Search
Search results
Movie Metropolis (309 KP) rated Season of the Witch (2011) in Movies
Jun 11, 2019
Nicholas Cage, Warriors, Demons, Witcraft; Season of the Witch really does have it all. However, all that appears interesting is lost in Dominic Sena’s (Whiteout) bland and forgettable biblical road movie.
Whilst it may not be the worst film in the past twelve months, something which still seemingly belongs to Clash of the Titans, there is little here to differentiate it from the frequent blockbuster drivel that Hollywood seems to spit out these days.
Nicholas Cage and Ron Perlman star alongside a host of two dimensional characters which bizzarly includes home grown star Robert Sheehan (Misfits) who perhaps plays the films best role in newfound warrior Kay. Unfortunately, his stellar performance is overshadowed by a script that’s as bland as the special effects.
The saving grace of the film is in its fabulous set pieces which really do shine through, the choice of location and fabulous cinematography especially in the early battle sequences are fantastic and made the film look like it was going to be more of a success than it actually was. It is here that Sena must be given credit as the movie could’ve been much better if it had followed from the quality of the opening.
It is important to note that the CGI and special effects are not being praised here because on a budget of around $40m, the designers could’ve done a whole lot better than some very questionable looking wolves and melting metal.
Cage, who isn’t without his fair share of criticism as an actor is completely miscast in his role, speaking contrived one-liners that won’t shake off those critics who say he cannot act in anything but action movies, but to be fair, this is not entirely his fault, the script leaves much to be desired and poor old Nick is stuck slap bang in the middle, sitting on the fence between his wrongful characterisation and his need to please the critics.
Alongside Cage is Claire Foy, a relatively unknown actress trying to make a big budget breakthrough as ‘the girl’, a rather unfair accreditation at the end of the film. She actually plays the ‘witch’ and does so well, but there isn’t enough dialogue for her to become a central role in the film, so in the end, she sits in a cage for the entire duration and looks menacing; if that’s what you want to call it. This is a problem that blights the entire film, there are only a handful of characters but the alarmingly poor script means that much of what they say is forgotten.
Overall, director Dominic Sena has missed a trick with this biblical tale, unfortunately it doesn’t do enough to make it stand out and therefore it’s lost in a muddle of poor scriptwriting and poor special effects. However, a few standout performances do save it from being a complete disaster and as such, it just about becomes a passable tale.
https://moviemetropolis.net/2011/01/12/season-of-the-witch-2011/
Whilst it may not be the worst film in the past twelve months, something which still seemingly belongs to Clash of the Titans, there is little here to differentiate it from the frequent blockbuster drivel that Hollywood seems to spit out these days.
Nicholas Cage and Ron Perlman star alongside a host of two dimensional characters which bizzarly includes home grown star Robert Sheehan (Misfits) who perhaps plays the films best role in newfound warrior Kay. Unfortunately, his stellar performance is overshadowed by a script that’s as bland as the special effects.
The saving grace of the film is in its fabulous set pieces which really do shine through, the choice of location and fabulous cinematography especially in the early battle sequences are fantastic and made the film look like it was going to be more of a success than it actually was. It is here that Sena must be given credit as the movie could’ve been much better if it had followed from the quality of the opening.
It is important to note that the CGI and special effects are not being praised here because on a budget of around $40m, the designers could’ve done a whole lot better than some very questionable looking wolves and melting metal.
Cage, who isn’t without his fair share of criticism as an actor is completely miscast in his role, speaking contrived one-liners that won’t shake off those critics who say he cannot act in anything but action movies, but to be fair, this is not entirely his fault, the script leaves much to be desired and poor old Nick is stuck slap bang in the middle, sitting on the fence between his wrongful characterisation and his need to please the critics.
Alongside Cage is Claire Foy, a relatively unknown actress trying to make a big budget breakthrough as ‘the girl’, a rather unfair accreditation at the end of the film. She actually plays the ‘witch’ and does so well, but there isn’t enough dialogue for her to become a central role in the film, so in the end, she sits in a cage for the entire duration and looks menacing; if that’s what you want to call it. This is a problem that blights the entire film, there are only a handful of characters but the alarmingly poor script means that much of what they say is forgotten.
