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Variants On A Mediaeval Tune "In Dulce Jubilo": Variation 4 (with Dallas Wind Symphony) by Dallas Wind Sy / F cnd Fennell

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Variants On A Mediaeval Tune "In Dulce Jubilo": Variation 5 (with Dallas Wind Symphony) by Dallas Wind Sy / F cnd Fennell

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David McK (3425 KP) rated Hellboy, Vol. 1: Seed of Destruction in Books

Jan 28, 2019

The inspiration for the Ron-Perlman led movie(s) of the same name, Hellboy - like the lead character - is sort of a strange mix: in this case, of the occult with the medium of the graphic novel with a very Cthulu-like monster at the end of the tale.

I also have to say that this is proof that Marvel and DC aren't the only two publishers in the world able to produce compelling and enjoyable reads!

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Sass Perilla (36 KP) rated Ready Player One (2018) in Movies

Aug 10, 2019

Special effects and awesome CGI. (1 more)

Actors do their best with trite material.

Almost everything else. (0 more)

I'm sure teenage boys will love it? Maybe?

Dear lord! The quest makes no sense, there is no surprising twist, it is trite and superficial, disjointed and played like a teenage malcontent's dream. The actors do their best, and I am clearly not the target audience, but I had hoped the visual medium would make the story watchable. Sadly it does not.

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Baby Blankets & Toys: 5 Adorable Sets with Worsted-Weight Yarn

Teri Crews

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Book

5 easy-to-stitch crocheted baby blankets with matching toys are included in this pattern book. All...

Imray Chart Atlas: Westerschelde and Oosterschelde

Imray

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Book

Imray's popular small format A2 coverage is being extended to cover the Netherlands. These A2 format...

Radio Rookies from WNYC

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Podcast

Real stories by New York City teenagers take listeners inside their lives and their communities in...

Sebastian Lelio recommended Persona (1966) in Movies (curated)

Persona (1966)

1966 | Drama

8.5

(2 Ratings)

Movie Favorite

"What I love the way that Bergman used the medium as a form of expression—like in the opening, which seems to depict his subconscious or the characters’ . . . or maybe the subconscious of film history. So many things are being combined there in such an iconoclastic way. And the moment when the faces of the two women are combined into one face—I don’t think I’ve ever seen anything so beautiful and horrible at the same time."

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