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BankofMarquis (1832 KP) rated Ant-Man and The Wasp: Quantumania (2023) in Movies
Mar 18, 2023
Middle of the Road Marvel
The good news for long-time, hard core Marvel Cinematic Universe fans is that the next “big bad” in the Marvel Cinematic Universe has been unleashed and we will now get to see “Kang The Conqueror” (in his permutations) battling our heroes for the foreseeable future.
The bad news is that for casual fans – and folks that are just plain tired of the MCU – things are going to get more complex and convoluted as the MCU heads deeper into the “Comic Bookiness” of their source material.
Such is the case with ANT-MAN AND THE WASP: QUANTUMANIA, the 3rd standalone Ant Man film starring Paul Ruud, Evangeline Lilly and Michael Douglas. It is a very “Comic Bookie” film in that it takes the audience to the “Quantum Realm” and all the quirky characters and locations therein.
Director Peyton Reed (who helmed the previous 2 Ant-Man films) leans into this “Comic Bookieness” in that he accents the weird and bizarre and creates comic-book-like panels on the images on the screen. Consequently, this makes the film interesting to look at, but for the most part, there is not much substance under the surface.
For their part, Ruud, Lilly, Douglas, Michelle Pfeiffer (returning from the 2nd Ant-Man film) and newcomer Kathryn Newton (taking over the role of Ruud’s daughter, Cassie) are game in what they are asked to work with and react to (mostly to a green screen with CGI filled in later) and they all are winning (enough) presences on screen to spend a very enjoyable time with.
Jonathan Majors is on-board as Kang the Conqueror (a version of him was seen at the end of the first season of the Disney+ series LOKI) and he brings his considerable acting chops, gravitas and weight to the proceedings. He is a force to be reckoned with which was apparent from almost the first time he commanded the screen in this film. It will be interesting to see where he takes things from here.
The problem with this film is that it is (mostly) style with very little substance. Necessarily, the plot drives a more dramatic, darker theme to this Ant-Man film than in previous outings and the film suffers because of it. One of the charms of the Ant-Man films is that Director Reed was able to lean into the inherent goofiness of Paul Ruud and the absurd idea of him being able to shrink. That quirkiness and sense of fun is gone – as are regular characters played in the past 2 films by the likes of Bobby Canavale, Judy Greer, Randall Park (who has a blink or you’ll miss him cameo) and (most egregiously) Michael Pena.
What they are replaced by are some quirky “Quantum Realm” characters – most of whom are CGI and are voiced by some very good voice performers – it just doesn’t hit the same, since the overall theme is darker. Katy M. O’Brian and William Jackson Harper (who is rounding into a very intriguing performer) bring gusto to their roles as a few members of the Quantum realm, which helps pick up the sagginess of this film, but not enough. Not even a Bill Murray appearance can elevate this film to something funner than it is.
All in all a “fine” entry in the Marvel Cinematic Universe – and one that will remind you very much that you are watching a film based on Comic Book characters – but it falls squarely in the middle of the MCU entries...a catalogue of which is becoming very deep (maybe too deep), indeed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The bad news is that for casual fans – and folks that are just plain tired of the MCU – things are going to get more complex and convoluted as the MCU heads deeper into the “Comic Bookiness” of their source material.
Such is the case with ANT-MAN AND THE WASP: QUANTUMANIA, the 3rd standalone Ant Man film starring Paul Ruud, Evangeline Lilly and Michael Douglas. It is a very “Comic Bookie” film in that it takes the audience to the “Quantum Realm” and all the quirky characters and locations therein.
Director Peyton Reed (who helmed the previous 2 Ant-Man films) leans into this “Comic Bookieness” in that he accents the weird and bizarre and creates comic-book-like panels on the images on the screen. Consequently, this makes the film interesting to look at, but for the most part, there is not much substance under the surface.
For their part, Ruud, Lilly, Douglas, Michelle Pfeiffer (returning from the 2nd Ant-Man film) and newcomer Kathryn Newton (taking over the role of Ruud’s daughter, Cassie) are game in what they are asked to work with and react to (mostly to a green screen with CGI filled in later) and they all are winning (enough) presences on screen to spend a very enjoyable time with.
Jonathan Majors is on-board as Kang the Conqueror (a version of him was seen at the end of the first season of the Disney+ series LOKI) and he brings his considerable acting chops, gravitas and weight to the proceedings. He is a force to be reckoned with which was apparent from almost the first time he commanded the screen in this film. It will be interesting to see where he takes things from here.
