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ClareR (5874 KP) rated Double Blind in Books
Jul 28, 2023
I really enjoyed Double Blind, not least because of Benedict Cumberbatch’s excellent narration on the audiobook!
There’s a lot packed in to this book: mental health, love, bravery, illness, fear, adoption, climate change, genetics, inheritance and technology (there might be more, but this is off the top of my head!). These are all pretty meaty themes, but I think they were all addressed with sensitivity, and nothing seemed contrived - even though one of the characters was ridiculously rich!
There’s a fair bit of internal dialogue going on, but it’s all relevant to the story itself, and I feel it was easier to listen to than it might have been to read. In fact, this book seemed to go by really quickly - I thoroughly enjoyed it, and listened to it whenever I could.
The characters were all very likeable: Lucy has a brain tumour, and after the initial shock she takes the news very well. She works for an American called Hunter Sterling, a tycoon and hedonist. He takes a lot of drugs.
Francis is a conservationist on an estate, and he meets Olivia, a biologist. Her father is a psychoanalyst who works with schizophrenics (amongst others), in particular a man called Sebastian. His deeper connections emerge in the story.
All of these people and themes are woven into a beautifully written book. I loved it, and it looks as though I have another authors backlist to investigate!
There’s a lot packed in to this book: mental health, love, bravery, illness, fear, adoption, climate change, genetics, inheritance and technology (there might be more, but this is off the top of my head!). These are all pretty meaty themes, but I think they were all addressed with sensitivity, and nothing seemed contrived - even though one of the characters was ridiculously rich!
There’s a fair bit of internal dialogue going on, but it’s all relevant to the story itself, and I feel it was easier to listen to than it might have been to read. In fact, this book seemed to go by really quickly - I thoroughly enjoyed it, and listened to it whenever I could.
The characters were all very likeable: Lucy has a brain tumour, and after the initial shock she takes the news very well. She works for an American called Hunter Sterling, a tycoon and hedonist. He takes a lot of drugs.
Francis is a conservationist on an estate, and he meets Olivia, a biologist. Her father is a psychoanalyst who works with schizophrenics (amongst others), in particular a man called Sebastian. His deeper connections emerge in the story.
All of these people and themes are woven into a beautifully written book. I loved it, and it looks as though I have another authors backlist to investigate!
Debbiereadsbook (1434 KP) rated The Painted Lady in Books
Jul 27, 2024
Delaney deals with a lot here!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Delaney comes to New Orleans after her mother dies, to find she is now the owner of The Bird House, a brothel. Meeting Alderic is the bright light in a dark place. But Alderic is a smuggler, and Delaney is now a Madam, The Painted Lady. They walk in different circles. Someone, however, wants The Bird House.
What I liked about this, was Delaney did not know what her mother did. She was sent away as a child, and has not returned home for a long time. Remi (who turns out to be far more than a bodyguard!) is her only connection to her mother. But once Delaney got her head round the idea, she embraced it. I loved that the girls in The Bird House were all there voluntarily.
I liked that it took Alderic a LONG time to figure things out! Loved how he got Delaney back!
It's not explicit, at all, given where Delaney now lives, but it is emotional. Delaney deals with a lot here, and it takes a toll.
I'm left intrigued, though. By Alderic's partner, Nye, and his new wife, Sarafina. They have a book that preceeds this one, I want to go back and read it. I have a feeling that Sarafina was a shock to Nye's system!
4 very good stars
*same worded review will appear elsewhere
Delaney comes to New Orleans after her mother dies, to find she is now the owner of The Bird House, a brothel. Meeting Alderic is the bright light in a dark place. But Alderic is a smuggler, and Delaney is now a Madam, The Painted Lady. They walk in different circles. Someone, however, wants The Bird House.
What I liked about this, was Delaney did not know what her mother did. She was sent away as a child, and has not returned home for a long time. Remi (who turns out to be far more than a bodyguard!) is her only connection to her mother. But once Delaney got her head round the idea, she embraced it. I loved that the girls in The Bird House were all there voluntarily.
I liked that it took Alderic a LONG time to figure things out! Loved how he got Delaney back!
It's not explicit, at all, given where Delaney now lives, but it is emotional. Delaney deals with a lot here, and it takes a toll.
I'm left intrigued, though. By Alderic's partner, Nye, and his new wife, Sarafina. They have a book that preceeds this one, I want to go back and read it. I have a feeling that Sarafina was a shock to Nye's system!
