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Matthew Krueger (10051 KP) rated MediEvil in Video Games
Oct 29, 2019 (Updated Oct 29, 2019)
Classic
I remember playing this game, on the ps1. It was on a demo disk that had a collection of games and this was one of them. I just remember it being so cool and intresting. I havent played it since childhood, i want to play it again. So lets talk about it..
The game is set in the medieval Kingdom of Gallowmere and centres around the charlatan protagonist, Sir Daniel Fortesque, as he makes an attempt to stop antagonist Zarok's invasion of the kingdom whilst simultaneously redeeming himself.
Development began in 1995 at Millenium Interactive in Cambridge under the working title of Dead Man Dan. The visuals are heavily influenced by Tim Burton's The Nightmare Before Christmas. Originally conceived as an arcade-style shooter for platforms such as Windows and the Sega Saturn, Sony's purchase of SCE Cambridge Studio evolved the game into a PlayStation title.
The game takes place across a variety of levels, many of which require certain objectives to be performed to progress. Sir Daniel Fortesque can use a variety of weapons, consisting of close range weapons such as swords and clubs to long range weapons such as crossbows. When not possessing any items, Dan is able to rip his arm off and use it for both melee and ranged attacks. Dan can equip a shield alongside weapons for defence, but shields have a limited amount of strength and are therefore best used sparingly. Throughout the game, Dan can visit gargoyle heads of two varieties: green ones offer Dan information while blue ones allow Dan to buy services or ammunition by using the treasures he finds.
Lets talk about the plot: In the year 1286, an evil sorcerer named Zarok plotted to take over the kingdom of Gallowmere with his undead army. It is told in legend that the champion, Sir Daniel Fortesque, led the King of Gallowmere's army to victory and managed to kill Zarok before he succumbed to his mortal wounds. In reality, however, Dan was struck down by the first arrow fired in the battle, with the king choosing to cover it up and declare Dan the "Hero of Gallowmere.
It is a classic ps1 underrated game, that people should play, if you havent. Their have recently released it on the ps4. And on that remake you can play the original 1998 game can be unlocked in the remake by completing special objectives. Which is cool.
Lastly shout of to @Kevin Phillipson for getting the hints/clues for this review right.
A must play game.
The game is set in the medieval Kingdom of Gallowmere and centres around the charlatan protagonist, Sir Daniel Fortesque, as he makes an attempt to stop antagonist Zarok's invasion of the kingdom whilst simultaneously redeeming himself.
Development began in 1995 at Millenium Interactive in Cambridge under the working title of Dead Man Dan. The visuals are heavily influenced by Tim Burton's The Nightmare Before Christmas. Originally conceived as an arcade-style shooter for platforms such as Windows and the Sega Saturn, Sony's purchase of SCE Cambridge Studio evolved the game into a PlayStation title.
The game takes place across a variety of levels, many of which require certain objectives to be performed to progress. Sir Daniel Fortesque can use a variety of weapons, consisting of close range weapons such as swords and clubs to long range weapons such as crossbows. When not possessing any items, Dan is able to rip his arm off and use it for both melee and ranged attacks. Dan can equip a shield alongside weapons for defence, but shields have a limited amount of strength and are therefore best used sparingly. Throughout the game, Dan can visit gargoyle heads of two varieties: green ones offer Dan information while blue ones allow Dan to buy services or ammunition by using the treasures he finds.
Lets talk about the plot: In the year 1286, an evil sorcerer named Zarok plotted to take over the kingdom of Gallowmere with his undead army. It is told in legend that the champion, Sir Daniel Fortesque, led the King of Gallowmere's army to victory and managed to kill Zarok before he succumbed to his mortal wounds. In reality, however, Dan was struck down by the first arrow fired in the battle, with the king choosing to cover it up and declare Dan the "Hero of Gallowmere.
It is a classic ps1 underrated game, that people should play, if you havent. Their have recently released it on the ps4. And on that remake you can play the original 1998 game can be unlocked in the remake by completing special objectives. Which is cool.
Lastly shout of to @Kevin Phillipson for getting the hints/clues for this review right.
A must play game.
Ross (3284 KP) rated Game Of Thrones - Season 8 in TV
May 29, 2019 (Updated May 30, 2019)
A bit of a let-down
I don't think I will ever understand why the decision was made to squeeze the final season into 6 episodes. This seems to have put all the onus on ending storylines quickly and less on building tension. And yet, so much of this series was slow, drawn out padding.
There were two episodes of pretty much non-stop action. These were visually stunning, however so badly written and incongruous. Given how well the series as a whole has tried to mimic medieval European history, to have a battle start and end in a very short time was simply nonsense. No attention to likely battle plans was attempted (a sieging army wouldn't attack, and a besieged army wouldn't come out onto the field of battle), it was just a CGI-heavy, smoky, frantic fight.
