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Lee (2222 KP) rated Black Summer - Season 1 in TV
May 1, 2019
A refreshing new take on the familiar zombie format
I gave up on The Walking Dead a few seasons ago. Continually disappointing story-lines and characters, along with frustrating pacing issues had made this show hard work to watch, and a far cry from it's early days of action packed originality. Black Summer recently arrived on Netflix, described as a companion piece to the show Z Nation, and consisting of just 8 episodes ranging in length from 20 to 40 minutes. After seeing some online recommendations, I gave it a shot, and it's safe to say that it has reignited my passion for zombie shows.
We're in the fairly early stages of a full on zombie apocalypse. The military are evacuating a small town, taking survivors to a nearby stadium for safety and eventual extraction. There's a lot of panic and confusion, and not a great deal of undead around at first in the mostly deserted town. The first episode is broken into smaller, titled scenes, introducing us to single characters or groups who are located about the town, and it's a style of story telling that continues throughout the season. Some episodes focus on a single character while some focus on a particular mission, with different scenes shot from the perspective of different characters, highlighting how their actions affect others. There's not a single character who is more important than the others in the show, and characters can be lost to the undead in the blink of an eye, with new ones immediately taking their place to become core characters.
Black Summer shares some of its ideas with The Walking Dead, not to mention many other zombie movies and shows. The virus which turns you into a zombie appears to be there within all of us, lying dormant, so you don't necessarily need to die from a zombie bite in order to become one. Turning is pretty much instantaneous too, and the resulting zombies are of the more vicious, faster and cleverer kind. Running, climbing, very determined and able to learn in order to catch you whatever it takes. Luckily then, it's not very often that our characters are having to deal with more than just a few of these things at any one time, which helps to keep things more focused and terrifying.
Black Summer is very dialogue light - something which definitely works in its favour, and is a refreshing change to the long conversations and monologuing of TWD. Many of the scenes are single camera shots, following our characters around and really immersing you in the action. It's taking a simple idea and giving it a fresh spin, providing the viewer with a harrowing and intensely enjoyable thrill ride. For me, the perfect example of this is the episode titled 'Alone', where an unlucky coward called Lance finds himself all alone after escaping a school. He meanders around town before picking up the pace when a zombie decides that it wants to feed on him. I spent a pretty intense 30 minutes just wishing this poor guy would find himself a weapon and catch a break. But even when he does, he manages to blow his chance and lose it again! It's a standout episode, and a perfect example of what I love about this show.
I couldn't really fault a single episode of Black Summer, as it builds towards it's intense but relatively short finale where a number of survivors converge on the stadium, while zombies come at them from all directions. I really hope it gets renewed, and I really hope it continues to find ways to remain original and enjoyable too.
We're in the fairly early stages of a full on zombie apocalypse. The military are evacuating a small town, taking survivors to a nearby stadium for safety and eventual extraction. There's a lot of panic and confusion, and not a great deal of undead around at first in the mostly deserted town. The first episode is broken into smaller, titled scenes, introducing us to single characters or groups who are located about the town, and it's a style of story telling that continues throughout the season. Some episodes focus on a single character while some focus on a particular mission, with different scenes shot from the perspective of different characters, highlighting how their actions affect others. There's not a single character who is more important than the others in the show, and characters can be lost to the undead in the blink of an eye, with new ones immediately taking their place to become core characters.
Black Summer shares some of its ideas with The Walking Dead, not to mention many other zombie movies and shows. The virus which turns you into a zombie appears to be there within all of us, lying dormant, so you don't necessarily need to die from a zombie bite in order to become one. Turning is pretty much instantaneous too, and the resulting zombies are of the more vicious, faster and cleverer kind. Running, climbing, very determined and able to learn in order to catch you whatever it takes. Luckily then, it's not very often that our characters are having to deal with more than just a few of these things at any one time, which helps to keep things more focused and terrifying.
Black Summer is very dialogue light - something which definitely works in its favour, and is a refreshing change to the long conversations and monologuing of TWD. Many of the scenes are single camera shots, following our characters around and really immersing you in the action. It's taking a simple idea and giving it a fresh spin, providing the viewer with a harrowing and intensely enjoyable thrill ride. For me, the perfect example of this is the episode titled 'Alone', where an unlucky coward called Lance finds himself all alone after escaping a school. He meanders around town before picking up the pace when a zombie decides that it wants to feed on him. I spent a pretty intense 30 minutes just wishing this poor guy would find himself a weapon and catch a break. But even when he does, he manages to blow his chance and lose it again! It's a standout episode, and a perfect example of what I love about this show.
I couldn't really fault a single episode of Black Summer, as it builds towards it's intense but relatively short finale where a number of survivors converge on the stadium, while zombies come at them from all directions. I really hope it gets renewed, and I really hope it continues to find ways to remain original and enjoyable too.
Ryan Hill (152 KP) rated The Incredible Hulk (2008) in Movies
May 9, 2019
"As far as I'm concerned, that man's whole body is property of the U.S. army."
I will defend this gem until the day I die.
The Incredible Hulk is without a doubt one of the most underrated, underappreciated film's that I have ever seen. There it is. I'm just putting it out there. Don't worry, I have my reasons that I'll get into but if you don't like this film, if you hate this film even, I encourage you to read this review. I encourage this because I hope to open your eyes to how beautiful and tragic The Incredible Hulk is.
For one, let's take it back to May 1962 when Stan Lee and Jack Kirby introduced to us, in his very own debut issue, the Hulk himself. According to interviews, Lee spoke of how this film truly captured the essence of the character and the comics. In those comics, General Thunderbolt Ross, along with the military, was always chasing Dr. Banner ever since the accident. This is portrayed brilliantly here by Louis Leterrier. I'm not a huge fan of his work but I got to give credit where credit's due.
I don't even know where to start for positives because there's so many. For one, Edward Norton is brilliant (yes brilliant) as Bruce Banner. His performance is so emotionally subdued, filled with great sadness and longing. They even show him suffering from PTSD, which has never been touched on with this character on film. Really great stuff on Norton's part. We also get to finally see Bruce Banner be a scientist. We've seen it in the future films sure, but not to this extent. Bruce is working with scraps, using solely his wits, in a third world country . . . just like in the comics.
The story of Hulk is really a tragic love story. I got serious King Kong vibes from the similar dynamic here and it's beautiful. The chemistry between Banner and Elizabeth Ross is great. It's so believable; two people put in an impossible situation and making it work. That's love.
Hulk's character is so well realized here. He suffers from PTSD like I said, but the actual monster himself is perfect. They even throw in a bit of a horror vibe for the first Hulk-out scene. Oh yeah, there's numerous Hulk-out scenes!!! There's so many great omages to the comics as well and I loved every bit of it.
