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Roxanne (13 KP) rated Confessions of a Sociopath: A Life Spent Hiding in Plain Sight in Books
Nov 14, 2018
<b>*This review contains possible spoilers as I will be using quotes*</b>
I thought I would mention that I am rating my enjoyment of this book which is 2 stars; if I was to rate the personality of the author I would be giving it minus stars.
This book made me feel very uncomfortable in places and so I could not give this a higher rating because I did not enjoy it, I found it interesting but not enjoyable.
I was only a few pages in when I came across intentional animal cruelty where this horrible woman attempts to drown an Opossum...animal abuse is something I will not tolerate no matter if you cover it up by saying you're 'ill'. This person is not humane and refused to help this defenseless creature due to it's safety not being an <i>"upside for me"</i>. And it gets worse...
<img src="http://dingo.care2.com/pictures/greenliving/uploads/2012/03/baby-virginia-opossum.jpg" width="280" height="160"/>
<b>Look at that face! Look at it!</b>
I am truly disgusted by that behaviour and the behaviour that follows throughout the whole of the book, she goes on to say how she is not crazy, dangerous or a murderer...yet she does that.
Would it put me and her on the same path if I reacted in anger?
<img src="http://media3.giphy.com/media/2vCA7jpfORJoA/200_s.gif" width="250" height="160"/>
Naaaaaah...I think it's justified.
She attempts to argue whether her sociopathic traits are a result of 'nature' or 'nuture' and blames the family tree for her unsociable ways as her grandfather was <i>exceptionally cold</i>, on the other hand, I have never met (or read about) someone so full of themself...NEVER EVER...I'm surprised that she can fit her head through doors. She uses this 'God like' view of herself to look down upon others, including insulting the reader by saying how much more intelligent she is compared to you. Face reality...why on earth would anyone choose to read your book if you're just out to offend them? (I realize this comes with being 'a sociopath') but I wanted the whys and hows...not to be offended.
<img src="http://sarahsaysreadbooks.files.wordpress.com/2012/11/not-interested.gif?w=500" width="200" height="160"/>
M.E Thomas will only enter situations if it will benefit her, this includes making friends where she will seek out their weaknesses to eventually use against them...just for fun, she says <i>"I like to imagine that I have ruined people"</i> and she likes to humour people for her own personal gain. Thomas sees this as a great strength and believes others wish to be like her as she feels a lot less emotion and remorse than the majority of other people; <i>"Normal people feel emotions that I simply don't"</i> she pities us, whereas I pity her.
Another thing that she did which I found disgusting was abandoning a friend who was upset as her dad had cancer...yes you read that right... abandoned a <b>friend</b> because her dad had <b>CANCER</b>.
<img src="http://c0.thejournal.ie/media/2013/10/shock-gif.gif" width="230" height="160"/>
She thought the behaviour was acceptable as she <i>routinely disposed of people once their burden to me exceeded their utility</i>. Another example of 'friend abuse' would be towards her openly gay female coworker, who was adopted as a child, where Thomas gathered as much information as possible about her in order to destroy her...nice.
People like Thomas are the ones who I wish to avoid at all costs! I admit I have met my fair share of sociopaths as I believe I am picked out by them due to being easily manipulated, however, as I mature I hope to change that. She is nothing but a bully who tears people to pieces, picking on those with disabilities saying because of this 'weakness' they were just asking for a slap. Thomas is the only one here who is asking for a slap!
I admit the book was interesting, I was able to understand more about sociopaths and what to look out for so I can avoid them...that is all.
<img src="http://24.media.tumblr.com/fb0875f182f29fa753415dcd6a5812a5/tumblr_n4kc2ffJui1txb8sho1_500.gif" width="280" height="160"/>
I thought I would mention that I am rating my enjoyment of this book which is 2 stars; if I was to rate the personality of the author I would be giving it minus stars.
This book made me feel very uncomfortable in places and so I could not give this a higher rating because I did not enjoy it, I found it interesting but not enjoyable.
I was only a few pages in when I came across intentional animal cruelty where this horrible woman attempts to drown an Opossum...animal abuse is something I will not tolerate no matter if you cover it up by saying you're 'ill'. This person is not humane and refused to help this defenseless creature due to it's safety not being an <i>"upside for me"</i>. And it gets worse...
<img src="http://dingo.care2.com/pictures/greenliving/uploads/2012/03/baby-virginia-opossum.jpg" width="280" height="160"/>
<b>Look at that face! Look at it!</b>
I am truly disgusted by that behaviour and the behaviour that follows throughout the whole of the book, she goes on to say how she is not crazy, dangerous or a murderer...yet she does that.
Would it put me and her on the same path if I reacted in anger?
<img src="http://media3.giphy.com/media/2vCA7jpfORJoA/200_s.gif" width="250" height="160"/>
Naaaaaah...I think it's justified.