The problem with this film is that it is (mostly) style with very little substance. Necessarily, the plot drives a more dramatic, darker theme to this Ant-Man film than in previous outings and the film suffers because of it. One of the charms of the Ant-Man films is that Director Reed was able to lean into the inherent goofiness of Paul Ruud and the absurd idea of him being able to shrink. That quirkiness and sense of fun is gone – as are regular characters played in the past 2 films by the likes of Bobby Canavale, Judy Greer, Randall Park (who has a blink or you’ll miss him cameo) and (most egregiously) Michael Pena.
What they are replaced by are some quirky “Quantum Realm” characters – most of whom are CGI and are voiced by some very good voice performers – it just doesn’t hit the same, since the overall theme is darker. Katy M. O’Brian and William Jackson Harper (who is rounding into a very intriguing performer) bring gusto to their roles as a few members of the Quantum realm, which helps pick up the sagginess of this film, but not enough. Not even a Bill Murray appearance can elevate this film to something funner than it is.
All in all a “fine” entry in the Marvel Cinematic Universe – and one that will remind you very much that you are watching a film based on Comic Book characters – but it falls squarely in the middle of the MCU entries...a catalogue of which is becoming very deep (maybe too deep), indeed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated The French Dispatch (2021) in Movies
Jan 4, 2022
Weak Stories Can't Support the STUNNING Visuals
Filmmaker Wes Anderson is an acquired taste. He is one of the most visually stunning filmmakers working today, but his films are often time difficult to grasp and can get lost in their own weirdness.
Such is the case with his latest effort THE FRENCH DISPATCH. It is a visually STUNNING film that you can turn the sound off and just drink in the images depicted on screen with your eyes - but the story these pictures tell was, unfortunately, not all that compelling.
Starring Bill Murray, Tilda Swinton, Frances McDormand, Jeffrey Wright and a whole bundle of known stars, THE FRENCH DISPATCH tells the story of a Sunday Newspaper insert called THE FRENCH DISPATCH (think PARADE MAGAZINE). The quirk of the FRENCH DISPATCH is that this insert in the Liberty, Kansas paper in the 1930’s(or so) focuses solely on the goings-on of the French town of Enui. Stories told in the flavor of the New Yorker.
So…this setup is just, really, an excuse to tell 3 different short stories and tie them together with an overarching theme - getting the French Dispatch ready to publish. A good enough excuse for a movie - provided that the 3 stories being told are interesting enough - which they are not (and therein lies the issue with this film).
Bill Murray is a congenial enough host of this party as the Editor of The French Dispatch. His character is the “through line” of this film and if you are going to anchor an anthology film with a character/actor, then Bill Murray is a pretty good anchor.
The first story, telling of a life-imprisoned person (Benicio Del Toro) who finds a muse (Lea Seydoux) and becomes a world famous artist, thanks to the efforts of his patron (Adrian Brody) is the best of the bunch. This story is written/narrated by a character played by Tilda Swinton and it is her performance that is the highlight of the film for me. Because of this narration - and because this is the best written/most interesting and best acted of the 3 stories (by Del Toro, Seydoux and Brody), I was excited as to where this film was going to go from here.
Unfortunately, that direction was down.
The 3rd story - narrated by a character played by Jeffrey Wright about a Police Commissioner’s son who is kidnapped is absurb - and almost succeeds when Anderson decides to animate the car chase - but ultimately isn’t quite as good as the first piece.
And then there is the middle part that stars Timothee Chalamet as a student that starts a rebellion. This part is written/narrated by a character played by Frances McDormand and while these 2 are “game” for what is given to them, the story is not compelling and, to be honest, a bit boring. This middle story (the longest of the 3 tales) is where the movie loses it’s footing.
And that’s too bad for Anderson - as is his custom - fills every frame with interesting pictures/visuals that are a marvel to look at and fills almost every minor role with some sort of major star looking to work with him. Almost the best part of this film was to spot the star in a cameo role. Willem DaFoe, Saoirse Ronan, Liev Schrieber, the “Fonz” himself, Henry Winkler, Cristoph Walz and Anderson “regulars” Jason Schwartman, Edward Norton and Owen Wilson (amongst others) all show up - briefly - to lend their talents to this absurdity.
Well worth checking out for the visuals, just don’t look for much in the way of plot or drama.
Letter Grade: B (did I mention that the visuals are STUNNING?)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with his latest effort THE FRENCH DISPATCH. It is a visually STUNNING film that you can turn the sound off and just drink in the images depicted on screen with your eyes - but the story these pictures tell was, unfortunately, not all that compelling.
Starring Bill Murray, Tilda Swinton, Frances McDormand, Jeffrey Wright and a whole bundle of known stars, THE FRENCH DISPATCH tells the story of a Sunday Newspaper insert called THE FRENCH DISPATCH (think PARADE MAGAZINE). The quirk of the FRENCH DISPATCH is that this insert in the Liberty, Kansas paper in the 1930’s(or so) focuses solely on the goings-on of the French town of Enui. Stories told in the flavor of the New Yorker.
