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Chris Sawin (602 KP) rated Friday the 13th Part 2 (1981) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
It's been five years since that fateful night Alice beheaded Pamela Voorhees. Unfortunately for Alice, Jason, Mrs. Voorhees son, saw everything. A camp located near Camp Crystal Lake opens up and its flooding with counselors. Everything seems to be going fine until a few of them decide to go exploring the infamous Camp Blood. From there, it's a bloodbath and Jason Voorhees is finally introduced as the killer of this franchise.
I'm one of the people who thinks the bag is scarier than the hockey mask, so I'm a pretty big fan of this one. While I was watching it this time around though, it just reminded me of The Town That Dreaded Sundown since the killer also wears a bag over his head. I think I give both films a similar rating, as well. Weird. There were a few things that crossed my mind during this viewing though. Like when everyone in camp goes to town and only a few counselors stay behind, Paul says they only have two cars. They take the two cars and drive off into town. Then when Vickie is getting ready for her evening with Mark, she runs out...to her car. These films definitely aren't without their flaws obviously, but the majority of them are still a lot of fun.
I also loved the pitchfork even though you never really got to see it used on anyone. Seeing Ralph finally get offed wasn't too shabby either. One thing that kind of left me scratching my head was the ending. Ginny gets carted off into an ambulance, but that's it. You don't see Jason's body or Paul's. Nobody is saying anything other than Ginny. Did Paul die? Did Jason get away? Did Ginny dream the whole thing? Was it Colonel Mustard with the candlestick in the dining room? Nobody knows.
I'm one of the people who thinks the bag is scarier than the hockey mask, so I'm a pretty big fan of this one. While I was watching it this time around though, it just reminded me of The Town That Dreaded Sundown since the killer also wears a bag over his head. I think I give both films a similar rating, as well. Weird. There were a few things that crossed my mind during this viewing though. Like when everyone in camp goes to town and only a few counselors stay behind, Paul says they only have two cars. They take the two cars and drive off into town. Then when Vickie is getting ready for her evening with Mark, she runs out...to her car. These films definitely aren't without their flaws obviously, but the majority of them are still a lot of fun.
I also loved the pitchfork even though you never really got to see it used on anyone. Seeing Ralph finally get offed wasn't too shabby either. One thing that kind of left me scratching my head was the ending. Ginny gets carted off into an ambulance, but that's it. You don't see Jason's body or Paul's. Nobody is saying anything other than Ginny. Did Paul die? Did Jason get away? Did Ginny dream the whole thing? Was it Colonel Mustard with the candlestick in the dining room? Nobody knows.
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Sophia (Bookwyrming Thoughts) (530 KP) rated The Arrival (The Eslite Chronicles, #1) in Books
Jan 23, 2020
So... it's been roughly a year since I read The Arrival's prequel, well before the author actually made it into a series. I even mentioned that it had potential to be a good series, and here we are: it's actually a series!!! I signed up ASAP when I saw it available to be reviewed on David Estes Fans and YA Book Lover's R&R program, despite the fact I should probably be knocking out some books on a certain reading challenge. *coughs* 2014 TBR Pile Challenge *coughs*
Plus, I'm really surprised I actually read this really quickly, and I'm personally thinking it's probably because I must be getting tired of not going to school or something. Or maybe my mind is still in devouring mode after reading The Forever Song and The Body In the Woods (review in June).
Either way, it's a quick read, and the prequel is actually set after the prologue in The Arrival, but before Chapter 1. It's set about 3 years after the events in the prequel, and Miranda and the other girls in Nidus are ready to break free from the compound because they discover the Eslites are there for different reasons entirely.
This is no sappy romance you usually find in other alien stories where the alien falls in love with the human while trying to get away from an enemy species that's not by the name of human. This is pure "aliens are going to take over the world, and they're a dominant species with high-tech technology." It's not like Lux or the Lorien Legacies, where the aliens are trying to be inconspicuous. The Arrival is completely different from that, even though there are romantic elements mixed in. Miranda is a determined heroine wanting to break both her and the girls currently in the compound away from the Eslites true reasons. And she's preventing other girls meeting similar fates.