She attempts to argue whether her sociopathic traits are a result of 'nature' or 'nuture' and blames the family tree for her unsociable ways as her grandfather was <i>exceptionally cold</i>, on the other hand, I have never met (or read about) someone so full of themself...NEVER EVER...I'm surprised that she can fit her head through doors. She uses this 'God like' view of herself to look down upon others, including insulting the reader by saying how much more intelligent she is compared to you. Face reality...why on earth would anyone choose to read your book if you're just out to offend them? (I realize this comes with being 'a sociopath') but I wanted the whys and hows...not to be offended.
<img src="http://sarahsaysreadbooks.files.wordpress.com/2012/11/not-interested.gif?w=500" width="200" height="160"/>
M.E Thomas will only enter situations if it will benefit her, this includes making friends where she will seek out their weaknesses to eventually use against them...just for fun, she says <i>"I like to imagine that I have ruined people"</i> and she likes to humour people for her own personal gain. Thomas sees this as a great strength and believes others wish to be like her as she feels a lot less emotion and remorse than the majority of other people; <i>"Normal people feel emotions that I simply don't"</i> she pities us, whereas I pity her.
Another thing that she did which I found disgusting was abandoning a friend who was upset as her dad had cancer...yes you read that right... abandoned a <b>friend</b> because her dad had <b>CANCER</b>.
<img src="http://c0.thejournal.ie/media/2013/10/shock-gif.gif" width="230" height="160"/>
She thought the behaviour was acceptable as she <i>routinely disposed of people once their burden to me exceeded their utility</i>. Another example of 'friend abuse' would be towards her openly gay female coworker, who was adopted as a child, where Thomas gathered as much information as possible about her in order to destroy her...nice.
People like Thomas are the ones who I wish to avoid at all costs! I admit I have met my fair share of sociopaths as I believe I am picked out by them due to being easily manipulated, however, as I mature I hope to change that. She is nothing but a bully who tears people to pieces, picking on those with disabilities saying because of this 'weakness' they were just asking for a slap. Thomas is the only one here who is asking for a slap!
I admit the book was interesting, I was able to understand more about sociopaths and what to look out for so I can avoid them...that is all.
<img src="http://24.media.tumblr.com/fb0875f182f29fa753415dcd6a5812a5/tumblr_n4kc2ffJui1txb8sho1_500.gif" width="280" height="160"/>

Gareth von Kallenbach (980 KP) rated Zack and Miri Make a Porno (2008) in Movies
Aug 14, 2019
Zack (Seth Rogan), and Miri (Elizabeth Banks), are two lifelong friends with problems. Their lives in a Pittsburgh Suburb have not turned out as well as they would have hoped as they find themselves mired in low paying jobs struggling to pay the bills and have any semblance of a happy life.
With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.
While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.
In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.
Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.
With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.
Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.
Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.
While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.
No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.
I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.
“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.
With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.
While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.
In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.
Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.
With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.
Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.
Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.
While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.
No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.
I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.
“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.

Gareth von Kallenbach (980 KP) rated Eagle Eye (2008) in Movies
Aug 14, 2019
Zack (Seth Rogan), and Miri (Elizabeth Banks), are two lifelong friends with problems. Their lives in a Pittsburgh Suburb have not turned out as well as they would have hoped as they find themselves mired in low paying jobs struggling to pay the bills and have any semblance of a happy life.
With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.
While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.
In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.
Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.
With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.
Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.
Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.
While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.
No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.
I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.
“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.
With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.
While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.
In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.
Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.
With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.
Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.
Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.
While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.
No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.
I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.
“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.

Ryan Hill (152 KP) rated Spider-Man 2 (2004) in Movies
Jul 1, 2019
"There's a hero in all of us"
One of the finest sequels ever made and still counted amongst the greatest superhero flicks in existence, Spider-Man 2 is a remarkable follow-up to its already-impressive predecessor that skilfully builds upon the solid foundation provided by the first film, presents significant upgrades in each filmmaking aspect and beautifully balances all its elements to succeed as not just a de-facto standard of its genre but also as one of the best films of its year.
Set two years after the events of the first film, the story of Spider-Man 2 finds Peter Parker struggling to balance his personal life & his obligations as Spider-Man. His love interest is engaged to someone else, his grades have been steadily declining and he also seems to be losing his powers. Meanwhile, a brilliant scientist named Dr. Otto Octavius transforms into a supervillain with four robotic tentacles fused to his spine after his effort to sustain a nuclear fusion reaction goes horribly wrong.
Directed by Sam Raimi, Spider-Man 2 is a far more mature effort from him in comparison to his previous venture and presents the director in sublime form for this sequel picks up the story right where it was left off the last time despite the 2 years span, progresses the arc of its reprising characters amazingly well while giving a proper introduction to the new ones, and also does an outstanding job in balancing its storytelling elements with moments of action in a seamless manner, due to which everything about this sequel just works.