So…this setup is just, really, an excuse to tell 3 different short stories and tie them together with an overarching theme - getting the French Dispatch ready to publish. A good enough excuse for a movie - provided that the 3 stories being told are interesting enough - which they are not (and therein lies the issue with this film).
Bill Murray is a congenial enough host of this party as the Editor of The French Dispatch. His character is the “through line” of this film and if you are going to anchor an anthology film with a character/actor, then Bill Murray is a pretty good anchor.
The first story, telling of a life-imprisoned person (Benicio Del Toro) who finds a muse (Lea Seydoux) and becomes a world famous artist, thanks to the efforts of his patron (Adrian Brody) is the best of the bunch. This story is written/narrated by a character played by Tilda Swinton and it is her performance that is the highlight of the film for me. Because of this narration - and because this is the best written/most interesting and best acted of the 3 stories (by Del Toro, Seydoux and Brody), I was excited as to where this film was going to go from here.
Unfortunately, that direction was down.
The 3rd story - narrated by a character played by Jeffrey Wright about a Police Commissioner’s son who is kidnapped is absurb - and almost succeeds when Anderson decides to animate the car chase - but ultimately isn’t quite as good as the first piece.
And then there is the middle part that stars Timothee Chalamet as a student that starts a rebellion. This part is written/narrated by a character played by Frances McDormand and while these 2 are “game” for what is given to them, the story is not compelling and, to be honest, a bit boring. This middle story (the longest of the 3 tales) is where the movie loses it’s footing.
And that’s too bad for Anderson - as is his custom - fills every frame with interesting pictures/visuals that are a marvel to look at and fills almost every minor role with some sort of major star looking to work with him. Almost the best part of this film was to spot the star in a cameo role. Willem DaFoe, Saoirse Ronan, Liev Schrieber, the “Fonz” himself, Henry Winkler, Cristoph Walz and Anderson “regulars” Jason Schwartman, Edward Norton and Owen Wilson (amongst others) all show up - briefly - to lend their talents to this absurdity.
Well worth checking out for the visuals, just don’t look for much in the way of plot or drama.
Letter Grade: B (did I mention that the visuals are STUNNING?)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated Yeah, but I Didn't in Books
Feb 15, 2020
I love books that deal with some sort of downward spiral. I don't mean that in a morbid sense. I just mean that I usually find them interesting. When I was presented with the opportunity of reading Yeah, but I Didn't by Ann Swann, I jumped at the chance.
Benji Stevens is a bright 14 year old high school girl. In fact, she's so smart, she's even skipped a grade in school. When something horrible happens to her one day at her house, her life begins to spiral out of control. With bad things happening right after one another, will Benji find the light at the end of the tunnel or will it be too late?
The premise for Yeah, but I Didn't is really interesting. There were some great aspects of this book. In fact, after reading this book, my new life motto is now, "You can’t control how other people treat you. But you CAN control how you react. And that’s how you take back your power." I love that quote, and it's said a few times throughout Yeah, but I Didn't. I liked the theme of hope and forgiveness towards the end of the book as well. Ann Swann did a fantastic job with her descriptive language at making it easy to picture each scene in the book. I found myself being transported to the setting of Yeah, But I Didn't whenever I started reading.
The characters in Yeah, but I Didn't felt fairly realistic throughout the novel, though Benji's character seemed more like she was 12 with how she would speak and act sometimes. I liked Benji though, and I admired her determination to get through this horrible part of her life. I enjoyed reading about Benji's mom and how (in the last quarter of the book) she turns to God to help her with everything. (Though this was a sudden shift and was a little jarring. The story went from no real mention of God to suddenly focusing on how God can help you.) Janie was a well-written character, but I just wanted to shake that girl sometimes for being so spiteful and horrible to her mom and Benji especially! My favorite characters were Uncle Aidan and Dr Blue. They always came across as being optimistic and wanting to help Benji be the best version of herself. I will also say that each character is described very well, so it's easy to picture each one as a real life person instead of just some character in a book.
As much as I enjoyed the book, there were things that didn't work for me. I found the pacing to be a bit too slow for my liking, and I felt like there was too much narrative description through much of the book; I didn't need to know exact details of every little thing. I could have done without the mention of politics in this book; it didn't seem necessary. And a pet peeve: it's mentioned that Benji and her uncle they order chicken nuggets from Sonic. Sonic does not do chicken nuggets; they do chicken strips, popcorn chicken, and boneless wings -- but never chicken nuggets!
