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A suspenseful read about the ownership of stories
Jacob Finch Bonner, the once promising author of the debut novel The Invention of Wonder, is now a struggling writer teaching at Ripley College in Vermont. At Ripley, basically anyone can attend to receive a MFA. This includes Evan Parker, a pompous jerk who declares he doesn't need Jake--or anyone's--help to make his novel a success. But when Evan actually deigns to share his plot with Jake, Jake can't help but agree. He waits for Evan's inevitable success, but it never comes. When he learns that Evan has died--without having published his book--Jake feels that his story must be told. So Jake writes it, and he is soon basking in the success he was so sure Evan would have. He's rich, famous, and touring the country on a book tour. But then he receives the first email: "You are a thief." Jake feels everything he has about to slip away. As the threats increase, Jake begins to dig into Evan's past. What he finds is horrifying--he may not be the only one who stole this story--and the consequences could be deadly.
"All Jacob Finch Bonnner had ever wanted to be was a writer."
THE PLOT starts off slowly, but then takes off, becoming a compulsively readable thriller. It's incredibly ominous and creepy and peppered with reading and writer references. If you love to read, or write, there's a whole meta layer to this book. (Not to mention, we get pieces of Jake's "stolen" novel within our novel as well.) Slowly everything untangles: Jacob's plot, Evan's life, and more.
"Evan Parker had been entirely correct: the worst writer on the planet could not mess up a plot like this."
The book builds on, year by year, as Jacob moves from his struggling writer days to a successful and famous novelist. I had an inkling of some of what happened, but enjoyed reading to see if I was right. Jake isn't exactly a sympathetic character, but he's fascinating, and the book certainly makes you think.
It's best to go into THE PLOT blind, so I don't want to reveal too much. But I stayed up late to finish it, because it's quite captivating--and different. I certainly recommend it. 4 stars.
"All Jacob Finch Bonnner had ever wanted to be was a writer."
THE PLOT starts off slowly, but then takes off, becoming a compulsively readable thriller. It's incredibly ominous and creepy and peppered with reading and writer references. If you love to read, or write, there's a whole meta layer to this book. (Not to mention, we get pieces of Jake's "stolen" novel within our novel as well.) Slowly everything untangles: Jacob's plot, Evan's life, and more.
"Evan Parker had been entirely correct: the worst writer on the planet could not mess up a plot like this."
The book builds on, year by year, as Jacob moves from his struggling writer days to a successful and famous novelist. I had an inkling of some of what happened, but enjoyed reading to see if I was right. Jake isn't exactly a sympathetic character, but he's fascinating, and the book certainly makes you think.
It's best to go into THE PLOT blind, so I don't want to reveal too much. But I stayed up late to finish it, because it's quite captivating--and different. I certainly recommend it. 4 stars.
LeftSideCut (3778 KP) rated The Matrix Resurrections (2021) in Movies
Dec 25, 2021 (Updated Dec 30, 2021)
Before watching The Matrix Resurrections, I was pretty much in the mindset that it didn't need to exist. The finished product did nothing to change my mind, however, it was entertaining enough that I genuinely enjoyed being back in this universe for another spin.
The whole narrative kind of felt inconsequential. Whereas in the original trilogy, Neo was woken up to save humanity. This time round, he's woken up for reasons that aren't made clear whatsoever, or at least, if they were then I completely missed them. By the time the story concludes, I found myself thinking "that was cool, but did anything actually happen?"
Like so many franchises these days, Resurrections leans heavily into nostalgia territory. I'm indifferent to this in all honesty. I see why some take issue with it, but I don't hate it. It doesn't feel too over the top, but the movie tries to get away with it by including a lot of meta dialogue about sequels and reboots. Some if it lands, some of it is horrifically on the nose. All of this combined really gives the impression that Resurrections purely exists to make money. The original sequels are riddled with issues, but at least it felt like a story was being told.
All of this being said, I still had a damn good time. It's a pleasure to see Keanu Reeves and Carrie-Anne Moss back together, and it successfully hammers home that The Matrix was always centered around the love between Neo and Trinity. The supporting cast ain't too shabby either. Jessica Henwick is great, as is Yahya Abdul-Mateen and Neil Patrick Harris. The action scenes don't quite reach iconic status, but are still a blast to watch unfold, and the whole thing is visually pleasing, as is expected.
