Search

Search only in certain items:

Full disclosure about my review of this book: I have always just liked Lena Dunham and harbored secret fantasies of us becoming friends. I'm sure this influenced my review somewhat. I'll admit that I would have liked to have read a bit more about how she got into the business, versus just random thoughts, but I also recognize that wasn't really the purpose of this particular book.

I also had to remind myself that Lena comes from the oversharing generation. There is a lot in this book that could potentially make you cringe, but if you know her work on <i>Girls</i> or anything else, it won't really come as a surprise. Overall, I found her writing style easy to read, and interesting, if not particularly amazing. I also enjoyed the chance to see any parallels between her life and <i>Girls</i>.

If this hadn't been an ebook I borrowed from the library, I definitely would have dog-eared some of the pages where she talks about how a woman deserves to be treated. There's certainly a lot to be learned from many of her pages, and I found a lot of what she said to be fascinating, if not disturbing, at times.

It was an easy, quick read and gave me some good insight into her life. (And I still want to be friends with her. And Lamby.)
  
Halloween (2007)
Halloween (2007)
2007 | Horror
A successful re-imagining but turned up to 11!
When I first heard director Rob Zombie was going to have a hand at Halloween, I couldn't have been more excited. His films up to that point had been intense, scary, gruesome, gothic, sexual and down-rite awesome!

This reinvention had big shoes to fill since the original Halloween is not only a scary movie classic, but invented or perfected a lot of horror elements still used in films today.

The additions to the story proved successful seeing a lot more scenes of Michael as a child, his dysfunctional family roots (which could have been part of his inner demons) and more details around his escape from the psychiatric hospital. Then the original story plays out as you are familiar; although, more intense and evil.

The third act does seem to drag out just a bit as the movie is around 2 hours in length.

Great to see a lot of "B" movie actors appear in the film including Malcolm McDowell, Clint Howard, Brad Dourif, Dee Wallace and Richard Lynch. Also Danielle Harris who was the little girl in parts 4 & 5 is also there as another homage.

Overall, a successful reboot with enough mixture of old and new to keep me very well entertained.

  
40x40

Cori June (3033 KP) rated The Dragonstone (Mithgar, #1) in Books

Dec 3, 2018 (Updated Dec 8, 2018)  
TD
The Dragonstone (Mithgar, #1)
Dennis L. McKiernan | 1996 | Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
The book follows our heroines and heroes hoping to avert a possible disaster by finding the jade egg and defeating a wizard. Their only real map a puzzle of a prophecy that they have to figure out. It does use a lot of what I call "old or high" language where the meanings have changed from today's usage and there are a lot of thee and thine. As well as a peppering of what I think is Japanese and possibly French words. He also really likes the word whelm. The Dragonstone is philosophical inclined and many discussions about free will vs. predestination are inside.

Technically, I rate this book as 7 1/2 stars (I'm not sure how to do a half rating & enjoyed it enough to round up). I received over half of his books over ten years ago about the same time as the LOTR movies came out. Yes, they are very similar. You can tell he is a LOTR fan. Like a lot of his books, this story starts in the middle and builds through flashbacks. One of my favorite things about this books series is that you get multiple p.o.v. And you can read the series all hodgepodge with few as "true" sequels or trilogies- most of those are contained as one book now.
  
40x40

Alice (117 KP) rated Ghosts in Books

Mar 3, 2021  
Ghosts
Ghosts
Dolly Alderton | 2021 | Contemporary, Fiction & Poetry, Romance
6
7.5 (2 Ratings)
Book Rating
Thank you so much to NetGalley and Penguin for the opportunity to read and review this book ahead of its release!