4 very good stars
*same worded review will appear elsewhere
ClareR (5874 KP) rated The Silence In Between in Books
Dec 2, 2024
The Silence In Between is a dual timeline story. In 1961, Lisette takes her sick baby to a West Berlin hospital for treatment. She returns to her home in the East of the city to wash, change clothes and have some sleep, and the next morning she wakes to find the Wall has been erected overnight. She can’t go back for her baby. This traumatic event causes her to lose her voice - which takes her back to the war and the last time she lost her voice.
Lisette lived in Berlin with her mother, and during the last days of WW2, she experienced what many women did at the hands of the Russians. This is brutal, and explains a lot about why Lisette is the mother she is to her daughter Elly.
Elly knows that the only way to make her mother happy is to get the baby back - no matter the cost. She’s a brave, resourceful young woman, who takes death defying risks for her mother.
There’s a lot of hope in this book of survival and loss. Elly is a symbol of determination - she never gives up, and her family is at the heart of all her actions.
The two female characters, mother and daughter, are exceptional women. The history behind their lives has been well researched and is believable, and their story has stayed with me well after finishing this book.
Highly recommended.
Lisette lived in Berlin with her mother, and during the last days of WW2, she experienced what many women did at the hands of the Russians. This is brutal, and explains a lot about why Lisette is the mother she is to her daughter Elly.
Elly knows that the only way to make her mother happy is to get the baby back - no matter the cost. She’s a brave, resourceful young woman, who takes death defying risks for her mother.
There’s a lot of hope in this book of survival and loss. Elly is a symbol of determination - she never gives up, and her family is at the heart of all her actions.
The two female characters, mother and daughter, are exceptional women. The history behind their lives has been well researched and is believable, and their story has stayed with me well after finishing this book.
Highly recommended.
Debbiereadsbook (1434 KP) rated Ravished by the Rhubarb (The Rhubarb Effect #3) in Books
Nov 25, 2024
Apollo doesn't like custard!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I love reading weird stuff, and this series by Sayle and Brown hit the nail on the head every time!
Apollo thinks his mate rejected him, and tries to not be in Glass' company. But Glass did NOT reject Apollo, he was just overcome by meeting his mate. In an effort to get Apollo to talk to Glass, the pair are set up on camera duty, and Glass brings a bag of things. Turns out, the pride and or the bunch of rhubarb (which has a name but I can't remember it!) was sneaky and someone swapped the contents for some more adult toys!
What I am really enjoying about these books is that while they are a lot, and I mean A LOT of fun, there is some drama here too. In this book, Apollo thinks he can't have his mate, because he doesn't like custard. And, you really need to read the other books to get what I mean by "custard" :-p
There is a way round that, and the pride comes good with their ideas to see both Apollo and Glass happy. And they get VERY happy!
Red and Gordon are next and we might find out just who wants Red and more importantly, WHY!
4 absolute fun stars
*same worded review will appear elsewhere
I love reading weird stuff, and this series by Sayle and Brown hit the nail on the head every time!
Apollo thinks his mate rejected him, and tries to not be in Glass' company. But Glass did NOT reject Apollo, he was just overcome by meeting his mate. In an effort to get Apollo to talk to Glass, the pair are set up on camera duty, and Glass brings a bag of things. Turns out, the pride and or the bunch of rhubarb (which has a name but I can't remember it!) was sneaky and someone swapped the contents for some more adult toys!
What I am really enjoying about these books is that while they are a lot, and I mean A LOT of fun, there is some drama here too. In this book, Apollo thinks he can't have his mate, because he doesn't like custard. And, you really need to read the other books to get what I mean by "custard" :-p
There is a way round that, and the pride comes good with their ideas to see both Apollo and Glass happy. And they get VERY happy!
Red and Gordon are next and we might find out just who wants Red and more importantly, WHY!
4 absolute fun stars
*same worded review will appear elsewhere
LeftSideCut (3776 KP) rated Hellboy (2019) in Movies
Nov 14, 2019
This sort of soft reboot of Hellboy is a truly mixed bag. It's just about watchable, and there are some things I liked, and a whole heap of things I didn't like.
Let's start with the negatives - the absolute biggest problems with Hellboy is the editing and pacing.
The quick cuts and bizzarre transitions that happen often are incredibly jarring, and stops the narrative running smoothly for much of the duration.