Alvin Sargent's screenplay is worthy of praise as well for the story takes a darker approach than the last time yet packs in enough humour to prevent it from becoming too bleak, and although the cheesiness of the first chapter isn't reduced, the narrative flow is much more stream-lined than before. Production design team comes up with bigger, more refined set pieces, Cinematography preserves the vibrant camerawork but has a firmer grip on it this time while Editing is definitely one of its strongest aspects for there isn't a dull moment in the picture.
Visual effects is much improved as well and by not overdoing its CGI elements, it keeps the artificiality of its universe at bay for the most part. Sure a number of moments are over-the-top but most of them still fall under the realm of on-screen believability. Last but not the least, Danny Elfman delivers again with a splendid soundtrack that stays true to the original film's score, works as a wonderfully evolved successor, and captures the darker tone with finesse just like it did the last time. Even the existing songs used in the picture are nicely chosen & help compliment the respective sequences.
Coming to the performances, Tobey Maguire, Kirsten Dunst, James Franco & J.K. Simmons return to reprise their respective roles of Peter Parker, Mary Jane Watson, Harry Osborn & J. Jonah Jameson and do a better job than before. Maguire builds up on his earlier input to impress once again and what he lacks in star presence, he makes up for it by chipping in a complex performance. Simmons is hilarious as before, Dunst & Franco are still on base level but it's Alfred Molina who impresses the most in what is a sympathetic rendition of Doc Ock, thus making him a classic foe in every way.
On an overall scale, Spider-Man 2 delivers everything one can expect from a sequel. It goes bigger, better & more action-packed than before yet stays completely true to its origin, plus finishes on a high with enough open choices for where it can be headed in later instalments, something that Sony failed to take advantage of. Sam Raimi has weaved a magical web yet again that tightly grasps on to every necessary ingredient to come up with an incredibly fun, highly enjoyable, wildly entertaining & thoroughly satisfying extravaganza that promises yet another high-flying, web-sligning roller-coaster ride and effortlessly delivers it.
Set two years after the events of the first film, the story of Spider-Man 2 finds Peter Parker struggling to balance his personal life & his obligations as Spider-Man. His love interest is engaged to someone else, his grades have been steadily declining and he also seems to be losing his powers. Meanwhile, a brilliant scientist named Dr. Otto Octavius transforms into a supervillain with four robotic tentacles fused to his spine after his effort to sustain a nuclear fusion reaction goes horribly wrong.
Directed by Sam Raimi, Spider-Man 2 is a far more mature effort from him in comparison to his previous venture and presents the director in sublime form for this sequel picks up the story right where it was left off the last time despite the 2 years span, progresses the arc of its reprising characters amazingly well while giving a proper introduction to the new ones, and also does an outstanding job in balancing its storytelling elements with moments of action in a seamless manner, due to which everything about this sequel just works.
Alvin Sargent's screenplay is worthy of praise as well for the story takes a darker approach than the last time yet packs in enough humour to prevent it from becoming too bleak, and although the cheesiness of the first chapter isn't reduced, the narrative flow is much more stream-lined than before. Production design team comes up with bigger, more refined set pieces, Cinematography preserves the vibrant camerawork but has a firmer grip on it this time while Editing is definitely one of its strongest aspects for there isn't a dull moment in the picture.
Visual effects is much improved as well and by not overdoing its CGI elements, it keeps the artificiality of its universe at bay for the most part. Sure a number of moments are over-the-top but most of them still fall under the realm of on-screen believability. Last but not the least, Danny Elfman delivers again with a splendid soundtrack that stays true to the original film's score, works as a wonderfully evolved successor, and captures the darker tone with finesse just like it did the last time. Even the existing songs used in the picture are nicely chosen & help compliment the respective sequences.
Coming to the performances, Tobey Maguire, Kirsten Dunst, James Franco & J.K. Simmons return to reprise their respective roles of Peter Parker, Mary Jane Watson, Harry Osborn & J. Jonah Jameson and do a better job than before. Maguire builds up on his earlier input to impress once again and what he lacks in star presence, he makes up for it by chipping in a complex performance. Simmons is hilarious as before, Dunst & Franco are still on base level but it's Alfred Molina who impresses the most in what is a sympathetic rendition of Doc Ock, thus making him a classic foe in every way.
On an overall scale, Spider-Man 2 delivers everything one can expect from a sequel. It goes bigger, better & more action-packed than before yet stays completely true to its origin, plus finishes on a high with enough open choices for where it can be headed in later instalments, something that Sony failed to take advantage of. Sam Raimi has weaved a magical web yet again that tightly grasps on to every necessary ingredient to come up with an incredibly fun, highly enjoyable, wildly entertaining & thoroughly satisfying extravaganza that promises yet another high-flying, web-sligning roller-coaster ride and effortlessly delivers it.

Purple Phoenix Games (2266 KP) rated Qwixx in Tabletop Games
Aug 12, 2020
Roll-and-write games have made quite a resurgence lately, and I love it! When I was a younger man I used to enjoy Yahtzee and, though not a roll-and-write but kinda similar, Phase 10. But since my own transcendence into mature adulthood and gamerhood, simpler games just don’t cut it for me anymore. I really don’t consider myself an “elitist gamer,” but I just don’t draw enjoyment from some of the more pioneer games. So how did I get on with Qwixx? Let’s see.
