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Inseparable (Rise of the Iliri #4)
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DISASTER! THE BLACK BLADES DISBANDED, AN ALLIANCE IN TURMOIL... Growing ever more tender yet always...
Pilots Atlas
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Now available for iPad and iPhone (universal App). Our famous Pilots “Free Flight” Atlas....
Theodolite HD
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***** 40%-OFF SALE ***** Theodolite HD is on sale for 40%-off to celebrate its seven year...
Britain at War - army, navy, air force history mag
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Britain at War Magazine Brought to you by Key Publishing Ltd, the World’s Leading Aviation...
Theodolite
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***** 40%-OFF SALE ***** Theodolite is on sale for 40%-off to celebrate its seven year anniversary!...
Ballistic: Standard Edition
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Get Ballistic Standard Edition Today!!! "I shoot on Team Louisiana Precision Rifles in Tactical...
BankofMarquis (1832 KP) rated The Pale Blue Eye (2022) in Movies
Jan 15, 2023
Haunting and Intriguing
An eerie, gothic murder mystery pairing an ingenious Detective with a young Edgar Allan Poe is now streaming on Netflix and is the perfect way to shut out the January winds and hibernate on your couch and get involved in the mystery while sitting in front of a warm, roaring fire (or heat lamp) and your favorite warm (possibly adult) beverage).
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sassy Brit (97 KP) rated A Snowflake's Chance In Hell in Books
Jun 6, 2019
I’m reviewing A Snowflake’s Chance in Hell, by Amy Romine. My rating is 4.5 stars. Here are my thoughts:
^^ This is a romantic, Christmas themed story about one woman’s search for her long lost brother and the people who enter her life along the way.
^^ When Quinn Lawson finally gets a lead that could bring her closer to finding her brother, Peter, of whom she was separated from when their parents died, her search takes her to a military base where she first meets Gunnery Sergeant Kevin McCaluson.
^^ Both Quinn and Kevin have their owns issues to contend with, so their first meeting is a little strained; communications are misinterpreted, emotions run riot, and things simply don’t go as planned. In short, their first impressions of each other are not good. It’s not love at first sight, that’s for sure.
^^ Over time they begin to understand each other more and Kevin offers to help Quinn with her search for her brother, so they embark on a long road trip together, and soon their friendship develops a deeper bond and their feelings for each other strengthen. It’s an emotional ride, full of truths and heartfelt stories, enveloping the true spirit of Christmas in one short read.
Overall: This is a charming, fairly quick, cosy Christmas romance, spiced up by a couple of burning hot scenes. And no, I don’t mean because I’ve spent too long reading that I’ve burnt the dinner again! (Although, in truth that has happened many times!) A heartwarming romance that’s bound to warm the cockles of your heart on a cold, winter’s eve.
^^ This is a romantic, Christmas themed story about one woman’s search for her long lost brother and the people who enter her life along the way.
^^ When Quinn Lawson finally gets a lead that could bring her closer to finding her brother, Peter, of whom she was separated from when their parents died, her search takes her to a military base where she first meets Gunnery Sergeant Kevin McCaluson.
^^ Both Quinn and Kevin have their owns issues to contend with, so their first meeting is a little strained; communications are misinterpreted, emotions run riot, and things simply don’t go as planned. In short, their first impressions of each other are not good. It’s not love at first sight, that’s for sure.
^^ Over time they begin to understand each other more and Kevin offers to help Quinn with her search for her brother, so they embark on a long road trip together, and soon their friendship develops a deeper bond and their feelings for each other strengthen. It’s an emotional ride, full of truths and heartfelt stories, enveloping the true spirit of Christmas in one short read.
Overall: This is a charming, fairly quick, cosy Christmas romance, spiced up by a couple of burning hot scenes. And no, I don’t mean because I’ve spent too long reading that I’ve burnt the dinner again! (Although, in truth that has happened many times!) A heartwarming romance that’s bound to warm the cockles of your heart on a cold, winter’s eve.
