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Awix (3310 KP) rated Proxima (2019) in Movies
Aug 3, 2020
Slightly arty space drama with Eva Green. A female engineer is delighted to be selected for a mission to help prepare for the first manned landing on Mars, but does not anticipate the strain this will place on her relationship with her daughter.
Not really a science fiction film in any genuine sense of the word, but one which combines a very realistic portrayal of life as an astronaut in training with an examination of what it means to go off into space leaving your children behind. Doesn't quite ring correctly on a number of levels: we are invited to dislike the American mission commander, who is a chauvinist alpha-male in some ways, but on the other hand the film is about the extra difficulties of being a mum on the way to orbit. Mmm, I don't know - is it really that different from being a father and going off into space? A definite sense of maternity being idealised - a key sequence sees Green's character breaking mission protocols in a pretty major way just to keep a promise to her daughter. (Then again I'm neither a woman or a parent.) A bit of a shame as the film is engaging and well-played, but it's much more about Mas than Mars.
Not really a science fiction film in any genuine sense of the word, but one which combines a very realistic portrayal of life as an astronaut in training with an examination of what it means to go off into space leaving your children behind. Doesn't quite ring correctly on a number of levels: we are invited to dislike the American mission commander, who is a chauvinist alpha-male in some ways, but on the other hand the film is about the extra difficulties of being a mum on the way to orbit. Mmm, I don't know - is it really that different from being a father and going off into space? A definite sense of maternity being idealised - a key sequence sees Green's character breaking mission protocols in a pretty major way just to keep a promise to her daughter. (Then again I'm neither a woman or a parent.) A bit of a shame as the film is engaging and well-played, but it's much more about Mas than Mars.
Dean (6925 KP) rated Deception (2008) in Movies
Apr 30, 2019
An very good cast, a good idea but a poor-ish execution only make this an ok thriller. I had high hopes for a lot more but the title alone really gives any idea of a twist away right from the start which was annoying. Hugh Jackman was very good in his role I thought and there are some appearances from Natasha Henstridge (Species, Ghost of Mars) and Maggie Q (Die Hard 4). However it is all too straight forward to work out if you have seen any decent thriller before. Ok for a look but nothing special, you might prefer Derailed instead.
Awix (3310 KP) rated Life (2017) in Movies
Feb 15, 2018
Highly competent SF-horror movie from the modular school of movie scripting (i.e., it's basically Gravity Meets The Thing). Scientists on the ISS bring back microbes from Mars, grow their own alien in the lab - ensuing gribbly creature does not take well to captivity, makes a break for freedom, grisliness follows.
Goes to show that you don't always need originality to make an entertaining movie - yes, it's openly derivative of many other movies, but blends its sources together inventively. Production and actors are both very capable, too. Attempt at a twist ending is somewhat clumsy, but forgivable.
Goes to show that you don't always need originality to make an entertaining movie - yes, it's openly derivative of many other movies, but blends its sources together inventively. Production and actors are both very capable, too. Attempt at a twist ending is somewhat clumsy, but forgivable.
David McK (3251 KP) rated Thuvia, Maid of Mars (Barsoom, #4) in Books
Jan 30, 2019
The fourth of Edgar Rice Burrough's <i>Barsoom</i> series that began with <i>A Princess of Mars</i>, this is actually the first book in the series that does not centre on the main protaganist of the first three novels (John Carter), as well as being the first story to be told in the third rather than first person.
As a consequence, I actually found this particular one to be a bit of a let-down from the previous, even if it does follow the same plot arc of those earlier stories (right down to yet another mysterious undiscovered race!).
As a consequence, I actually found this particular one to be a bit of a let-down from the previous, even if it does follow the same plot arc of those earlier stories (right down to yet another mysterious undiscovered race!).
Gareth von Kallenbach (971 KP) rated The Space Between Us (2017) in Movies
Jul 12, 2019
Gardner Elliot (Asa Butterfield) is a 16 year old boy who has never set foot on Earth. His mother found out she was pregnant on while on a mission to live on Mars for four years. Just after arriving on the red planet his mother gave birth and then sadly passed away. Since his birth was an unplanned surprise to his mother, NASA and Genesis, the private company that made the trip to Mars possible, they all decide to keep his existence a classified secret. So for the next 16 years he was raised on Mars by a revolving crew of a dozen or so scientist who stayed on the space station called East Texas. Gardner relishes the chance to be known and to travel to Earth. On Mars all he has is his self-proclaimed best friend is an artificial intelligent robot named Centaur (voiced by Peter Chelsom) and a couple of people who he can call friends. One is Kendra (Carla Gugino), a mother figure who watches over and tries to protect him. The other is Tulsa (Britt Robertson), a teenage school girl from Earth, who he chats online with every chance he gets and desperately wants to meet.