Lastly, looking at it from a technical side it's great. The cinematography is extremely well done and a total feast for the eyes. The pacing is great and goes by like the snap of Thanos himself. The editing is top-notch. The soundtrack by Craig Armstrong is one of my favorites of all time and is so iconic and beautiful. Finally, there's a serious tone. FINALLY. There are some well incorporated jokes but unlike some other Marvel films, it's not overbearing.
As for negatives, they are almost none to nonexistent. Really just nitpicks. The taxi scene is a bit unrealistic and silly. It's the only scene of humor that felt a bit forced and silly, yet I can easily ignore it. But since this is an analysis, I had to mention it. Also, unlike Ruffalo's Hulk, Norton's Hulk doesn't look very similar to Norton himself. Again, purely a nitpick.
Overall, I absolutely love The Incredible Hulk
The Incredible Hulk is without a doubt one of the most underrated, underappreciated film's that I have ever seen. There it is. I'm just putting it out there. Don't worry, I have my reasons that I'll get into but if you don't like this film, if you hate this film even, I encourage you to read this review. I encourage this because I hope to open your eyes to how beautiful and tragic The Incredible Hulk is.
For one, let's take it back to May 1962 when Stan Lee and Jack Kirby introduced to us, in his very own debut issue, the Hulk himself. According to interviews, Lee spoke of how this film truly captured the essence of the character and the comics. In those comics, General Thunderbolt Ross, along with the military, was always chasing Dr. Banner ever since the accident. This is portrayed brilliantly here by Louis Leterrier. I'm not a huge fan of his work but I got to give credit where credit's due.
I don't even know where to start for positives because there's so many. For one, Edward Norton is brilliant (yes brilliant) as Bruce Banner. His performance is so emotionally subdued, filled with great sadness and longing. They even show him suffering from PTSD, which has never been touched on with this character on film. Really great stuff on Norton's part. We also get to finally see Bruce Banner be a scientist. We've seen it in the future films sure, but not to this extent. Bruce is working with scraps, using solely his wits, in a third world country . . . just like in the comics.
The story of Hulk is really a tragic love story. I got serious King Kong vibes from the similar dynamic here and it's beautiful. The chemistry between Banner and Elizabeth Ross is great. It's so believable; two people put in an impossible situation and making it work. That's love.
Hulk's character is so well realized here. He suffers from PTSD like I said, but the actual monster himself is perfect. They even throw in a bit of a horror vibe for the first Hulk-out scene. Oh yeah, there's numerous Hulk-out scenes!!! There's so many great omages to the comics as well and I loved every bit of it.
Lastly, looking at it from a technical side it's great. The cinematography is extremely well done and a total feast for the eyes. The pacing is great and goes by like the snap of Thanos himself. The editing is top-notch. The soundtrack by Craig Armstrong is one of my favorites of all time and is so iconic and beautiful. Finally, there's a serious tone. FINALLY. There are some well incorporated jokes but unlike some other Marvel films, it's not overbearing.
As for negatives, they are almost none to nonexistent. Really just nitpicks. The taxi scene is a bit unrealistic and silly. It's the only scene of humor that felt a bit forced and silly, yet I can easily ignore it. But since this is an analysis, I had to mention it. Also, unlike Ruffalo's Hulk, Norton's Hulk doesn't look very similar to Norton himself. Again, purely a nitpick.
Overall, I absolutely love The Incredible Hulk
Sassy Brit (97 KP) rated Maybe For You in Books
Jun 5, 2019
Maybe For You by Nicole McLaughlin is a very emotional storyline. The theme allows readers to understand how to cope with loss and handle grief. It is also a friends to lover’s story.
Many say that a guy and gal cannot be friends. This story seems to prove that point. The different dynamic relationships play a part in how people react to each other. Friends usually are able to be direct and let their guards down without having to build walls. Usually these relationships are based on honesty where each person can show their true selves. Some of the best intimate relationships start off as friends. The heroine, Alexis, and the hero, Jake began their friendship as pen pals while she was deployed in Italy. They did not literally converse with a writing object, but used the modern way, a phone text. McLaughlin wanted “it to be a safer way to share feelings without being face to face or voice to voice. These two are able to share only when they feel like sharing.”
Alexis is not used to displaying her emotions, keeping everything close to the chest. Her parents died in an auto accident, she was raised by her older brother Dean, and now has lost her fiancé in a military helicopter accident. Anyone who has lost a loved one, especially when it is unexpected, can relate to this powerful quote, “Several times she had to talk herself out of just crawling back into bed… Moving on, healing, required putting one foot in front of the other. Even when it felt impossible.”
The story poignantly shows how those grieving can move on, that time heals. Yet, there are also instances when something can spur someone’s memory about a loved one, and that feeling of being hit in the gut returns. “I wanted to write about this because I experience it. I put in the book how sometimes the weight of the pain feels brand new. I lost my father when I was ten. I watched my mother and how she dealt with losing a partner. I think I put my own feelings in these scenes. My dad has been dead almost twenty-five years and every once in awhile a thought pops up in my head and I cry instantly. I think the grieving process is a long journey.”
But it is also a story of hope. After a year serving overseas Alexis returns to her home town in Kansas. Her brother offers her a job at the Stag Distillery he owns with two friends. But it also ended up becoming one of the most successful wedding and event venues in the Kansas City metro area. To promote their business one of the partners, Jake, travels on the road to find new clients. Realizing that Alex would be a good addition for making sells, it is decided that she will travel with him. Ready for a new challenge, Alexis agrees to accompany her new co-worker, Jake. Soon the casual relationship becomes intense where both realize they have strong feelings for each other.
“I wrote how their relationship was grounded in respect and friendship. Both needed someone that they cared for. They were able to tease and joke with each other, feeling very comfortable, because they started out as friends. They appear as opposites since Alexis is a survivor, strong, broken, vulnerable, determined, desperate for a family, and is very guarded. Jake is a player, a playboy, who always feels second best. As Alexis opens up to him about her feelings he listens, doesn’t pry or lecture about what she should be feeling. Slowly he transitions from a playboy to a partner.”
This is a very emotional story that will tug at the heart. There are many touching scenes with very likeable characters.
Many say that a guy and gal cannot be friends. This story seems to prove that point. The different dynamic relationships play a part in how people react to each other. Friends usually are able to be direct and let their guards down without having to build walls. Usually these relationships are based on honesty where each person can show their true selves. Some of the best intimate relationships start off as friends. The heroine, Alexis, and the hero, Jake began their friendship as pen pals while she was deployed in Italy. They did not literally converse with a writing object, but used the modern way, a phone text. McLaughlin wanted “it to be a safer way to share feelings without being face to face or voice to voice. These two are able to share only when they feel like sharing.”
