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AirTycoon 4
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App
Welcome to AirTycoon 4! - Authentic turn based airline management simulation single player game...
Time For Tea by 11 Acorn Lane
8.0
Rate It
Album
Thomas Feurer and Neal Pawley, who are 11 Acorn Lane, create "accomplished musical whimsy" (LA...
Luke (12 KP) rated Ghostbusters (1984) in Movies
Oct 3, 2017
Great comedic writing from Harold Ramis and Dan Aykroyd (4 more)
Imaginative ghost designs
Great chemistry between the stars
That iconic theme song from Ray Parker Jr.
Mostly everything is explained through science
Some special effects haven't aged all that well (2 more)
Some younger viewers may be frightened by some imagery- parental discretion is advised
Some sexual references.
Ghostbusters is a comedy horror film from 1984 directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis who also star in the film. The film follows three ex-university professors as they go into business to catch ghosts. This was Ghost Hunters before it was cool. One of their first clients, Dana Barrett played by Sigourney Weaver, hires Dr. Peter Venkman, played by Bill Murray, to investigate a haunting in her apartment. The chemistry between Murray and Weaver here is great. Murray is clearly a womanizer and wants nothing more than to go out with Weaver. Weaver plays hard to get of course. The monster designs are very imaginative for the time, some of them being a little bit creepy. When the movie uses practical effects, it looks really good. But when it instead goes for other special effects, it really breaks the illusion that these monsters are real. You can really see it with the demon dogs if you know what to look for. There is one scene in which Dana Barrett is possessed by the demon known as Zuul where she tries to seduce Peter Venkman, but it never goes anywhere. There's another scene where a demon hand comes out of a lounge chair that Dana is sitting in. And it literally cops a feel. No joke. Go watch that scene. It really looks like Dana is getting molested there. I don't know why that is in there but there it is. Be warned. Some scenes may frighten younger children. Parents be advised. But nonetheless, Ghostbusters is still a classic to watch during Halloween. Cause I ain't afraid of no ghost.
Steve Fearon (84 KP) rated Bad Times at the El Royale (2018) in Movies
Oct 19, 2018
The Cast (1 more)
Especially Jeff Bridges
Overlong (1 more)
Marketing a little misleading
Not Bad (times at the El Royale)
This was a film suggested by my better half, on the basis of the trailer, excellent cast, and her love for Chris Hemsworth, which to be fair is justified, the guy's a looker.
The trailer had made it look like fun whoddunit, with a colourful cast of characters, a great group of actors, and a fairly lighthearted mystery, and this ticked all the right boxes for us, so along we went.
However, this movie gets pretty damn dark, fairly violent and pretty relentless, and at 140 minutes, this is a serious film.
There is a lot of love for Tarantino in "El Royale", with the style reminiscent of some of his work, though with a bit less feel for comedy, and bigger penchant for musical numbers.
It is enjoyable, and is broken up regularly by switching perspectives to show the viewer the backstory of the main characters, so it doesn't necessarily feel as long as its 140 minutes suggest.
However, it does begin to meander at times, and if it wasn't for the god-like charm of Jeff Bridges, the earnest performance of John Hamm or the captivating allure of Chris Hemsworth in particular, these scenes could have become unbearable.
Cynthia Erivo was spectacular as the soulful lounge singer, and she more than held her own against some of hollywood's finest, and I look forward to seeing her in more big movies in future.
The highlight for me (Chris Hemsworth dancing was hers) was without a doubt Jeff Bridges, the guy can just keep me entertained, no matter the script, no matter the setting, he is just a quality guy, and I loved his performance.
This is a solid 6/10 movie for me, entertaining, happy to watch it once, but I doubt I will watch it again.
The trailer had made it look like fun whoddunit, with a colourful cast of characters, a great group of actors, and a fairly lighthearted mystery, and this ticked all the right boxes for us, so along we went.
However, this movie gets pretty damn dark, fairly violent and pretty relentless, and at 140 minutes, this is a serious film.
There is a lot of love for Tarantino in "El Royale", with the style reminiscent of some of his work, though with a bit less feel for comedy, and bigger penchant for musical numbers.
