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Hunter's Moon (Wildeward Academy #1)
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They call it the Golden Age. An age of sorcery and gaslight. The magical and the mundane. The gifted...
Reverse Harem Paranormal Romance Historical
Lindsay (1717 KP) rated My Way West: Real Kids Traveling the Oregon and California Trails in Books
Jul 9, 2022
My Way West tells the story of real kids that traveled the trails across the west. The children told the stories and through their quotes and paragraphs about how folks decided to move west—the journey across the Oregon trails, California Trails, and Momon trails.
The kids told these journeys on the trails through the images and how life was on the trails. Children will be able to learn about the life and history of the US and the Oregon trails. This book shows tragedy and how everyone came together and helped each other along the way. Children can learn about this and American history by reading this book, not of it but a good glimpse of it.
I enjoy learning about the western expansion and the Oregon trails. I am one of those kinds of readers. I was learning about history through books and how life may have been back then—the dangers of it. When reading this book, I read the quotes first and then the information on the page. Tough, you can read it by doing the significant info about the journey or the topic that was talked about and then the quotes after. It doe not really make a difference in what way you read it. I enjoy that. There is no right way to read this book.
I like the focus was on the actual kids that traveled the Organ and California Trails. The author does a beautiful job of that. This book is suitable for middle-grade readers who want to learn about American history. This book would be an excellent book to have in classrooms as well.
The kids told these journeys on the trails through the images and how life was on the trails. Children will be able to learn about the life and history of the US and the Oregon trails. This book shows tragedy and how everyone came together and helped each other along the way. Children can learn about this and American history by reading this book, not of it but a good glimpse of it.
I enjoy learning about the western expansion and the Oregon trails. I am one of those kinds of readers. I was learning about history through books and how life may have been back then—the dangers of it. When reading this book, I read the quotes first and then the information on the page. Tough, you can read it by doing the significant info about the journey or the topic that was talked about and then the quotes after. It doe not really make a difference in what way you read it. I enjoy that. There is no right way to read this book.
I like the focus was on the actual kids that traveled the Organ and California Trails. The author does a beautiful job of that. This book is suitable for middle-grade readers who want to learn about American history. This book would be an excellent book to have in classrooms as well.
Chris Sawin (602 KP) rated Good Boys (2019) in Movies
Aug 14, 2019
Repetitive. (1 more)
Too similar to other R-rated teen comedies.
Thor Casts Anal Bead Nunchucks
“Bean Bag Boys for life!” In Good Boys, that’s the motto for three 12-year-old best friends that are finding the sixth grade way more profound and coercing than the fifth grade or any other grade before it ever was. Max (Jacob Tremblay) is at the age where girls aren’t so gross and are actually quite arousing, Thor (Brady Noon) is giving up on who he is and what he loves in a bold attempt to try to fit in with kids who he thinks are cool, and Lucas (Keith L. Williams) mostly just loves Magic: The Gathering, treating women with respect, and being honest.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
tapestry100 (306 KP) rated The Girl with the Ghost Machine in Books
Aug 2, 2017
Originally reviewed on http://www.frommybookshelf.com
Emmaline Beaumont's mother has passed away. Unfortunately, Emmaline's father has become fixated with building a machine that will bring Emmaline's mother's ghost back, and in doing so, he himself has forgotten about the living in his obsession with the dead, so in many ways Emmaline has lost both of her parents. The only people she can confide in are twins Gully and Oliver, her best friends in school. Yet for of their understanding and patience, Gully and Oliver are unable to fully understand Emmaline's loss as they have never lost someone so close to them as Emmaline's mother was to her. Her father's machine, however, may actually work, and it is then that Emmaline must decide whether the cost of operating the machine is worth the price paid, and will the twins help her in her decision, regardless of what that decision is?
Lauren DeStefano has created a beautiful and poignant story that I feel would be an important book for anyone to read who has recently (or not so recently) lost someone very close to them. DeStefano has a keen ability to cut to the quick of the emotions of loss and what that can feel like, especially for someone too young to have have lost a loved one. Her characters are not cliché and their feelings are quite real, and the story she has created feels honest and important. That's the best way I can describe it. A fan of her YA series The Chemical Garden Trilogy and The Interment Chronicles, I have not yet read her other two middle grade books, The Curious Tale of the In-Between and The Peculiar Night of the Blue Heart, and I think I'll be needing to rectify that soon.