The object of Qwixx is to be the player who earns the most amount of points at the end of the game. Simple. The game can end at any time in the future, so it is a furious scramble for points on each player’s turn.
To setup, hand each player a score sheet and a writing utensil (not included). Roll off to determine starting player. You are now ready to play Qwixx.
On the active player’s turn, they will roll all available dice. The player will add up the numbers rolled on the two white dice and announce to the table the sum. Using this summed number, all players (including the other non-active players) may cross off this result in any row upon their score sheet. Then the active player may add the result of ONE of the white dice to any of the other-colored dice results to use for their own score sheet. So the active player has the opportunity to cross off two numbers on their score sheet on their turn.
You see, to earn endgame points players are attempting to cross off as many numbers on their score sheets as possible. The caveat follows, however, that once a number has been crossed off within a row a player may NOT cross off any lower numbers than the highest number crossed off. Example: if I were to first cross off a 4 in the red row, I may never cross off 1, 2, or 3 of red in the future. Those options are now lost to me.
Caveat ludio! Players beware! At any time a player can “lock” a color row and remove that color die from the game. This can be done by crossing off the 12 box on the sheet. The prerequisite for this action is to have five boxes crossed off in that row. Also, should a player be unable to cross off a number on their turn, they must cross off one of the penalty boxes on their sheet for a loss of 5 points at endgame. The game ends when a player has crossed off all of their penalty boxes or players have locked the second colored row.
Components. This game is a few dice and a pad of score sheets. The dice are of normal d6 quality. The score sheets are fine, but if you really love this game, you might think about laminating some and keeping some small dry/erase markers in the box. The magnetic flip box is the coolest component of this game and you don’t really use it for anything other than storage!
So here are my thoughts on Qwixx. It is not the most exciting game. It is also not a bad game at all. It is a solid filler that can be played while carrying on a conversation (if you feel you can actually chat and math simultaneously). I don’t think I will suggest it be played too often, but if I am jonesin’ for a quick roll-and-write with a couple other people, or if I have a large game day scheduled, I will throw it in one of my bags. I am not alone on this assessment as you can see from our scores, and for these reasons Purple Phoenix Games gives Qwixx a midline 16 / 24. I think you can easily find this at Target or the like for a reasonable price, if this sounds interesting to you.
The object of Qwixx is to be the player who earns the most amount of points at the end of the game. Simple. The game can end at any time in the future, so it is a furious scramble for points on each player’s turn.
To setup, hand each player a score sheet and a writing utensil (not included). Roll off to determine starting player. You are now ready to play Qwixx.
On the active player’s turn, they will roll all available dice. The player will add up the numbers rolled on the two white dice and announce to the table the sum. Using this summed number, all players (including the other non-active players) may cross off this result in any row upon their score sheet. Then the active player may add the result of ONE of the white dice to any of the other-colored dice results to use for their own score sheet. So the active player has the opportunity to cross off two numbers on their score sheet on their turn.
You see, to earn endgame points players are attempting to cross off as many numbers on their score sheets as possible. The caveat follows, however, that once a number has been crossed off within a row a player may NOT cross off any lower numbers than the highest number crossed off. Example: if I were to first cross off a 4 in the red row, I may never cross off 1, 2, or 3 of red in the future. Those options are now lost to me.
Caveat ludio! Players beware! At any time a player can “lock” a color row and remove that color die from the game. This can be done by crossing off the 12 box on the sheet. The prerequisite for this action is to have five boxes crossed off in that row. Also, should a player be unable to cross off a number on their turn, they must cross off one of the penalty boxes on their sheet for a loss of 5 points at endgame. The game ends when a player has crossed off all of their penalty boxes or players have locked the second colored row.
Components. This game is a few dice and a pad of score sheets. The dice are of normal d6 quality. The score sheets are fine, but if you really love this game, you might think about laminating some and keeping some small dry/erase markers in the box. The magnetic flip box is the coolest component of this game and you don’t really use it for anything other than storage!
So here are my thoughts on Qwixx. It is not the most exciting game. It is also not a bad game at all. It is a solid filler that can be played while carrying on a conversation (if you feel you can actually chat and math simultaneously). I don’t think I will suggest it be played too often, but if I am jonesin’ for a quick roll-and-write with a couple other people, or if I have a large game day scheduled, I will throw it in one of my bags. I am not alone on this assessment as you can see from our scores, and for these reasons Purple Phoenix Games gives Qwixx a midline 16 / 24. I think you can easily find this at Target or the like for a reasonable price, if this sounds interesting to you.

The Act Of Killing (2012)
Movie Watch
Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in...