I also felt like, although this book is considered a young adult book and deals with some heavy subject matters, it felt like it was written for a middle grade audience.
Trigger warnings for Yeah, but I Didn't include alcoholism, suicide, attempted suicide, teenage pregnancy, some violence, and attempted rape.
While I found Yeah, but I Didn't to be a bit of a slow read mostly, I do think younger teens that who are going through a dark patch in their life would enjoy this. I would recommend Yeah, but I Didn't by Ann Swann to those 14+ who need a bit of hope in their life.
--
(A special thank you to Lone Star Literary Life for providing me with an eBook of Yeah, but I Didn't by Ann Swann in exchange for an honest and unbiased review.)
Benji Stevens is a bright 14 year old high school girl. In fact, she's so smart, she's even skipped a grade in school. When something horrible happens to her one day at her house, her life begins to spiral out of control. With bad things happening right after one another, will Benji find the light at the end of the tunnel or will it be too late?
The premise for Yeah, but I Didn't is really interesting. There were some great aspects of this book. In fact, after reading this book, my new life motto is now, "You can’t control how other people treat you. But you CAN control how you react. And that’s how you take back your power." I love that quote, and it's said a few times throughout Yeah, but I Didn't. I liked the theme of hope and forgiveness towards the end of the book as well. Ann Swann did a fantastic job with her descriptive language at making it easy to picture each scene in the book. I found myself being transported to the setting of Yeah, But I Didn't whenever I started reading.
The characters in Yeah, but I Didn't felt fairly realistic throughout the novel, though Benji's character seemed more like she was 12 with how she would speak and act sometimes. I liked Benji though, and I admired her determination to get through this horrible part of her life. I enjoyed reading about Benji's mom and how (in the last quarter of the book) she turns to God to help her with everything. (Though this was a sudden shift and was a little jarring. The story went from no real mention of God to suddenly focusing on how God can help you.) Janie was a well-written character, but I just wanted to shake that girl sometimes for being so spiteful and horrible to her mom and Benji especially! My favorite characters were Uncle Aidan and Dr Blue. They always came across as being optimistic and wanting to help Benji be the best version of herself. I will also say that each character is described very well, so it's easy to picture each one as a real life person instead of just some character in a book.
As much as I enjoyed the book, there were things that didn't work for me. I found the pacing to be a bit too slow for my liking, and I felt like there was too much narrative description through much of the book; I didn't need to know exact details of every little thing. I could have done without the mention of politics in this book; it didn't seem necessary. And a pet peeve: it's mentioned that Benji and her uncle they order chicken nuggets from Sonic. Sonic does not do chicken nuggets; they do chicken strips, popcorn chicken, and boneless wings -- but never chicken nuggets!
I also felt like, although this book is considered a young adult book and deals with some heavy subject matters, it felt like it was written for a middle grade audience.
Trigger warnings for Yeah, but I Didn't include alcoholism, suicide, attempted suicide, teenage pregnancy, some violence, and attempted rape.
While I found Yeah, but I Didn't to be a bit of a slow read mostly, I do think younger teens that who are going through a dark patch in their life would enjoy this. I would recommend Yeah, but I Didn't by Ann Swann to those 14+ who need a bit of hope in their life.
--
(A special thank you to Lone Star Literary Life for providing me with an eBook of Yeah, but I Didn't by Ann Swann in exchange for an honest and unbiased review.)
BankofMarquis (1832 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jul 18, 2018
A fun, family friendly action comedy
JUMANJI was a fun film from the middle 1990's, starring the late, great ROBIN WILLIAMS. And, when I heard that they were making a sequel to this film 22 years later and starring Dwayne "The Rock" Johnson, I thought "no thanks" and even skipped seeking it out at movie theaters over the winter, even after I heard that it was "pretty fun".
I finally caught up to it on a recent flight and I have to admit - I was wrong for skipping this film JUMANJI: WELCOME TO THE JUNGLE is a fun romp with The Rock ably filling the lead role, aided by a strong supporting cast.
JUMANJI was about a board came come to life. JUMANJI: WELCOME TO THE JUNGLE has the same board game that morphs itself into a video game and when 4 High Schoolers stumble across it while serving detention, well...comedy - and adventure - ensue.
The four high schoolers are typical THE BREAKFAST CLUB stereotypes. The nerdy boy, the hot girl, the jock boy and the dorky girl. When these four are transported into the game they take on the outward appearance - and skills - of their video game characters - the nerdy body becomes the dashing hero (Dwayne "The Rock" Johnson). The hot girl becomes the dumpy (male!) professor (Jack Black). The jock becomes the un-athletic short kid (Kevin Hart) and the dorky girl becomes the kick-ass girl (Karen Gillan). It is the 4 actors playing their high school counterparts in their bodies that is the core of this film - and the center of the charm and fun of this film. All 4 shine. Johnson and Hart (back together after CENTRAL INTELLIGENCE) show that the chemistry they showed with each other in the previous film is no fluke. Gillan (Nebula in the GUARDIANS OF THE GALAXY films) shows that she can do kick-ass well - and with a wink in her eye. But it is the performance of Black that steals things. Someone said to me that Black was made to play a "hot high school girl" and I would have to agree. He almost steals the movie.