Alexis is not used to displaying her emotions, keeping everything close to the chest. Her parents died in an auto accident, she was raised by her older brother Dean, and now has lost her fiancé in a military helicopter accident. Anyone who has lost a loved one, especially when it is unexpected, can relate to this powerful quote, “Several times she had to talk herself out of just crawling back into bed… Moving on, healing, required putting one foot in front of the other. Even when it felt impossible.”
The story poignantly shows how those grieving can move on, that time heals. Yet, there are also instances when something can spur someone’s memory about a loved one, and that feeling of being hit in the gut returns. “I wanted to write about this because I experience it. I put in the book how sometimes the weight of the pain feels brand new. I lost my father when I was ten. I watched my mother and how she dealt with losing a partner. I think I put my own feelings in these scenes. My dad has been dead almost twenty-five years and every once in awhile a thought pops up in my head and I cry instantly. I think the grieving process is a long journey.”
But it is also a story of hope. After a year serving overseas Alexis returns to her home town in Kansas. Her brother offers her a job at the Stag Distillery he owns with two friends. But it also ended up becoming one of the most successful wedding and event venues in the Kansas City metro area. To promote their business one of the partners, Jake, travels on the road to find new clients. Realizing that Alex would be a good addition for making sells, it is decided that she will travel with him. Ready for a new challenge, Alexis agrees to accompany her new co-worker, Jake. Soon the casual relationship becomes intense where both realize they have strong feelings for each other.
“I wrote how their relationship was grounded in respect and friendship. Both needed someone that they cared for. They were able to tease and joke with each other, feeling very comfortable, because they started out as friends. They appear as opposites since Alexis is a survivor, strong, broken, vulnerable, determined, desperate for a family, and is very guarded. Jake is a player, a playboy, who always feels second best. As Alexis opens up to him about her feelings he listens, doesn’t pry or lecture about what she should be feeling. Slowly he transitions from a playboy to a partner.”
This is a very emotional story that will tug at the heart. There are many touching scenes with very likeable characters.
BankofMarquis (1832 KP) rated Annihilation (2018) in Movies
Feb 24, 2018
Just didn't work for me
I like "Intelligent Science Fiction". You know, like Alex Garland's other Directorial effort 2014's EX MACHINA or Jeff Nichols’ involving 2016 film MIDNIGHT SPECIAL. These are the types of films that uses the backdrop of Science Fiction to delve deeper into character, concepts or ideas, leaving time for the audience to take it all in and to really think about what is being shown on the screen and to wrestle with the concepts brought forth. So, I was really excited when I found out the Garland would be helming a film of the first book in Jeff VanderMeer's SOUTHERN REACH trilogy, ANNIHILATION - a trippy sci-fi book series about an alien presence that starts tearing away at the very fabric of human existence. I was convinced that this marriage of source material and filmmaker would create another cinematic gem.
Boy, was I wrong.
ANNIHILATION fails in all the ways that these types of films could fail. It is self-indulgent, favors style over substance, mood over momentum and has long, long, loooong scenes of dialogue (or non-dialogue) that is supposed to convey a sense of dread and, for me, just made me want to yell at the screen "get on with it!"
ANNIHILATION tells the story of a group of women who comprise the 12th group of explorers entering "the shimmer" - an unknown phenomenon in a remote part of the US that is growing and will soon start engulfing populated areas. None of the other groups have returned (save for 1 soldier). This 12th group, led by the mysterious Dr. Ventres, tries to get at the heart of what the shimmer is and succeed where others failed. Once inside "the shimmer" the group must fight with their own nightmares and what makes them human.
Sounds like a really good premise for an intelligent Sci-Fi film doesn't it? Unfortunately, Director and Writer Garland is more interested in the sights, sounds and moods of "the shimmer" and fails to create any interesting characters - or circumstances - for the audience to follow.
Natalie Portman stars as Lena - a biologist (and former military) who's husband (the great Oscar Isaac) is the lone returning solider (though not all of him, mentally, has returned). The pairing of these two strong, interesting actors should have been enough to propel this film forward, but all they do is stare at each other and "not say" anything. They look at each other like something is wrong, but the never say or do anything. Compounding things is the weird portrayal of the weird Dr. Ventres by Jennifer Jason Leigh - an actress not known from shying away from weird. Her portrayal would have worked, I think, if she had some "normal" folks to play against - or if her character had some sort of climax, but she doesn't, she just sort of peters out. Joining these two are Tessa Thompson (losing the goodwill she earned in THOR:RAGNAROK) as a physicist that "has secrets" and Gina Rodriguez (channelling her inner Michelle Rodriguez) as a gung-ho "kick-ass" paramedic (you can guess how that is going to turn out). Only Tuva Novotny as scientist Cass Sheppard has anything approaching an interesting character, but she is on all too briefly.
Also wasted in this film is Benedict Wong (DOCTOR STRANGE) as the "Basil Exposition" of this film (explaining things to the audience) and David Gyasi (INTERSTELLAR) as a pseudo-love interest for Lena.
Maybe I'm just not "artsy" enough to enjoy this. If you are and you enjoy this, let me know what I missed. As it is, I have an early, leading contender for "Worst Film of 2018".
In the meantime, I'm going to rewatch EX MACHINA or MIDNIGHT SPECIAL, two intelligent Science Fiction films that work.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Boy, was I wrong.
ANNIHILATION fails in all the ways that these types of films could fail. It is self-indulgent, favors style over substance, mood over momentum and has long, long, loooong scenes of dialogue (or non-dialogue) that is supposed to convey a sense of dread and, for me, just made me want to yell at the screen "get on with it!"
ANNIHILATION tells the story of a group of women who comprise the 12th group of explorers entering "the shimmer" - an unknown phenomenon in a remote part of the US that is growing and will soon start engulfing populated areas. None of the other groups have returned (save for 1 soldier). This 12th group, led by the mysterious Dr. Ventres, tries to get at the heart of what the shimmer is and succeed where others failed. Once inside "the shimmer" the group must fight with their own nightmares and what makes them human.
Sounds like a really good premise for an intelligent Sci-Fi film doesn't it? Unfortunately, Director and Writer Garland is more interested in the sights, sounds and moods of "the shimmer" and fails to create any interesting characters - or circumstances - for the audience to follow.