Adam Colclough (3 KP) rated Harry's Game in Books
Mar 6, 2018
Dangerous Games
London at the height of the IRA’s campaign on the British mainland and a government minister is assassinated, orders are send down from the highest level that retaliatory action must be taken. Gerald Seymour’s ground breaking 1975 novel tells the story of the resulting operation, in which a British agent is sent undercover in Republican Belfast.
For the most part thrillers are the literary equivalent of Danish pastry, enjoyable but not made to last. A few, and ‘Harry’s Game’ is one, are more substantial fare, food for the mind that may give you indigestion.
On one level it is a book in the tradition established by Frederick Forsythe, fiction played out as fact allowing the author to draw on his journalistic background. Seymour goes beyond this by creating characters who aren’t simply stock heroes and villains. Instead they are human beings engaged in a struggle that is squalid and futile rather than heroic and purposeful.
This combines to give a grimly believable picture of daily life in Northern Ireland at a time when a single word or action out of place could have deadly consequences. He also writes well about the machinations behind the scenes on both sides, with the British political and military establishment struggling to fight an undeclared war they don’t understand; and the IRA high command masking the brutality of their actions behind misty eyed romanticism.
Brutal, believable and still relevant more than forty years after it was first published this is a novel that is very much worth reading, even if doing so can be unsettling.
For the most part thrillers are the literary equivalent of Danish pastry, enjoyable but not made to last. A few, and ‘Harry’s Game’ is one, are more substantial fare, food for the mind that may give you indigestion.
On one level it is a book in the tradition established by Frederick Forsythe, fiction played out as fact allowing the author to draw on his journalistic background. Seymour goes beyond this by creating characters who aren’t simply stock heroes and villains. Instead they are human beings engaged in a struggle that is squalid and futile rather than heroic and purposeful.
This combines to give a grimly believable picture of daily life in Northern Ireland at a time when a single word or action out of place could have deadly consequences. He also writes well about the machinations behind the scenes on both sides, with the British political and military establishment struggling to fight an undeclared war they don’t understand; and the IRA high command masking the brutality of their actions behind misty eyed romanticism.
Brutal, believable and still relevant more than forty years after it was first published this is a novel that is very much worth reading, even if doing so can be unsettling.
Phillip McSween (751 KP) rated The Girl With All the Gifts (2017) in Movies
Mar 22, 2018
Wanted it to be Better
In the midst of a zombie outbreak, a special military agency is studying a select group of kids who can manage to control when they "turn". When their base falls to zombies, a small group escapes, including a little girl zombie by the name of Melanie (Sennia Nanua). The group must rely on each other to survive the threats waiting for them at every turn.
The Girl With All the Gifts grabs you with intrigue right from the start as you ask yourself why the kids are guarded so heavily. You quickly come to find out the reason. The film is action-packed, loaded with excellent thrilling scenes that keep you engaged. The scenes can be extremely tense in moments like one scene where the group has to walk quietly through a herd of zombies without being detected. It's definitely an original spin on a zombie film as it centers around the little girl Melanie who's innocent, but also a monster of sorts.
So with all these positive things to say, why didn't I ultimately like the film? The ending absolutely killed it for me. Not only did I not see the value in the resolution, I thought it didn't really match Melanie's character. Based on everything we knew about her up to that point, why make that move? Wasn't on board, not by a long shot.
I thought The Girl With All the Gifts had great potential and achieved it in some spots, but feel just short of being what it should have been. I give it a 65.
The Girl With All the Gifts grabs you with intrigue right from the start as you ask yourself why the kids are guarded so heavily. You quickly come to find out the reason. The film is action-packed, loaded with excellent thrilling scenes that keep you engaged. The scenes can be extremely tense in moments like one scene where the group has to walk quietly through a herd of zombies without being detected. It's definitely an original spin on a zombie film as it centers around the little girl Melanie who's innocent, but also a monster of sorts.
So with all these positive things to say, why didn't I ultimately like the film? The ending absolutely killed it for me. Not only did I not see the value in the resolution, I thought it didn't really match Melanie's character. Based on everything we knew about her up to that point, why make that move? Wasn't on board, not by a long shot.
I thought The Girl With All the Gifts had great potential and achieved it in some spots, but feel just short of being what it should have been. I give it a 65.