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Neon's Nerd Nexus (360 KP) rated 1917 (2020) in Movies
Jan 11, 2020
Poor Wayfaring Stranger
1917 is magnificently filmed, teeth clenchingly tense and emotionaly draining from start to finish. A journey film of a two men but unlike any war film thats come before it both visual wise and in regards to story telling. More about the trek, land and character progression rather than focusing on gun fights and combat 1917 gains your complete attention and focus right away from its gorgeous opening. What follows is a series of about 7 seemingly one take expertly designed and pulled off tracking shots which are simply breathtaking to whitness. These shots are a joy to experience and not only seem seamlessly tied together but ensure we never lose sight of our heros helping us to really feel like we are beside them as they face numerous obstacles/perils on this tough expedition. Theres alot of tree/growth metaphors here which makes sense since the two lads start off as mere boys given a mission so seemingly impossible that death seens inevitable forcing them to grow up, learn and mature into men if they want to even survive. Sets are fantastic each one is magnificently vast/epicly sprawling and these wastelands are littered with debris/bodies depicting the aftermath of previous skirmishes and desruction. Its actually insane the amount of storytelling/detail going on constantly in the surroundings and the way this helps give extra weight to the world and over all story is staggering as well as visually breathtaking/impactful. See terrain is just as much an enemy here and seeing these lads battle mud, water and building collapses really emphasis that the mission is just as much about survial as it is time constraints. Great messages about how strong the power of hope can be even when the odds are severely stacked against us theres always something beautiful, magical or meaningful that keeps us pushing on or that makes us find the courage to go beyond what we thought we were ever capable of. A brilliantly acted, flawlessly filmed, epic scale journey of an intense character struggle accompanied by a heart pounding adrenalin inducing score and beautiful cinematography make 1917 is a truly stunning and absolutely fantasic experience.
Hazel (1853 KP) rated Slaying Alven in Books
Mar 29, 2020
Slaying Alven is the latest fantasy novel by the versatile author, Jordan Elizabeth. Set in two different worlds, the story merges contemporary life and Dutch mythology. The Van Nuys family were gradually getting on with their lives six years after the murder of Vader (father). Unfortunately, a reluctant trip to see Aunt Annetie turns their world upside down once more.
There are several key characters in the story. Femmitie is about to finish high school and has just got her first boyfriend, Max. Tanneke, who witnessed Vader's death, has not spoken a word since. Sitske is growing up to be a strong, independent girl. Their mother, Catharina has remarried to a man named Xie with whom they have a son, Harvey. And then there is the Wittewijven ...
According to Dutch mythology, a Wittewijven was a wise woman or herbalist who took care of people's physical and mental ailments. When a Wittewijven died, their spirit remained on earth as "elven" beings, helping or hindering the people they met. The Wittewijven in this story, Wit for short, had turned to dark magic before her death hundreds of years ago. She is responsible for Vader's death and now she wants to destroy the rest of the family.
The story takes place between modern-day America and a world made for the Wittewijven, which can only be accessed by touching the words of a specific book. Over the years, Wit has trapped many people in her world and now the Van Nuys' family are her next targets. The only way Wit can be stopped is to be killed by a descendent, which, as it transpires, the Van Nuys are.
Jordan Elizabeth brings a new subject to the fantasy world in the form of the Wittewijven. Although the mythological character has featured in Dutch literature of the past, the legends are virtually unknown in the wider world.
Although the key characters are in their teens,Slaying Alven is more suited to mature readers due to some of the subjects implied. Overall, it is one of Jordan Elizabeth's best novels.
There are several key characters in the story. Femmitie is about to finish high school and has just got her first boyfriend, Max. Tanneke, who witnessed Vader's death, has not spoken a word since. Sitske is growing up to be a strong, independent girl. Their mother, Catharina has remarried to a man named Xie with whom they have a son, Harvey. And then there is the Wittewijven ...
According to Dutch mythology, a Wittewijven was a wise woman or herbalist who took care of people's physical and mental ailments. When a Wittewijven died, their spirit remained on earth as "elven" beings, helping or hindering the people they met. The Wittewijven in this story, Wit for short, had turned to dark magic before her death hundreds of years ago. She is responsible for Vader's death and now she wants to destroy the rest of the family.
The story takes place between modern-day America and a world made for the Wittewijven, which can only be accessed by touching the words of a specific book. Over the years, Wit has trapped many people in her world and now the Van Nuys' family are her next targets. The only way Wit can be stopped is to be killed by a descendent, which, as it transpires, the Van Nuys are.
Jordan Elizabeth brings a new subject to the fantasy world in the form of the Wittewijven. Although the mythological character has featured in Dutch literature of the past, the legends are virtually unknown in the wider world.
Although the key characters are in their teens,Slaying Alven is more suited to mature readers due to some of the subjects implied. Overall, it is one of Jordan Elizabeth's best novels.