The rest of the series was a much slower pace, which is GoT's style. However those episodes were so flat and dull as to be like someone else entirely had written them. Gone was the political wrangling, the back-stabbing and the two-facedness (generally, there were some brief moments of this).
The focus of each episode was also almost solely in one place, where it has always been at its best by showing so many things at a time. Rather than this being the convergence of all story threads, this just came across as storytelling-by-numbers.
I had no problems with Daenerys' change in character - it had been so well hinted at that you didn't have to be the 3-eyed raven to see it coming. It also felt totally in line with her past decisions, and family history, and this was one of the few parts I felt were well written and understandable.
A lot of fan-favourite characters got shat on in the final few series, but I don't see why people are surprised - the main character of the first series was beheaded in that same series, so this was quite normal for GoT.
I really did not like the final outcome of the series, with Bran on the throne and the whole scene with all the lords (some of whom I still don't recognise) was painful - why would they listen to Tyrion and go with his "can't defeat a story" nonsense.
Overall, it was not a finale worthy of the series as a whole, but it was a reasonably enjoyable and at times thrilling conclusion to an epic story.
And one good thing to come out of this is the motivation it will give other writers: get on with finishing your stories or Benioff and Weiss will do it for you!
There were two episodes of pretty much non-stop action. These were visually stunning, however so badly written and incongruous. Given how well the series as a whole has tried to mimic medieval European history, to have a battle start and end in a very short time was simply nonsense. No attention to likely battle plans was attempted (a sieging army wouldn't attack, and a besieged army wouldn't come out onto the field of battle), it was just a CGI-heavy, smoky, frantic fight.
The rest of the series was a much slower pace, which is GoT's style. However those episodes were so flat and dull as to be like someone else entirely had written them. Gone was the political wrangling, the back-stabbing and the two-facedness (generally, there were some brief moments of this).
The focus of each episode was also almost solely in one place, where it has always been at its best by showing so many things at a time. Rather than this being the convergence of all story threads, this just came across as storytelling-by-numbers.
I had no problems with Daenerys' change in character - it had been so well hinted at that you didn't have to be the 3-eyed raven to see it coming. It also felt totally in line with her past decisions, and family history, and this was one of the few parts I felt were well written and understandable.
A lot of fan-favourite characters got shat on in the final few series, but I don't see why people are surprised - the main character of the first series was beheaded in that same series, so this was quite normal for GoT.
I really did not like the final outcome of the series, with Bran on the throne and the whole scene with all the lords (some of whom I still don't recognise) was painful - why would they listen to Tyrion and go with his "can't defeat a story" nonsense.
Overall, it was not a finale worthy of the series as a whole, but it was a reasonably enjoyable and at times thrilling conclusion to an epic story.
And one good thing to come out of this is the motivation it will give other writers: get on with finishing your stories or Benioff and Weiss will do it for you!
Kyera (8 KP) rated A Wild and Unremarkable Thing in Books
Feb 1, 2018
A Wild and Unremarkable Thing had a very interesting premise that blended fantasy aspects like dragons, with Greek mythology and medieval lore. I love history and mythology, so this book immediately called to me. Unfortunately, it didn't entirely live up to my expectations for it although I did still enjoy my read. I believe that the biggest reason why it stumbled for me is how short the book is. At 238 pages, the author did not have enough time to adequately flesh out the plotline and characters leaving the story feeling rushed and the supporting characters unexplored.
The book is written through alternating points of view, which was a nice way to delve deeper into the character's psyche despite the short text. The main character is Cody, a girl who was born Cayda but has been forced by her father to train and lie her entire life with the hopes that she will slay a Fire Scale. She accepts the pain and commitment because the most important thing is to be able to provide for her family, especially her sisters. I wish that we had been able to get to know the sisters more so that we could form that bond with them and the book would have had more emotional weight.
The other two main characters were Penn and Wolfe. Penn was certainly the most interesting aspect of the story and I enjoyed seeing things from his perspective. Wolfe, on the other hand, was not a character that I related to or enjoyed reading. It was nice however to see things from his perspective as it offered a completely different life experience to view the hunt through.
The book also fell prey to the trope of insta-love, which I believe was also the fault of the story being so short. There was not adequate time to explore the relationship or infatuation between two characters before it seemed as if they were suddenly in love. It almost felt as if chapters of the story were missing because the development of bonds between characters or the plot would jump forward without sufficient explanation. The ending of the book felt incredibly rushed and I wish that it had been given the longer, more detailed conclusion that it deserved.
As a casual reader, I found that I enjoyed the overall story and the weaving of Greek mythology into the plot. Unfortunately, critically there were a number of different aspects that detracted from my enjoyment of the book or drew me out of the story. Despite that, I felt that the author's writing was well done and hope that she can bring more detail to her books in the future.
