the two leads - it's really much more about their relationship than the campaign of bloody slaughter which ends up becoming a significant element of their holiday. This is excruciatingly well-observed and in some ways rather more disturbing than watching various characters get their heads smashed in. Micro-budget nature of the film is never in doubt, but also never really a problem. The ending is a bit arbitrary and abrupt, but not to the point where it's a major flaw in the film. By anyone's standards but Ben Wheatley's, this would be a fairly extraordinary little film, but for this director the extraordinary is actually fairly ordinary.
John Cusack recommended The Exorcist (1973) in Movies (curated)
Darren (1599 KP) rated Hellmington (2018) in Movies
Sep 13, 2019
Characters – Samantha Woodhouse is a detective from a big city, she returns home with her father being on his deathbed, to help plan for the next stage, she decides to stick around after learning about missing person that hasn’t ever been solved, where she must face her own connection of her past, while trying to understand what actually happened to the missing girl. Rupert is the Uncle to Samantha, he is the local sheriff that bought her back, only to wish for her to leave the case alone. Professor Freeborn is one of the locals experts that is helping Samantha understand the truth around what might be happening. We do meet a host of potential suspects, or residents that do have a chapter to say when it comes to unlocking the truth.
Performances – This movie revolves around the performance Nicola Correia-Damude gives, she is involved in every scene and you can understand the mindset of her character as she both learns truths and faces pasts through the film. Michael Ironside might well be the biggest name in the film and does everything we need him to do. The rest of the cast is strong through the film too.
Story – The story follows a detective that returns home for her father’s funeral, only to find herself investigating a missing persons case, one that does mean she must face her own past to learn the truth. This is an interesting story because it does show us how your past can come back to haunt you and investigating a bigger case can only make you see the people in your life in a different light. We do follow just one character which will show us how they are learning about the case, just as we are, which is nice too be left in the dark about certain parts instead of being given all answers. We do get pushed down different ideas of what is happening which does keep us guessing and will leave shocked by the truth.
Horror – The film does use horror elements which involve how the Samantha is experience strange events while trying to uncover the truth.
Settings – The film is set in one locations which is the hometown of the Samantha which is filled with memories, some she liked, others she doesn’t want to.
Special Effects – The effects in the film are strong when needed, we don’t use them too often which isn’t needed.
Scene of the Movie – The first visit of the stranger.
That Moment That Annoyed Me – Slightly rushed finished.
Final Thoughts – This is an interesting horror that deals with the investigation into a missing person, it has a wonderful leading lady performance and does keep you guessing.
Overall: Strong horror investigation.
Performances – This movie revolves around the performance Nicola Correia-Damude gives, she is involved in every scene and you can understand the mindset of her character as she both learns truths and faces pasts through the film. Michael Ironside might well be the biggest name in the film and does everything we need him to do. The rest of the cast is strong through the film too.
Story – The story follows a detective that returns home for her father’s funeral, only to find herself investigating a missing persons case, one that does mean she must face her own past to learn the truth. This is an interesting story because it does show us how your past can come back to haunt you and investigating a bigger case can only make you see the people in your life in a different light. We do follow just one character which will show us how they are learning about the case, just as we are, which is nice too be left in the dark about certain parts instead of being given all answers. We do get pushed down different ideas of what is happening which does keep us guessing and will leave shocked by the truth.
Horror – The film does use horror elements which involve how the Samantha is experience strange events while trying to uncover the truth.
Settings – The film is set in one locations which is the hometown of the Samantha which is filled with memories, some she liked, others she doesn’t want to.
Special Effects – The effects in the film are strong when needed, we don’t use them too often which isn’t needed.
Scene of the Movie – The first visit of the stranger.
That Moment That Annoyed Me – Slightly rushed finished.
Final Thoughts – This is an interesting horror that deals with the investigation into a missing person, it has a wonderful leading lady performance and does keep you guessing.
Overall: Strong horror investigation.