Director Jake Kasdan (the TV series NEW GIRL) understands what kind of film that he is making, so keeps the fun and action going at a superficial, almost cartoon level, never really stopping to breathe (or to think). He keeps things light - and family friendly - with just enough "almost" dirty jokes to keep young and old alike interested. It earns - but never crosses the line - of it's PG-13 rating. There is talk of a sequel, and I, for one, am looking forward to it.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis
I finally caught up to it on a recent flight and I have to admit - I was wrong for skipping this film JUMANJI: WELCOME TO THE JUNGLE is a fun romp with The Rock ably filling the lead role, aided by a strong supporting cast.
JUMANJI was about a board came come to life. JUMANJI: WELCOME TO THE JUNGLE has the same board game that morphs itself into a video game and when 4 High Schoolers stumble across it while serving detention, well...comedy - and adventure - ensue.
The four high schoolers are typical THE BREAKFAST CLUB stereotypes. The nerdy boy, the hot girl, the jock boy and the dorky girl. When these four are transported into the game they take on the outward appearance - and skills - of their video game characters - the nerdy body becomes the dashing hero (Dwayne "The Rock" Johnson). The hot girl becomes the dumpy (male!) professor (Jack Black). The jock becomes the un-athletic short kid (Kevin Hart) and the dorky girl becomes the kick-ass girl (Karen Gillan). It is the 4 actors playing their high school counterparts in their bodies that is the core of this film - and the center of the charm and fun of this film. All 4 shine. Johnson and Hart (back together after CENTRAL INTELLIGENCE) show that the chemistry they showed with each other in the previous film is no fluke. Gillan (Nebula in the GUARDIANS OF THE GALAXY films) shows that she can do kick-ass well - and with a wink in her eye. But it is the performance of Black that steals things. Someone said to me that Black was made to play a "hot high school girl" and I would have to agree. He almost steals the movie.
Director Jake Kasdan (the TV series NEW GIRL) understands what kind of film that he is making, so keeps the fun and action going at a superficial, almost cartoon level, never really stopping to breathe (or to think). He keeps things light - and family friendly - with just enough "almost" dirty jokes to keep young and old alike interested. It earns - but never crosses the line - of it's PG-13 rating. There is talk of a sequel, and I, for one, am looking forward to it.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis
Louise (64 KP) rated The Weight of Water in Books
Jul 2, 2018
After reading One by Sarah Crossan I wanted delve into more of her works. This is Sarah's debut novel and I really enjoyed it. What makes her books unique is that they are written in verse, so you can either read it like poetry or just as a normal book.
The weight of water follows Kasienka and her mother who are Polish migrants travelling to the UK to find her father who upped and left one day never to return, all they know is that he lives in Coventry. They manage to rent a bed sit with one bed that they have to share and with little money Kasienka's mum takes on a hospital job. Kasienka's mum is determined to find her husband and as Kasi's English is better than hers she is forced to walk streets of Coventry looking for her dad. Not only does she have to contend with her mum, she also started a new school where she doesn't fit in and becomes a target to bullies. The only thing that Kasienka was good at was swimming which she loved and was also pretty good at. It was where she could escape, It was there she met William.
I loved this book, it is so realistic, raw and heart - breaking. In the UK we have thousands of Polish people come to live in the UK sometimes for work and sometimes for unknown reasons but what we forget is how hard and challenging it can be for them to arrive in a country they are not familiar with and the language barrier.You also forget how difficult it must be at school for them - due to Kasi's language barrier the teacher was not aware of how intelligent she was and enrolled her in a younger year. Kasi is 12 and a very intelligent girl who just wants to fit in at school or even better to return to Poland with her Mother and Father. You see the struggles that she has to overcome and her developing and hitting puberty. I really liked the fact that Sarah Crossan didn't shy away and told us Kasi's periods starting and her becoming more body conscious it makes it so much more real and relatable.
The bit that I really liked was when Kasienka realised that she had treated a new girl at her school back in Poland just as she was being by the bullies in her school, she wasn't perfect and she knew it.
This is a brilliant coming of age story that could be classed as middle grade though it has more depth to it as deals with Poverty, bullying, immigration and families
I definitely recommend this book for anyone that wants to read YA,Poetry or contemporary
Overall I rated 4.5 out 5 stars.