The book is written through alternating points of view, which was a nice way to delve deeper into the character's psyche despite the short text. The main character is Cody, a girl who was born Cayda but has been forced by her father to train and lie her entire life with the hopes that she will slay a Fire Scale. She accepts the pain and commitment because the most important thing is to be able to provide for her family, especially her sisters. I wish that we had been able to get to know the sisters more so that we could form that bond with them and the book would have had more emotional weight.
The other two main characters were Penn and Wolfe. Penn was certainly the most interesting aspect of the story and I enjoyed seeing things from his perspective. Wolfe, on the other hand, was not a character that I related to or enjoyed reading. It was nice however to see things from his perspective as it offered a completely different life experience to view the hunt through.
The book also fell prey to the trope of insta-love, which I believe was also the fault of the story being so short. There was not adequate time to explore the relationship or infatuation between two characters before it seemed as if they were suddenly in love. It almost felt as if chapters of the story were missing because the development of bonds between characters or the plot would jump forward without sufficient explanation. The ending of the book felt incredibly rushed and I wish that it had been given the longer, more detailed conclusion that it deserved.
As a casual reader, I found that I enjoyed the overall story and the weaving of Greek mythology into the plot. Unfortunately, critically there were a number of different aspects that detracted from my enjoyment of the book or drew me out of the story. Despite that, I felt that the author's writing was well done and hope that she can bring more detail to her books in the future.
Sophia (Bookwyrming Thoughts) (530 KP) rated Avalon Rising (Metal & Lace, #2) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Compared to <i><a href="https://bookwyrmingthoughts.com/arc-review-camelot-burning-by-kathryn-rose/"; target="_blank" rel="noopener">Camelot Burning</a>,</i> the sequel definitely surpassed most, if not all, of my expectations.
I found <i>Avalon Rising</i> to be a lot more enjoyable than its predecessor. There aren't as many technical terms this time around, as Vivienne seems to be more focused on the mission the Lady of the Lake left for her near the end of the first book and helping Camelot's remaining refugees rebuild after the war with Morgan Le Fay. Soon, Vivienne finds out that some of the knights, including her brother and Marcus, have been missing for several weeks on their quest to find the Holy Grail and Avalon. She also finds out that Jerusalem, where the alchemist Azur resides, is attacked by the Black Knight and his men. Wanting to offer her help, Vivienne decides to leave earlier than what the Lady of the Lake originally planned, finding out that in doing so, she may have placed Marcus's life in danger.
The second <i>Metal & Lace</i> novel is a lot more adventurous than the first one - Vivienne teams up with the castle blacksmith to find the missing knights, which is eventually intercepted by Merlin (who tends to be more of an obstacle this time around rather than actually helping Vivienne). They are then sent to free the Fisher King in the Perilous Lands, which actually results in several fantastic tests/trials for Vivienne to try and prove her worth to free the Fisher King and reveal the coordinates to Avalon. The trials that Vivienne goes through in <i>Avalon Rising</i> to find the knights and to reveal Avalon's coordinates almost felt like a female version of Percy Jackson in a medieval-esque world.
Vivienne also underwent a few changes as a character. She seems more temperamental, but is definitely extremely determined to accomplish what she wants to accomplish. A fantastic quality in a heroine, since Vivienne probably would have spent her time running away from pursuers who also want the coordinates to Avalon rather than doing something extremely interesting (like trying to resist using magic despite the pull).
<i>Avalon Rising</i> was a fantastic companion to <i>Camelot Burning</i> - I definitely look forward to reading the next book with the major cliffhanger Kathryn Rose leaves us with. Might I ask to review-nap this until the next book come out?
<a href="https://bookwyrmingthoughts.com/arc-review-avalon-rising-by-kathryn-rose/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Compared to <i><a href="https://bookwyrmingthoughts.com/arc-review-camelot-burning-by-kathryn-rose/"; target="_blank" rel="noopener">Camelot Burning</a>,</i> the sequel definitely surpassed most, if not all, of my expectations.
I found <i>Avalon Rising</i> to be a lot more enjoyable than its predecessor. There aren't as many technical terms this time around, as Vivienne seems to be more focused on the mission the Lady of the Lake left for her near the end of the first book and helping Camelot's remaining refugees rebuild after the war with Morgan Le Fay. Soon, Vivienne finds out that some of the knights, including her brother and Marcus, have been missing for several weeks on their quest to find the Holy Grail and Avalon. She also finds out that Jerusalem, where the alchemist Azur resides, is attacked by the Black Knight and his men. Wanting to offer her help, Vivienne decides to leave earlier than what the Lady of the Lake originally planned, finding out that in doing so, she may have placed Marcus's life in danger.
The second <i>Metal & Lace</i> novel is a lot more adventurous than the first one - Vivienne teams up with the castle blacksmith to find the missing knights, which is eventually intercepted by Merlin (who tends to be more of an obstacle this time around rather than actually helping Vivienne). They are then sent to free the Fisher King in the Perilous Lands, which actually results in several fantastic tests/trials for Vivienne to try and prove her worth to free the Fisher King and reveal the coordinates to Avalon. The trials that Vivienne goes through in <i>Avalon Rising</i> to find the knights and to reveal Avalon's coordinates almost felt like a female version of Percy Jackson in a medieval-esque world.
