"This was on the soundtrack of Luke Cage, which me and my missus watched quite a lot, it’s a cool series and there’s great music on that show. I first heard this track years ago, but when I heard it again on Luke Cage it reminded me to go and root out the record. “It’s a beautiful snippet of a sort of souly… actually ‘souly’ is the wrong word, I don’t like the word souly, it gives me the wrong image! It’s a beautiful little instrumental moment with these wonderful female vocals doing their thing, they’re almost like Disney vocals. ‘Cristo Redentor’ is a really cool bit of music, I hear something like this and I get inspired and think ‘I want to have a female vocal that does that kind of thing’ or ‘I want that air and space to the bass guitar’, where it sounds like it’s not just DI’ed in but it’s got this roominess to it. It’s quite often sonic things that I hear; where I’ll hear something and think it’s right up my street sonically or it’s the combination of instruments. “There’s such a great tone and vibe to this. I was listening to stuff like this when I was making the record, these sort of moments, like how Hip Hop uses old moments from soul records, that kind of approach. I think production-wise a lot of that stuff is amazing, there’s instruments like glockenspiels and it’s quite orchestral but with this great undertone - it’s different, there’s a dirty rawness about it."

"I was playing Scott 3 quite a lot at Christmas and there’s something about this song that’s more Christmassy than Christmas songs. It’s just kind of magical, that’s how I’d describe ‘Copenhagen’, it’s magical. “I think this song is my highlight from Scott 3, there’s something about ‘Copenhagen’ for me. I think it’s the instrumentation and the orchestration on it, it’s utterly gorgeous, the sound of it is really, really beautiful and then there’s his voice over the top, the lyrics and his delivery. I guess it’s rooted in that crooner area but there’s a tenderness to it. ‘Copenhagen’ has a delicacy to it and I’ve always loved the vulnerability of it as well, like there’s crack in his voice. I’m just in love with this song. “I think a lot of people like Scott Walker songs because they touch on stylistic elements that could be seen as more commercial or just normal or standard in some way, but they’re not. When you hear how he delivers this there’s an off-kilter feel to it, an oddness to it. It’s got a beauty but it’s not really an obvious beauty and he manages to walk that line really well, between darkness and beauty. “That’s another thing that I love about the whole album Scott 3, it is quite dark, but it’s dark and beautiful and those two things are something that I’m really in tune with, a sort of dark beauty and that’s what Scott Walker does really well."