Kristy H (1252 KP) rated Before I Let Go in Books
Jan 5, 2018
Easy to read (1 more)
Honest portrayal of mental illness
Lacks full character development (1 more)
Difficult to discern full point
Quick read that falls a little short
When Corey gets the call that her best friend, Kyra, has passed away--falling under the ice in their frigid hometown of Lost Creek, Alaska--she is devastated. Corey has been gone from Lost, as it's known, away at boarding school, corresponding with Kyra only via letters. She was due to visit in a few days and now her best friend is gone. Lost always shunned Kyra because she was bipolar and had maniac episodes. The small, insulated town couldn't understand Kyra's highs and lows. She stood out too much in a place where being different was wrong. But the seven months that Corey's been away has been long enough for the town of Lost to turn on her and now deem her an outsider. Since Corey's departure, Lost has suddenly embraced Kyra, though Corey isn't sure why. Even worse, they are calling Kyra's death meant to be, her time. They've rallied around in her death and they want nothing to do with Corey. Kyra always said she would wait for Corey to return: why didn't she?
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.

Heather Cranmer (2721 KP) rated The Lying Game in Books
Feb 9, 2019 (Updated Feb 9, 2019)
Awesome plot twist (2 more)
Interesting story line
Fast paced
Overuse of profanity (1 more)
Immature characters
A Good Read
There was something about the synopsis for The Lying Game by Ruth Ware that caught my attention. I guess I wanted to see how this lying game the girls played would turn out. While The Lying Game was a good read, it didn't really focus on the actual lying game too much.
The plot for The Lying Game was interesting enough. Thea, Isa, Fatima, and Kate all met at Salten, a boarding school for girls, when they were all 15 years old. Thea and Kate tell Fatima and Isa about they lying game as well as the rules. However, that's about as much as the plot focuses on the the actual game which was disappointing. When a body is found near Salten many years after the girls were expelled from their boarding school, they must all come together to get their story straight. Isa isn't taking what happened at face value and begins to become suspicious of Kate's tell of events. She will do whatever it takes to discover the truth about what happened that fateful night that changed all four of the girls' lives. I will admit that there were some great plot twists in The Lying Game that I never figured out.
The world building in The Lying Game was mostly believable. I do feel like the townspeople of Salten would have been a bit more suspicious of the women coming back to Salten when a body is found. The women say it's because of Salten school's reunion dinner (which happens during the middle of the week, strangely), but this is the first time they've ever been to one of the dinners. I also had a hard time with Isa's baby, Freya. Freya seemed to be the most well behaved six month old baby! Isa brought Freya with her to Kate's house, but during much of the story, Freya never cries. Yes, there are a few times where it's mentioned she cries, but for the most part, Freya is happy wherever she is. Isa seems to be more obsessed with Freya more than any mother I've ever known, yet she puts that baby in a lot of danger during the course of the story.
The characters in The Lying Game were just okay. I did like Fatima the most. She seemed to be the most mature and reasonable out of the lot of them. Thea was alright. I did like how blunt she could be. Kate came across as being a bit whiny and manipulative. Isa was just very selfish. She seemed to only think of herself instead of her baby and husband. She blamed her husband for so much when it was clearly her fault their relationship was falling apart. I felt so sorry for Owen, her husband. Luc was an interesting character. I did feel sorry for him for how he was treated during his childhood. The major thing that annoyed me was all the profanity. The four main characters, Thea, Fatima, Kate, and Isa, swore so much. I'm okay with swearing, but a lot of the swearing seemed misplaced and like it was written in just to be there. It served no purpose. I would understand it more if they swore a lot in their teens, but these were women in their thirties sounding like they were swearing to sound cool or because they normally weren't allowed to. I just think the swearing was a bit over the top.
The pacing is very good in The Lying Game. Events flowed well, and I found myself not wanting to put the book down. I had to know what would happen next. Not one part of this story became too boring.
Trigger warnings in The Lying Game include lots of profanity, drinking (both underage and of age), cigarette smoking (underage and of age), animal violence (the death of a sheep), no sex but things leading up to it although not graphic, some drug references, overdosing, the drawings of naked underage girls, and murder.
All in all, The Lying Game is a good read. Yes, it doesn't have some problems like the characters being immature and selfish and the overuse of profanity, but it's still a fast paced thriller with a fantastic plot twist. I would recommend The Lying Game by Ruth Ware to those aged 18+ who are fans of thrillers.
The plot for The Lying Game was interesting enough. Thea, Isa, Fatima, and Kate all met at Salten, a boarding school for girls, when they were all 15 years old. Thea and Kate tell Fatima and Isa about they lying game as well as the rules. However, that's about as much as the plot focuses on the the actual game which was disappointing. When a body is found near Salten many years after the girls were expelled from their boarding school, they must all come together to get their story straight. Isa isn't taking what happened at face value and begins to become suspicious of Kate's tell of events. She will do whatever it takes to discover the truth about what happened that fateful night that changed all four of the girls' lives. I will admit that there were some great plot twists in The Lying Game that I never figured out.
