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Molly J (Cover To Cover Cafe) (106 KP) rated The Unexpected Champion (High Sierra Sweethearts, #3) in Books
Feb 27, 2019
Y’all! Let me tell you a little something about this book right here. It’s fantabulous. That’s right. Fantabulous. Mary Connealy has been on my auto read authors list for years now. And, I always get giddy like a school kid on the play ground when I get to read her novels. This upcoming addition to her High Sierra Sweethearts series was no exception.
From the start, we are taking to the heart of the plot line, and into the lives of John and Penny. Oh sweet Penny, how I loved her! I loved her strong willed ways. And John. Lord have mercy, did I ever love him! His character really came to life for me, and I pictured myself beside him, taking each new twist and turn of being kidnapped with Penny as if I was there.
I loved the way Connealy created her characters with her trademark charm and wit. I love to get lost between the covers of one of her amazing novels because they are lighthearted and keep me chuckling on a bad day. The wit and charm of Penny and John were definitely evident in this page turner!
If you ask me, and even if you don’t, I’m going to tell you that I highly recommend this book with hats-off, two thumbs, and highest of 5 stars. Inspiration, hope, mercy and love are all wrapped up into another incredible cowboy story from the talented Mary Connealy. So, grab ya a copy, kick your boots off, and get ready to get wrapped up in another impeccably done novel from Mrs. Connealy!
*I received a complimentary copy of this book from NetGalley and was under no obligation to post a review, positive or negative.*
From the start, we are taking to the heart of the plot line, and into the lives of John and Penny. Oh sweet Penny, how I loved her! I loved her strong willed ways. And John. Lord have mercy, did I ever love him! His character really came to life for me, and I pictured myself beside him, taking each new twist and turn of being kidnapped with Penny as if I was there.
I loved the way Connealy created her characters with her trademark charm and wit. I love to get lost between the covers of one of her amazing novels because they are lighthearted and keep me chuckling on a bad day. The wit and charm of Penny and John were definitely evident in this page turner!
If you ask me, and even if you don’t, I’m going to tell you that I highly recommend this book with hats-off, two thumbs, and highest of 5 stars. Inspiration, hope, mercy and love are all wrapped up into another incredible cowboy story from the talented Mary Connealy. So, grab ya a copy, kick your boots off, and get ready to get wrapped up in another impeccably done novel from Mrs. Connealy!
*I received a complimentary copy of this book from NetGalley and was under no obligation to post a review, positive or negative.*
Rache (174 KP) rated The Happytime Murders (2017) in Movies
Jan 6, 2019
Funny (1 more)
Inappropriate
Nearly But Not Quite
Contains spoilers, click to show
Starting with the introduction of a puppet private detective, this is intended to be a gritty, noir, detective story with the added twist of Jim Henson puppets as characters. While film technology has vastly improved since such films as Cool World, and Who Framed Roger Rabbit, puppet technology hasn't really changed, so the puppets all have overtones of The Muppets and Sesame Street.
Despite the humour inherent in puppet characters, and the use of puppets as an analogue for minority populations (up to and including a puppet who has been 'humanised'), it's neither funny enough nor enough of a social commentary to fit into one of those two dichotomous genres.
Noir comedy, carpet-bombed with dick jokes, riddled with puppet humour, and boiling with 'social commentary', this film doesn't really land in a single genre, and the ones it tries to are too different to make a really good film. It turns out a bit like 'Muppets She Wrote' with added swearing and crudery.
Melissa Mccarthy plays the typical irreverent, foul-mouthed, stereotypical racist cop, and interacts really well with the puppets, but even all of her talent can't save this film.
It's funny (the puppet sex scene is just insane), carries some preachiness about racism (trying to decide how much 'puppet' makes someone a puppet based on a surgical implant), thoroughly irreverent (foul mouthed, 'drug' addled puppets), has an okay storyline (the twist is fairly well written), and concludes with the usual happy Muppets ending, but it feels like it's trying too hard to do too much. Perhaps, if it had tried to do less, it could have been a really good film.
All of that taken into account, it's not bad for something to watch for lighthearted fun, if you don't want to think too hard about it.
Despite the humour inherent in puppet characters, and the use of puppets as an analogue for minority populations (up to and including a puppet who has been 'humanised'), it's neither funny enough nor enough of a social commentary to fit into one of those two dichotomous genres.
Noir comedy, carpet-bombed with dick jokes, riddled with puppet humour, and boiling with 'social commentary', this film doesn't really land in a single genre, and the ones it tries to are too different to make a really good film. It turns out a bit like 'Muppets She Wrote' with added swearing and crudery.