Gareth von Kallenbach (980 KP) rated Paper Towns (2015) in Movies
Aug 6, 2019
As a teenager, you are always trying to discover who you truly are. You are constantly surrounded by images of what you are supposed to be and the cliques that define who you are and who you are not. What is normal? What is real? What is it about this time of our lives that makes us so susceptible to the pressures of adolescence and the need to stand out while also being accepted for who we are? In Paper Towns, Quinten (Nat Wolff), a very shy and quiet teenage boy is enthralled with his mysterious neighbor Margot (Cara Delavigne), whom he had become estranged with over the years.
He has his future laid out before him Graduation is on the horizon. He is headed to Duke University in the Fall where he will be a premed student before settling down and creating a family of his own. His plans are disrupted when Margot comes back into his life one night seeking his help to enact revenge on her friends. However, after this night of hijinks, she has gone missing which throws Quinten’s life into flux.
He skips school and begins an obscure scavenger hunt in order to locate Margot. He becomes obsessed with finding her and in the process discovers more about himself than he had ever planned. The film breaks from many of the tropes that we are accustomed to with teen films. This is by far, much more mature storytelling, offering even the ancillary characters some depth and a sense that they too have an identity.
The film, although is about Quinten and his seemingly love for Margot is much more than that. It is about the sense of reality that we have constructed. It forces us to question what is real and what is imagined. Who are we at the core? What matters to us when we are the only ones who are allowed to judge the circumstances and our actions? This is by far more than just a “Boy meets girl” tale. This is a film that makes its characters reflect on who they are and who we want to be seen and will leave audiences doing the same.
He has his future laid out before him Graduation is on the horizon. He is headed to Duke University in the Fall where he will be a premed student before settling down and creating a family of his own. His plans are disrupted when Margot comes back into his life one night seeking his help to enact revenge on her friends. However, after this night of hijinks, she has gone missing which throws Quinten’s life into flux.
He skips school and begins an obscure scavenger hunt in order to locate Margot. He becomes obsessed with finding her and in the process discovers more about himself than he had ever planned. The film breaks from many of the tropes that we are accustomed to with teen films. This is by far, much more mature storytelling, offering even the ancillary characters some depth and a sense that they too have an identity.
The film, although is about Quinten and his seemingly love for Margot is much more than that. It is about the sense of reality that we have constructed. It forces us to question what is real and what is imagined. Who are we at the core? What matters to us when we are the only ones who are allowed to judge the circumstances and our actions? This is by far more than just a “Boy meets girl” tale. This is a film that makes its characters reflect on who they are and who we want to be seen and will leave audiences doing the same.
Being Wagner: The Triumph of the Will
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Giacometti: Pure Presence
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Since his death at the age of sixty - four in 1966, Alberto Giacometti has become recognised...
The Compassionate Chick's Guide to Beauty: 115+ Recipes for DIY Vegan, Gluten-Free, Cruelty-Free Makeup, Skin & Hair Products
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79% of all vegans are women and their commitment to the lifestyle extends to what they put on their...
Kristina (502 KP) rated All About You (Love & Hate, #1) in Books
Dec 7, 2020
Contains spoilers, click to show
Let me just say, I'm so freaking pi$$ed! First off, I gave the book a 2 star rating because I felt like the writing was bad. I trudged through the first 2-3 chapters because I've realized that, sometimes it takes a book a few chapters to "loosen up". Unfortunately for me, the storyline was too interesting to stop reading. When I first understood what was happening, I was instantly angry. I know entering college doesn't make a person automatically mature, but do people seriously still continue to bully at that part of their life? At first, I didn't care for India, because she bullied Oliver; I felt awful when I found out what Christian had done to her, but I still don't feel like that excused the way she treated Oliver. Anyway, I was glad she wanted to apologize and make amends, though it's easier to say you forgive someone than to actually forgive them when it comes to bullying. So, I was literally sick of watching India get tortured and made fun of -do these kids not have anything better to do with their lives?? I kept reading because I wanted Oliver to shove his foot up his rear when he found out what his brother did to her. Then they became friends. I was immediately, like, "No, no. India, don't do it. No!" Of course, a book character can't hear the reader screaming at them, so she didn't listen. By the end, after Oliver's final attempt to tear India down and break her spirit, I had to do one of two things: gently set down my tablet and bite my pillow or throw my tablet against the wall and scream bloody murder. I love my tablet too much to abuse it, so my pillow took the brunt of my anger. Heck, I'm still angry and it's been 6 days! Part of me doesn't want to spend the money on the next 2 or 3 books in this series - like I said, I didn't care for the writing. But, at the same time, I HAVE to know what's going to happen. I don't know about India, but Oliver could save her life and I still wouldn't forgive him.