The world building in The Lying Game was mostly believable. I do feel like the townspeople of Salten would have been a bit more suspicious of the women coming back to Salten when a body is found. The women say it's because of Salten school's reunion dinner (which happens during the middle of the week, strangely), but this is the first time they've ever been to one of the dinners. I also had a hard time with Isa's baby, Freya. Freya seemed to be the most well behaved six month old baby! Isa brought Freya with her to Kate's house, but during much of the story, Freya never cries. Yes, there are a few times where it's mentioned she cries, but for the most part, Freya is happy wherever she is. Isa seems to be more obsessed with Freya more than any mother I've ever known, yet she puts that baby in a lot of danger during the course of the story.
The characters in The Lying Game were just okay. I did like Fatima the most. She seemed to be the most mature and reasonable out of the lot of them. Thea was alright. I did like how blunt she could be. Kate came across as being a bit whiny and manipulative. Isa was just very selfish. She seemed to only think of herself instead of her baby and husband. She blamed her husband for so much when it was clearly her fault their relationship was falling apart. I felt so sorry for Owen, her husband. Luc was an interesting character. I did feel sorry for him for how he was treated during his childhood. The major thing that annoyed me was all the profanity. The four main characters, Thea, Fatima, Kate, and Isa, swore so much. I'm okay with swearing, but a lot of the swearing seemed misplaced and like it was written in just to be there. It served no purpose. I would understand it more if they swore a lot in their teens, but these were women in their thirties sounding like they were swearing to sound cool or because they normally weren't allowed to. I just think the swearing was a bit over the top.
The pacing is very good in The Lying Game. Events flowed well, and I found myself not wanting to put the book down. I had to know what would happen next. Not one part of this story became too boring.
Trigger warnings in The Lying Game include lots of profanity, drinking (both underage and of age), cigarette smoking (underage and of age), animal violence (the death of a sheep), no sex but things leading up to it although not graphic, some drug references, overdosing, the drawings of naked underage girls, and murder.
All in all, The Lying Game is a good read. Yes, it doesn't have some problems like the characters being immature and selfish and the overuse of profanity, but it's still a fast paced thriller with a fantastic plot twist. I would recommend The Lying Game by Ruth Ware to those aged 18+ who are fans of thrillers.

graveyardgremlin (7194 KP) rated The Other Boleyn Girl in Books
Feb 15, 2019
Going into <b>The Other Boleyn Girl</b> I already knew that the historical details weren't very factual, but I had this laying around and needed something both light and set in the past, so I figured this would do nicely. The writing itself is perfectly fine, and mostly, I did enjoy the book. Although, for the first half, it seemed as if everyone only wore red and by the end I got so sick of hearing about Anne's "B" for Boleyn necklace I could scream.
Mary Boleyn, the narrator, is a strange character: sympathetic and of reasonable intelligence one minute, a moronic irritant the next. Personality-wise she went up and down and back and forth. First she was fine not being the King's favorite anymore and seeming to want to leave the court life for the country to be with her children, then she was jealous of a title Anne received, years after the affair between Mary and Henry was over. Possibly this was put in as part of the rivalry between the sisters, but it didn't contextually fit. Her development could have used more work and she didn't mature or change much throughout the whole book, especially between the years 1522 to 1533. I seriously got tired of everybody's patronizing and calling her a fool all the time. They should have just named the book, <b>The Foolish Boleyn Girl</b>. I find it hard to believe Mary was so ignorant the king would have continued to have her as mistress for four years, give or take. She had to offer something other than good looks and being great in the bedroom. Anne herself sure was a piece of work, and even though she was pretty much evil throughout the book, I did still feel sorry for her at the end. Jane Parker was a one-dimensional malicious harpy who wasn't given a reason why she was that way; she was just the resident baddy to the Boleyns. To me, it felt like defamation of character.
Politics and the separation of the Church of England from the Catholic Church were merely mentioned in passing as court life and its primary players took center stage. The whole incest plot, I could have done without. Now if it were the absolute truth then it'd be okay, but since it's highly debatable and based on hearsay, I found it unnecessary and gratuitous. Around the two-thirds mark, the pace let up and it became more sluggish and boring, and it wasn't until the last sixty pages that it recaptured my attention again.
As long as readers know going into this book that the history has been twisted around and invented for pure sensation, then it's fine as a fictional read, but take any "facts" with a grain of salt. While it was an okay read, I didn't love it, but it managed to divert my attention for a few days.
One last note dealing with the fourth question in the Q&A with Philippa Gregory in the back of the book:
<blockquote>How about Mary and Anne's brother, George? Did he really sleep with his sister so that she could give Henry a son?