Melissa Mccarthy plays the typical irreverent, foul-mouthed, stereotypical racist cop, and interacts really well with the puppets, but even all of her talent can't save this film.
It's funny (the puppet sex scene is just insane), carries some preachiness about racism (trying to decide how much 'puppet' makes someone a puppet based on a surgical implant), thoroughly irreverent (foul mouthed, 'drug' addled puppets), has an okay storyline (the twist is fairly well written), and concludes with the usual happy Muppets ending, but it feels like it's trying too hard to do too much. Perhaps, if it had tried to do less, it could have been a really good film.
All of that taken into account, it's not bad for something to watch for lighthearted fun, if you don't want to think too hard about it.
Gareth von Kallenbach (980 KP) rated Penguins Of Madagascar (2014) in Movies
Aug 6, 2019
Those cute little feathery spy guys are back in an all new action packed adventure. If you are unfamiliar with the Penguins of Madagascar animated series on Nick there is no need to worry. Here is a quick rundown; Skipper is the leader, Kowalski is the brains, Rico is the loose cannon, and Private is the rookie. This film takes off right after Madagascar 3: Europe’s Most Wanted when the Penguins are trying to escape from the Afro Circus song that seems to be driving everybody insane but also shows how they became a group and got their start.
This lighthearted film takes a break from all others that seem to always tug at those heartstrings. It is packed full of recognizable actors and a great script. The Penguins themselves are voiced by not so recognizable actors but are the ones who worked on Madagascar like animators directors etc. The real recognizable voices are those from the rival espionage crew the North Wind. Benedict Cumberbatch plays the gray wolf leader of a pack, Ken Jeong from the Hangover films, as a cute little seal, Annet Mahendru as an owl and Peter Stormare as a polar bear with a huge heart. Let’s not forget the big purple octopus villain played by John Malkovich whom has the perfect villain voice.
The script is chalk full of great humor for both kids and adults and is very entertaining. The writers used a lot of clever word play and great gags to entertain the audience throughout the entire film. Visually though the film can be viewed in 3D but as in most films it is not necessary to enjoy the 90 minutes of sheer silliness. This is a great film to take the kiddies to and also the adults like myself who are big fans of the flightless feathered quartet.
4 out of 5 herring
This lighthearted film takes a break from all others that seem to always tug at those heartstrings. It is packed full of recognizable actors and a great script. The Penguins themselves are voiced by not so recognizable actors but are the ones who worked on Madagascar like animators directors etc. The real recognizable voices are those from the rival espionage crew the North Wind. Benedict Cumberbatch plays the gray wolf leader of a pack, Ken Jeong from the Hangover films, as a cute little seal, Annet Mahendru as an owl and Peter Stormare as a polar bear with a huge heart. Let’s not forget the big purple octopus villain played by John Malkovich whom has the perfect villain voice.
The script is chalk full of great humor for both kids and adults and is very entertaining. The writers used a lot of clever word play and great gags to entertain the audience throughout the entire film. Visually though the film can be viewed in 3D but as in most films it is not necessary to enjoy the 90 minutes of sheer silliness. This is a great film to take the kiddies to and also the adults like myself who are big fans of the flightless feathered quartet.
4 out of 5 herring
Two Weeks in the Midday Sun: A Cannes Notebook
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A paragon of cinema criticism for decades, Roger Ebert--with his humor, sagacity, and no-nonsense...
WWI in Cartoons
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In an age before TV and radio the impact and importance of cartoon art was immense, especially when...
Wait Till You See Me Dance
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“Deb Olin Unferth’s stories are so smart, fast, full of heart, and distinctive in voice―each...
Fiction
Death In Provence
10.0
Rate It
Book
The first entry in a clever, lighthearted mystery series set in modern Provence—a delightful blend...
Fiction Contemporary Cultural France Cozy Mystery
Lyndsey Gollogly (2893 KP) rated It’s A Wonderful Midlife Crisis ( Good to the Last Death 1) in Books
Jun 4, 2024
111 of 220
Kindle
It’s A Wonderful Midlife Crisis ( Good to the last death 1)
By Robyn Peterman
⭐️⭐️⭐️⭐️
Whoever said life begins at forty must have been heavily medicated, drunk, or delusional.
Thirty-nine was a fantastic year. I was married to the man I loved. I had a body that worked without creaking. My grandma, who raised me, was still healthy, and life was pretty damned good.