Natalie Portman stars as Lena - a biologist (and former military) who's husband (the great Oscar Isaac) is the lone returning solider (though not all of him, mentally, has returned). The pairing of these two strong, interesting actors should have been enough to propel this film forward, but all they do is stare at each other and "not say" anything. They look at each other like something is wrong, but the never say or do anything. Compounding things is the weird portrayal of the weird Dr. Ventres by Jennifer Jason Leigh - an actress not known from shying away from weird. Her portrayal would have worked, I think, if she had some "normal" folks to play against - or if her character had some sort of climax, but she doesn't, she just sort of peters out. Joining these two are Tessa Thompson (losing the goodwill she earned in THOR:RAGNAROK) as a physicist that "has secrets" and Gina Rodriguez (channelling her inner Michelle Rodriguez) as a gung-ho "kick-ass" paramedic (you can guess how that is going to turn out). Only Tuva Novotny as scientist Cass Sheppard has anything approaching an interesting character, but she is on all too briefly.
Also wasted in this film is Benedict Wong (DOCTOR STRANGE) as the "Basil Exposition" of this film (explaining things to the audience) and David Gyasi (INTERSTELLAR) as a pseudo-love interest for Lena.
Maybe I'm just not "artsy" enough to enjoy this. If you are and you enjoy this, let me know what I missed. As it is, I have an early, leading contender for "Worst Film of 2018".
In the meantime, I'm going to rewatch EX MACHINA or MIDNIGHT SPECIAL, two intelligent Science Fiction films that work.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Killzone: Shadow Fall in Video Games
Jun 19, 2019
The signature launch title for the Playstation 4, Killzone: Shadow Fall has arrived. The game continues the popular Killzone franchise with next-generation graphics and features that are made possible by the new system. Although it picks up following the events of Killzone 3, it is not necessary to have played or completed any of the previous games thanks to an introduction sequence that establishes the plot and setting for the game. Following the defeat of the Helghast, the ISA allows them sanctuary on a colonized planet. The two sides are divided by a massive fortification known as “The Wall” which keeps the two former enemies divided. Shortly after the construction of the Wall, the Helghast begin a forced relocation of the local populace and use their usual brutal tactics to accomplish this. Playing as a young boy named Lucas, players must work with her father as they attempt to reach the safety of the Wall during the brutal relocation.
Shortly before reaching their objective, tragedy strikes in Lucas witnesses his father brutally murdered at the hands of the Helghast. Lucas is saved by a soldier who cares for Lucas as his own, and recruits him into the military.
The game flashes 30 years forward when relations between the two sides are very strained and Lucas has recently returned by a prisoner exchange after being caught and detained on the Helghast side of the Wall. Tasked with doing missions on the enemy side, Lucas must infiltrate enemy territory to prepare his side for what is to come. What follows is an adventure filled with treachery, action, and suspense and some amazingly fast and smooth gameplay.
The game also features solid multi-play experiences had a very good variety of weapons for players to select from. The matchmaking is very quick and the responsiveness of the Dualshock 4 controller complemented the game well.
My biggest issue with the game was getting used to the navigation system as the game employs a sonar type system to scan an area and I was used to a key point on a map indicating which direction I needed to go. There is an assistant known as an Owl which players can command which allows them to do everything from former protective shield, attack enemies, hack computers, and unleash a zip line to allow travel between distant points.
Early in the game I found myself struggling to locate and disarm an enemy alarm in order to prevent reinforcements from continuing to arrive. I was eventually able to accomplish this through trial and error but required a very large pile of enemy bodies littering the map before I was able to do so. The game does employee larger maps that allow for a less linear style of gameplay as I had options as to how and if I chose to encounter various enemies and locales or simply avoid them altogether.
While the game was certainly enjoyable, it was not as engaging as I had hoped as well graphically it was very impressive the gameplay and story didn’t grab me the way that some contemporary First Person Shooters do. Part of this is the fact that I tend to play games of this type with the mouse and keyboard and find a console controller a bit cumbersome and awkward at times. While I’m able to get the control systems down easily enough to play the game, the online portion tends to suffer from a as I struggle against flesh and blood opponents due to my comfort level with a PC configuration.
That being said, I did enjoy the game and look for to seeing what the future holds for the franchise as well as for the planned DLC that will be coming for the game.
http://sknr.net/2013/12/30/killzone-shadow-fall/
Shortly before reaching their objective, tragedy strikes in Lucas witnesses his father brutally murdered at the hands of the Helghast. Lucas is saved by a soldier who cares for Lucas as his own, and recruits him into the military.
The game flashes 30 years forward when relations between the two sides are very strained and Lucas has recently returned by a prisoner exchange after being caught and detained on the Helghast side of the Wall. Tasked with doing missions on the enemy side, Lucas must infiltrate enemy territory to prepare his side for what is to come. What follows is an adventure filled with treachery, action, and suspense and some amazingly fast and smooth gameplay.
The game also features solid multi-play experiences had a very good variety of weapons for players to select from. The matchmaking is very quick and the responsiveness of the Dualshock 4 controller complemented the game well.
My biggest issue with the game was getting used to the navigation system as the game employs a sonar type system to scan an area and I was used to a key point on a map indicating which direction I needed to go. There is an assistant known as an Owl which players can command which allows them to do everything from former protective shield, attack enemies, hack computers, and unleash a zip line to allow travel between distant points.
Early in the game I found myself struggling to locate and disarm an enemy alarm in order to prevent reinforcements from continuing to arrive. I was eventually able to accomplish this through trial and error but required a very large pile of enemy bodies littering the map before I was able to do so. The game does employee larger maps that allow for a less linear style of gameplay as I had options as to how and if I chose to encounter various enemies and locales or simply avoid them altogether.
While the game was certainly enjoyable, it was not as engaging as I had hoped as well graphically it was very impressive the gameplay and story didn’t grab me the way that some contemporary First Person Shooters do. Part of this is the fact that I tend to play games of this type with the mouse and keyboard and find a console controller a bit cumbersome and awkward at times. While I’m able to get the control systems down easily enough to play the game, the online portion tends to suffer from a as I struggle against flesh and blood opponents due to my comfort level with a PC configuration.
That being said, I did enjoy the game and look for to seeing what the future holds for the franchise as well as for the planned DLC that will be coming for the game.
http://sknr.net/2013/12/30/killzone-shadow-fall/
Gareth von Kallenbach (980 KP) rated Chappie (2015) in Movies
Jun 19, 2019
In the world of 2016 South Africa, the police have taken a firm stand against the out of control crime problem facing the community by deploying a new line of robotic police officers. The robots known as “Scouts” are the creation of Deon Wilson (Dev Patel), who works for a defense contractor and dreams of taking artificial intelligence to the next level.
His boss Michelle (Sigourney Weaver), is not interested in anything other than the bottom line and discourages any creation or research that do not have military and financial ramification to them.
Deon must also content with an ex-soldier and rival designer named Vincent (Hugh Jackman), who is jealous of the success of the Scouts and wants to instead see his heavy weapons unit be given the chance to shine.