<i>Nobody can know the answer to this one. Anne was accused of adultery with George at their trials and his wife gave evidence against them both. Most people think the trial was a show trial, but it is an interesting accusation. Anne had three miscarriages by the time of her trial, and she was not a woman to let something like sin or crime stand in her way--she was clearly guilty of one murder. I think if she had thought that Henry could not bear a son she was quite capable of finding someone to father a child on her. If she thought that, then George would have been the obvious choice.</i></blockquote>
Obvious? How in the world is that obvious? You cannot be serious, Ms. Gregory. Now I'm far from an expert in Tudor England, but I cannot imagine that being a common practice. Maybe someone more knowledgeable about this time could tell me if that ever happened, because it just boggles my mind that George would be the "<i>obvious choice</i>." Not to mention, who the hell did Anne supposedly kill? I hadn't heard that anywhere. Even my searches are coming up blank.
Mary Boleyn, the narrator, is a strange character: sympathetic and of reasonable intelligence one minute, a moronic irritant the next. Personality-wise she went up and down and back and forth. First she was fine not being the King's favorite anymore and seeming to want to leave the court life for the country to be with her children, then she was jealous of a title Anne received, years after the affair between Mary and Henry was over. Possibly this was put in as part of the rivalry between the sisters, but it didn't contextually fit. Her development could have used more work and she didn't mature or change much throughout the whole book, especially between the years 1522 to 1533. I seriously got tired of everybody's patronizing and calling her a fool all the time. They should have just named the book, <b>The Foolish Boleyn Girl</b>. I find it hard to believe Mary was so ignorant the king would have continued to have her as mistress for four years, give or take. She had to offer something other than good looks and being great in the bedroom. Anne herself sure was a piece of work, and even though she was pretty much evil throughout the book, I did still feel sorry for her at the end. Jane Parker was a one-dimensional malicious harpy who wasn't given a reason why she was that way; she was just the resident baddy to the Boleyns. To me, it felt like defamation of character.
Politics and the separation of the Church of England from the Catholic Church were merely mentioned in passing as court life and its primary players took center stage. The whole incest plot, I could have done without. Now if it were the absolute truth then it'd be okay, but since it's highly debatable and based on hearsay, I found it unnecessary and gratuitous. Around the two-thirds mark, the pace let up and it became more sluggish and boring, and it wasn't until the last sixty pages that it recaptured my attention again.
As long as readers know going into this book that the history has been twisted around and invented for pure sensation, then it's fine as a fictional read, but take any "facts" with a grain of salt. While it was an okay read, I didn't love it, but it managed to divert my attention for a few days.
One last note dealing with the fourth question in the Q&A with Philippa Gregory in the back of the book:
<blockquote>How about Mary and Anne's brother, George? Did he really sleep with his sister so that she could give Henry a son?
<i>Nobody can know the answer to this one. Anne was accused of adultery with George at their trials and his wife gave evidence against them both. Most people think the trial was a show trial, but it is an interesting accusation. Anne had three miscarriages by the time of her trial, and she was not a woman to let something like sin or crime stand in her way--she was clearly guilty of one murder. I think if she had thought that Henry could not bear a son she was quite capable of finding someone to father a child on her. If she thought that, then George would have been the obvious choice.</i></blockquote>
Obvious? How in the world is that obvious? You cannot be serious, Ms. Gregory. Now I'm far from an expert in Tudor England, but I cannot imagine that being a common practice. Maybe someone more knowledgeable about this time could tell me if that ever happened, because it just boggles my mind that George would be the "<i>obvious choice</i>." Not to mention, who the hell did Anne supposedly kill? I hadn't heard that anywhere. Even my searches are coming up blank.

Gareth von Kallenbach (980 KP) rated Watchmen (2009) in Movies
Aug 14, 2019
In an alternate 1985, where Nixon is president, The U.S. won the Vietnam War, and costumed heroes have been banned by an act of the Senate, a superhero is killed. The death of the mercurial entity known as The Comedian (Jeffrey Dean Morgan) sets a string of events into motion that will soon see the world poised on the edge of nuclear annihilation, and the few remaining heroes locked in a life or death race against time to save the world. In the gritty and compelling new movie “Watchmen” by Director Zack Snyder, a clever blend of film noir and gumshoe style films of old combined with action and adventure as well as a deep examination of human frailties to create a film like no other.
No sooner has the death of the Comedian hit the streets (literally), when the edgy vigilante Rorschach (Jackie Earle Haley), begins to suspect that there is a larger and far more sinister plot in effect, one that has targeted the few remaining costumed avengers of New York City. Rorschach’s theory is disbelieved by his former associate Dan (Patrick Wilson), who prowled the streets as Night Owl and is now content to keep to himself, with his days of costumed glory behind him. He keeps his social circle limited to the first Night Owl and visiting with Laurie Jupiter ( Malin Akerman), and her husband, Dr. Manhattan (Billy Crudup).
With his concerns being dismissed, Rorschach is left to do the legwork on the mystery which soon shifts into high gear when he is framed for a murder he actually did not commit and an attempt is made on the life of the other former Watchmen, Ozymandias (Matthew Goode). With Rorschach in prison and surrounded by enemies, Dr. Manhattan, the all powerful and blue skinned being, is forced to take refuge on Mars after Laurie leaves him and a series of accusations are levied against him at a press conference .