LeftSideCut (3778 KP) rated Slumber Party Massacre II (1987) in Movies
Oct 14, 2020
I, and I can't stress this enough, fucking love Slumber Party Massacre II. It may not be as cinematically mature as the first one, but it's 100% more entertaining and batshit crazy.
The lead characters, as per usual, are walking, talking, cliché slasher victims, but much like the first, they benefit from a decent slab of development, and feel like a believable group of friends. One could argue that the amount of times we get to see their band play is a little over the top but it sort of works.
Some of the shooting style is completely bizarre. A lot of characters talking directly to the camera which is a little cringey, but mainly uncomfortable. This style is also adopted for an extended dance sequence about half way through. Honestly, it's all a bit bizarre but kind of in keeping with the sheer absurdity that is eventually thrust upon the audience.
That absurdity is of course, this movies antagonist, simply credited as The Driller Killer. This dude is dressed head to toe in leather, with a rockabilly style quiff, and sports a huge drill as his weapon of choice, that happens to be mounted upon a demonic looking electric guitar, a guitar he likes to rip solos on whilst simultaneously piling up bodies. I can't truly describe how ridulous this villain is, but he's certainly memorable, full of one liners (surely a direct reaction to the popularity of Freddy Krueger), and you guessed it, even gets himself a musical number (whilst still drilling people to death of course)
This completely off the rails approach to the slasher sub genre is what sets the movie apart from a lot of its peers, and is the reason why it's become such a cult classic.
Slumber Party Massacre II is a movie that was never going to win academy awards, and is considered by many to be another trashy slasher. Personally, I think it's a blast. It doesn't take itself too seriously, the killer is low-key hilarious, it has some decent practical gore, and encompasses everything cheesy but magnificent about 80s horror. It deserves unconditional love.
The lead characters, as per usual, are walking, talking, cliché slasher victims, but much like the first, they benefit from a decent slab of development, and feel like a believable group of friends. One could argue that the amount of times we get to see their band play is a little over the top but it sort of works.
Some of the shooting style is completely bizarre. A lot of characters talking directly to the camera which is a little cringey, but mainly uncomfortable. This style is also adopted for an extended dance sequence about half way through. Honestly, it's all a bit bizarre but kind of in keeping with the sheer absurdity that is eventually thrust upon the audience.
That absurdity is of course, this movies antagonist, simply credited as The Driller Killer. This dude is dressed head to toe in leather, with a rockabilly style quiff, and sports a huge drill as his weapon of choice, that happens to be mounted upon a demonic looking electric guitar, a guitar he likes to rip solos on whilst simultaneously piling up bodies. I can't truly describe how ridulous this villain is, but he's certainly memorable, full of one liners (surely a direct reaction to the popularity of Freddy Krueger), and you guessed it, even gets himself a musical number (whilst still drilling people to death of course)
This completely off the rails approach to the slasher sub genre is what sets the movie apart from a lot of its peers, and is the reason why it's become such a cult classic.
Slumber Party Massacre II is a movie that was never going to win academy awards, and is considered by many to be another trashy slasher. Personally, I think it's a blast. It doesn't take itself too seriously, the killer is low-key hilarious, it has some decent practical gore, and encompasses everything cheesy but magnificent about 80s horror. It deserves unconditional love.
Neon's Nerd Nexus (360 KP) rated Ready or Not (2019) in Movies
Sep 2, 2019 (Updated Sep 2, 2019)
F*cking rich people
Ready Or Not is a delightful mash up of blood soaked horror and devilish comedy that intertwines well making this film an absolute blast. When Ready or not's certificate came up everyone was shocked it was 18 rated (I found kind of sad as to me it symbolised how there is 100% still a big market for the more violent and mature horror film yet these days they sadly seem few and far between. I proud to say this does not disappoint and delivers on gore, grossness and tons of unnecessary yet hilariously fitting cursing. Made by people with clear love for the genre this movie echoes what made 80s horror movies so fun. Its goofy, silly, humorous, cool, violent, over the top, cheesy and stylish with it all working well together as well as being extremely serious and tense when it needs to be too. A great mix of movies like your next, the purge, cabin in the woods and even evil dead this movie doesnt hesitate getting straight to the good stuff moving at a constant brisk pace. Although predictable at times it ride with the horror cliches mixing them up just enough for them to feel modern and refreshingly satisfying. Anti rich themes take front and centre and the film isnt shy of mocking wealthy people constantly questioning their morals, beliefs, way of life, ignorance, naivety, lack of empathy and ability to think they can do as they please. In fact you might say the most horrific parts of the film are just how stupid, desensitized, gullible, careless and void of empathy these people have become which adds a nice real world connection. Theres also some visually impressive/creative scenes that really stand out as they are flawlessly combine with music too. Great tension is also present here and a it has a good eending that keeps you on your toes guessing. Not perfect by any means but go into it with a mind set that you can just sit back and enjoy a well made film that's only interested in you having a good time and you will leave entertained.