Vivienne also underwent a few changes as a character. She seems more temperamental, but is definitely extremely determined to accomplish what she wants to accomplish. A fantastic quality in a heroine, since Vivienne probably would have spent her time running away from pursuers who also want the coordinates to Avalon rather than doing something extremely interesting (like trying to resist using magic despite the pull).
<i>Avalon Rising</i> was a fantastic companion to <i>Camelot Burning</i> - I definitely look forward to reading the next book with the major cliffhanger Kathryn Rose leaves us with. Might I ask to review-nap this until the next book come out?
<a href="https://bookwyrmingthoughts.com/arc-review-avalon-rising-by-kathryn-rose/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
BookInspector (124 KP) rated The Spaces In Between in Books
Sep 24, 2020
let me begin by saying, that you have to take five seconds out of your day to enjoy this cover. Hats off from me to the artist who made it, and if I would’ve had a paperback of this book, I would not be able to resist the urge to colour it in 😀 It is just so cool 😀 Another thing which still has me debating with myself is was this book based on a true story? All this experience was real? I am just left confused, where the fiction ends and true facts begin…
The main star of this book is Nicholas for sure. It is his story which makes the jaw drop. Lack of money and job forces him to work in this creepy house as an English tutor, but this house has strange residents, who live like it is 1916ies Russia. I really liked the complexity of all the residents in that house, they all were very amusing and unique personalities. They all have a role to play, and it is hard to distinguish whether they want to help or to harm Nicholas. The main character brought out many different emotions in me, I felt pity for the events he had to suffer, I was happy when good things happened to him and I was angry when he took silly decisions.
The whole story was told from two different perspectives. We have the introduction and investigative part told by a psychologist Dr Marie – Claire Groller, and the main story written down by Nicholas. I found both of the stories absolutely fascinating. The events highlighted in the blurb, which Nicholas had to suffer, are absolutely unimaginable, and the whole story is very dark, atmospheric, twisted and unbelievable. There is so much detail and emotions in his story, it is just creepy. I really enjoyed the investigation done by Dr Marie Clare and her father. I really liked all the information which they were able to find out, but I do miss the proper conclusion to this story. I WANT JUSTICE! 😀
I really enjoyed the structure of this book, I think it gave this book a great element of surprise. This book was easy to read, except for the French parts. I know maybe three words in French, so all the sentences without a translation left me a little annoyed. I really liked the decent length of the chapters and I loved the mask picture on the pages throughout the book. It gave this good feeling, that I am reading something written in medieval times. 🙂 So, to conclude, I strongly recommend reading this book, filled with unusual, eccentric characters and very unique and sinister setting, where reality mixes with fiction and imagination. What is real and what is an illusion? That’s the question. Enjoy 😀
The main star of this book is Nicholas for sure. It is his story which makes the jaw drop. Lack of money and job forces him to work in this creepy house as an English tutor, but this house has strange residents, who live like it is 1916ies Russia. I really liked the complexity of all the residents in that house, they all were very amusing and unique personalities. They all have a role to play, and it is hard to distinguish whether they want to help or to harm Nicholas. The main character brought out many different emotions in me, I felt pity for the events he had to suffer, I was happy when good things happened to him and I was angry when he took silly decisions.
The whole story was told from two different perspectives. We have the introduction and investigative part told by a psychologist Dr Marie – Claire Groller, and the main story written down by Nicholas. I found both of the stories absolutely fascinating. The events highlighted in the blurb, which Nicholas had to suffer, are absolutely unimaginable, and the whole story is very dark, atmospheric, twisted and unbelievable. There is so much detail and emotions in his story, it is just creepy. I really enjoyed the investigation done by Dr Marie Clare and her father. I really liked all the information which they were able to find out, but I do miss the proper conclusion to this story. I WANT JUSTICE! 😀
I really enjoyed the structure of this book, I think it gave this book a great element of surprise. This book was easy to read, except for the French parts. I know maybe three words in French, so all the sentences without a translation left me a little annoyed. I really liked the decent length of the chapters and I loved the mask picture on the pages throughout the book. It gave this good feeling, that I am reading something written in medieval times. 🙂 So, to conclude, I strongly recommend reading this book, filled with unusual, eccentric characters and very unique and sinister setting, where reality mixes with fiction and imagination. What is real and what is an illusion? That’s the question. Enjoy 😀
Kara Skinner (332 KP) rated Lady Danger in Books
Jun 12, 2019
Genre: Historical
Page Count: 368 pages
Average Goodreads Rating: 3.88/5 stars
My rating: 3.5/5 stars
When the Norman king gives Pagan the Rivenloch keep and a daughter of the current laird for a wife, he knows it’s too good to be true. Not only is Rivenloch’s laird suffering from dementia, but the two oldest daughters are not content to take on house-making duties like most women. Instead they are skilled fighters who command Rivenloch’s army. It isn’t long before Pagan realizes why the king chose him for Rivenloch. Only the strongest, most hardened men could conquer the Warrior Maids of Rivenloch.