When he has a breakthrough, Deon opts to defy his boss and installs a new and revolutionary A.I. program into a Scout that was scheduled to be demolished after taking extensive damage in the field.
Things do not go as planned when Deon and his creation are captured by a gang who are desperate to raise money in order to pay back a debt to a rival gangster.
The new unit is like a child and Deon explains that he has to be treated like a child and given the chance to learn. The fact that his damage prevents him from being able to be recharged means the Scout now named “Chappie” only a few days of life adds urgency to the situation.
The gang starts to teach Chappie (Sharito Copley), when he needs to know to help them pull of their crimes but also become attached to him as he innocent ways and outlook start to grow on the gruff criminals.
With the clock ticking, events take a turn when Vincent takes matters into his own hands and before long several parties are pitted against one another with their very survival on the line.
Writer./Director Neil Blomkamp has crafted a “Thinking Man’s” science fiction film that evokes many solid debates about the definition of life, death, a soul, and other less tangible themes. The film has some action at the beginning and end and the CGI effects are very solid.
The biggest issue I had with the film was that the great premise lost momentum in the final act and in many ways takes some huge leaps of faith. We are supposed to believe that this is a top defense company yet people are able to come and go, especially at crunch time during the film. I had no idea you can just drive through a fence into a loading dock without every encountering any security or resistance. The area is like a revolving door as characters come and go without raising an eyebrow.
The cast is solid but some may have an issue with the accents in the film which Blomkamp recognizes by adding in subtitles at various moments in the film.
In the end “Chappie” is a good premise that never fully meets the potential it aspires to but still has enough good moments to underscore that Blomkamp is one of the most gifted talents in Science Fiction as he is able to infuse what would otherwise be a soulless character with enough heart and compassion that the audience will have empathy for him. With that in mind, Blomkamp should do a great job with the upcoming new Alien film as he has crafted a solid and enjoyable film that entertains while making you think about the deeper issues of existence without doing it in a heavy-handed manner.
http://sknr.net/2015/03/06/chappie/
His boss Michelle (Sigourney Weaver), is not interested in anything other than the bottom line and discourages any creation or research that do not have military and financial ramification to them.
Deon must also content with an ex-soldier and rival designer named Vincent (Hugh Jackman), who is jealous of the success of the Scouts and wants to instead see his heavy weapons unit be given the chance to shine.
When he has a breakthrough, Deon opts to defy his boss and installs a new and revolutionary A.I. program into a Scout that was scheduled to be demolished after taking extensive damage in the field.
Things do not go as planned when Deon and his creation are captured by a gang who are desperate to raise money in order to pay back a debt to a rival gangster.
The new unit is like a child and Deon explains that he has to be treated like a child and given the chance to learn. The fact that his damage prevents him from being able to be recharged means the Scout now named “Chappie” only a few days of life adds urgency to the situation.
The gang starts to teach Chappie (Sharito Copley), when he needs to know to help them pull of their crimes but also become attached to him as he innocent ways and outlook start to grow on the gruff criminals.
With the clock ticking, events take a turn when Vincent takes matters into his own hands and before long several parties are pitted against one another with their very survival on the line.
Writer./Director Neil Blomkamp has crafted a “Thinking Man’s” science fiction film that evokes many solid debates about the definition of life, death, a soul, and other less tangible themes. The film has some action at the beginning and end and the CGI effects are very solid.
The biggest issue I had with the film was that the great premise lost momentum in the final act and in many ways takes some huge leaps of faith. We are supposed to believe that this is a top defense company yet people are able to come and go, especially at crunch time during the film. I had no idea you can just drive through a fence into a loading dock without every encountering any security or resistance. The area is like a revolving door as characters come and go without raising an eyebrow.
The cast is solid but some may have an issue with the accents in the film which Blomkamp recognizes by adding in subtitles at various moments in the film.
In the end “Chappie” is a good premise that never fully meets the potential it aspires to but still has enough good moments to underscore that Blomkamp is one of the most gifted talents in Science Fiction as he is able to infuse what would otherwise be a soulless character with enough heart and compassion that the audience will have empathy for him. With that in mind, Blomkamp should do a great job with the upcoming new Alien film as he has crafted a solid and enjoyable film that entertains while making you think about the deeper issues of existence without doing it in a heavy-handed manner.
http://sknr.net/2015/03/06/chappie/
Darren (1599 KP) rated Aloha (2015) in Movies
Jun 20, 2019
Story: Aloha starts Brian Gilcrest (Cooper) who dreams of going into space but his dreams go sour after teaming up with billionaire Carson Welch (Murray) before getting a chance to go back to Hawaii. He is now a representative for Carson due to a war injury who has to deal with his ex-girlfriend Tracy (McAdams) but has to follow orders from captain Allison Ng (Stone), while meeting back up with former friends.
Brian working for Carson as he wants to introduce a space program to Hawaii but first Brian needs to negotiate with the locals. All this while Brian ends up in the middle of a love triangle with Allison and Tracy.
Aloha is a film that just never pulled my attention, be it the bland characters slow moving love triangle or whatever Carson was meant to be doing. I personally am not sure what was meant to be happening, everything that did happen just seemed to be very slow moving and offering nothing to really root for. You simply jut didn’t care what was happening. (2/10)
Actor Review
Bradley Cooper: Brain is an injured war veteran who has sided with billionaire Carson to look into making space travel happen, he has to return to Hawaii where he ends up having to see his ex-girlfriend and be followed around by the golden soldier of the local military. He is here to help create a deal to make space travel in Hawaii. Bradley gives a very average performance not getting a chance to show his real talent. (5/10)brian
Emma Stone: Allison is the most prized soldier of General Dixon who has to show Brian around, she admires him and doesn’t want you to forget she is a quarter Hawaii. While many people criticised the character created she was one of the better things in this film. (6/10)allison
Rachel McAdams: Tracy is the ex-girlfriend of Brian who lives on Hawaii with her new husband and family, when the two get to spend time together they get the closure they never really got. Rachel gives a plain performance that really doesn’t seem to do much. (4/10)
Bill Murray: Carson is the billionaire who is looking to make his own space program on the island of Hawaii and he give Brian one last chance to prove himself to him. Bill tries to bring his quirkiness to this role without really pulling it off. (5/10)
Support Cast: Aloha has the standard attempted comedic actors trying to pull this off but they had little to work with.
Director Review: Cameron Crowe – Cameron has given us some great films in the past but now he has managed to give us his worst. (2/10)
Comedy: Aloha doesn’t have many laughs at all can hardly be called a comedy. (2/10)
Romance: Aloha tries to give us an engaging love triangle but doesn’t really succeed to make us care enough. (3/10)
Settings: Aloha tries to give our location something special with the idea of putting it all on Hawaii for the beautiful setting and doesn’t even get that right. (3/10)
Suggestion: Aloha is one too miss this year, if anyone says to watch just say no. (Just Say No)
Best Part: The end.