Emmaline Beaumont's mother has passed away. Unfortunately, Emmaline's father has become fixated with building a machine that will bring Emmaline's mother's ghost back, and in doing so, he himself has forgotten about the living in his obsession with the dead, so in many ways Emmaline has lost both of her parents. The only people she can confide in are twins Gully and Oliver, her best friends in school. Yet for of their understanding and patience, Gully and Oliver are unable to fully understand Emmaline's loss as they have never lost someone so close to them as Emmaline's mother was to her. Her father's machine, however, may actually work, and it is then that Emmaline must decide whether the cost of operating the machine is worth the price paid, and will the twins help her in her decision, regardless of what that decision is?
Lauren DeStefano has created a beautiful and poignant story that I feel would be an important book for anyone to read who has recently (or not so recently) lost someone very close to them. DeStefano has a keen ability to cut to the quick of the emotions of loss and what that can feel like, especially for someone too young to have have lost a loved one. Her characters are not cliché and their feelings are quite real, and the story she has created feels honest and important. That's the best way I can describe it. A fan of her YA series The Chemical Garden Trilogy and The Interment Chronicles, I have not yet read her other two middle grade books, The Curious Tale of the In-Between and The Peculiar Night of the Blue Heart, and I think I'll be needing to rectify that soon.
Kyera (8 KP) rated The Dark Prophecy in Books
Jan 31, 2018
Please read the first book in the series before delving into this one, otherwise, you will be very confused. I would recommend this book to middle grade/young adult readers who have enjoyed Rick Riordan's other novel, mythology, fantasy or action/adventure books.
It was really great to see Apollo's character continue to develop throughout the book. As time passes, he learns what it means to be human and begins to understand mortality. As a god, he was always removed from a situation - sending worthy Demi-gods to do his bidding without a care for their safety or lives. As Lester, he develops relationships with other people and learns to truly care about their wellbeing.
Although this series is called the Trials of Apollo, and Apollo himself would be quite insulted that I suggest he is not sufficiently impressive to carry this book - but there is not enough Percy Jackson. I am glad however, that there is a lot of Leo. He is hilarious and I am so happy to get to spend more time battling monsters and immortals with one of the Seven.
The endings feel like they come out of no-where, which is exactly how I felt rereading the first book in this series. Although the end of the book's plot follows the typical action-filled climax, conclusion of event and a short "how things have changed" final few pages - I will be reading, turn the last page and be confused when all I see are the terms in the glossary, rather than another chapter. It feels abrupt and I wish that there would be more to the end. The final pages feel like they're the end of a chapter rather than a book.
It was really great to see Apollo's character continue to develop throughout the book. As time passes, he learns what it means to be human and begins to understand mortality. As a god, he was always removed from a situation - sending worthy Demi-gods to do his bidding without a care for their safety or lives. As Lester, he develops relationships with other people and learns to truly care about their wellbeing.
Although this series is called the Trials of Apollo, and Apollo himself would be quite insulted that I suggest he is not sufficiently impressive to carry this book - but there is not enough Percy Jackson. I am glad however, that there is a lot of Leo. He is hilarious and I am so happy to get to spend more time battling monsters and immortals with one of the Seven.
The endings feel like they come out of no-where, which is exactly how I felt rereading the first book in this series. Although the end of the book's plot follows the typical action-filled climax, conclusion of event and a short "how things have changed" final few pages - I will be reading, turn the last page and be confused when all I see are the terms in the glossary, rather than another chapter. It feels abrupt and I wish that there would be more to the end. The final pages feel like they're the end of a chapter rather than a book.
Kyera (8 KP) rated The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3) in Books
Feb 1, 2018
Magnus Chase: Ship of the Dead is the final book in the series that blends Norse mythology with the modern world. Rick Riordan writes in his typical humourous fashion and makes learning fun (even if its not always entirely accurate.) As this is the third and final book in the series, there isnt too much to say that wouldnt spoil the first two books if you have not read them so I would recommend doing so before reading this review. You can also read my review of the first book as it is spoiler-free.
Our heroes continue their journey to postpone Ragnarok and defeat Loki. Magnus is joined by Samirah the Valkyrie, Hearthstone the Elf, Blitzen the Dwarf and his fellow Einherjar Alex, Mallory, TJ and Halfborn. They must battle giants, outwit guardians, and save the world from utter destruction. Just your average Tuesday.
I really enjoyed how diversity was represented in this series as we have main characters with different sexualities or orientations, religions, ethnicities, and disabilities. Since I am not most of the ones that were represented in the book, I can't speak to how accurate the portrayal was but I am glad that they were included. As a casual reader, the representation felt informative and not condescending or demeaning.