Deidre isn’t about to give up her power to some Norman, even if he is supposed to be their ally. She’ll marry him to spare her sisters, but that doesn’t mean she’ll make it easy for him. She’ll conquer the Norman before he realizes it.
This book took awhile to get good, but I have to admit, both Pagan and Deidre have very realistic reactions and feelings considering the situation. Pagan comes from a very misogynistic society, so female warriors are unnatural to him. And Deidre sees Pagan as another enemy invading her territory and taking control. But their irrationality them makes them unlikeable at times.
I liked them, then I didn’t. Then I liked them again. Pagan’s devout honor and chivalry is admirable. Although he thinks in terms like “taming” and “conquering” Deidre, he would never actually force her or hurt her in any way. Nor does he want women to fear him. Seeing Miriel, the youngest sister, scared of him made him feel sick. Despite his flawed yet historically accurate upbringing, he does see the value in Deidre and Helena knowing how to fight after learning about the dangers they faced. But there’s so much misogyny in him. He actually thought Deidre would prefer having a man protect her than protecting herself, and he forbid her from sparring.
Of course, Deidre resents all the changes Pagan makes to Rivenloch, even though they were changes that desperately needed to be made. She also has deeply misguided views about sex and men. She planned to control Pagan through his lust by withholding sex, even denying her own desires. During this time, she considered him beating her and forcing her, but the idea that he would commit adultery never occurred to her, even though she repeatedly told him that she would never want him. However, I did enjoy watching Pagan’s massive ego get checked.
They drove me crazy, even though their emotions were realistic. However, after they put their absurdities aside and started working together, the story immediately improved. I loved them working in harmony and the fight scenes at the end were fantastic. Lady Danger is lame at first, but is worth the wait. Medieval romance fans will enjoy this book.
Page Count: 368 pages
Average Goodreads Rating: 3.88/5 stars
My rating: 3.5/5 stars
When the Norman king gives Pagan the Rivenloch keep and a daughter of the current laird for a wife, he knows it’s too good to be true. Not only is Rivenloch’s laird suffering from dementia, but the two oldest daughters are not content to take on house-making duties like most women. Instead they are skilled fighters who command Rivenloch’s army. It isn’t long before Pagan realizes why the king chose him for Rivenloch. Only the strongest, most hardened men could conquer the Warrior Maids of Rivenloch.
Deidre isn’t about to give up her power to some Norman, even if he is supposed to be their ally. She’ll marry him to spare her sisters, but that doesn’t mean she’ll make it easy for him. She’ll conquer the Norman before he realizes it.
This book took awhile to get good, but I have to admit, both Pagan and Deidre have very realistic reactions and feelings considering the situation. Pagan comes from a very misogynistic society, so female warriors are unnatural to him. And Deidre sees Pagan as another enemy invading her territory and taking control. But their irrationality them makes them unlikeable at times.
I liked them, then I didn’t. Then I liked them again. Pagan’s devout honor and chivalry is admirable. Although he thinks in terms like “taming” and “conquering” Deidre, he would never actually force her or hurt her in any way. Nor does he want women to fear him. Seeing Miriel, the youngest sister, scared of him made him feel sick. Despite his flawed yet historically accurate upbringing, he does see the value in Deidre and Helena knowing how to fight after learning about the dangers they faced. But there’s so much misogyny in him. He actually thought Deidre would prefer having a man protect her than protecting herself, and he forbid her from sparring.
Of course, Deidre resents all the changes Pagan makes to Rivenloch, even though they were changes that desperately needed to be made. She also has deeply misguided views about sex and men. She planned to control Pagan through his lust by withholding sex, even denying her own desires. During this time, she considered him beating her and forcing her, but the idea that he would commit adultery never occurred to her, even though she repeatedly told him that she would never want him. However, I did enjoy watching Pagan’s massive ego get checked.
They drove me crazy, even though their emotions were realistic. However, after they put their absurdities aside and started working together, the story immediately improved. I loved them working in harmony and the fight scenes at the end were fantastic. Lady Danger is lame at first, but is worth the wait. Medieval romance fans will enjoy this book.
Cyn Armistead (14 KP) rated More Holmes for the Holidays in Books
Mar 1, 2018
[a:Martin H. Greenberg|6436872|Martin H. Greenberg|http://www.goodreads.com/assets/nophoto/nophoto-M-50x66.jpg] and company have provided a fine collection of Sherlockian holiday stories that fit in quite well with the traditional set.
"The Christmas Gift" by Anne Perry is a nice little piece about a stolen Stradivarius and a couple who want to marry against the wishes of the young lady's father. There is an excellent red herring, one of the few in this anthology.
