"My favorite Max Ophuls film. I love the swirling camera that mirrors the circus ring, and the ring of life. The story of Lola Montès (Martine Carol) and her many conquests, reenacted as a circus performance, narrated by ringmaster Peter Ustinov. It concludes with a death-defying plunge into a tub of water to symbolize her ultimate fall from grace."

"It’s no secret that I love the game of golf. This is the story of an epic golf match held on one of the world's most fabled courses. But as much as it is a riveting account of a competition, it is also a probing work of history and sociology that uses golf as a window into a distinctive place and time."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."