Then there are a few curve balls thrown at you, which is always the biggest plus in the bowl. And there's the ending, in which I'm extremely curious about because it probably does some more table turning. Actually, that ending did do a table flip, so all I'm doing is blinking rapidly and wondering if that really just happened and the book is over. o_o
Oh, and a random thought, but Dimas really isn't as bad as I thought he would be from the prequel.
------------------------
Review copy provided by author (R&R)
Original Rating: 4.5 out of 5
This Review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Plus, I'm really surprised I actually read this really quickly, and I'm personally thinking it's probably because I must be getting tired of not going to school or something. Or maybe my mind is still in devouring mode after reading The Forever Song and The Body In the Woods (review in June).
Either way, it's a quick read, and the prequel is actually set after the prologue in The Arrival, but before Chapter 1. It's set about 3 years after the events in the prequel, and Miranda and the other girls in Nidus are ready to break free from the compound because they discover the Eslites are there for different reasons entirely.
This is no sappy romance you usually find in other alien stories where the alien falls in love with the human while trying to get away from an enemy species that's not by the name of human. This is pure "aliens are going to take over the world, and they're a dominant species with high-tech technology." It's not like Lux or the Lorien Legacies, where the aliens are trying to be inconspicuous. The Arrival is completely different from that, even though there are romantic elements mixed in. Miranda is a determined heroine wanting to break both her and the girls currently in the compound away from the Eslites true reasons. And she's preventing other girls meeting similar fates.
Then there are a few curve balls thrown at you, which is always the biggest plus in the bowl. And there's the ending, in which I'm extremely curious about because it probably does some more table turning. Actually, that ending did do a table flip, so all I'm doing is blinking rapidly and wondering if that really just happened and the book is over. o_o
Oh, and a random thought, but Dimas really isn't as bad as I thought he would be from the prequel.
------------------------
Review copy provided by author (R&R)
Original Rating: 4.5 out of 5
This Review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
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Emma @ The Movies (1786 KP) rated Rick and Morty - Season 3 in TV
Feb 29, 2020
A big thank you to Smashbomb for this fantastic prize, make sure you take a look at their giveaways for the chance to win some amazing things.
Rick and Morty continues to follow the adventures of the members of the Smith household. When Jerry asks Beth to choose between him and Rick, the strength of their marriage is tested. Jerry is confronted with the loss of his family, while Beth begins to discover her independence again. Morty and Summer deal with their parents' separation by seeking more control over their lives. Rick's nihilistic way of life continues to prevent him from bonding with his family, as he remains unable to change his self-destructive behaviour.
At the end of season 2 Rick and the Smiths have hidden on a tiny version of Earth outside of the Federation's jurisdiction, Earth has been taken over and Rick has surrendered himself to save his family. We open season 3 with Rick in the Federation's custody being interrogated and we instantly get reminded that Rick doesn't do anything without having some sort of ulterior motive.
How can you not love the series that brought us Pickle Rick? I don't for a second know how anyone could think that Rick could create a rat/insect body when he is just a pickle, but he's the smartest man on the planet so I'm willing to believe it was entirely possible.
For me, a series that takes its characters on a journey without getting bogged down in a single storyline is always my favourite. Rick and Morty certainly manages to do this with its constantly jumping scenarios. The one story that does pop up throughout this season is Beth and Jerry's divorce. Rick, despite always being a bit of a dick to everyone, has always had it out for Jerry so this news doesn't phase him at all but the rest of the family are suffering in their own ways. Throughout the series we see Summer and Morty compensating with Rick's adventures and reconciling some of their ongoing personal issues through their experiences. While none of it is realistic, it's entirely relatable.
Before watching this season I decided to rewatch seasons 1 and 2, because it's the sensible thing to do. It felt like we got much better family interaction and inclusions in season 3, I doubt if you work it out that there's much difference between them but that it's more to do with the quality of what we got. With the family going through upheaval we got a lot of stories that actually go to prove that Rick really does care deep down even if he would never openly admit it.
Morty does develop somewhat in this season, he isn't just the bumbling sidekick any more. He's learned a lot over their adventures, and while he's still not on Rick standards, there are moments where we see that he's growing. His dealings with Rick during Vindicators 3 take a step towards actually standing up for himself more and showing him that he understands more about the inner workings of Rick mind than he realises. In The Whirly Dirly Conspiracy, his part of the episode is almost like that of a Rick and Morty adventure when Morty gets to choose, he stands back and watches while Beth makes a hash of things and then swoops in at the last minute to do things that need to be done... admittedly that last bit probably isn't a good character trait to develop but he's realised that (in their messed up sort of world) sometimes someone needs to learn a lesson.