In "The Four Wise Men" by Peter Lovesey, Watson must answer a call to duty from his former commanding officer in the Army, in order to help guard a medieval treasure in a Christmas pageant. The game is soon afoot, and Sherlock's powers of observation are as keen as ever.
Barbara Paul's "Eleemosynary, My Dear Watson" gives Holmes a jewel theft and a kidnapping to solve, which he does in his inimitable way. One clue seemed slightly too obvious to me, but it may not to other readers.
In "The Adventure of the Greatest Gift" by Loren D. Estleman, Holmes receives a wax cylinder containing a recording of a song popular in America. He takes it as a warning of a crime which could lead to war between Britain and France, and of course he leaps into action. This is Mycroft Holmes' only appearance in the volume.
There's plenty of misdirection in "The Case of the Rajah's Emerald" by Carolyn Wheat. Somehow, though, I suspected one of the great revelations in this one from the beginning, but I couldn't tell you exactly why. It didn't ruin the story for me, and there was still a surprise at the end.
On the other hand, Edward D. Hoch's "The Christmas Conspiracy" managed to take me completely unawares. I couldn't fathom why the crime would be committed or by whom, despite having a major clue dropped by one character. Very well done!
"The Music of Christmas" by L.B. Greenwood telegraphed the identity of the criminal from the start, but was well worth reading. One of the characters also tugged at the heartstrings.
Bill Crider's "The Adventure of the Christmas Bear" is largely memorable because of the appearance of Oscar Wilde as a character.
"The Adventure of the Naturalist's Stock Pin" by Jon L. Breen gives us Charles Darwin as Holmes' client. The mystery is less Sherlockian than some of the others, but I didn't mind reading it.
Daniel Stashower's "The Adventure of the Second Violet" was an interesting twist on a well-known Christmas story. I cannot say more without spoiling it, but he has a nice touch.
"The Human Mystery" by Tanith Lee is as dark as I expect from her, and was a depressing ending to the collection. It was, however, very well-written.
The anthology left me hungry for more Holmes, and wishing that I weren't between seasons of BBC's Sherlock or that I had another collection of stories on hand. That's the sign of a success, I think.
"The Christmas Gift" by Anne Perry is a nice little piece about a stolen Stradivarius and a couple who want to marry against the wishes of the young lady's father. There is an excellent red herring, one of the few in this anthology.
In "The Four Wise Men" by Peter Lovesey, Watson must answer a call to duty from his former commanding officer in the Army, in order to help guard a medieval treasure in a Christmas pageant. The game is soon afoot, and Sherlock's powers of observation are as keen as ever.
Barbara Paul's "Eleemosynary, My Dear Watson" gives Holmes a jewel theft and a kidnapping to solve, which he does in his inimitable way. One clue seemed slightly too obvious to me, but it may not to other readers.
In "The Adventure of the Greatest Gift" by Loren D. Estleman, Holmes receives a wax cylinder containing a recording of a song popular in America. He takes it as a warning of a crime which could lead to war between Britain and France, and of course he leaps into action. This is Mycroft Holmes' only appearance in the volume.
There's plenty of misdirection in "The Case of the Rajah's Emerald" by Carolyn Wheat. Somehow, though, I suspected one of the great revelations in this one from the beginning, but I couldn't tell you exactly why. It didn't ruin the story for me, and there was still a surprise at the end.
On the other hand, Edward D. Hoch's "The Christmas Conspiracy" managed to take me completely unawares. I couldn't fathom why the crime would be committed or by whom, despite having a major clue dropped by one character. Very well done!
"The Music of Christmas" by L.B. Greenwood telegraphed the identity of the criminal from the start, but was well worth reading. One of the characters also tugged at the heartstrings.
Bill Crider's "The Adventure of the Christmas Bear" is largely memorable because of the appearance of Oscar Wilde as a character.
"The Adventure of the Naturalist's Stock Pin" by Jon L. Breen gives us Charles Darwin as Holmes' client. The mystery is less Sherlockian than some of the others, but I didn't mind reading it.
Daniel Stashower's "The Adventure of the Second Violet" was an interesting twist on a well-known Christmas story. I cannot say more without spoiling it, but he has a nice touch.
"The Human Mystery" by Tanith Lee is as dark as I expect from her, and was a depressing ending to the collection. It was, however, very well-written.
The anthology left me hungry for more Holmes, and wishing that I weren't between seasons of BBC's Sherlock or that I had another collection of stories on hand. That's the sign of a success, I think.
BookwormMama14 (18 KP) rated The Silent Songbird in Books
Jan 2, 2019
This story may be a retelling of The Little Mermaid...but there are no sea witches or talking seagulls in this book. What you will find is a beautiful maiden with the voice of an angel.