I hadn't read anything by Dolly Alderton before but I'd heard great things about 'Everything I Know About Love' so when I heard about her fiction debut I knew I needed to try it! I love Dolly's voice, it's so wonderfully British which as someone who reads so much American based fiction was refreshing. There was quite a lot of heavy swearing so if that's not your thing be wary (but that's what you get for being British I guess). I loved the different aspects of ghosting that were covered from dating, to friendships fading, and to dementia and the ghosting of memories. It was such a poignant read. I enjoyed this book immensely but I just couldn't get invested, it took me quite a while to get through as I only found myself reading a chapter at a time so hence the reason for my lower rating but I think I'm slightly younger than the target audience for this book so that's potentially why but I'd say if you are older and single you'll definitely see a lot of yourself here, I'm young and single and I definitely did. It made me think a lot about the future.
  
40x40

Jerry Cantrell recommended Paranoid by Black Sabbath in Music (curated)

 
Paranoid by Black Sabbath
Paranoid by Black Sabbath
1970 | Metal, Rock
9.0 (7 Ratings)
Album Favorite

"The other record I got into listening to at my friend's house. A lot of the records on the list were discovered around a two to three year window, at a time when I was really turned on to music. I was actively hungry, and reaching out, digesting what bands people turned me on to. I think the first Black Sabbath album I heard was actually Vol. 4. I always discover things way late, after the fact. But that's fine, I guess I like the fact of being kinda late to the party. But when it got to me, it really stuck. It's another record that I find very close to perfect. There's a heaviness and a darkness to Sabbath which I often cite as a direct influence to our sound. You can trace the bloodline, and I think you could say that of a lot of Seattle bands. Sabbath are also a very visual band, but in a different way, a lot more visceral. I've read interviews where Ozzy was saying they were trying to make horror film soundtracks, and that makes sense to me. Cause the themes were always pretty dark and pretty bleak, and they pulled their punches thematically and lyrically. Tony Iommi is also one of my favourite guitarists and very influential to me."

Source
  
40x40

Adam Lambert recommended track Aquarius by The Cast of Hair in Hair OST by The Cast of Hair in Music (curated)

 
Hair OST by The Cast of Hair
Hair OST by The Cast of Hair
1970 | Soundtrack
8.5 (2 Ratings)
Album Favorite

Aquarius by The Cast of Hair

(0 Ratings)

Track

"Hair is a really cool musical. It's about the late 60s’ hippie movement in America - tribal love, peace 'n' love 'n' rock 'n' roll, people tripping on LSD and expanding their consciousness, all of these concepts that came about in the late 60s’. It's one of my favourite periods in music and in the arts, it was sort of our American renaissance right around then and lot of incredible music came from that time. “I'm an Aquarius; that's my zodiac sign. I think the song is talking about the Age of Aquarius, which was starting around that time, which was said to be a time of enlightenment. It's such a cool song, it has a great melody and I've always loved it. “I ended up doing a production of Hair out in Germany when I was about 22. Personally, it was such an eye opener, I was pretty green when I went out there, but not so green when I left. I was doing a lot of things for the first time and experiencing a lot of things for the first time. “It was a bit of an awakening for me - artistically and personally - with fashion and with sexuality and with all these different things. It was a big transformative moment for me and this song always reminds me of that time.”"

Source
  
Welcome to the Dollhouse (1995)
Welcome to the Dollhouse (1995)
1995 | Comedy, Drama
9.0 (2 Ratings)
Movie Favorite

"I’ve always been fascinated by the film Welcome to the Dollhouse, the Todd Solondz film. It’s a really dark comedy. It might be because I grew up in Long Island and it feels like where I grew up. A lot of the strangeness of it feels familiar to me. I love the look of it. I love the tone of it. When we started working on Freaks and Geeks, I thought a lot about Welcome to the Dollhouse, in terms of how it was lit, the production design, the strange cadences of its comedy, and these kids who feel like they’re in hell, their families and how their parents treat them. She (Heather Matarazzo) and that character (Dawn Wiener) is one of the greatest outcast nerd characters ever created in film or television. So it’s for someone who always loves a great underdog story. That’s one of my favorites and not a movie that makes it a triumphant fantasy for the nerdy girl either. That is never the Todd Solondz way. I thought about it when we did Freaks and Geeks because we often thought, “This movie is about how you handle failure. It’s not about succeeding. It’s not a show about wish fulfillment.” You see that in a lot of Todd Solondz work. I don’t think we had half the balls that he has."