It soon becomes clear to all that the death of The Comedian was not a random act of violence or a simple act of revenge, but rather the first salvo in a war against costumed heroes. With the former team in chaos, Laurie to take up residence with Dan, who has long held a torch for her, to defy the government order and suit up again. After saving a group of people from a fire, Laurie and Dan find the passion and purpose that has been missing from their post-hero lives and passionately unite and set out to free Rorschach and get to the bottom of the conspiracy before it is to late.
The film is an amazing mix of comic book action and mystery that includes a suprising amount of mature material that examines everything from humanity’s ultimate destiny to the inner psyche of tortured and flawed individuals. The characters all have their flaws and traumas and compensate by donning masks and taking on new personas. The deeply troubled Rorschach is filled in by some horrific and disturbing flashbacks that show how he became the disturbed and deeply dangerous crusader for justice that he is, so extreme in his measures that he is wanted by the police for his actions. Dan and Laurie try to move on from their past, but find that they are more comfortable in their costumed personas than they are in their day-to-day lives. Dr. Manhattan is perhaps the most dysfunctional of all as he has shut himself off from his wife, humanity, and joy. He has evolved beyond caring for anything but his experiments.
Snyder keeps the nearly three hour film moving at a brisk pace and deftly captures the look and tone of the graphic novel on which the film is based. The opening segment that shows alternate versions of great moments in history is amazing, as is the well choreographed action sequences. Despite being a superhero film, “Watchmen” is a superb mystery and drama that is loaded with interesting characters and clever social commentary. The cast is very strong, and Haley is remarkable as Rorschach. He is utterly captivating whenever he is on the screen and has crafted a true modern anti-hero for the masses.
Some may find the graphic violence and sex in the film a bit extreme, but in order to fully capture the duality of the characters and the dark world that they dwell in, it was in many ways restrained from what is actually implied by the source material. “Watchmen”, is a true marvel and is one of the most entertaining, diverse, and original action films in memory.
No sooner has the death of the Comedian hit the streets (literally), when the edgy vigilante Rorschach (Jackie Earle Haley), begins to suspect that there is a larger and far more sinister plot in effect, one that has targeted the few remaining costumed avengers of New York City. Rorschach’s theory is disbelieved by his former associate Dan (Patrick Wilson), who prowled the streets as Night Owl and is now content to keep to himself, with his days of costumed glory behind him. He keeps his social circle limited to the first Night Owl and visiting with Laurie Jupiter ( Malin Akerman), and her husband, Dr. Manhattan (Billy Crudup).
With his concerns being dismissed, Rorschach is left to do the legwork on the mystery which soon shifts into high gear when he is framed for a murder he actually did not commit and an attempt is made on the life of the other former Watchmen, Ozymandias (Matthew Goode). With Rorschach in prison and surrounded by enemies, Dr. Manhattan, the all powerful and blue skinned being, is forced to take refuge on Mars after Laurie leaves him and a series of accusations are levied against him at a press conference .
It soon becomes clear to all that the death of The Comedian was not a random act of violence or a simple act of revenge, but rather the first salvo in a war against costumed heroes. With the former team in chaos, Laurie to take up residence with Dan, who has long held a torch for her, to defy the government order and suit up again. After saving a group of people from a fire, Laurie and Dan find the passion and purpose that has been missing from their post-hero lives and passionately unite and set out to free Rorschach and get to the bottom of the conspiracy before it is to late.
The film is an amazing mix of comic book action and mystery that includes a suprising amount of mature material that examines everything from humanity’s ultimate destiny to the inner psyche of tortured and flawed individuals. The characters all have their flaws and traumas and compensate by donning masks and taking on new personas. The deeply troubled Rorschach is filled in by some horrific and disturbing flashbacks that show how he became the disturbed and deeply dangerous crusader for justice that he is, so extreme in his measures that he is wanted by the police for his actions. Dan and Laurie try to move on from their past, but find that they are more comfortable in their costumed personas than they are in their day-to-day lives. Dr. Manhattan is perhaps the most dysfunctional of all as he has shut himself off from his wife, humanity, and joy. He has evolved beyond caring for anything but his experiments.
Snyder keeps the nearly three hour film moving at a brisk pace and deftly captures the look and tone of the graphic novel on which the film is based. The opening segment that shows alternate versions of great moments in history is amazing, as is the well choreographed action sequences. Despite being a superhero film, “Watchmen” is a superb mystery and drama that is loaded with interesting characters and clever social commentary. The cast is very strong, and Haley is remarkable as Rorschach. He is utterly captivating whenever he is on the screen and has crafted a true modern anti-hero for the masses.
Some may find the graphic violence and sex in the film a bit extreme, but in order to fully capture the duality of the characters and the dark world that they dwell in, it was in many ways restrained from what is actually implied by the source material. “Watchmen”, is a true marvel and is one of the most entertaining, diverse, and original action films in memory.