Eva longs to be free...Free of the restraints that have been cast upon her by her status. Even if it means to work hard as a servant for the rest of her life. When King Richard decrees that she marry Lord Shiveley, Evangeline decides that she must run away or face a life of fear and abuse. In order to avoid detection, she pretends she is mute. But when her secret is revealed will those she has come to care for be able to forgive her? When Westley's life is in danger, yet Eva is the only witness...Will they heed her word? Or has the seed of mistrust been buried too deep?
Throughout her life Evangeline's voice has brought comfort and pleasure to herself and those around her. But she must stifle that gift in order to hide her identity. Throughout the story we see Westley encourage and draw out the voice, her true identity, that she has hidden. He is so gentle and sweet with her. Evangeline eventually learns that faith and trust in God is the strength she must lean on.
My only knowledge of The Little Mermaid is the animated Disney version. But as you compare the stories, there are several parallel characters. I think what I love most about Melanie Dickerson is that she takes the classic childhood fairy tales and creates a world, a story, that is realistic, yet still so full of "magic". There is also the added element of faith that adds a whole new dimension to the story. Set in medieval England, the way of life was much different then. But I so enjoy immersing myself into the time period and Melanie Dickerson's books. To be swept away by the adventure and live alongside the people of Glynval.
There are a few twists in the storyline that prove to be heartbreaking, exciting, and romantic. A quick read, The Silent Songbird will keep you turning the pages until you are finished. Even though this is a part of the Hagenheim Series. I did not recognize any of the characters (I have only read The Golden Braid and The Silent Songbird so far). You can read this book by itself and not have any confusion. This story is for "Young Adults" (I am still young right?), but is also great for adults. I am so thankful to Melanie for writing stories that are clean and faith filled for our teenagers.
I received a free copy of The Silent Songbird. I was not required to write a review and this does not influence my review, positive or otherwise. All opinions expressed are mine alone.
Eva longs to be free...Free of the restraints that have been cast upon her by her status. Even if it means to work hard as a servant for the rest of her life. When King Richard decrees that she marry Lord Shiveley, Evangeline decides that she must run away or face a life of fear and abuse. In order to avoid detection, she pretends she is mute. But when her secret is revealed will those she has come to care for be able to forgive her? When Westley's life is in danger, yet Eva is the only witness...Will they heed her word? Or has the seed of mistrust been buried too deep?
Throughout her life Evangeline's voice has brought comfort and pleasure to herself and those around her. But she must stifle that gift in order to hide her identity. Throughout the story we see Westley encourage and draw out the voice, her true identity, that she has hidden. He is so gentle and sweet with her. Evangeline eventually learns that faith and trust in God is the strength she must lean on.
My only knowledge of The Little Mermaid is the animated Disney version. But as you compare the stories, there are several parallel characters. I think what I love most about Melanie Dickerson is that she takes the classic childhood fairy tales and creates a world, a story, that is realistic, yet still so full of "magic". There is also the added element of faith that adds a whole new dimension to the story. Set in medieval England, the way of life was much different then. But I so enjoy immersing myself into the time period and Melanie Dickerson's books. To be swept away by the adventure and live alongside the people of Glynval.
There are a few twists in the storyline that prove to be heartbreaking, exciting, and romantic. A quick read, The Silent Songbird will keep you turning the pages until you are finished. Even though this is a part of the Hagenheim Series. I did not recognize any of the characters (I have only read The Golden Braid and The Silent Songbird so far). You can read this book by itself and not have any confusion. This story is for "Young Adults" (I am still young right?), but is also great for adults. I am so thankful to Melanie for writing stories that are clean and faith filled for our teenagers.
I received a free copy of The Silent Songbird. I was not required to write a review and this does not influence my review, positive or otherwise. All opinions expressed are mine alone.
Lottie disney bookworm (1056 KP) rated The Stars That Guide You Home in Books
Oct 25, 2021
Wow.
Just…wow.
Now I make no secret of the fact that I am a crier. Christmas TV ads, airport arrivals halls, old men crying, anything has the ability to set me off blubbing! So I am never entirely surprised when I start crying at a book, even my husband doesn’t mock me anymore. But this book? THIS BOOK had me crying the entire way through and just when you thought life for the characters couldn’t get any worse…Jemma Robinson says hold my coat!
Sophia and Tom live in a quaint little farmhouse in the town of Lowshore. Their life is a simple one but their happy marriage practically radiates from the page. However, Sophia never told her husband about her past and that past is about to catch up with her!
Whilst Tom is at work, Sophia is kidnapped from her happy home and forced to live the life that she tried so desperately to escape. Beaten, abused and powerless, Sophia manages to find two people worthy of her trust but will she ever escape? Can she ever regain the life that she used to have with Tom?
The beauty of this book is that it revolves around its characters. There is very little world building here but, honestly, it isn’t needed. Nothing matters to Tom and Sophia except one-another and that is reflected in Jemma Robinson’s writing style.
