"I was turned on to Prince sometime around 1980. I really love For You and Prince and Controversy and Dirty Mind, but there was something about 1999. A lot of heroin was going through Seattle, and while I wasn't using, a lot of people were getting strung out: my friends, my roommate, my girlfriend, my band. We had just signed to Jello Biafra's record label and were going to be the next big thing, but a couple of the guys got strung out and it was the end of the band. It was 10 Minute Warning, who were a precursor to Soundgarden and Green River and all of that. I was heartbroken, man, seeing all this stuff going on around me, and I knew I had to make a decision. Then 1999 came out in 1982, and I just dove into the record. I loved Little Red Corvette. It may be the most perfect three-chord song ever written. But it was the deeper tracks that I loved most. I would get off work and come home and just play the record and it was my escape. Everybody has that record that 'saved their life', and 1999 gave me the courage to stand on my own two feet. It gave me the courage to leave. I knew my car wouldn't make it to New York, but I knew it could get me to LA. Somehow it encouraged me to do that on my own, and it was scary, but I knew music was going to be my thing."

"I was 10 years old and I didn’t listen to rock ‘n’ roll. I was at a friend’s house and we were playing Warhammer, because I’m cool, and his older brother had an Iron Maiden poster and I thought it was very cool. It grabbed me and I didn’t realise it was for a band. I mentioned it to my parents and about a week later my dad brought me a copy of Killers on cassette from the Our Price at Waterloo Station. I can still remember hearing the opening track. It was like a switch flipping in my head. It was immediately apparent that this was my thing. Rock ‘n’ roll arrived very suddenly and forcefully in my life. One of the things I love about Maiden still, is that they are resolutely impervious to fashion. They’re just Maiden, they have always been Maiden and they don’t give a f*** You can take a lot of my records away from me, but I’ve got a lot of collector’s edition boxsets of Maiden and I would fight for them harder than most things in my possession. One of the things I love about Maiden still is that they are resolutely impervious to fashion. They’re just Maiden, they have always been Maiden and they don’t give a fuck. There’s something punk about that. They weren’t cool in 1980, they weren’t cool in 1990, they weren’t cool in 2000 and they weren’t cool in 2010, but they still go about what they do selling out arenas all over the world."