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LeftSideCut (3776 KP) rated Scream 4 (2011) in Movies
Nov 12, 2020
11 years after Scream 3 "graced" cinema screens, Wes Craven returned to his meta horror series in an era where the genre had gone into full remake mode.
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!

Awix (3310 KP) rated Doctor Strange (2016) in Movies
Feb 22, 2018 (Updated Feb 5, 2021)
The fourteenth movie in Marvel's meta-franchise is an impressively faithful attempt at adapting a challenging book for the screen. If the story of a brilliant, arrogant man undergoing a personal trauma and discovering his inner hero seems a little familiar, that's only because the studio has used it as the basis of at least two other movies before, but it's a solid structure imaginatively employed here.
Cumbersome Bandersnatch leads the movie with the charisma you'd expect; the lack of a really strong villain is a bit of a problem but also a frequent issue for Marvel. Visual effects give the impression of Ditkoesque imagery without slavishly copying it; may cause migraines/motion sickness in delicate viewers. You almost get the sense that Marvel are doing a Dr Strange movie at this point just to tick a box, but if nothing else it promises to move this series in some interesting new directions. More movies should have a harpsichord on the soundtrack.
Cumbersome Bandersnatch leads the movie with the charisma you'd expect; the lack of a really strong villain is a bit of a problem but also a frequent issue for Marvel. Visual effects give the impression of Ditkoesque imagery without slavishly copying it; may cause migraines/motion sickness in delicate viewers. You almost get the sense that Marvel are doing a Dr Strange movie at this point just to tick a box, but if nothing else it promises to move this series in some interesting new directions. More movies should have a harpsichord on the soundtrack.

Awix (3310 KP) rated Ant-Man (2015) in Movies
Jun 9, 2018 (Updated Jun 9, 2018)
Long-in-the-works Marvel movie gets around lack of big names and (if we're totally honest) significance to the ongoing MCU meta-plot through sheer good humour, inventiveness, and charm. Loveable rogue gets recruited by curmudgeonly ex-superhero to take on his mantle as very tiny special operative Ant-Man. Possibly most famous for the fact that original writer-director Edgar Wright was fired from the movie, allegedly for refusing to stick with the Marvel house style - his influence over the movie is still very noticeable to the discerning, though.
Absolute originality probably isn't the movie's strong point (it is sort of vaguely reminiscent of various other movies in the series), but the caper-heist plot structure is at least a little bit different, as is the 'people get really tiny' schtick. Also, compared to the movies on either side of this one it's a relief to see something not in danger of buckling under its own weight. Doesn't take itself too seriously; piles of fun.
Absolute originality probably isn't the movie's strong point (it is sort of vaguely reminiscent of various other movies in the series), but the caper-heist plot structure is at least a little bit different, as is the 'people get really tiny' schtick. Also, compared to the movies on either side of this one it's a relief to see something not in danger of buckling under its own weight. Doesn't take itself too seriously; piles of fun.

Steve Fearon (84 KP) rated St. Osmunds (2013) in Movies
Sep 12, 2018
Strong ideas, but misses the mark
St Osmunds is a mixture of found footage and traditional shooting, following two guys that are making a documentary about an Insane Asylum that closed under mysterious circumstances.
There is some nicely placed humour at times, and a great red-herring/meta humour joke quite early on that really surprised me, and the dialogue is actually not the worst, considering how badly low budget horror treats scripts normally.
The plot is ambitious, at times quite interesting but all too often it falls a little short of its goal, leaving the viewer confused as to what is happening.
This may just be due to inexperience on behalf of those involved, or a deliberate attempt to at making a mysterious film, but either way its a slightly chaotic ride.
This is a film for people interested in interesting concepts and twists, but not one if you are expecting a high budget affair.
There is some nicely placed humour at times, and a great red-herring/meta humour joke quite early on that really surprised me, and the dialogue is actually not the worst, considering how badly low budget horror treats scripts normally.
The plot is ambitious, at times quite interesting but all too often it falls a little short of its goal, leaving the viewer confused as to what is happening.
This may just be due to inexperience on behalf of those involved, or a deliberate attempt to at making a mysterious film, but either way its a slightly chaotic ride.
This is a film for people interested in interesting concepts and twists, but not one if you are expecting a high budget affair.

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