It is enjoyable, and is broken up regularly by switching perspectives to show the viewer the backstory of the main characters, so it doesn't necessarily feel as long as its 140 minutes suggest.
However, it does begin to meander at times, and if it wasn't for the god-like charm of Jeff Bridges, the earnest performance of John Hamm or the captivating allure of Chris Hemsworth in particular, these scenes could have become unbearable.
Cynthia Erivo was spectacular as the soulful lounge singer, and she more than held her own against some of hollywood's finest, and I look forward to seeing her in more big movies in future.
The highlight for me (Chris Hemsworth dancing was hers) was without a doubt Jeff Bridges, the guy can just keep me entertained, no matter the script, no matter the setting, he is just a quality guy, and I loved his performance.
This is a solid 6/10 movie for me, entertaining, happy to watch it once, but I doubt I will watch it again.
Maths Rockx EDU: Times Tables!
Education
App
This is the Rock Star Teacher that everyone wants! Your children will learn their Multiplication...
Cruising Anglesey and Adjoining Waters: Cruising Anglesey and Adjoining Waters
Book
Ralph Morris's guide to the island of Anglesey and coast from Liverpool to Pwllheli was first...
AirTycoon Online 2
Games
App
Welcome to Air Tycoon Online 2! - The world best airline management simulation game. You will get...
Australasie by Astrobal
Album
Astrobal, nee Emmanuel Mario, burst onto the scene in his native France through collaborations with...
Chris Sawin (602 KP) rated The Batman (2022) in Movies
Mar 6, 2022
Paul Dano and Colin Farrell's Performances (2 more)
The Batmobile car chase with Oz
The different/damaged take on Bruce Wayne
Entirely too long - too much detective work (2 more)
Little to no chemistry between The Bat and The Cat
The raspy adventures of Batsy and Jimbo
When is a Bat Not Quite a Bat?
Matt Reeves’ The Batman isn’t an origin story. Instead Bruce Wayne (Robert Pattinson) treats every villain and every thug as if they were the ones to take his parents away from him. This is a version of Bruce Wayne that hates being Bruce Wayne; Batman is his legacy. The tragedy of losing his parents is his most defining characteristic. Bruce is a social hermit and the world’s biggest introvert in The Batman.
The Riddler (Paul Dano) kills Gotham’s mayor on Halloween night and he continues to target key political figures throughout the film. A cryptic riddle is left for Batman at every crime scene revealing just a big enough clue to keep Batman and Jim Gordon (Jeffrey Wright) entangled in Riddler’s enigmatic bloodbath. As Batman crosses paths with a cat-loving thief named Selina Kyle (Zoe Kravitz) and the magnificently sleazy Iceberg Lounge owner Oswald Cobblepot (Colin Farrell), he soon realizes that the Wayne family may be a bigger piece of the puzzle than he originally imagined.
Paul Dano is essentially the highlight of the film. Matt Reeves stated that his inspiration for his version of the character was The Zodiac Killer and it shows. Riddler’s costume is basically a camouflage gimp outfit with tactical advantages and a fetish for duct tape. Dano’s performance is haunting. His riddles are more akin to Jigsaw’s games from the Saw franchise. The character is at his best when he’s showcased in grainy cell phone videos where his shouting and heavy breathing are even more distorted than if he was standing right in front of you. The intriguing aspect is that Dano seems to be even more mesmerizing as the character once he’s unmasked. He’s able to tap into this lunacy, this dread, and this hypnotic terror that defines the character whether he’s hiding his face or not.
Featured less prominently is Colin Farrell as Oswald Cobblepot, who also delivers a fantastic performance. Farrell is so unrecognizable thanks to the facial prosthetics and fat suit that he’s wearing. Some of the aspects of The Penguin that makes him so dangerous is that he’s incredibly resourceful and he can talk his way into and out of just about anything. Farrell’s best moments as the character come during the Batmobile chase featured in the trailer followed by the conversation Batman and Gordon have with him immediately afterwards. You never knew how much you needed a Spanish lesson from Oz until Matt Reeves came along.
