"I moved to Austin for college and really loved it. It was a place where there was an arcade that was open 24 hours a day. There were buses going by, and a million people around. And I loved seeing cultures that I just didn’t see in Temple. Right around this time, I started looking into Public Enemy and I read The Autobiography of Malcolm X twice and, well, my eyes were opened quite a bit. There were black people in Temple, but, for instance, at my high school there was a big parking lot, and there was a divider that divided one third of the lot from the other two thirds, though not with any intention, I don’t think. It was just there. But most of the black people in my school parked on that small third, and everybody referred to that parking lot as “Africa.” That didn’t strike me as fucked up in high school, but after reading Malcolm X and listening to Public Enemy, I felt a real drive for there to be more justice and equality. For me, it’s very easy to feel spiritually connected to the underdog and the oppressed. Chuck D is a hero."

"A great, great movie that was unjustly robbed of a lot of the recognition it would have gotten, but it came out in the year of amazing other movies, you know, like Apocalypse Now and a lot of other great stuff. To this date it is the most accurate portrayal of theater folk and what it’s like to produce and be part of theater. As a theater geek all my life, I was hoping that Smash would be like that, and boy it’s not. All That Jazz nailed it, just in terms of the reality of it. But again, it would go off into those fantasies that still totally worked, and worked as incredible dance numbers, but you know, were clearly fantasy numbers inside one of the most realistic portrayals of that subculture that had never been put on screen. It’s f—ing perfect. It’s just f—ing perfect. It’s great because it’s funny, it’s cynical about the theater but also clearly loves the subject matter. You know, I grew up backstage — my parents were actors — and it just captures that world absolutely incredibly accurately. Plus, it’s just a really ballsy, artistic movie from Bob Fosse in that it incorporates a lot of strange stuff, but all of it works."