Worst Part: It is over an Hour and half.
Funniest Scene: Woody and Brian’s ‘Conversation’.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Please God No.
Post Credits Scene: I didn’t both to look.
Oscar Chances: No
Box Office: $20 Million
Budget: $37 Million
Runtime: 1 Hour 45 Minutes
Tagline: Sometimes you have to say goodbye before you can say hello.
Overall: Just watch paint dry it will be more entertaining.
https://moviesreview101.com/2015/11/07/emma-stone-weekend-aloha-2015/
Brian working for Carson as he wants to introduce a space program to Hawaii but first Brian needs to negotiate with the locals. All this while Brian ends up in the middle of a love triangle with Allison and Tracy.
Aloha is a film that just never pulled my attention, be it the bland characters slow moving love triangle or whatever Carson was meant to be doing. I personally am not sure what was meant to be happening, everything that did happen just seemed to be very slow moving and offering nothing to really root for. You simply jut didn’t care what was happening. (2/10)
Actor Review
Bradley Cooper: Brain is an injured war veteran who has sided with billionaire Carson to look into making space travel happen, he has to return to Hawaii where he ends up having to see his ex-girlfriend and be followed around by the golden soldier of the local military. He is here to help create a deal to make space travel in Hawaii. Bradley gives a very average performance not getting a chance to show his real talent. (5/10)brian
Emma Stone: Allison is the most prized soldier of General Dixon who has to show Brian around, she admires him and doesn’t want you to forget she is a quarter Hawaii. While many people criticised the character created she was one of the better things in this film. (6/10)allison
Rachel McAdams: Tracy is the ex-girlfriend of Brian who lives on Hawaii with her new husband and family, when the two get to spend time together they get the closure they never really got. Rachel gives a plain performance that really doesn’t seem to do much. (4/10)
Bill Murray: Carson is the billionaire who is looking to make his own space program on the island of Hawaii and he give Brian one last chance to prove himself to him. Bill tries to bring his quirkiness to this role without really pulling it off. (5/10)
Support Cast: Aloha has the standard attempted comedic actors trying to pull this off but they had little to work with.
Director Review: Cameron Crowe – Cameron has given us some great films in the past but now he has managed to give us his worst. (2/10)
Comedy: Aloha doesn’t have many laughs at all can hardly be called a comedy. (2/10)
Romance: Aloha tries to give us an engaging love triangle but doesn’t really succeed to make us care enough. (3/10)
Settings: Aloha tries to give our location something special with the idea of putting it all on Hawaii for the beautiful setting and doesn’t even get that right. (3/10)
Suggestion: Aloha is one too miss this year, if anyone says to watch just say no. (Just Say No)
Best Part: The end.
Worst Part: It is over an Hour and half.
Funniest Scene: Woody and Brian’s ‘Conversation’.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Please God No.
Post Credits Scene: I didn’t both to look.
Oscar Chances: No
Box Office: $20 Million
Budget: $37 Million
Runtime: 1 Hour 45 Minutes
Tagline: Sometimes you have to say goodbye before you can say hello.
Overall: Just watch paint dry it will be more entertaining.
https://moviesreview101.com/2015/11/07/emma-stone-weekend-aloha-2015/
Jessica - Where the Book Ends (15 KP) rated Vivian's List (The List, #1) in Books
Jan 30, 2019
*I received this books as an ARC in an exchange for an honest review*
I was completely taken aback by this book in the best way possible! I didn't really know what to expect; but I knew that if it was anything like the cover of this book I was going to be in for a treat. We are first introduced to Vivian who is a very beautiful girl, but she's very emotionally shut off. Her parents died when her and her brother were teens and as a result she hasn't had much love in her life since. Viv's brother Julian is an active member of the military and is not actually in this book expect for in mention (would love to get to know him better in a future installment... hint hint nudge nudge). Viv seems to have attracted a complete loser Brody! He doesn't physically abuse Viv, but he's broken her spirit in almost any way imaginable. Enter Liam. Liam rides in like a knight in shining armor to save Vivian his best friend's little sister. SWOON! Liam is staying with Vivian while is he is on shore leave and that's where things get really interesting.
<blockquote><b>"Now I found myself wishing I could carry her away from the real wolf - the wolf disguised as her boyfriend."</blockquote></b>
Brody always hates the way Vivian dresses, he says it makes her look like a slut, and he's always accusing her of sleeping with Liam even when she isn't. Inevitably he gets pissed and he drops Vivian at home after one of their mega fights which he's called Vivian "boring old vanilla" which leaves Vivian on a mission.
Liam plays an important role in showing Vivian that the way she is being treated is not okay. Liam's mother was treated poorly by his father and thus his experience. The scene between Viv and Liam where he is just pouring his heart out and explaining his mom's story is written so beautifully and so poignantly, that I almost felt like it was me coming to my senses.
<blockquote><b>"Not knowing you're abused is bad. But refusing to know it? Refusing to recognize it? That's far worse."
"Respect exists only on the basis of freedom, for love is the child of freedom, never that of domination." </blockquote></b>
Vivian grows to be a strong character and I love her journey of sexual discovery along the way She embarks on an adventure with Liam that I am completely swept up in. I loved their encounters, their approach to the whole deal, and I love the ending result. This book had me reading fervently wanting to know what was going to happen next. I laughed at parts of the book, and I cried at others. This book just resonated with me in such a way that I just can't describe.
<blockquote><b>"You don't have to be Mr. Right, I just need you to be Mr. Right Now." </blockquote></b>
The sex scenes were hot and steamy, and weren't written in the cheesy way that some sex scenes are written. The author doesn't describe things in a corny way and she uses real terms and real words to describe what is taking place. None of that fluffy, flowery, frilly sex talk. And of course there is the unexpressed love growing between characters. Its an amazing book!
<blockquote><b>"I kissed him back, matching him move for move, laying my wounded soul bare for him to see, to taste, to touch" </blockquote></b>
Haleigh Lovell has definitely found a fan in me. I can't wait until 2014 when the sequel "Liam's List" is released! I can't wait to hear more of their stories, and I can't wait to maybe meet Julian (again hint hint nudge nudge). This book gets 5 stars from me and is probably one of my best reads of 2013.