The weight of water follows Kasienka and her mother who are Polish migrants travelling to the UK to find her father who upped and left one day never to return, all they know is that he lives in Coventry. They manage to rent a bed sit with one bed that they have to share and with little money Kasienka's mum takes on a hospital job. Kasienka's mum is determined to find her husband and as Kasi's English is better than hers she is forced to walk streets of Coventry looking for her dad. Not only does she have to contend with her mum, she also started a new school where she doesn't fit in and becomes a target to bullies. The only thing that Kasienka was good at was swimming which she loved and was also pretty good at. It was where she could escape, It was there she met William.
I loved this book, it is so realistic, raw and heart - breaking. In the UK we have thousands of Polish people come to live in the UK sometimes for work and sometimes for unknown reasons but what we forget is how hard and challenging it can be for them to arrive in a country they are not familiar with and the language barrier.You also forget how difficult it must be at school for them - due to Kasi's language barrier the teacher was not aware of how intelligent she was and enrolled her in a younger year. Kasi is 12 and a very intelligent girl who just wants to fit in at school or even better to return to Poland with her Mother and Father. You see the struggles that she has to overcome and her developing and hitting puberty. I really liked the fact that Sarah Crossan didn't shy away and told us Kasi's periods starting and her becoming more body conscious it makes it so much more real and relatable.
The bit that I really liked was when Kasienka realised that she had treated a new girl at her school back in Poland just as she was being by the bullies in her school, she wasn't perfect and she knew it.
This is a brilliant coming of age story that could be classed as middle grade though it has more depth to it as deals with Poverty, bullying, immigration and families
I definitely recommend this book for anyone that wants to read YA,Poetry or contemporary
Overall I rated 4.5 out 5 stars.
BankofMarquis (1832 KP) rated Parasite (2019) in Movies
Nov 12, 2019
Strongly Directed by Bong Joon-Ho
There are more strong film makers in this world than are just sitting in traditionally English-speaking Countries (like the U.S./England). One of the strongest - and a Director that I will watch WHATEVER he is Directing - is South Korean auteur Bong Joon-Ho. His previous efforts (THE HOST, OKJA, SNOWPIERCER, amongst others) were all led by intriguing stories, interesting people and strong visual imagery, so I was very excited for his newest effort, PARASITE. I purposely did not find out too much about this film, for I wanted to be surprised by what was unfolding in front of me.
And...I was rewarded, greatly by another intriguing story with interesting people and strong visual imagery.
In Korean, with English subtitles, PARASITE follows a lower class Korean family that go to work for a high class Korean family and brings us on a journey for BOTH families. And that's all I'm going to say about it, for to reveal anything else would be to spoil the surprises along the way.
But, as is often the case with these types of stories, it is the journey, not the destination that is the treat of this film. Bong Joon-Ho regular Kang-ho Song stars as the Patriarch of the lower class family who, seemingly, is lazy and allergic to "work", but that is not really the case. Woo-sik Choi is the son of the lower class family that connects with the daughter of the higher class family and Hye-jin Jang is the matriarch of the lower class family and they both bring sensitivity and strength to their roles. But for me, the real star of this film is So-dam Park as the daughter of this family who turns out to be the heart and the brains of the operation.
Director Bong Joon-Ho brings his usual flair to the proceedings, not letting his camera shy away from the seemy underbelly of this society, but not lingering on it either, moving the surprising plot along at a fast (enough) pace to keep you guessing throughout. I see a lot of films, so when I run across a plot that I couldn't tell what was going to come next, it is satisfying.
And, satisfying this film is. Some are calling it an "Oscar Contender" and I don't think I would go quite that far - the film does drag a bit in the middle. But, if you can handle reading the subtitles, you'll be entertained indeed by the fervent mind of one of the better Directors working in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I was rewarded, greatly by another intriguing story with interesting people and strong visual imagery.
In Korean, with English subtitles, PARASITE follows a lower class Korean family that go to work for a high class Korean family and brings us on a journey for BOTH families. And that's all I'm going to say about it, for to reveal anything else would be to spoil the surprises along the way.
But, as is often the case with these types of stories, it is the journey, not the destination that is the treat of this film. Bong Joon-Ho regular Kang-ho Song stars as the Patriarch of the lower class family who, seemingly, is lazy and allergic to "work", but that is not really the case. Woo-sik Choi is the son of the lower class family that connects with the daughter of the higher class family and Hye-jin Jang is the matriarch of the lower class family and they both bring sensitivity and strength to their roles. But for me, the real star of this film is So-dam Park as the daughter of this family who turns out to be the heart and the brains of the operation.