Overall, director Dominic Sena has missed a trick with this biblical tale, unfortunately it doesn’t do enough to make it stand out and therefore it’s lost in a muddle of poor scriptwriting and poor special effects. However, a few standout performances do save it from being a complete disaster and as such, it just about becomes a passable tale.
https://moviemetropolis.net/2011/01/12/season-of-the-witch-2011/
Kristy H (1252 KP) rated Never Have I Ever in Books
Jul 8, 2019
After a childhood where she never felt good enough, Amy Whey finally has her perfect life. A loving husband, a feisty fifteen-year-old stepdaughter, and a sweet baby boy. She even has a best friend, Charlotte, to hang out with in her suburban neighborhood. It's at Charlotte's book group when everything changes: with the appearance of Roux, a new neighbor. Roux is gorgeous and charming and soon all the book group ladies are happily drinking wine and spilling their secrets during Roux's Never Have I Ever game. But Amy can sense Roux's sinister side from the start. And sure enough, before she knows it, Roux comes to Amy. She knows Amy isn't so perfect after all. She knows a big, dark secret about Amy's past. And if Amy doesn't give Roux exactly what she wants, she's going to make Amy pay, tearing down the perfect life she's so carefully built.
"The game was Roux's idea. More than an idea. A plan. She made it up herself, this shotgun of a game. She packed it tight with salt and metal, counting on collateral damage, too, but she aimed it straight at me. She said it was like Never Have I Ever, but not any version I'd ever played."
Well, this was an interesting one, I must say. It's the epitome of domestic thriller, I suppose: a mix of character-driven fiction and thriller/mystery. The beginning was tough for me: it felt slow, as I waited for things to heat up. The language is rather flowery at times, making some scenes seem long. And some of the real action felt bogged down by Amy and Roux's interactions, as they chattered and bantered--either in person or in Amy's head--while they played their twisted little games. Enough, enough, just get to the point!
"Her hands were not empty after all. They were holding my history, invisible but so very heavy. I could almost see it in her hands."
That said, once things picked up, I enjoyed this much more. When the twists arrive, they are very twisty and fun, and often quite surprising. Roux is appropriately hateful, and Amy is a bit whiny, but it's okay when everything is collapsing and you're trying to figure out where this is all going. This one trailed dangerously close to my pet peeve of "main character with secret, where the book would have no point if they'd just man up and tell someone," but once some of the twists came out, I could at least understand Amy's point of view, if not exactly empathize with her. Jackson gives us a rather dark tale, which, you know, is appreciated. If these two women are going to battle each other, it might as well be grim, right?
Overall, this book starts slow, but once it gets going it's enjoyable twisty, dark, and macabre. It was a different sort of tale, but worth the read. 3.5 stars.
"The game was Roux's idea. More than an idea. A plan. She made it up herself, this shotgun of a game. She packed it tight with salt and metal, counting on collateral damage, too, but she aimed it straight at me. She said it was like Never Have I Ever, but not any version I'd ever played."
Well, this was an interesting one, I must say. It's the epitome of domestic thriller, I suppose: a mix of character-driven fiction and thriller/mystery. The beginning was tough for me: it felt slow, as I waited for things to heat up. The language is rather flowery at times, making some scenes seem long. And some of the real action felt bogged down by Amy and Roux's interactions, as they chattered and bantered--either in person or in Amy's head--while they played their twisted little games. Enough, enough, just get to the point!
"Her hands were not empty after all. They were holding my history, invisible but so very heavy. I could almost see it in her hands."
That said, once things picked up, I enjoyed this much more. When the twists arrive, they are very twisty and fun, and often quite surprising. Roux is appropriately hateful, and Amy is a bit whiny, but it's okay when everything is collapsing and you're trying to figure out where this is all going. This one trailed dangerously close to my pet peeve of "main character with secret, where the book would have no point if they'd just man up and tell someone," but once some of the twists came out, I could at least understand Amy's point of view, if not exactly empathize with her. Jackson gives us a rather dark tale, which, you know, is appreciated. If these two women are going to battle each other, it might as well be grim, right?
Overall, this book starts slow, but once it gets going it's enjoyable twisty, dark, and macabre. It was a different sort of tale, but worth the read. 3.5 stars.
Emma @ The Movies (1786 KP) rated Zombieland: Double Tap (2019) in Movies
Dec 8, 2019
I think it was a fairly safe bet to assume this was going to be entertaining. Comedy hijinks and zombies? Yes please!
Our band of merry zombie hunters have been living a great life in what's left of the world since the zombie legion rose, but things are becoming a little too samey. Little Rock is growing up and looking for something more than just their dysfunctional family, so when the first eligible bachelor appears she's all for leaving.
Wichita is set on going after her, the hippy boyfriend was headed to Babylon, a utopia of peace where there's no need of weapons, so that's where they're headed. Trouble is, they're not the only ones.
You can't be mad at this film, it's so much fun. Every time I think of Harrelson's gleeful face as he bodyslams a zombie I get a warm feeling inside. I love the way it mocks itself in the recap intro. I don't think there's a single thing in this movie I didn't like. It was pure pedal to the metal fun and it made a great break from a lot of the serious things I've been watching recently.