I was completely taken aback by this book in the best way possible! I didn't really know what to expect; but I knew that if it was anything like the cover of this book I was going to be in for a treat. We are first introduced to Vivian who is a very beautiful girl, but she's very emotionally shut off. Her parents died when her and her brother were teens and as a result she hasn't had much love in her life since. Viv's brother Julian is an active member of the military and is not actually in this book expect for in mention (would love to get to know him better in a future installment... hint hint nudge nudge). Viv seems to have attracted a complete loser Brody! He doesn't physically abuse Viv, but he's broken her spirit in almost any way imaginable. Enter Liam. Liam rides in like a knight in shining armor to save Vivian his best friend's little sister. SWOON! Liam is staying with Vivian while is he is on shore leave and that's where things get really interesting.
<blockquote><b>"Now I found myself wishing I could carry her away from the real wolf - the wolf disguised as her boyfriend."</blockquote></b>
Brody always hates the way Vivian dresses, he says it makes her look like a slut, and he's always accusing her of sleeping with Liam even when she isn't. Inevitably he gets pissed and he drops Vivian at home after one of their mega fights which he's called Vivian "boring old vanilla" which leaves Vivian on a mission.
Liam plays an important role in showing Vivian that the way she is being treated is not okay. Liam's mother was treated poorly by his father and thus his experience. The scene between Viv and Liam where he is just pouring his heart out and explaining his mom's story is written so beautifully and so poignantly, that I almost felt like it was me coming to my senses.
<blockquote><b>"Not knowing you're abused is bad. But refusing to know it? Refusing to recognize it? That's far worse."
"Respect exists only on the basis of freedom, for love is the child of freedom, never that of domination." </blockquote></b>
Vivian grows to be a strong character and I love her journey of sexual discovery along the way She embarks on an adventure with Liam that I am completely swept up in. I loved their encounters, their approach to the whole deal, and I love the ending result. This book had me reading fervently wanting to know what was going to happen next. I laughed at parts of the book, and I cried at others. This book just resonated with me in such a way that I just can't describe.
<blockquote><b>"You don't have to be Mr. Right, I just need you to be Mr. Right Now." </blockquote></b>
The sex scenes were hot and steamy, and weren't written in the cheesy way that some sex scenes are written. The author doesn't describe things in a corny way and she uses real terms and real words to describe what is taking place. None of that fluffy, flowery, frilly sex talk. And of course there is the unexpressed love growing between characters. Its an amazing book!
<blockquote><b>"I kissed him back, matching him move for move, laying my wounded soul bare for him to see, to taste, to touch" </blockquote></b>
Haleigh Lovell has definitely found a fan in me. I can't wait until 2014 when the sequel "Liam's List" is released! I can't wait to hear more of their stories, and I can't wait to maybe meet Julian (again hint hint nudge nudge). This book gets 5 stars from me and is probably one of my best reads of 2013.
Gareth von Kallenbach (980 KP) rated Iron Man (2008) in Movies
Aug 14, 2019
The summer 0f 2008 movie season kicks off in a big way with the release of “Iron Man”, the latest in a long line of popular Marvel Comics superheroes to make the leap to the big screen.
Robert Downey JR. stars as Tony Stark a Billionaire playboy who owns a vast company that is known mainly for manufacturing weapon systems. When the film opens, Stark is ambushed shortly after a weapons demonstration in Afghanistan and is wounded by the attackers who take Stark into captivity.
Using a device to keep the shrapnel from his vital organs and thus keep him alive, Stark is forced to create a weapon for his captors who plan to use the creative genius of Stark for their own nefarious schemes.
Stark turns the tables on his captors and devices a special suit which allows him to escape, and eventually make his way back to America after three long and harrowing months of captivity.
One back in home, Stark starts to take stock of his life and realizes that many of the weapons he designed to protect America are now being used by other factions to kill those they were designed to protect. When Stark announces to the press that he is stopping the manufacture of weapons by his company he is viewed as suffering from the long captivity and finds himself at odds with the shareholders and board of directors, as well as his long time advisor and friend Obadiah Stane (Jeff Bridges).
Undaunted, Stark begins to build a prototype suit in his lab, and soon emerges as an iron clad crusader who is obsessed with keeping the bad guys from using the weapons his company created against the innocent.
Assisted by his friend in the military Colonel Rhodes (Terrance Howard) and the lovely Pepper Potts (Gwyneth Paltrow), Tony Stark soon finds himself caught in an even more dastardly plot, and needs every ounce of his creativity and his latest invention to keep the world safe.
The movie is a pure delight and it was nice to see a summer movie that actually had some plot and character development, and did not try to dumb the material down for the audience or let the film be carried entirely by the special effects.
The movie also has some moments of good humor which work well within the film as much of it comes from the quick wit of or at the expense of Stark.
Robert Downey JR. is perfect in the role as he perfectly captures the character without making him to over the top as often is the case in many comic adaptations. He portrays Stark exactly as he is portrayed in the comics, a hard drinking womanizer, who is forced to take stock of his life, and make changes.
The supporting performances by Paltrow, Howard, and Bridges help make the film stand out as does the solid work by Director John Favreau who clearly has a grasp on the character and story and thankfully took the time to establish the characters and the premise before rushing Downey into the Iron Man suit.
When the action comes it is solid, and shines with modern effects, but never once overshadow the fact that this is a character driven story. The action teases the audience with the full potential of the suit, which I am sure will be explored further in future films.
Many times summer films arrive in a frenzy of hype and expectations only to be little more than thinly plotted films awash in FX that fail to satisfy. I am happy to say that “Iron Man” is the rare exception to the recent trend and is easily one of the best Super Hero Films ever crafted.
Robert Downey JR. stars as Tony Stark a Billionaire playboy who owns a vast company that is known mainly for manufacturing weapon systems. When the film opens, Stark is ambushed shortly after a weapons demonstration in Afghanistan and is wounded by the attackers who take Stark into captivity.
Using a device to keep the shrapnel from his vital organs and thus keep him alive, Stark is forced to create a weapon for his captors who plan to use the creative genius of Stark for their own nefarious schemes.
Stark turns the tables on his captors and devices a special suit which allows him to escape, and eventually make his way back to America after three long and harrowing months of captivity.
One back in home, Stark starts to take stock of his life and realizes that many of the weapons he designed to protect America are now being used by other factions to kill those they were designed to protect. When Stark announces to the press that he is stopping the manufacture of weapons by his company he is viewed as suffering from the long captivity and finds himself at odds with the shareholders and board of directors, as well as his long time advisor and friend Obadiah Stane (Jeff Bridges).
Undaunted, Stark begins to build a prototype suit in his lab, and soon emerges as an iron clad crusader who is obsessed with keeping the bad guys from using the weapons his company created against the innocent.
Assisted by his friend in the military Colonel Rhodes (Terrance Howard) and the lovely Pepper Potts (Gwyneth Paltrow), Tony Stark soon finds himself caught in an even more dastardly plot, and needs every ounce of his creativity and his latest invention to keep the world safe.