The Batmobile car chase is the best sequence of the film. It’s absolutely explosive and worth seeing in a theater. Michael Giacchino’s score is also bold and thrilling; it helps define the Batman character for a new generation with an undeniably epic theme. Matt Reeves compared Bruce Wayne to Kurt Cobain in this film. Bruce’s relationship with the spotlight and how he’d rather stay away from it is a lot like how Cobain viewed being famous. “Something in the Way” by Nirvana fits the Batman universe so well and it’s surprising nobody has ever thought of utilizing it until now.
This unusual version of Bruce Wayne in The Batman makes it feel unlike any other Batman film. Bruce Wayne is typically a playboy that is consistently showcased at public events that flaunts his fortune and bounces from woman to woman on a nightly basis. In The Batman, we see the smudged black eye makeup as Bruce takes off his cowl. Robert Pattinson didn’t bulk up for the role, so he has this pale and gaunt appearance. He has no interest in the business his father left him in charge of. Vengeance is his only purpose.
The Batman is also the first Batman film to actually feel like a detective story. So much time is devoted to the investigation aspect of the film; maybe too much time. The film is five minutes shy of being three hours long and The Batman feels like a three hour film. Some of these sequences feel like they could have been trimmed (did we really need to see Batman or Bruce Wayne go to the Iceberg Lounge so many times?) or cut entirely, but everything feels like it’s part of the bigger picture of capturing The Riddler. Every little stop along the way leads to the next clue or next big encounter. Unfortunately, it feels like a chore listening to Batman answer riddles for the sixth time in the midst of three hours.
Robert Pattinson is a seriously talented actor outside of the Twilight franchise and Zoe Kravitz chooses interesting projects to be a part of, but their chemistry in The Batman feels forced. Batman tracks down Selina Kyle almost like a stalker as he starts inserting himself into her life after a random encounter at The Iceberg Lounge. Despite being friends in real life, the two actors seem stiff and awkward when they’re around each other. These are two versions of the characters that don’t have the history the comics or the movies laid out for them after decades of publication and on screen appearances. This is supposed to be the first time they’ve met and they go from being bumbling partners to nearly leaving Gotham together after being shot at a few times and finding a dead girl in a trunk; it doesn’t make sense.
Matt Reeves was capable of taking The Batman into a different direction for both the Batman universe and superhero films alike. The action sequences are almost earned here as there’s much more down time while following a lead or doing research. You actually see that Bruce documents his inner monologues and his nightly outings as Batman in handwritten journals. There’s a ton of interesting concepts in The Batman that ultimately don’t pay off.
Paul Dano and Colin Farrell are extraordinary, but The Batman is a three hour slog through Gotham that culminates with an over exaggerated riddle that isn’t worth solving. Having Batman and Jim Gordon both speak in raspy, whispery grunts feels excessive as does Gordon’s insistence on calling Batman, “Chief,” every time that they’re together. The film deserves credit for prominently shining the spotlight on the underbelly of crime in Gotham, but the storytelling in The Batman is a lot like Bugs Bunny meaning to have taken that left turn at Albuquerque; a meandering foray down a dark rabbit hole that isn’t entirely necessary.
The Riddler (Paul Dano) kills Gotham’s mayor on Halloween night and he continues to target key political figures throughout the film. A cryptic riddle is left for Batman at every crime scene revealing just a big enough clue to keep Batman and Jim Gordon (Jeffrey Wright) entangled in Riddler’s enigmatic bloodbath. As Batman crosses paths with a cat-loving thief named Selina Kyle (Zoe Kravitz) and the magnificently sleazy Iceberg Lounge owner Oswald Cobblepot (Colin Farrell), he soon realizes that the Wayne family may be a bigger piece of the puzzle than he originally imagined.
Paul Dano is essentially the highlight of the film. Matt Reeves stated that his inspiration for his version of the character was The Zodiac Killer and it shows. Riddler’s costume is basically a camouflage gimp outfit with tactical advantages and a fetish for duct tape. Dano’s performance is haunting. His riddles are more akin to Jigsaw’s games from the Saw franchise. The character is at his best when he’s showcased in grainy cell phone videos where his shouting and heavy breathing are even more distorted than if he was standing right in front of you. The intriguing aspect is that Dano seems to be even more mesmerizing as the character once he’s unmasked. He’s able to tap into this lunacy, this dread, and this hypnotic terror that defines the character whether he’s hiding his face or not.