I always think that these sorts of things can be judged at least partly on its audience. There were teens and OAPs, couples, loners, groups of friends, it was such a cross-section. From what I could tell we were all laughing and having a good time. Any film that can do that has got its balance right.
The only I could grumble about is actually in the trailer, we get the inclusion of a Bill Murray scene and being that it isn't in the actual film seems like a bit of a daft thing to give away. The full scene is great but I don't know that putting it in the trailer made any difference to anyone wanting to see the film.
Continuing a story so long after the original was going to be difficult but I think the path they chose to go down nicely brought the characters back for us. It made sense where they focused the change and they managed to get across the jump of time really well. I still have my doubts about surviving in an apocalypse, but for the sake of this comedy I'm willing to overlook them.
The cast were great again, though Breslin didn't seem to have much enthusiasm for her part. The star-studded support cast helped to break the film up and add something even dafter into the mix. Luke Wilson and Thomas Middleditch made fun doppelgangers but the gag might have gone on a little too long.
Double Tap still makes great action like the original, the opening sequence that we partially see during the trailers brought a smile to my face. The all-out murdery goodness really does calm the soul.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/zombieland-double-tap-movie-review.html
Our band of merry zombie hunters have been living a great life in what's left of the world since the zombie legion rose, but things are becoming a little too samey. Little Rock is growing up and looking for something more than just their dysfunctional family, so when the first eligible bachelor appears she's all for leaving.
Wichita is set on going after her, the hippy boyfriend was headed to Babylon, a utopia of peace where there's no need of weapons, so that's where they're headed. Trouble is, they're not the only ones.
You can't be mad at this film, it's so much fun. Every time I think of Harrelson's gleeful face as he bodyslams a zombie I get a warm feeling inside. I love the way it mocks itself in the recap intro. I don't think there's a single thing in this movie I didn't like. It was pure pedal to the metal fun and it made a great break from a lot of the serious things I've been watching recently.
I always think that these sorts of things can be judged at least partly on its audience. There were teens and OAPs, couples, loners, groups of friends, it was such a cross-section. From what I could tell we were all laughing and having a good time. Any film that can do that has got its balance right.
The only I could grumble about is actually in the trailer, we get the inclusion of a Bill Murray scene and being that it isn't in the actual film seems like a bit of a daft thing to give away. The full scene is great but I don't know that putting it in the trailer made any difference to anyone wanting to see the film.
Continuing a story so long after the original was going to be difficult but I think the path they chose to go down nicely brought the characters back for us. It made sense where they focused the change and they managed to get across the jump of time really well. I still have my doubts about surviving in an apocalypse, but for the sake of this comedy I'm willing to overlook them.
The cast were great again, though Breslin didn't seem to have much enthusiasm for her part. The star-studded support cast helped to break the film up and add something even dafter into the mix. Luke Wilson and Thomas Middleditch made fun doppelgangers but the gag might have gone on a little too long.
Double Tap still makes great action like the original, the opening sequence that we partially see during the trailers brought a smile to my face. The all-out murdery goodness really does calm the soul.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/zombieland-double-tap-movie-review.html
Gareth von Kallenbach (980 KP) rated The Internship (2013) in Movies
Aug 7, 2019
In The Internship, Vince Vaughn and Owen Wilson play Billy and Nick, two men in a profession that is sorely outdated. They are watch salesmen in a world where more people use their cell phones as time pieces than hunks of metal/plastic on their wrists. When their company shuts down because of this, Billy and Nick suddenly realize they don’t have any real skills, other than being excellent salesmen. Nick accepts a job working for his sister’s tatted-up boyfriend in a mattress store, while Billy is recovering from being unceremoniously dumped by his girlfriend after their house goes into foreclosure. So in a desperate bid to find jobs online, Billy stumbles across an unlikely possibility for the two of them: an internship at Google.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
ARK Survival Evolved
7.0
Rate It
Video Game
Stranded on the shores of a mysterious island, you must learn to survive. Use your cunning to kill...
Forgotten Memories: Alternate Realities
Games and Entertainment
App
Finalist in the CVA videogames awards 2015. Nominations: Best Audio, Best Original Music, Best Indie...
The Survivor: Rusty Forest
Games and Entertainment
App
Welcome to the world of "The Survivor", hit by unknown virus which has wiped out most of the world's...
