"I guess the next one, chronologically, would be Raiders of the Lost Ark, even though it’s hard to choose just one Spielberg film. First of all it’s George Lucas and Spielberg, which is kind of like Jesus and Moses collaborating on a movie [laughing]. But it was just, you know, it was so different, it just came out of nowhere. I mean Harrison Ford who had been Han Solo and all of a sudden he’s late ’30s and battling Nazis. It was just such a ride and it still holds up. Just movie magic, know what I mean? I saw it a couple years ago. We were doing a sound mix at Skywalker Sound, it was right before the new one came out, The Kingdom of the Crystal Skull, and they showed a pristine 35mm print of it. It just brought back all those great memories and, again, no CG, you know. Just really good filmmaking."

"I, as a child, loved Mary Poppins. Something about these misunderstood kids who couldn’t catch a break, and this fantastic woman coming into their life and showing them this other world, and yet also being so coy: “I don’t know what you’re talking about. What world do you mean?” I just really liked escapism as a child, I guess. The time element of Britain in another era, and then this fantastical element of going into pictures and cartoons and flying and laughing. It’s like it was so exciting to me, even though it came out 30 years before I was born. Something like that. It was a real go-to as a kid. In the last two and a half decades, it still works. It doesn’t drag. It’s still like the magic is still there. Whereas maybe other films from that era may or may not have aged quite as gracefully as Mary Poppins has."

"This is a perfect record, It's heart on sleeve music, which is absolutely what I wanted to try to make on my album. Brazil is a very important place for me in terms of its music and culture; it's the first place I lived in where I felt I got pulled out of a bubble, and had to stand on my feet in a different culture to mine, and Jorge Ben is one of its greatest figures. He was so important in the bossa nova era, and a pivotal person in tropicalia – Caetano Veloso and Gilberto Gil looked up to him like a brother, as he was older. There's so much in that country's art that's about richness and magic, like the writing of Gabriel Garcia Marquez, as well. In many parts of England, you have to pretend to down nine pints to get into that frame of mind. That's probably why other cultures appeal to me."

"A thriller wrapped inside an enigma, this is my desert island disc, the one I’ve watched
 more than any other on this list. The psychology of the characters is revealed
 slowly and ambiguously. Each time I see the wheelchair (the husband’s fantasy) and hear the sound of the horse-and-carriage bells (the wife’s), and the way
 the two achieve harmony in the final scene, I’m reminded of Luis Buñuel’s ability to
 fuse reality and illusion in his characters and for the viewer. He performs this
 magic in plain view, like the best magicians. This is the film that illustrates that
 Catherine Deneuve is not only one of the world’s most beautiful women but a
 fine actress. Belle de jour is truly subversive in its satiric depiction of middle-
class society, the church, and our social mores. If a ratings board ever understood
 this film, it would receive an NC-17, though there is no sex and little violence."