Featured less prominently is Colin Farrell as Oswald Cobblepot, who also delivers a fantastic performance. Farrell is so unrecognizable thanks to the facial prosthetics and fat suit that he’s wearing. Some of the aspects of The Penguin that makes him so dangerous is that he’s incredibly resourceful and he can talk his way into and out of just about anything. Farrell’s best moments as the character come during the Batmobile chase featured in the trailer followed by the conversation Batman and Gordon have with him immediately afterwards. You never knew how much you needed a Spanish lesson from Oz until Matt Reeves came along.
The Batmobile car chase is the best sequence of the film. It’s absolutely explosive and worth seeing in a theater. Michael Giacchino’s score is also bold and thrilling; it helps define the Batman character for a new generation with an undeniably epic theme. Matt Reeves compared Bruce Wayne to Kurt Cobain in this film. Bruce’s relationship with the spotlight and how he’d rather stay away from it is a lot like how Cobain viewed being famous. “Something in the Way” by Nirvana fits the Batman universe so well and it’s surprising nobody has ever thought of utilizing it until now.
This unusual version of Bruce Wayne in The Batman makes it feel unlike any other Batman film. Bruce Wayne is typically a playboy that is consistently showcased at public events that flaunts his fortune and bounces from woman to woman on a nightly basis. In The Batman, we see the smudged black eye makeup as Bruce takes off his cowl. Robert Pattinson didn’t bulk up for the role, so he has this pale and gaunt appearance. He has no interest in the business his father left him in charge of. Vengeance is his only purpose.
The Batman is also the first Batman film to actually feel like a detective story. So much time is devoted to the investigation aspect of the film; maybe too much time. The film is five minutes shy of being three hours long and The Batman feels like a three hour film. Some of these sequences feel like they could have been trimmed (did we really need to see Batman or Bruce Wayne go to the Iceberg Lounge so many times?) or cut entirely, but everything feels like it’s part of the bigger picture of capturing The Riddler. Every little stop along the way leads to the next clue or next big encounter. Unfortunately, it feels like a chore listening to Batman answer riddles for the sixth time in the midst of three hours.
Robert Pattinson is a seriously talented actor outside of the Twilight franchise and Zoe Kravitz chooses interesting projects to be a part of, but their chemistry in The Batman feels forced. Batman tracks down Selina Kyle almost like a stalker as he starts inserting himself into her life after a random encounter at The Iceberg Lounge. Despite being friends in real life, the two actors seem stiff and awkward when they’re around each other. These are two versions of the characters that don’t have the history the comics or the movies laid out for them after decades of publication and on screen appearances. This is supposed to be the first time they’ve met and they go from being bumbling partners to nearly leaving Gotham together after being shot at a few times and finding a dead girl in a trunk; it doesn’t make sense.
Matt Reeves was capable of taking The Batman into a different direction for both the Batman universe and superhero films alike. The action sequences are almost earned here as there’s much more down time while following a lead or doing research. You actually see that Bruce documents his inner monologues and his nightly outings as Batman in handwritten journals. There’s a ton of interesting concepts in The Batman that ultimately don’t pay off.
Paul Dano and Colin Farrell are extraordinary, but The Batman is a three hour slog through Gotham that culminates with an over exaggerated riddle that isn’t worth solving. Having Batman and Jim Gordon both speak in raspy, whispery grunts feels excessive as does Gordon’s insistence on calling Batman, “Chief,” every time that they’re together. The film deserves credit for prominently shining the spotlight on the underbelly of crime in Gotham, but the storytelling in The Batman is a lot like Bugs Bunny meaning to have taken that left turn at Albuquerque; a meandering foray down a dark rabbit hole that isn’t entirely necessary.
City of Gangs: Glasgow and the Rise of the British Gangster
Book
'A new type of criminal is in our midst - a dangerous, ruthless, well-armed man, who will stick at...