Source
  
40x40

Nicky Wire recommended Plastic Ono Band by John Lennon in Music (curated)

 
Plastic Ono Band by John Lennon
Plastic Ono Band by John Lennon
(0 Ratings)
Album Favorite

"The drum sound! The greatest bass sound ever! The rawness of it. ‘Isolation’ I absolutely love, and obviously we covered ‘Working Class Hero’. It’s really tight but there’s something about it that feels like they haven’t rehearsed much either - you see the film and they’re all coming in on the hoof. There’s some kind of bluesy nastiness - and I’m not a fan of the blues either - but there’s something about it, John Lennon’s guitar is really good on it, I think his guitaring was underrated actually. There’s so much savage bitterness there, ‘Mother’, just to start with the fucking bell chiming. I love that savageness. He’s having a go at McCartney, but he does it with so much wit, he can always glide over the top of it. I wish I had that ability, not to always drag it down with pure pettiness. “I don't believe in Elvis. I don't believe in Zimmerman/ I don't believe in Beatles” - I don’t think he could get “The Beatles” in, so it’s just “don’t believe in Beatles”. I love that album. There was a lot of that on [Wire’s solo album] I Killed The Zeitgeist actually, and there’s a lot on this album. I tried to learn that critical self-examination. I think John was a lot more psychoanalytical, he could use what he considered help, where as I was fucking on my own."

Source
  

"I didn’t want to have a theme in the records I picked. It’s a record I’ve listened to a lot lately. One of my children is 7 years old and he’s been learning a lot about Greek history recently and picking up tidbits of information. He was saying to me that he really wanted to hear some Greek music. This is not what he wanted to hear. He wanted to hear some folk music, not some weird shit. He wanted: ‘Ops la! Da da da da!’ Some cheery Greek dance music. I stumbled onto this. I asked him if he wanted Greek or ancient Greek and he said ‘ancient’ because it sounded cool. But this is incredibly trippy. It feels like a play. You don’t know where the down beat is for most of the songs. I have never figured out what about it is actually Greek. It was recorded by Spaniards in the 70s. Whether it's real or impressionistic, I don’t care. I just really like it. There’s a lot of haunting stuff in it. I’ll have the record on late at night when everyone else has gone to bed. It’ll be playing and you’ll hear the voice speaking Greek and squeals. I’ve really grown to love it and know certain pieces. I know they have made other records and I want to get them"

Source
  
The Good, The Bad and The Queen by The Good, The Bad and The Queen
The Good, The Bad and The Queen by The Good, The Bad and The Queen
2007 | Alternative, Pop, Rock
(0 Ratings)
Album Favorite

"I never really listened to Blur much or many of the other Damon Albarn projects, but I was on tour and kept running into Dangermouse. He was on tour and we were playing a lot of the same festivals. He may even have given me a copy of this record. I remember being in Adelaide in this lonely hotel, drinking a bottle of red wine alone at sunset and listening to this record and being completely mesmerised by it. I love the whole thing. I love Dangermouse’s glitchy, hip-hop Beatles production ideas. It’s just a really great recipe: the whole thing. I spoke to him about making that record but I almost don’t want to know what it involved because it’s so magical to me. I’m totally into Paul Simonon’s bass playing. Even though it’s not a reggae record, courtesy of him it has some of that kind of soul. And Tony Allen’s drumming is wonderful. It almost sounds like military drums. It’s very angular. It doesn’t swing. It sounds like ‘Let’s attack, let’s attack.' At the heart of this record, you have really simple rock & roll performances, but the production brings a lot more detail to it. I’ve worked pretty briefly with Dangermouse on something in the past. I enjoy his personality a lot and I’d sure as hell like to work on a record with him one day."

Source