The season as a whole was very good and I liked the way that we came full circle and almost reset the universe for season four. Though I still enjoy Rick and Morty in general, this was definitely a high point for what's currently out there. Development of characters, more fun scenarios and just a little bit of fear that somewhere in a sewer a pickle is making a body out of rat parts.
Episode synopsis included here: https://emmaatthemovies.blogspot.com/2020/02/rick-and-morty-season-3-tv-dvd-review.html
Rick and Morty continues to follow the adventures of the members of the Smith household. When Jerry asks Beth to choose between him and Rick, the strength of their marriage is tested. Jerry is confronted with the loss of his family, while Beth begins to discover her independence again. Morty and Summer deal with their parents' separation by seeking more control over their lives. Rick's nihilistic way of life continues to prevent him from bonding with his family, as he remains unable to change his self-destructive behaviour.
At the end of season 2 Rick and the Smiths have hidden on a tiny version of Earth outside of the Federation's jurisdiction, Earth has been taken over and Rick has surrendered himself to save his family. We open season 3 with Rick in the Federation's custody being interrogated and we instantly get reminded that Rick doesn't do anything without having some sort of ulterior motive.
How can you not love the series that brought us Pickle Rick? I don't for a second know how anyone could think that Rick could create a rat/insect body when he is just a pickle, but he's the smartest man on the planet so I'm willing to believe it was entirely possible.
For me, a series that takes its characters on a journey without getting bogged down in a single storyline is always my favourite. Rick and Morty certainly manages to do this with its constantly jumping scenarios. The one story that does pop up throughout this season is Beth and Jerry's divorce. Rick, despite always being a bit of a dick to everyone, has always had it out for Jerry so this news doesn't phase him at all but the rest of the family are suffering in their own ways. Throughout the series we see Summer and Morty compensating with Rick's adventures and reconciling some of their ongoing personal issues through their experiences. While none of it is realistic, it's entirely relatable.
Before watching this season I decided to rewatch seasons 1 and 2, because it's the sensible thing to do. It felt like we got much better family interaction and inclusions in season 3, I doubt if you work it out that there's much difference between them but that it's more to do with the quality of what we got. With the family going through upheaval we got a lot of stories that actually go to prove that Rick really does care deep down even if he would never openly admit it.
Morty does develop somewhat in this season, he isn't just the bumbling sidekick any more. He's learned a lot over their adventures, and while he's still not on Rick standards, there are moments where we see that he's growing. His dealings with Rick during Vindicators 3 take a step towards actually standing up for himself more and showing him that he understands more about the inner workings of Rick mind than he realises. In The Whirly Dirly Conspiracy, his part of the episode is almost like that of a Rick and Morty adventure when Morty gets to choose, he stands back and watches while Beth makes a hash of things and then swoops in at the last minute to do things that need to be done... admittedly that last bit probably isn't a good character trait to develop but he's realised that (in their messed up sort of world) sometimes someone needs to learn a lesson.
The season as a whole was very good and I liked the way that we came full circle and almost reset the universe for season four. Though I still enjoy Rick and Morty in general, this was definitely a high point for what's currently out there. Development of characters, more fun scenarios and just a little bit of fear that somewhere in a sewer a pickle is making a body out of rat parts.
Episode synopsis included here: https://emmaatthemovies.blogspot.com/2020/02/rick-and-morty-season-3-tv-dvd-review.html
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Bob Mann (459 KP) rated Cold Pursuit (2019) in Movies
Mar 15, 2020
Comments on revenge are best kept on the screen.
I'd completely forgotten the furore about Liam Neeson's comments back last February during the press-tour preceding the film's release. In discussing the destructive feelings of revenge experienced by his character, Nels Coxman, Neeson revealed something he did 40 years ago: after the rape of a friend by "a black man", Neeson went out on the streets to find another "black man" and do them harm. (As a fellow Ballymena-born man, David Moody (from the "Mark and Dave" blog) has an interesting theory about this... that it was not a "rascist" statement in the true sense, but something else entirely. See here - ).
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