But as they say, all good things come to an end. I’d honestly love to know who ’they’ are and rip them a new one. One year later, I’m a widow. My joints are starting to ache. Gram is in the nursing home, and dead people think my home is some kind of supernatural bed and breakfast. Gluing body parts onto semi-transparent people has become a side job—deceased people I’m not even sure are actually there. I think they need my help, but since I don’t speak dead, we’re having a few issues.
To add to the heap of trouble, there’s a new dangerously smokin’ hot lawyer at the firm who won't stop giving me the eye. My BFF is thrilled with her new frozen face, thanks to her plastic surgeon, her alimony check, and the miracle of Botox. And then there’s the little conundrum that I’m becoming way too attached to my ghostly squatters… Like Cher, I'd like to turn back time. Now.
No can do.
Whatever. I have wine, good friends, and an industrial sized box of superglue. What could possibly go wrong?
Everything, apparently.
This was really good. It was witty, funny, heartwarming and sad all at once. A lighthearted read quick read. Definitely can’t wait to read the next one.
Kindle
It’s A Wonderful Midlife Crisis ( Good to the last death 1)
By Robyn Peterman
⭐️⭐️⭐️⭐️
Whoever said life begins at forty must have been heavily medicated, drunk, or delusional.
Thirty-nine was a fantastic year. I was married to the man I loved. I had a body that worked without creaking. My grandma, who raised me, was still healthy, and life was pretty damned good.
But as they say, all good things come to an end. I’d honestly love to know who ’they’ are and rip them a new one. One year later, I’m a widow. My joints are starting to ache. Gram is in the nursing home, and dead people think my home is some kind of supernatural bed and breakfast. Gluing body parts onto semi-transparent people has become a side job—deceased people I’m not even sure are actually there. I think they need my help, but since I don’t speak dead, we’re having a few issues.
To add to the heap of trouble, there’s a new dangerously smokin’ hot lawyer at the firm who won't stop giving me the eye. My BFF is thrilled with her new frozen face, thanks to her plastic surgeon, her alimony check, and the miracle of Botox. And then there’s the little conundrum that I’m becoming way too attached to my ghostly squatters… Like Cher, I'd like to turn back time. Now.
No can do.
Whatever. I have wine, good friends, and an industrial sized box of superglue. What could possibly go wrong?
Everything, apparently.
This was really good. It was witty, funny, heartwarming and sad all at once. A lighthearted read quick read. Definitely can’t wait to read the next one.
Would You Rather? Book for Kids 8-12: 350 Challenging Questions, Silly Scenarios, and Hilarious Situations
8.0
Rate It
Book
Why settle for a boring day when you can sprinkle it with the magic of laughter? This fantastic...
Sarah (7799 KP) rated It’s A Sin in TV
Feb 7, 2021
Outstanding drama
It’s A Sin is the latest drama from the mind of Russell T Davies, the man behind Queer as Folk, Cucumber and the revival of Doctor Who back in 2005. It follows a group of gay men and their friends in London from 1981 to 1991, depicting how the developing HIV and AIDS crisis impacted on their lives.
The series concentrates on 5 friends who meet in 1981 and move into a flat together. There’s outgoing and smart Ritchie (Olly Alexander), shy and mild mannered Colin (Callum Scott Howells), flamboyant Nigerian Roscoe (Omari Douglas), sweet Ash (Nathaniel Curtis) and outgoing, responsible Jill (Lydia West). It’s A Sin follows the friends as they party and lead promiscuous lifestyles over the 80s, only for the AIDS crisis to slowly weave its way into their lives and affect friends and colleagues closest to them. Each deals with the developing crisis in their own way: Jill fights for AIDS awareness and help for those that are suffering, whereas Ritchie remains in denial and spreads conspiracy theories about AIDS. But by 1991, the lives of the group and their families have been irrevocably changed.
It’s A Sin is a powerful drama about an emotive and serious subject. While it is not based on a completely true story (only Jill is loosely based on a real person, Jill Nalder, a friend of Davies), Russell T Davies has based this around his and his friends experiences of the AIDS crisis in the 80s and watching this you can really believe that these sorts of events happened across the 80s and 90s. The attitudes and experiences shown here, from the hedonistic lifestyles to the rampant denial and conspiracy theories, are terrifying and sadly a true to life depiction of the attitudes at the time, and make for a rather emotional and sometimes harrowing watch.