Resurrections is ultimately a mixed bag. There's plenty of material to enjoy, but there's equally a whole bunch of ideas that aren't executed particularly well. Unfortunately for any films that followed, the original movie is pretty much untouchable, but to its credit, Resurrections doesn't flinch in its commitment to remain part of a layered sci-fi saga, despite its blockbuster status, and for that, I can respect what Lana Wachowski has cooked up, even if it feels a little shallow at times.
The whole narrative kind of felt inconsequential. Whereas in the original trilogy, Neo was woken up to save humanity. This time round, he's woken up for reasons that aren't made clear whatsoever, or at least, if they were then I completely missed them. By the time the story concludes, I found myself thinking "that was cool, but did anything actually happen?"
Like so many franchises these days, Resurrections leans heavily into nostalgia territory. I'm indifferent to this in all honesty. I see why some take issue with it, but I don't hate it. It doesn't feel too over the top, but the movie tries to get away with it by including a lot of meta dialogue about sequels and reboots. Some if it lands, some of it is horrifically on the nose. All of this combined really gives the impression that Resurrections purely exists to make money. The original sequels are riddled with issues, but at least it felt like a story was being told.
All of this being said, I still had a damn good time. It's a pleasure to see Keanu Reeves and Carrie-Anne Moss back together, and it successfully hammers home that The Matrix was always centered around the love between Neo and Trinity. The supporting cast ain't too shabby either. Jessica Henwick is great, as is Yahya Abdul-Mateen and Neil Patrick Harris. The action scenes don't quite reach iconic status, but are still a blast to watch unfold, and the whole thing is visually pleasing, as is expected.
Resurrections is ultimately a mixed bag. There's plenty of material to enjoy, but there's equally a whole bunch of ideas that aren't executed particularly well. Unfortunately for any films that followed, the original movie is pretty much untouchable, but to its credit, Resurrections doesn't flinch in its commitment to remain part of a layered sci-fi saga, despite its blockbuster status, and for that, I can respect what Lana Wachowski has cooked up, even if it feels a little shallow at times.
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Daniel Boyd (1066 KP) rated Deadpool (2016) in Movies
Jul 21, 2017
Ryan Reynolds (2 more)
Hilarious Throughout
Energetic Score
Even Better Than A Chimichanga
Many thought that this movie would never get made, but I am very glad that it did. The movie serves as a long awaited origin story to Deadpool, that is fairly faithful to the comic book, at least more so than the previous iteration that we got of the character. Ryan Reynolds is fantastic in the Deadpool role, he truly was born to play the merc with a mouth in my opinion. Deadpool here is crass, funny, violent and energetic as well as being pretty faithful to comic book Deadpool, with the only thing missing from this version being the multiple voices in his head, but I am pretty sure that we will see that character trait develop in future Deadpool movies. The plot is pretty simple, we are introduced to Deadpool and shown how he got his powers after being diagnosed with incurable cancer via flashback. From there we basically follow him while he attempts to track down Ajax, or Francis, (the guy that turned him into Deadpool and made him deformed,) so that he can cure his skin and give him back his good looks. The one thing that was always going to either make or break this movie, was the humour. However they capture the meta humour perfectly here, which is an essential component of what makes up this character and is one of the main reasons why so many people love him. The movie is chock full of clever fourth wall breaks and pop culture references. The film was granted an R rating by the studio and the filmmakers take full advantage of that fact, with constant blood splatter and f-bombs being dropped left and right. The hip hop based score adds to the energetic tone of the movie and the action scenes are exciting throughout.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
Gareth von Kallenbach (980 KP) rated The Expendables (2010) in Movies
Aug 8, 2019
The latest from Sylvester Stallone since 2008’s Rambo, The Expendables is a movie where the testosterone flows like enemy blood. Both movies have similar themes of redemption, regret, and courage, and also thankfully similar is that the moments of awesomeness are plentiful. The Expendables put up a lot of hype, and it had a lot to live up to with it’s cast of action star greats, but it doesn’t let the audience down. It’s not the cerebral meta-violence of Inglorious Basterds, but a simpler, old-school, fun action movie kind of violence. You can root for your favorite action hero, watch them kick a little bad-guy ass, and sit back and enjoy the show.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
Atypical Plays for Atypical Actors
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Although disabled characters appear often in plays within the Western theatrical tradition, seldom...