The characters themselves stay with you long after the final page: Sophia wears her heart on her sleeve, Tom is steadfast and passionately protective, James and Annalise are, in contrast, calm and collected individuals but Edmund is nothing short of a psychopath!
Edmund is no fairytale villain, despite the Lord Farquaad vibes I was getting from him. Robinson’s antagonist wouldn’t be out of place in Game of Thrones: he is truly revolting, controlling and revels in his absolute power over everything and everyone in his kingdom.
The Stars That Guide You Home is marketed as historical romance, not a fairytale, and with its medicine, photographs and labour camps then it does seem too modern to be considered a fairytale. However, I would argue that castles, arranged marriages, medieval torture and absence of any morally grey characters could push this into the category of dark fairytale.
There are a number of trigger warnings within this novel that I want to highlight. This is by no means a YA book – it is definitely Adult Fiction or New Adult at a push. These trigger warnings include rape, physical and mental abuse, animal cruelty, torture (in detail), kidnap, burns, suicide, miscarriage and general violence.
Dark fairytale still doesn’t seem enough… Sinister fairytale might just do it!
The Stars That Guide You Home is simultaneously beautiful, horrifying and inspiring. This book will break your heart over and over again and keep you coming back for more. Thank you to The Book Network for the opportunity to review this amazing novel, and thank you to Jemma, even though you did make me cry for 486 pages!
Just…wow.
Now I make no secret of the fact that I am a crier. Christmas TV ads, airport arrivals halls, old men crying, anything has the ability to set me off blubbing! So I am never entirely surprised when I start crying at a book, even my husband doesn’t mock me anymore. But this book? THIS BOOK had me crying the entire way through and just when you thought life for the characters couldn’t get any worse…Jemma Robinson says hold my coat!
Sophia and Tom live in a quaint little farmhouse in the town of Lowshore. Their life is a simple one but their happy marriage practically radiates from the page. However, Sophia never told her husband about her past and that past is about to catch up with her!
Whilst Tom is at work, Sophia is kidnapped from her happy home and forced to live the life that she tried so desperately to escape. Beaten, abused and powerless, Sophia manages to find two people worthy of her trust but will she ever escape? Can she ever regain the life that she used to have with Tom?
The beauty of this book is that it revolves around its characters. There is very little world building here but, honestly, it isn’t needed. Nothing matters to Tom and Sophia except one-another and that is reflected in Jemma Robinson’s writing style.
The characters themselves stay with you long after the final page: Sophia wears her heart on her sleeve, Tom is steadfast and passionately protective, James and Annalise are, in contrast, calm and collected individuals but Edmund is nothing short of a psychopath!
Edmund is no fairytale villain, despite the Lord Farquaad vibes I was getting from him. Robinson’s antagonist wouldn’t be out of place in Game of Thrones: he is truly revolting, controlling and revels in his absolute power over everything and everyone in his kingdom.
The Stars That Guide You Home is marketed as historical romance, not a fairytale, and with its medicine, photographs and labour camps then it does seem too modern to be considered a fairytale. However, I would argue that castles, arranged marriages, medieval torture and absence of any morally grey characters could push this into the category of dark fairytale.
There are a number of trigger warnings within this novel that I want to highlight. This is by no means a YA book – it is definitely Adult Fiction or New Adult at a push. These trigger warnings include rape, physical and mental abuse, animal cruelty, torture (in detail), kidnap, burns, suicide, miscarriage and general violence.
Dark fairytale still doesn’t seem enough… Sinister fairytale might just do it!
The Stars That Guide You Home is simultaneously beautiful, horrifying and inspiring. This book will break your heart over and over again and keep you coming back for more. Thank you to The Book Network for the opportunity to review this amazing novel, and thank you to Jemma, even though you did make me cry for 486 pages!
Gareth von Kallenbach (974 KP) rated Outlaw King (2018) in Movies
Jul 2, 2019
After more than eight years of war with King Edward I of England (Stephen Dillane) the Scottish Nobles swear allegiance to the crown, ending the brutal. This includes Robert Bruce (Chris Pine) who is one of two men in line to be King of Scots. But by pledging his loyalty to they agree to be under the supervision of the Earl of Pembroke, Aymer de Valence (Sam Spruell). Robert’s father, Robert Bruce Senior (James Cosmo), had pushed for the peace with England but when he dies and the younger Robert is in charge a new fight for independence seems eminent. When the last remaining outlaw, William Wallace, is killed by the English Robert knows the time to fight is now. He decides to meet with his rival for the crown, John Comyn (Callan Mulvey), to have a united Scotland fighting for freedom. When Comyn denies Robert’s request and tells him he will use the information to be named King by Edward I, Robert kills him. This proves costly as it divides the Scottish Lords. Robert is determined and will take a small group loyal to him and fight one of the largest and most feared armies in the world.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
Kevin Phillipson (10011 KP) Oct 29, 2019
Matthew Krueger (10051 KP) Oct 29, 2019