It almost feels as if the film has been designed for someone who gets bored easily, and will shoehorn in a new scene before giving you the chance to take in the previous one.
It also plays havoc with a lot of the already mediocre (and sometimes cringe-worthy) script - a good example of this comes right at the beginning, as Hellboy is introduced us, searching for an MIA fellow agent.... Its here that Ian McShane's character explains to Hellboy over the phone, what this agent was doing when he went missing, only for Hellboy to himself repeat it to another character seconds later - it's weird and feels lazy.
Another issue is something I seem to complain about a lot recently - CGI. A lot of the CGI throughout is not great, and it's again, a complete mixed bag. Some of the practical effects look fine. The big demons glimpsed in the trailer look fine. And then everywhere else it just shits the bed, most glaringly when it comes to Ben Daimio, a character from the comics who should be an exciting inclusion, but is dragged down buy just how awful it looks.
Another thing I also disliked was the insistence of having 'cool' rock songs playing every two minutes, especially in fight scenes that would otherwise have been entertaining. At times, it felt like I was watching Suicide Squad all over again, which is never a good thing.
A lot of the acting throughout Hellboy is also stale and unenthused. Milla Jovovich is particularly uninspiring as The Blood Queen (a villain from the comics that never enthralled me in the first place), Daniel Dae Kim (Ben Daimio) and Sasha Lane (Alice Monaghan) just seem embarrassed to be involved at all.
This does bring me on to the things a liked about Hellboy though - David Harbour won me over pretty quickly as the titular half demon, he provides the movies sparse humour, and the make up work is great - he does his absolute best to hold it all together.
Ian McShane is good also, but come on, it's Ian McShane man.
Even if they aren't represented perfectly, I still liked seeing a lot of characters from the comic book, and my love for Lobster Johnson is strong.
The monster designs are pretty great for the most part, Baba Yaga looks skin crawling, and as I said, the big demons seen in the trailers are pretty horrifying.
The violence and gore is unfortunately, mostly CGI, but is pretty effective for the most part, even if it does feel like the movie is sometimes packing in an R rating to disguise the averageness of everything else.
As mentioned above, some of the action pieces are pretty fun, but I must say, the climax of the movie is pretty underwhelming.
I didn't find Hellboy as horrible as some people made it out to be - it's certainly not as good as the original two films (although I find the first one to be quite average as it is!) but it still has some credibility, even if it's a small amount.
Unfortunately, for every step Hellboy takes forward, it's takes two back, resulting in a messy and muddled film that struggles to find an identity, and it's reeks of studio meddling.
Still though, Big Mo Harris shooting an Uzi is always a pleasure 👍
Let's start with the negatives - the absolute biggest problems with Hellboy is the editing and pacing.
The quick cuts and bizzarre transitions that happen often are incredibly jarring, and stops the narrative running smoothly for much of the duration.
It almost feels as if the film has been designed for someone who gets bored easily, and will shoehorn in a new scene before giving you the chance to take in the previous one.
It also plays havoc with a lot of the already mediocre (and sometimes cringe-worthy) script - a good example of this comes right at the beginning, as Hellboy is introduced us, searching for an MIA fellow agent.... Its here that Ian McShane's character explains to Hellboy over the phone, what this agent was doing when he went missing, only for Hellboy to himself repeat it to another character seconds later - it's weird and feels lazy.
Another issue is something I seem to complain about a lot recently - CGI. A lot of the CGI throughout is not great, and it's again, a complete mixed bag. Some of the practical effects look fine. The big demons glimpsed in the trailer look fine. And then everywhere else it just shits the bed, most glaringly when it comes to Ben Daimio, a character from the comics who should be an exciting inclusion, but is dragged down buy just how awful it looks.
Another thing I also disliked was the insistence of having 'cool' rock songs playing every two minutes, especially in fight scenes that would otherwise have been entertaining. At times, it felt like I was watching Suicide Squad all over again, which is never a good thing.
A lot of the acting throughout Hellboy is also stale and unenthused. Milla Jovovich is particularly uninspiring as The Blood Queen (a villain from the comics that never enthralled me in the first place), Daniel Dae Kim (Ben Daimio) and Sasha Lane (Alice Monaghan) just seem embarrassed to be involved at all.
This does bring me on to the things a liked about Hellboy though - David Harbour won me over pretty quickly as the titular half demon, he provides the movies sparse humour, and the make up work is great - he does his absolute best to hold it all together.
Ian McShane is good also, but come on, it's Ian McShane man.