Rick continues his world building by sending our heroes off on adventures in the nine realms while simultaneously teaching us a bit about Norse mythology. His books are a very approachable way to tackle the topic and perhaps foster a sense of curiosity that will lead readers to want to discover more. There isn't much else to say without spoilers, so I would recommend this series to middle grade, young adult or teen readers who enjoy fantasy. It is a fun, easy read that I hope you won't regret picking up.
Our heroes continue their journey to postpone Ragnarok and defeat Loki. Magnus is joined by Samirah the Valkyrie, Hearthstone the Elf, Blitzen the Dwarf and his fellow Einherjar Alex, Mallory, TJ and Halfborn. They must battle giants, outwit guardians, and save the world from utter destruction. Just your average Tuesday.
I really enjoyed how diversity was represented in this series as we have main characters with different sexualities or orientations, religions, ethnicities, and disabilities. Since I am not most of the ones that were represented in the book, I can't speak to how accurate the portrayal was but I am glad that they were included. As a casual reader, the representation felt informative and not condescending or demeaning.
Rick continues his world building by sending our heroes off on adventures in the nine realms while simultaneously teaching us a bit about Norse mythology. His books are a very approachable way to tackle the topic and perhaps foster a sense of curiosity that will lead readers to want to discover more. There isn't much else to say without spoilers, so I would recommend this series to middle grade, young adult or teen readers who enjoy fantasy. It is a fun, easy read that I hope you won't regret picking up.
Lilyn G - Sci-Fi & Scary (91 KP) rated Tokoyo, The Samurai's Daughter in Books
Feb 1, 2018
This was a good kids fantasy read
Contains spoilers, click to show
Tokoyo, The Samurai’s Daughter is a middle grade fantasy novel inspired by The Tale of the Oki Islands. It is a swift read that flows like the water that has so large of a presence in it. It was an enjoyable story featuring a young woman who has to be extremely brave and save her father.
I loved that Tokoyo, The Samurai’s Daughter was all about Tokoyo. Her abilities and determination were what carried her through. There was no male figures that interceded to provide help to get her through the difficult parts. She did it all herself, with only the caring, mental support and encouragement of the Ama. Though there has definitely been a surge of girls being front and center on action and adventure tales lately, it’s still not enough. This book was a welcome addition.
Now, I don’t know anything about Japanese culture, but the representation in here felt respectful and real. (The notes in the back indicate that the author has done plenty of research!) There was nothing about it that was included for laughs. Tokoyo, The Samurai’s Daughter will hopefully provide young readers of Japanese descent another role model they can look up to situated in the history of their country.
Overall, the pace of the novel is fantastic, the prose is near perfect, and the story was an engaging one. Faith L. Justice has done a great job with Tokoyo, the Samurai’s Daughter. And Kayla Gilliam provides simple illustrations that spice up the text every few chapters and provide a treat for the eyes.
Disclaimer: I received a copy of this book free from the author for review consideration as part of Rosie's Book Review Team
I loved that Tokoyo, The Samurai’s Daughter was all about Tokoyo. Her abilities and determination were what carried her through. There was no male figures that interceded to provide help to get her through the difficult parts. She did it all herself, with only the caring, mental support and encouragement of the Ama. Though there has definitely been a surge of girls being front and center on action and adventure tales lately, it’s still not enough. This book was a welcome addition.
Now, I don’t know anything about Japanese culture, but the representation in here felt respectful and real. (The notes in the back indicate that the author has done plenty of research!) There was nothing about it that was included for laughs. Tokoyo, The Samurai’s Daughter will hopefully provide young readers of Japanese descent another role model they can look up to situated in the history of their country.
Overall, the pace of the novel is fantastic, the prose is near perfect, and the story was an engaging one. Faith L. Justice has done a great job with Tokoyo, the Samurai’s Daughter. And Kayla Gilliam provides simple illustrations that spice up the text every few chapters and provide a treat for the eyes.
Disclaimer: I received a copy of this book free from the author for review consideration as part of Rosie's Book Review Team
Sophia (Bookwyrming Thoughts) (530 KP) rated Dragon Pearl in Books
Jan 23, 2020
<b><i>I received this book for free from Disney-Hyperion in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</b></i>
<i>Dragon Pearl</i> by Yoon Ha Lee is the latest in Rick Riordan Presents, an imprint under Disney that “highlights cultures and mythologies from around the world,” selected by author Rick Riordan. An #ownvoices novel based on Korean mythology and folklore, Lee’s novel follows a fox spirit named Min who runs off on a space adventure to find her missing brother and instead finds the highly sought-after Dragon Pearl to save the Thousand Worlds.