Director Bong Joon-Ho brings his usual flair to the proceedings, not letting his camera shy away from the seemy underbelly of this society, but not lingering on it either, moving the surprising plot along at a fast (enough) pace to keep you guessing throughout. I see a lot of films, so when I run across a plot that I couldn't tell what was going to come next, it is satisfying.
And, satisfying this film is. Some are calling it an "Oscar Contender" and I don't think I would go quite that far - the film does drag a bit in the middle. But, if you can handle reading the subtitles, you'll be entertained indeed by the fervent mind of one of the better Directors working in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated John Wick. Chapter 4 (2023) in Movies
Mar 26, 2023
More of the Same - which is a GOOD thing
Once a series gets to it’s 4th installment - and that installment is NOT a reboot or “prequel” - the audience for said series is pretty much settled in. There is a rabid group of movie-going watchers that are looking for the intimate details and Easter Eggs to further their immersion into this world while the rest of the movie going public has probably moved on and, just might, check it out on a whim.
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Debbie (52 KP) rated Zora and Me: The Cursed Ground in Books
Aug 24, 2018
Zora and Me: The Cursed Ground By: T.R. Simon
Children's Fiction Middle Grade 272 Pages Release Date September 11, 2018 Publisher: Candlewick Press
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
#ZoraAndMe#NetGalley
Okay now that I got all the information that Net Galley wants me to put onto each of my reviews I can now review this book.
I enjoyed this book a lot. I gave it 4.5 stars.
This book is about two girls named Zora and Me(Carrie Brown). They learn a lot about their little towns history in this story. The town is called Eatonville, Florida. This town is a color town meaning only color people live here. The town was established in around 1887.
This story takes place in the summer of 1903
Carrie is staying with Zora and her family while her mom is off working with a sick baby. One night it is raining and the neighbors horses get loose. This is unusual so the girls go to check on the neighbor, Mr. Polk who is a mute. They find him beaten up and go to find the healer who people claim to be a witch. They soon discover that Mr. Polk is able to talk but in a foreign language and not very often. The healer is Old Lady Bronson.
Here is the reason why I only gave the book 4.5 stars it went into a flash back and I it took me almost half way through the book to figure out why.
The story turns to the year 1855 and talks about a little girl called Lucia. This little girl is friends with a white girl named Prisca. Prisca Dad brings them both to Florida to marry a lady Miss Caroline. Lucia is made into a slave and having to learn about a new of way life. The book keeps flashing back every now and then to keep you informed about what happened.
I could tell you about the book but then you want to read it and I highly recommend that you do. Ms. Simon does a wonderful job telling the way the country was back in that time that needs to be told.
You will enjoy the twist and turns this story tells. You will not want to put the book down.
Zora loves adventures and can get into a lot of scrapes. They see a ghost or two and that is unnerving to them. One quote that I liked is when Zora says "I know you go anyway, even though you're scared and you're right it doesn't make you a scaredy-cat. It makes you brave."
You must read this book to your children and help them learn about our history because the schools are slowly fading out this part of history.
Children's Fiction Middle Grade 272 Pages Release Date September 11, 2018 Publisher: Candlewick Press
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
#ZoraAndMe#NetGalley
Okay now that I got all the information that Net Galley wants me to put onto each of my reviews I can now review this book.
I enjoyed this book a lot. I gave it 4.5 stars.
This book is about two girls named Zora and Me(Carrie Brown). They learn a lot about their little towns history in this story. The town is called Eatonville, Florida. This town is a color town meaning only color people live here. The town was established in around 1887.
This story takes place in the summer of 1903
Carrie is staying with Zora and her family while her mom is off working with a sick baby. One night it is raining and the neighbors horses get loose. This is unusual so the girls go to check on the neighbor, Mr. Polk who is a mute. They find him beaten up and go to find the healer who people claim to be a witch. They soon discover that Mr. Polk is able to talk but in a foreign language and not very often. The healer is Old Lady Bronson.
Here is the reason why I only gave the book 4.5 stars it went into a flash back and I it took me almost half way through the book to figure out why.
The story turns to the year 1855 and talks about a little girl called Lucia. This little girl is friends with a white girl named Prisca. Prisca Dad brings them both to Florida to marry a lady Miss Caroline. Lucia is made into a slave and having to learn about a new of way life. The book keeps flashing back every now and then to keep you informed about what happened.
I could tell you about the book but then you want to read it and I highly recommend that you do. Ms. Simon does a wonderful job telling the way the country was back in that time that needs to be told.
You will enjoy the twist and turns this story tells. You will not want to put the book down.
Zora loves adventures and can get into a lot of scrapes. They see a ghost or two and that is unnerving to them. One quote that I liked is when Zora says "I know you go anyway, even though you're scared and you're right it doesn't make you a scaredy-cat. It makes you brave."