Even if they aren't represented perfectly, I still liked seeing a lot of characters from the comic book, and my love for Lobster Johnson is strong.
The monster designs are pretty great for the most part, Baba Yaga looks skin crawling, and as I said, the big demons seen in the trailers are pretty horrifying.
The violence and gore is unfortunately, mostly CGI, but is pretty effective for the most part, even if it does feel like the movie is sometimes packing in an R rating to disguise the averageness of everything else.
As mentioned above, some of the action pieces are pretty fun, but I must say, the climax of the movie is pretty underwhelming.
I didn't find Hellboy as horrible as some people made it out to be - it's certainly not as good as the original two films (although I find the first one to be quite average as it is!) but it still has some credibility, even if it's a small amount.
Unfortunately, for every step Hellboy takes forward, it's takes two back, resulting in a messy and muddled film that struggles to find an identity, and it's reeks of studio meddling.
Still though, Big Mo Harris shooting an Uzi is always a pleasure 👍
Lee (2222 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 31, 2019 (Updated May 31, 2019)
Well, I liked it!
Before heading into Godzilla: King of the Monsters, I saw a lot of wildly mixed reviews online. People were either hating it or loving it, with nobody really feeling anything in-between. Even those cinema goers who were fully prepared for nothing more than a bunch of big monsters fighting alongside insignificant human bystanders were coming away from it fuming. Well, I’m happy to say that I’m putting myself firmly in the ‘loved it’ category, although I do understand and appreciate a lot of the issues that the haters have with it.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
JasonKeenan (9 KP) rated American Made (2017) in Movies
Sep 20, 2017
Watching this movie is had a good time, it was easy to watch, the acting was good, the story was good, unbelievably at time but the wierd thing is it's based on a true story
the only problem is for some reason it felt like it was on for 3hours, but it's only got a run time of 1hr 55mins, but it felt a lot longer, don't get me wrong i enjoyed it, it isn't felt like it was on too long, it might have been because I had already seen the funny parts in the trailers
But still a good movie
I would probably Wait till it's on Netflix or something
the only problem is for some reason it felt like it was on for 3hours, but it's only got a run time of 1hr 55mins, but it felt a lot longer, don't get me wrong i enjoyed it, it isn't felt like it was on too long, it might have been because I had already seen the funny parts in the trailers
But still a good movie
I would probably Wait till it's on Netflix or something
Andrew Furlong (14 KP) rated Star Trek Generations (1994) in Movies
Sep 27, 2017
Seeing Kirk and Picard in the same scene, even doing menial things, is still amusing (3 more)
Some interesting themes of time
The TNG crew is as likable as ever
Dennis McCarthy's subtle score is solid
The Nexus is a confusing plot device (1 more)
Feels too much like a TNG 2 parter
A bit too tvish perhaps, but not as bad as it's made out
While it does have flaws I do think Generations is better than it's regarded. The Nexus certainly creates a lot of plot holes and there's nothing this could have done that an episode of the show couldn't, but as someone who loves the show and TNG crew I find it enjoyable enough.
Rachel P (2 KP) rated Orphan Train: A Novel in Books
Jan 4, 2018
I really enjoyed this book. The setting skips between present day, where a girl raised in foster care meets an elderly lady and finds they have a lot in common. The present day chapters are told in third person. The flashback chapters depicting the older lady's childhood is told in first person and spans from her early childhood to mid-twenties.
I listened to the audiobook, and the narrator was very good. There were some parts that were heartbreaking and hard to listen to, but overall, the book was very well-written. There were a few parts of the plot I wish were different, but those parts are what made the book feel more realistic.
I listened to the audiobook, and the narrator was very good. There were some parts that were heartbreaking and hard to listen to, but overall, the book was very well-written. There were a few parts of the plot I wish were different, but those parts are what made the book feel more realistic.
Ross (3284 KP) rated The Ricky Gervais Podcast in Podcasts
Jan 5, 2018
I think I was a bigger fan of Gervais before I listened to this podcast (and subsequently watched the various Karl Pilkington TV shows). I loved The Office, and some of his films. Some of his stand-up was funny. But here (as with the Pilkington shows) he just shows a nasty bitterness and bullying towards people that is not really entertaining. The best of the podcast is how Karl Pilkington reacts to it, but even then we know he is funny without that happening. This has really put me off Gervais quite a lot and I now see him as a "silly little fat man" who is just a spiteful bully.