Walk Band - Multitracks Music
Music
App Watch
Walk Band is a music studio (a toolkit of virtual musical instruments) customized for Android. It...
music
La Correa De Kiko
Catalogs and Lifestyle
App
``LA CORREA DE KIKO`` & PIERO MAGLI Piero Magli Watch Straps Piero Magli nace en 1989, en...
Charlie Cobra Reviews (1840 KP) rated the PlayStation 4 version of Samurai Warriors 5 in Video Games
Sep 14, 2021 (Updated Sep 14, 2021)
Revamped art style and character designs (1 more)
All new weapon system
Character animations are a bit stiff in scenes with dialogue (1 more)
Battle music can be repetitive
Fantastic Return For The Warriors Series
Samurai Warriors 5 is a 2021 hack and slash, action, "Musou/Warriors" game developed by Omega Force and published by Koei Tecmo. It is available on PS4, Xbox One, Nintendo Switch and PC, with current gen consoles not featuring an upgraded version yet. The fifth installment in the series, it is a re-imagining as almost everything from art style to character designs has been revamped. The story has been redone as well, focusing mainly on Nobunaga Oda and Mitsuhide Akechi, up to the events of the Honno-ji incident.
Play as the legends of the Sengoku Era of Japanese history in this epic "Warriors" game. Samurai Warriors 5 has been revamped with a new art style and an all new weapon system allowing characters to utilize any weapon in a large arsenal as you mow down hundreds of soldiers from opposing armies. Every weapon has special moves to use in combat and can be upgraded in the blacksmith menu. Characters have a simplistic skill tree and some also have ultimate moves. A stable menu is available to upgrade and train horses you acquire as well. There are two game modes: Musou Mode, which is a mission based story mode and Citadel Mode, which is an extra game mode in which you defend a base while completing different objectives to get the highest score you can.
Utilizing new character designs and a new art style based on Japanese paintings, Samurai Warriors has never looked so good. Musou attacks look great with some ending in a character posing for a painting. Character animations are great in battle but a little stiff in scenes with dialogue, however, the cutscenes are well done.
Battle music can get repetitive but if you love the "Warriors" series it's what you've come to expect. Classic "Warriors" style music with epic rock/metal guitar riffs are mixed with the traditional Japanese style music, although with more emphasis on the latter. Overall the music is very enjoyable. The sound design for weapon combos gives you a good sense of impact too and really makes you feel like you're doing damage.
Samurai Warriors 5 is the tale of Nobunaga Oda, the legendary Japanese Daimyo (Lord) on his quest to unify all the lands of Japan and bring peace to it's people. This game is based off of historical records of Nobunaga's life and that of Mitsuhide Akechi with many liberties taken to romanticize real life historical accounts. The plot follows them through their lives, up to the incident at Honno-ji.
Verdict: [7/10]
A fantastic return to form for the "Warriors" series after the abysmal Dynasty Warriors 9. The new art style is a refreshing take and gameplay innovates while simultaneously not alienating lovers of past games in the series.
Play as the legends of the Sengoku Era of Japanese history in this epic "Warriors" game. Samurai Warriors 5 has been revamped with a new art style and an all new weapon system allowing characters to utilize any weapon in a large arsenal as you mow down hundreds of soldiers from opposing armies. Every weapon has special moves to use in combat and can be upgraded in the blacksmith menu. Characters have a simplistic skill tree and some also have ultimate moves. A stable menu is available to upgrade and train horses you acquire as well. There are two game modes: Musou Mode, which is a mission based story mode and Citadel Mode, which is an extra game mode in which you defend a base while completing different objectives to get the highest score you can.
Utilizing new character designs and a new art style based on Japanese paintings, Samurai Warriors has never looked so good. Musou attacks look great with some ending in a character posing for a painting. Character animations are great in battle but a little stiff in scenes with dialogue, however, the cutscenes are well done.
Battle music can get repetitive but if you love the "Warriors" series it's what you've come to expect. Classic "Warriors" style music with epic rock/metal guitar riffs are mixed with the traditional Japanese style music, although with more emphasis on the latter. Overall the music is very enjoyable. The sound design for weapon combos gives you a good sense of impact too and really makes you feel like you're doing damage.
Samurai Warriors 5 is the tale of Nobunaga Oda, the legendary Japanese Daimyo (Lord) on his quest to unify all the lands of Japan and bring peace to it's people. This game is based off of historical records of Nobunaga's life and that of Mitsuhide Akechi with many liberties taken to romanticize real life historical accounts. The plot follows them through their lives, up to the incident at Honno-ji.
Verdict: [7/10]
A fantastic return to form for the "Warriors" series after the abysmal Dynasty Warriors 9. The new art style is a refreshing take and gameplay innovates while simultaneously not alienating lovers of past games in the series.