The movie is a pure delight and it was nice to see a summer movie that actually had some plot and character development, and did not try to dumb the material down for the audience or let the film be carried entirely by the special effects.
The movie also has some moments of good humor which work well within the film as much of it comes from the quick wit of or at the expense of Stark.
Robert Downey JR. is perfect in the role as he perfectly captures the character without making him to over the top as often is the case in many comic adaptations. He portrays Stark exactly as he is portrayed in the comics, a hard drinking womanizer, who is forced to take stock of his life, and make changes.
The supporting performances by Paltrow, Howard, and Bridges help make the film stand out as does the solid work by Director John Favreau who clearly has a grasp on the character and story and thankfully took the time to establish the characters and the premise before rushing Downey into the Iron Man suit.
When the action comes it is solid, and shines with modern effects, but never once overshadow the fact that this is a character driven story. The action teases the audience with the full potential of the suit, which I am sure will be explored further in future films.
Many times summer films arrive in a frenzy of hype and expectations only to be little more than thinly plotted films awash in FX that fail to satisfy. I am happy to say that “Iron Man” is the rare exception to the recent trend and is easily one of the best Super Hero Films ever crafted.
Darren (1599 KP) rated Starship Troopers 2: Hero of the Federation (2004) in Movies
Nov 26, 2019
Verdict: Noticeable Small Sequel
Story: Starship Troopers 2: Hero of the Federation starts straight after the first film, the humans know have the upper hand in the war against the bugs with more soldiers on the ground ready for battle. We follow a small unit that find themselves surrounded in a night assault, who seek refuge in an abandoned outpost, deep in the bug territory.
The unit finds Captain Dax (Burgi) locked away inside, while the unit gets surrounded Lei Sahara (Porch) does what she can to save her unit against her LT Dill (Monoson) who wants to get involved in paperwork and ranks, when the real enemy is a new threat they have never seen before.
Thoughts on Starship Troopers 2: Hero of the Federation
Characters – Captain VJ Dax is the officer found trapped in the outpost, once a hero of the war now a disgraced man, he is the only one that seems to know how to fight back on a more aggressive way than other soldiers are. He will demand the best from the soldiers no matter how it might see him clash with the others. Pvt Lei Sahara is one of the strongest members of the unit, she is a weak psychic that gets visions that don’t always get taken seriously, she makes the rash decision to release Dax. LT Pavlov Dill is the inexperienced soldier put in a position of power that is more interested in dealing with the ranks and orders than saving the soldier’s lives. Pvt Soda is one of the soldiers saved that needs medical attention, though she isn’t everything she looks like.
Performances – Richard Burgi is the best of the performers here, he does continue the tone of a strong military man, while most of the rest of the cast don’t reach this level. Colleen Porch does handle the serious side of the film well too.
Story – The story continues the war between humans and bugs, only this time we see the soldiers cornered in battle which will see them finding an enemy coming from within. The story here does scale back big time what we are dealing with, giving us a small unit that must battle from within one location instead of different warzones. We do move the story on from the original as we see just how humans once again understatement an enemy, as well as providing more to the bug intelligence that we are seeing. One of the problems with the story though does come from the fact we are making the story more contained, this doesn’t help on the idea of the large scale war going on, this conflicts the audience into seeing almost like a small chapter of the war over the next battle for victory.
Action/Sci-Fi – The action does continue to be large scale shooting between the humans aiming for the bugs that don’t stop, while the sci-fi is more horror based with the idea of the new bug that no human has seen before.
Settings – The film does use the outpost as the main setting, it would be a safehouse for the soldiers during the attack, though just how safe is a different question.
Special Effects – The effects while given a much small budget, don’t look bad at all, they continue to make the bugs look terrifying for anybody that comes across them.
Scene of the Movie – Stand off on the roof.
That Moment That Annoyed Me – We try to swap genres doing an alien to aliens reverse tone for the film, that just doesn’t work.
Final Thoughts – This is a sequel that doesn’t live up to the original, it does try to do something different, though it just fails to make everything hit the heights of the original.
Overall: Simple Sequel.
Story: Starship Troopers 2: Hero of the Federation starts straight after the first film, the humans know have the upper hand in the war against the bugs with more soldiers on the ground ready for battle. We follow a small unit that find themselves surrounded in a night assault, who seek refuge in an abandoned outpost, deep in the bug territory.
The unit finds Captain Dax (Burgi) locked away inside, while the unit gets surrounded Lei Sahara (Porch) does what she can to save her unit against her LT Dill (Monoson) who wants to get involved in paperwork and ranks, when the real enemy is a new threat they have never seen before.
Thoughts on Starship Troopers 2: Hero of the Federation
Characters – Captain VJ Dax is the officer found trapped in the outpost, once a hero of the war now a disgraced man, he is the only one that seems to know how to fight back on a more aggressive way than other soldiers are. He will demand the best from the soldiers no matter how it might see him clash with the others. Pvt Lei Sahara is one of the strongest members of the unit, she is a weak psychic that gets visions that don’t always get taken seriously, she makes the rash decision to release Dax. LT Pavlov Dill is the inexperienced soldier put in a position of power that is more interested in dealing with the ranks and orders than saving the soldier’s lives. Pvt Soda is one of the soldiers saved that needs medical attention, though she isn’t everything she looks like.
Performances – Richard Burgi is the best of the performers here, he does continue the tone of a strong military man, while most of the rest of the cast don’t reach this level. Colleen Porch does handle the serious side of the film well too.
Story – The story continues the war between humans and bugs, only this time we see the soldiers cornered in battle which will see them finding an enemy coming from within. The story here does scale back big time what we are dealing with, giving us a small unit that must battle from within one location instead of different warzones. We do move the story on from the original as we see just how humans once again understatement an enemy, as well as providing more to the bug intelligence that we are seeing. One of the problems with the story though does come from the fact we are making the story more contained, this doesn’t help on the idea of the large scale war going on, this conflicts the audience into seeing almost like a small chapter of the war over the next battle for victory.
Action/Sci-Fi – The action does continue to be large scale shooting between the humans aiming for the bugs that don’t stop, while the sci-fi is more horror based with the idea of the new bug that no human has seen before.
Settings – The film does use the outpost as the main setting, it would be a safehouse for the soldiers during the attack, though just how safe is a different question.
Special Effects – The effects while given a much small budget, don’t look bad at all, they continue to make the bugs look terrifying for anybody that comes across them.
Scene of the Movie – Stand off on the roof.
That Moment That Annoyed Me – We try to swap genres doing an alien to aliens reverse tone for the film, that just doesn’t work.
Final Thoughts – This is a sequel that doesn’t live up to the original, it does try to do something different, though it just fails to make everything hit the heights of the original.
Overall: Simple Sequel.