You must read this book to your children and help them learn about our history because the schools are slowly fading out this part of history.
Hazel (1853 KP) rated Second Twin (Legend of Rhyme, #4) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With the twins, Ariana and Asher, lost in the past, and Teagan suddenly thrust into the magical realm of Coraira, the <i>Legend of Rhyme</i> series becomes even more dangerous and exciting. <i>Second Twin</i> is the fourth book of Jaime Lee Mann’s fantasy series for middle grade children (i.e. 8-13 year olds). Containing most of the key characters that readers are already familiar with, a new, sinister individual is introduced to shake the story up even more.
<i>Second Twin</i> is made up of two or three storylines that twist around each other to result in one explosive conclusion. Teagan discovers immediately that she is destined to become a mermaid and an apprentice to Starla, the ruler of the sea. Without giving Teagan a chance to get used to her new tail, Starla involves her in trying to help locate and return the twins to their correct timeline. The twins, however, are in even more peril than being in the wrong time zone. Tricked by the new, malicious character, something evil happens to Asher, leaving him once again separated from his sister Ariana. Whilst all this is going on, the reader is given insight to Elora’s – a previous antagonist – past, learning how she came to be so evil; in contrast Teagan is also learning something new; the truth about her parentage.
There is not as much detail about Teagan as some readers may be hoping for. She was the title character of the previous novel, however in this book she becomes more of a secondary character. Teagan’s transition from young girl to mermaid happens far to quickly to be appreciated. An entire book could have been devoted to this event, instead it happens in a handful of paragraphs. Nevertheless, Second Twin is filled with so many exhilarating twists and turns that it hardly matters when some aspects are not described at length.
Throughout this book the theme of twins crops up again and again. The unique relationship between twins is emphasized as a special bond, but also as a way to wield evil power. Readers will not be able to trust their preconceived judgments about the good and wickedness of key characters, causing all to question everything they believe.
<i>Second Twin</i> is the most action packed book of the series so far. With no need for introductions to characters and settings, there is more opportunity to develop the plot and fill in gaps in the history of the story, until concluding on yet another cliffhanger. Fans of the series will not be disappointed with the latest developments, although you may not be pleased to know you are in for a wait for the fifth book, Blood and Stars, to find out what happens next.
With the twins, Ariana and Asher, lost in the past, and Teagan suddenly thrust into the magical realm of Coraira, the <i>Legend of Rhyme</i> series becomes even more dangerous and exciting. <i>Second Twin</i> is the fourth book of Jaime Lee Mann’s fantasy series for middle grade children (i.e. 8-13 year olds). Containing most of the key characters that readers are already familiar with, a new, sinister individual is introduced to shake the story up even more.
<i>Second Twin</i> is made up of two or three storylines that twist around each other to result in one explosive conclusion. Teagan discovers immediately that she is destined to become a mermaid and an apprentice to Starla, the ruler of the sea. Without giving Teagan a chance to get used to her new tail, Starla involves her in trying to help locate and return the twins to their correct timeline. The twins, however, are in even more peril than being in the wrong time zone. Tricked by the new, malicious character, something evil happens to Asher, leaving him once again separated from his sister Ariana. Whilst all this is going on, the reader is given insight to Elora’s – a previous antagonist – past, learning how she came to be so evil; in contrast Teagan is also learning something new; the truth about her parentage.
There is not as much detail about Teagan as some readers may be hoping for. She was the title character of the previous novel, however in this book she becomes more of a secondary character. Teagan’s transition from young girl to mermaid happens far to quickly to be appreciated. An entire book could have been devoted to this event, instead it happens in a handful of paragraphs. Nevertheless, Second Twin is filled with so many exhilarating twists and turns that it hardly matters when some aspects are not described at length.
Throughout this book the theme of twins crops up again and again. The unique relationship between twins is emphasized as a special bond, but also as a way to wield evil power. Readers will not be able to trust their preconceived judgments about the good and wickedness of key characters, causing all to question everything they believe.
<i>Second Twin</i> is the most action packed book of the series so far. With no need for introductions to characters and settings, there is more opportunity to develop the plot and fill in gaps in the history of the story, until concluding on yet another cliffhanger. Fans of the series will not be disappointed with the latest developments, although you may not be pleased to know you are in for a wait for the fifth book, Blood and Stars, to find out what happens next.
BankofMarquis (1832 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 23, 2021
Kaluuya in an Oscar worthy performance
Ever since Daniel Kaluuya burst onto the scene in 2017’s GET OUT, he has been an actor to watch - one who’s brilliance bursts off the screen in whatever project he is in.
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)