Gardner finds a box of his mother’s things in a storage room and a photo of who he believes to be his father. His urge to go to Earth and meet his father and Tulsa is to the point he will do almost anything. Kendra seeing the pain that Gardner is in she decides to reach out to Genesis Director Chen (BD Wong) and founder Nathaniel Shepherd (Gary Oldman) and requests they allow him to come to Earth. Shepherd is against it. Pointing out that, due to the reduced gravity of Mars, Gardner’s bones will be weaker and more brittle and his heart will be enlarged. Almost assuredly making living on Earth impossible. Determined to make it to Gardner goes through painful operations to strengthen his bones and intense training to improve his muscles. After 16 years he is finally allowed to travel to Earth. Only to be quarantined and battered with tests upon arrival. Undeterred, he breaks out of the facility and heads out to find Tulsa. He finds her and convinces her to help him find his father. So they head out cross country to find his family and seem to be finding love along the way. But Kendra and Shepherd are hot on their heels. They rush to track Gardner down before his health deteriorates and is unable to survive in Earth’s environment.
The Sci-Fi story is a heartwarming one in The Space Between Us. It is a futuristic love story of two teens who are worlds apart, literally in this instance, but both find the one person in the universe who is meant for them. Butterfield does a good job of playing Gardner and showing how someone removed from this world can be awkward and out of place but also be amazingly honest and forthright. Robertson performance is okay as the tough product of a foster system teen that has a rough exterior but longs for a family. The love story and interaction between these two characters is definitely the bright spot. The rest of the cast is good and the overall story had some original concepts, such as the first human born on Mars. But there are times that are a little cheesy for my personal taste. Also the ending in my opinion was predictable and a forgone conclusion. How the film was presented visually was hit and miss for me. There would be beautiful shots of mountain passes, the ocean or the desert that really captured the beauty of Earth as if they were being seen for the first time. Then there were times when the shot was blurry and you could tell the people, vehicles or aircraft was out of place. The shots of space were very much the same some good some bad.
Overall the movie was good but not really something I would want to go back and see again. It definitely had the feel of a movie you could take the whole family to, very wholesome. I wish it was more constant visually.
Gardner finds a box of his mother’s things in a storage room and a photo of who he believes to be his father. His urge to go to Earth and meet his father and Tulsa is to the point he will do almost anything. Kendra seeing the pain that Gardner is in she decides to reach out to Genesis Director Chen (BD Wong) and founder Nathaniel Shepherd (Gary Oldman) and requests they allow him to come to Earth. Shepherd is against it. Pointing out that, due to the reduced gravity of Mars, Gardner’s bones will be weaker and more brittle and his heart will be enlarged. Almost assuredly making living on Earth impossible. Determined to make it to Gardner goes through painful operations to strengthen his bones and intense training to improve his muscles. After 16 years he is finally allowed to travel to Earth. Only to be quarantined and battered with tests upon arrival. Undeterred, he breaks out of the facility and heads out to find Tulsa. He finds her and convinces her to help him find his father. So they head out cross country to find his family and seem to be finding love along the way. But Kendra and Shepherd are hot on their heels. They rush to track Gardner down before his health deteriorates and is unable to survive in Earth’s environment.
The Sci-Fi story is a heartwarming one in The Space Between Us. It is a futuristic love story of two teens who are worlds apart, literally in this instance, but both find the one person in the universe who is meant for them. Butterfield does a good job of playing Gardner and showing how someone removed from this world can be awkward and out of place but also be amazingly honest and forthright. Robertson performance is okay as the tough product of a foster system teen that has a rough exterior but longs for a family. The love story and interaction between these two characters is definitely the bright spot. The rest of the cast is good and the overall story had some original concepts, such as the first human born on Mars. But there are times that are a little cheesy for my personal taste. Also the ending in my opinion was predictable and a forgone conclusion. How the film was presented visually was hit and miss for me. There would be beautiful shots of mountain passes, the ocean or the desert that really captured the beauty of Earth as if they were being seen for the first time. Then there were times when the shot was blurry and you could tell the people, vehicles or aircraft was out of place. The shots of space were very much the same some good some bad.
Overall the movie was good but not really something I would want to go back and see again. It definitely had the feel of a movie you could take the whole family to, very wholesome. I wish it was more constant visually.
