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KatieLouCreate (162 KP) rated Thor: Ragnarok (2017) in Movies
Mar 5, 2018
Re-watched this film the other day and I really enjoyed it. When I first watched the film I felt, although I enjoyed watching it, it could have been better. I felt that they were trying to hard to be funny when they could have, and probably should have, made it more serious. You can still add humour to a film while still maintaining the serious elements. Sometimes, I felt that the humour that they included pulled away from the film. It made it so the stakes were not so high. Why would you be laughing and making jokes at a time like this? I don't know. That is just the opinion that I had when I first watched it. I think I enjoyed it more the second time. I don't know why but the funny moments didn't seem to bother me as much. It was still enjoyable to watch. I guess it just depends on what kind of mood you are in. Even so, the film is great and well worth the watch. But if you are after something deadly serious, I would not recommend. That is not what you get from Marvel movies.
Awix (3310 KP) rated Captain America: Civil War (2016) in Movies
Mar 30, 2018 (Updated Feb 14, 2020)
Thirteenth MCU movie is a supremely confident and accomplished piece of entertainment. Attempts to bring the Avengers under political control cause tensions within the group; these are only exacerbated when the Winter Soldier resurfaces and apparently commits a deadly attack on an international summit.
Despite the title, this is basically the third Avengers movie, and possibly the best one yet, with great performances and superbly staged action built around a solid script. The directors marshal a big story with lots and lots of characters and make it look very easy; no wonder they were signed up for the next (proper) Avengers film. On the other hand, despite the exhilarating thrills of sequences like the stunning airport battle, this is ultimately quite a dark and introspective film about guilt, loyalty, responsibility, and friendships stretched to breaking point, and this and the fact it is so dependent on having seen many of the previous films in the series means it is probably not the most accessible of Marvel pictures. For those who've been following along, however, this is one of the best film in what's currently the most consistently impressive film franchise in the world. Plus, Black Panther's in it, too.
Despite the title, this is basically the third Avengers movie, and possibly the best one yet, with great performances and superbly staged action built around a solid script. The directors marshal a big story with lots and lots of characters and make it look very easy; no wonder they were signed up for the next (proper) Avengers film. On the other hand, despite the exhilarating thrills of sequences like the stunning airport battle, this is ultimately quite a dark and introspective film about guilt, loyalty, responsibility, and friendships stretched to breaking point, and this and the fact it is so dependent on having seen many of the previous films in the series means it is probably not the most accessible of Marvel pictures. For those who've been following along, however, this is one of the best film in what's currently the most consistently impressive film franchise in the world. Plus, Black Panther's in it, too.
Andy K (10821 KP) rated Roma (2018) in Movies
Jan 8, 2019
Beautiful but pointless
I guess I expect a little more from Alfonso Cuarón, director of Gravity and Children of Men, than a slightly boring film about a year in the life of a Mexican family in the 1970s. The film focuses on the lives of an upper middle class couple, their kids and their maid as they go through the events of their daily lives and have a few unexpected things happen to them.
I guess it's kind of interesting as events unfold; however, I was kind of waiting for some meaning or point of which there was none. I would say normally I am not a huge fan of the "slice of life" sort of movie as they usually are devoid of point and this one was no exception.
The beautiful black and white cinematography and long takes make the film a technical marvel, but I wish there was more substance here.
Not sure why it is getting all the hype and attention other than because of its famous director. In a year, no one will remember this film.
I guess it's kind of interesting as events unfold; however, I was kind of waiting for some meaning or point of which there was none. I would say normally I am not a huge fan of the "slice of life" sort of movie as they usually are devoid of point and this one was no exception.
The beautiful black and white cinematography and long takes make the film a technical marvel, but I wish there was more substance here.
Not sure why it is getting all the hype and attention other than because of its famous director. In a year, no one will remember this film.
David McK (3162 KP) rated Masquerade (Star Wars: X-Wing Rogue Squadron, #8) in Books
Jan 30, 2019
No-longer canon entry in the X-Wing series of graphic novels, released way back before Marvel took over (and wiped out the Extended Universe) the reins.
I remember reading the actual novels back in the late 90s/early 2000s, but I never actually realized until fairly recently that the graphic novels released alongside them DIDN'T actually tell the same story: rather, that they stood on their own 2 feet alongside those books.
This is #8 in those graphic novels, and is set after the events of 'Return of the Jedi' (before Episode VII was ever even thought about), but before the New Republic had (re)captured Coruscant - like those X-Wing novels, a large part of these stories is set around the plans to do just that.
In this, the interim Emperor Sate Pestage is beginning to lose his grip on the Empire, leading to him to seek contact with Princess Leia in order to negotiate his defection.
However, Ysanne Isard - the key villainess of the novels - suspects him of doing so, and will stop at nothing to wrest control of the Empire ...
I remember reading the actual novels back in the late 90s/early 2000s, but I never actually realized until fairly recently that the graphic novels released alongside them DIDN'T actually tell the same story: rather, that they stood on their own 2 feet alongside those books.
This is #8 in those graphic novels, and is set after the events of 'Return of the Jedi' (before Episode VII was ever even thought about), but before the New Republic had (re)captured Coruscant - like those X-Wing novels, a large part of these stories is set around the plans to do just that.
In this, the interim Emperor Sate Pestage is beginning to lose his grip on the Empire, leading to him to seek contact with Princess Leia in order to negotiate his defection.
However, Ysanne Isard - the key villainess of the novels - suspects him of doing so, and will stop at nothing to wrest control of the Empire ...
LeftSideCut (3778 KP) rated X2: X-Men United (2003) in Movies
Jun 20, 2019 (Updated Jun 20, 2019)
A strong follow up
X-Men 2 builds upon the first in pretty much every way possible - were introduced to new characters (Brian Cox as William Stryker being a stand out here) and some really thrilling set pieces.
Notable amongst them - the opening scene of Nightcrawler attacking The White House (set to Mozart's Requiem in D Minor) is honestly one of my top scenes in a comic book film ever.
The scene where the mansion is attacked at night - we see Wolverine a lot more feral here than in the first film, and we're introduced to Colossus.
And the almost everything on Alkali Lake - the glimpses into the Weapon X project, the hints at Dark Phoenix - are all comic book ticks (until they were a bit shat on in future sequels)
There are still faults - the biggest one here for me is Lady Deathstroke - second X-Men movie in a row that backbenches a classic Wolverine villain in favour of a fairly useless mute version.
I remember and appreciate X-Men 2 for what it was at the time - a movie for a young franchise brimming with future possibilities. It still stands strong as far as Marvel adaptions go.
Notable amongst them - the opening scene of Nightcrawler attacking The White House (set to Mozart's Requiem in D Minor) is honestly one of my top scenes in a comic book film ever.
The scene where the mansion is attacked at night - we see Wolverine a lot more feral here than in the first film, and we're introduced to Colossus.
And the almost everything on Alkali Lake - the glimpses into the Weapon X project, the hints at Dark Phoenix - are all comic book ticks (until they were a bit shat on in future sequels)
There are still faults - the biggest one here for me is Lady Deathstroke - second X-Men movie in a row that backbenches a classic Wolverine villain in favour of a fairly useless mute version.
I remember and appreciate X-Men 2 for what it was at the time - a movie for a young franchise brimming with future possibilities. It still stands strong as far as Marvel adaptions go.
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