Despite the serious subject, It’s A Sin isn’t entirely sombre. It starts out as a story of friendship and fun and there are a lot of heartwarming scenes and a surprising amount of laughs. Some might think the uplifting side of this drama detracts from the seriousness of the AIDS crisis, but personally I found the lighthearted scenes helped balance the rather sobering seriousness, especially as the episodes gradually become more and more grave as the crisis progresses. Even the gay sex scenes are fun and made mostly for laughs rather than any sort of eroticism. It’s impressive that Davies has managed to pull off a series that seamlessly blends lighthearted entertainment with a serious topic, without making light of such a harrowing crisis.
It helps that the cast are fantastic. Olly Alexander, who I knew nothing about other than recognising a few Years and Years songs, is an absolute star and a standout as Ritchie. He’s charismatic and engaging and when he’s on screen, you can’t take your eyes off him. The rest of the main cast too are just as good, especially this being their first major tv role in the case of Howells and Douglas. They’re ably supported by a host of seasoned veterans, including Neil Patrick Harris as Colin’s work colleague, Stephen Fry as a closeted MP that Roscoe meets, and Keeley Hawes and Shaun Dooley as Ritchie’s parents. Hawes and Dooley are especially moving and ultimately surprising in the later episodes, when their true attitudes as parents are revealed. My only real criticism of this series is so minor it’s barely worth mentioning, but I did get a little frustrated that Ritchie’s full name was Ritchie Tozer, as this is the same name as Richie Tozier from Stephen King’s IT. Admittedly a different spelling, but it did grate on me a little throughout the episodes as it’s not exactly a common name.
However despite my reservations on character naming, It’s A Sin is a fantastic heartwarming yet sobering drama that can’t be faulted. It’s been a long time since I’ve seen anything so engaging and emotional.
The series concentrates on 5 friends who meet in 1981 and move into a flat together. There’s outgoing and smart Ritchie (Olly Alexander), shy and mild mannered Colin (Callum Scott Howells), flamboyant Nigerian Roscoe (Omari Douglas), sweet Ash (Nathaniel Curtis) and outgoing, responsible Jill (Lydia West). It’s A Sin follows the friends as they party and lead promiscuous lifestyles over the 80s, only for the AIDS crisis to slowly weave its way into their lives and affect friends and colleagues closest to them. Each deals with the developing crisis in their own way: Jill fights for AIDS awareness and help for those that are suffering, whereas Ritchie remains in denial and spreads conspiracy theories about AIDS. But by 1991, the lives of the group and their families have been irrevocably changed.
It’s A Sin is a powerful drama about an emotive and serious subject. While it is not based on a completely true story (only Jill is loosely based on a real person, Jill Nalder, a friend of Davies), Russell T Davies has based this around his and his friends experiences of the AIDS crisis in the 80s and watching this you can really believe that these sorts of events happened across the 80s and 90s. The attitudes and experiences shown here, from the hedonistic lifestyles to the rampant denial and conspiracy theories, are terrifying and sadly a true to life depiction of the attitudes at the time, and make for a rather emotional and sometimes harrowing watch.
Despite the serious subject, It’s A Sin isn’t entirely sombre. It starts out as a story of friendship and fun and there are a lot of heartwarming scenes and a surprising amount of laughs. Some might think the uplifting side of this drama detracts from the seriousness of the AIDS crisis, but personally I found the lighthearted scenes helped balance the rather sobering seriousness, especially as the episodes gradually become more and more grave as the crisis progresses. Even the gay sex scenes are fun and made mostly for laughs rather than any sort of eroticism. It’s impressive that Davies has managed to pull off a series that seamlessly blends lighthearted entertainment with a serious topic, without making light of such a harrowing crisis.
It helps that the cast are fantastic. Olly Alexander, who I knew nothing about other than recognising a few Years and Years songs, is an absolute star and a standout as Ritchie. He’s charismatic and engaging and when he’s on screen, you can’t take your eyes off him. The rest of the main cast too are just as good, especially this being their first major tv role in the case of Howells and Douglas. They’re ably supported by a host of seasoned veterans, including Neil Patrick Harris as Colin’s work colleague, Stephen Fry as a closeted MP that Roscoe meets, and Keeley Hawes and Shaun Dooley as Ritchie’s parents. Hawes and Dooley are especially moving and ultimately surprising in the later episodes, when their true attitudes as parents are revealed. My only real criticism of this series is so minor it’s barely worth mentioning, but I did get a little frustrated that Ritchie’s full name was Ritchie Tozer, as this is the same name as Richie Tozier from Stephen King’s IT. Admittedly a different spelling, but it did grate on me a little throughout the episodes as it’s not exactly a common name.
However despite my reservations on character naming, It’s A Sin is a fantastic heartwarming yet sobering drama that can’t be faulted. It’s been a long time since I’ve seen anything so engaging and emotional.