Mark @ Carstairs Considers (2103 KP) rated The Thousand-Dollar Tan Line (Veronica Mars, #1) in Books
Mar 9, 2018
Set a couple of months after the movie ends, Veronica is hired to find a college student who vanished from a party during spring break. With the tourist industry in town losing money, can Veronica find this girl?
The plot was worth of the franchise with some great twists and turns. The characters were also true to themselves, and I loved spending time with them. My only real complaint was that I missed the snark of Veronica's voiceover narration from the TV show and movie.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/04/book-review-veronica-mars-thousand.html">Carstairs Considers</a>.
The plot was worth of the franchise with some great twists and turns. The characters were also true to themselves, and I loved spending time with them. My only real complaint was that I missed the snark of Veronica's voiceover narration from the TV show and movie.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/04/book-review-veronica-mars-thousand.html">Carstairs Considers</a>.
Milleen (47 KP) rated The Last Mile (Amos Decker #2) in Books
Nov 14, 2018
This is a sequel to ‘Memory Man’ but I do think readers could pick up the background easily. The story follows an FBI task force investigator, Amos Decker, a man who can forget nothing due to an injury as an American Football player. Melvin Mars is a man on death row who needs to dig deep into his past to find out the truth behind his incarceration. It’s a very American thriller with some very staged dialogue, lots of guns and criminology but I really enjoyed the idea of a man blessed and cursed with perfect recall. A tale of twists and turns that kept me reading.
Akward (448 KP) rated Terraforming Mars in Tabletop Games
May 24, 2018 (Updated May 27, 2018)
Theme (1 more)
Mechanics
The Hottest Game of The Year
Terraforming Mars is one of the most refined games that our group has ever played. One of the problems that plagues so many games is that once you find a winning strategy, you basically just play that strategy until you get bored of the game and movie on. In Terraforming Mars, there are a significant number of strategies that can win the game. We have had people win by focusing on playing the board, building up actions, focusing on production, or focusing on money. There does not appear to be one central strategy that trumps the others. A lot of people will complain about the randomness of the cards that you receive, but this helps guide you in to a strategy that you may not otherwise play.
There are enough mechanics to keep the game interesting. But all of the mechanics are simple enough that explaining the game to new people is not challenging. You would also expect a game of this type to take a long time to play, but once everyone is familiar with the rules, games can be as short as an hour.
I will agree with other reviewers that the default mats to manage resources do not do a good job, and aftermarket solutions make life easier (although not required). The expansions are also nice, after you've played a few games. Hallas & Elysium adds two additional boards that change the game slightly, and also provide different awards that keep you on your toes. Venus Next adds a few additional mechanics, and also introduces the World Government rule, making games faster.
Other people have mentioned that they do not like the artwork, and that they have had issues with the resource cubes wearing out. I don't really have a problem with either one of those things, but I may just be lucky. My cubes still look great after 50+ games.
There is a reason that Terraforming Mars has exploded in the last year. I would highly recommend everyone try it. Even my wife, who isn't traditionally a fan of more complicated games, likes it.
There are enough mechanics to keep the game interesting. But all of the mechanics are simple enough that explaining the game to new people is not challenging. You would also expect a game of this type to take a long time to play, but once everyone is familiar with the rules, games can be as short as an hour.
I will agree with other reviewers that the default mats to manage resources do not do a good job, and aftermarket solutions make life easier (although not required). The expansions are also nice, after you've played a few games. Hallas & Elysium adds two additional boards that change the game slightly, and also provide different awards that keep you on your toes. Venus Next adds a few additional mechanics, and also introduces the World Government rule, making games faster.
Other people have mentioned that they do not like the artwork, and that they have had issues with the resource cubes wearing out. I don't really have a problem with either one of those things, but I may just be lucky. My cubes still look great after 50+ games.
There is a reason that Terraforming Mars has exploded in the last year. I would highly recommend everyone try it. Even my wife, who isn't traditionally a fan of more complicated games, likes it.
Gareth von Kallenbach (971 KP) rated Futurama: Into the Wild Green Yonder (2009) in Movies
Aug 14, 2019
The fourth (and lets hope not final) of the planned straight to DVD Futurama movies, “Futurama: Into The Wild Green Yonder” has arrived and continues the winning formula of the television series and three previous films as well as ties things up nicely should this be the final outing for the Planet Express crew.