I found myself struggling with <i>Dragon Pearl</i> at times. There are moments the novel slows from the pace of the action, which could potentially drag the reader’s attention away from Min’s journey. Min’s quest to find her brother is easy, but it is expected as the novel is aimed at a middle-grade audience.
Ignore the slowness and the ease of the journey, however, and the story is a magical ride through the Thousand Worlds. I loved seeing Min encountering obstacles and working her way around them while figuring out her own magic. Most importantly, I enjoyed seeing how valuable her relationships are, both with her brother and with the developing friendships with the other cadets.
Fans of Rick Riordan’s novels who enjoy a journey through space with touches of mythology will love going on an adventure of their own with Min through Yoon Ha Lee’s <i>Dragon Pearl</i>.
<a href="https://60secondsmag.com/dragon-pearl-review/">This review is originally posted on 60 Seconds Online Magazine</a>
<i>Dragon Pearl</i> by Yoon Ha Lee is the latest in Rick Riordan Presents, an imprint under Disney that “highlights cultures and mythologies from around the world,” selected by author Rick Riordan. An #ownvoices novel based on Korean mythology and folklore, Lee’s novel follows a fox spirit named Min who runs off on a space adventure to find her missing brother and instead finds the highly sought-after Dragon Pearl to save the Thousand Worlds.
I found myself struggling with <i>Dragon Pearl</i> at times. There are moments the novel slows from the pace of the action, which could potentially drag the reader’s attention away from Min’s journey. Min’s quest to find her brother is easy, but it is expected as the novel is aimed at a middle-grade audience.
Ignore the slowness and the ease of the journey, however, and the story is a magical ride through the Thousand Worlds. I loved seeing Min encountering obstacles and working her way around them while figuring out her own magic. Most importantly, I enjoyed seeing how valuable her relationships are, both with her brother and with the developing friendships with the other cadets.
Fans of Rick Riordan’s novels who enjoy a journey through space with touches of mythology will love going on an adventure of their own with Min through Yoon Ha Lee’s <i>Dragon Pearl</i>.
<a href="https://60secondsmag.com/dragon-pearl-review/">This review is originally posted on 60 Seconds Online Magazine</a>
Veronica Pena (690 KP) rated The Perks of Being a Wallflower in Books
Jan 6, 2020 (Updated Feb 10, 2020)
I am hopelessly in love with this novel. I remember reading it for the first time when I was in middle school at some point - I'm thinking 8th grade. I remember crying my eyes out at the end and then having to go downstairs for dinner and being unable to think about anything else other than Charlie and his story and everything that he'd been through and how I related and understood and just wanted to give him a hug. I have that same feeling now.
When I read this book initially, I was in a really bad place - probably one of the worst places I have ever been in my life and I remember how much I wanted to feel like Charlie did at the end of the novel. Now, almost 9 years later, I am working to get to that place, to heal and take care of myself and put pieces back together that I forgot about or pushed away or that just didn't really fit right in the first place. Coincidentally, my therapist told me that this is the perfect book for me to read right now with everything I have going on in my life and I couldn't agree more.
I love all of these characters, I love the plot, I love that Charlie's innocence just radiates off the page but it's not a boyish innocence that is underwhelming and sometimes frustrating like it is in other novels, but it's pure and he's just doing his best and he fiercely loves and protects those he cares about. It's like his innocence is his love and he loves so well.
I think this book will be one that I tell my kids about, urge them to read, and hope they tell their kids and they tell theirs. I love this book that much.
When I read this book initially, I was in a really bad place - probably one of the worst places I have ever been in my life and I remember how much I wanted to feel like Charlie did at the end of the novel. Now, almost 9 years later, I am working to get to that place, to heal and take care of myself and put pieces back together that I forgot about or pushed away or that just didn't really fit right in the first place. Coincidentally, my therapist told me that this is the perfect book for me to read right now with everything I have going on in my life and I couldn't agree more.
I love all of these characters, I love the plot, I love that Charlie's innocence just radiates off the page but it's not a boyish innocence that is underwhelming and sometimes frustrating like it is in other novels, but it's pure and he's just doing his best and he fiercely loves and protects those he cares about. It's like his innocence is his love and he loves so well.
I think this book will be one that I tell my kids about, urge them to read, and hope they tell their kids and they tell theirs. I love this book that much.
The Triangle: A Year on the Ground with New York's Bloods and Crips
Book
The Linden Triangle: Linden Avenue and Linden Place, Hempstead, Long Island. At this blighted...