The film opens with a new take on the traditional opening and we are treated to the scenic Mars Vegas complete with futuristic interpretations of the class Las Vegas hotels. As the film opens, Mars Vegas is being destroyed to make way for a new and even better Mars Vegas. This does not sit well with Amy (Lauren Tom) as her father is the one behind all of this, and when she learns that he plans to eliminate portions of a solar system to make the universes biggest miniature golf course, she decides to join a militant feminist group with Leela (Katey Sagal).
As this is happening Fry (Billy West), learns that he has the power to read minds and is recruited by a secret organization who inform him of a great evil that is loose in the galaxy and that he will be the key to preserving the universe.
Bender (John Di Maggio), as usual is happy to drink and grift his way through life, that is until a affair with a local crime figures wife provides him with some danger and distraction.
When a planned protest goes horribly wrong, Leela and Amy end up as fugitives and are doggedly pursued by Captain Zapp Brannigan as they race against the clock to save the creatures of the solar system from Leo Wong’s planned construction.
The film is as usual, loaded with laughs and plenty of pop culture gags. Snoop Dogg and Penn Jilette make cameo appearances as do many of the characters from the series.
With sharp picture and sound, this is a very enjoyable new adventure for fans and should add demand for future adventures in the series and provide great viewing enjoyment.
There are loads of extras which include deleted scenes, commentaries, as well as deleted scenes.
The film opens with a new take on the traditional opening and we are treated to the scenic Mars Vegas complete with futuristic interpretations of the class Las Vegas hotels. As the film opens, Mars Vegas is being destroyed to make way for a new and even better Mars Vegas. This does not sit well with Amy (Lauren Tom) as her father is the one behind all of this, and when she learns that he plans to eliminate portions of a solar system to make the universes biggest miniature golf course, she decides to join a militant feminist group with Leela (Katey Sagal).
As this is happening Fry (Billy West), learns that he has the power to read minds and is recruited by a secret organization who inform him of a great evil that is loose in the galaxy and that he will be the key to preserving the universe.
Bender (John Di Maggio), as usual is happy to drink and grift his way through life, that is until a affair with a local crime figures wife provides him with some danger and distraction.
When a planned protest goes horribly wrong, Leela and Amy end up as fugitives and are doggedly pursued by Captain Zapp Brannigan as they race against the clock to save the creatures of the solar system from Leo Wong’s planned construction.
The film is as usual, loaded with laughs and plenty of pop culture gags. Snoop Dogg and Penn Jilette make cameo appearances as do many of the characters from the series.
With sharp picture and sound, this is a very enjoyable new adventure for fans and should add demand for future adventures in the series and provide great viewing enjoyment.
There are loads of extras which include deleted scenes, commentaries, as well as deleted scenes.
ClareR (5603 KP) rated The Hard Crowd: Essays 2000-2020 in Books
Apr 18, 2021
The Hard Crowd is a collection of essays about culture and politics. I had read Rachel Kushner's novel The Mars Room and loved it (even went on to buy it for a friend), so I was intrigued to read this collection. There really is a mix here - something for everyone.
The opening essay about Kushner’s participation in an illegal motorbike race on the Baja Peninsula was probably my favourite - it sounded terrifying and exciting all at once. She does seem to like anything to do with motors, as a later essay showed. This one wasn’t really for me, but this is a collection where there is something for everyone. The chapter on wild cat strikes was interesting, as were the ones where she describes her formative years in her hometown and the music concerts she went to (loved these too). The last essay in the book played out as though it was on a film in my head.
The essay about prison reform was really thought provoking, as was that of when Kushner visited a Palestinian refugee camp. I could easily have read more of this one - no matter how saddening it ultimately was.
Rachel Kushner really can write. As she did in The Mars Room, each of these essays really evoked a time and place and made this book pretty hard to put down.
Many thanks to Jonathan Cape for inviting me to read this via NetGalley.
The opening essay about Kushner’s participation in an illegal motorbike race on the Baja Peninsula was probably my favourite - it sounded terrifying and exciting all at once. She does seem to like anything to do with motors, as a later essay showed. This one wasn’t really for me, but this is a collection where there is something for everyone. The chapter on wild cat strikes was interesting, as were the ones where she describes her formative years in her hometown and the music concerts she went to (loved these too). The last essay in the book played out as though it was on a film in my head.
The essay about prison reform was really thought provoking, as was that of when Kushner visited a Palestinian refugee camp. I could easily have read more of this one - no matter how saddening it ultimately was.
Rachel Kushner really can write. As she did in The Mars Room, each of these essays really evoked a time and place and made this book pretty hard to put down.
Many thanks to Jonathan Cape for inviting me to read this via NetGalley.