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He’s the Unicycle Champion of the 3rd Northern District, the world record holder for “ice cream...
Hazel (1853 KP) rated Cuckoo Song in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Emma @ The Movies (1786 KP) rated The Children Act (2018) in Movies
Sep 25, 2019
Emma Thompson and Stanley Tucci in a movie together... yeeeees. Get me a ticket immediately. Based on a book by Ian McEwan, and no of course I haven't read it. I was exoecting something run of the mill, good, but nothing with a wow factor. I certainly wasn't expecting to be having to stiffle sobs and tears.
The heart breaking story really does get you caught up. Watching Fiona's hard and logical exterior break is really something to behold. How I wasn't blind from the tears when she started performing their song at the recital I will never know. Although, full disclosure, at that point I was leaning on my hands with my cardigan sleeves firmly wedged under the rims of my glasses.
Having never really had any faith, or certainly never any that I would have been so conflicted over, I can't say how accurate a portrayal it was, but it felt traumatisingly real.
As a smaller release this was allocated one of the dinky screens that has about 120 seats. A third of the seats were taken, and I'm going to make wild assumptions now, I would guess that they were all in book groups.
To go off-piste a bit... I mentioned in a previous post that I feel like it's the adults that cause the most disturbance at the cinema. This showing would prove my point. At the beginning I couldn't hear the ads over the noise of the 30 odd people at the time (and they were very odd) talking so loud. I have been to quieter bars.
That was followed up by two people moving seats after the film started, and when the couple next to them started rustling a sweet bag the guy told them to stop as it was annoying him... Don't have the cheek to lecture people when you shouldn't even be sitting there. Random annoying people is something you have to suck up. I bitch about it on Twitter, not to the actual people. When you buy a ticket you're basically checking the box that says "if I end up next to a monster, so be it." I'm super passive aggressive when it comes to people like that, I can almost guarantee that in the same situation I would have missed the rest of the film because I'd be sitting there staring at him as I rustled the bag deliberately for the next two hours.
The moral of this story is don't be a dick to people about something that is expected in the cinema... because you might be sitting next to me.
The heart breaking story really does get you caught up. Watching Fiona's hard and logical exterior break is really something to behold. How I wasn't blind from the tears when she started performing their song at the recital I will never know. Although, full disclosure, at that point I was leaning on my hands with my cardigan sleeves firmly wedged under the rims of my glasses.
Having never really had any faith, or certainly never any that I would have been so conflicted over, I can't say how accurate a portrayal it was, but it felt traumatisingly real.
As a smaller release this was allocated one of the dinky screens that has about 120 seats. A third of the seats were taken, and I'm going to make wild assumptions now, I would guess that they were all in book groups.
To go off-piste a bit... I mentioned in a previous post that I feel like it's the adults that cause the most disturbance at the cinema. This showing would prove my point. At the beginning I couldn't hear the ads over the noise of the 30 odd people at the time (and they were very odd) talking so loud. I have been to quieter bars.
That was followed up by two people moving seats after the film started, and when the couple next to them started rustling a sweet bag the guy told them to stop as it was annoying him... Don't have the cheek to lecture people when you shouldn't even be sitting there. Random annoying people is something you have to suck up. I bitch about it on Twitter, not to the actual people. When you buy a ticket you're basically checking the box that says "if I end up next to a monster, so be it." I'm super passive aggressive when it comes to people like that, I can almost guarantee that in the same situation I would have missed the rest of the film because I'd be sitting there staring at him as I rustled the bag deliberately for the next two hours.
The moral of this story is don't be a dick to people about something that is expected in the cinema... because you might be sitting next to me.
Titan: The Life of John D. Rockerfeller, Sr.
Book
"John D. Rockefeller, Sr. history's first billionaire and the patriarch of America's most famous...
Mothergamer (1546 KP) rated the PlayStation 3 version of Dragon's Dogma in Video Games
Apr 3, 2019
I have been having a blast with Dragon's Dogma. The story is excellent and gives you a great sense of high adventure. Strategy matters here because if you don't plan accordingly you will die fighting that chimera or a mob of bandits even on the easy setting. The battle system and menu options are great and quite user friendly. The scenery is simply breathtaking with views of seaside cliffs and spooky forests.
What a view!
The star of the show for me is the incredible Pawn system. When you go adventuring in Dragon's Dogma, you get to create your own pawn, how it looks, job class, etc. and you can recruit two support pawns for your party. Other players can hire your pawn and you can hire theirs from an in town hub called The Rift. Pawns can be rated based on their skills, helpfulness, intelligence, and appearance. You can also give gifts to the pawn for their owner as a thank you for their service. If you're online, you will see pawns roaming the world on the road or in towns and you can hire them. Your main pawn's interaction depends on you and it will evolve based on your battle moves and what you tell it in the training chair at every town's inn, making it the helpful ally that a high adventurer needs. The pawns are quite vocal and will even yell out helpful tips about defeating a boss or that pesky golem giving you trouble. Pawns can be fighters, warriors, striders, rangers, mages, and sorcerers. This gives you quite a variety of choices in picking out a party that is suited to your battle style and tastes.
Great support pawns are wonderful to have.
Overall the game is a big win in my book for having not only great gameplay, but also for having a truly interesting story and side quests rife with epic mythical monster battles. Dragon's Dogma is game that you will enjoy playing again and again.
What a view!
The star of the show for me is the incredible Pawn system. When you go adventuring in Dragon's Dogma, you get to create your own pawn, how it looks, job class, etc. and you can recruit two support pawns for your party. Other players can hire your pawn and you can hire theirs from an in town hub called The Rift. Pawns can be rated based on their skills, helpfulness, intelligence, and appearance. You can also give gifts to the pawn for their owner as a thank you for their service. If you're online, you will see pawns roaming the world on the road or in towns and you can hire them. Your main pawn's interaction depends on you and it will evolve based on your battle moves and what you tell it in the training chair at every town's inn, making it the helpful ally that a high adventurer needs. The pawns are quite vocal and will even yell out helpful tips about defeating a boss or that pesky golem giving you trouble. Pawns can be fighters, warriors, striders, rangers, mages, and sorcerers. This gives you quite a variety of choices in picking out a party that is suited to your battle style and tastes.
Great support pawns are wonderful to have.
Overall the game is a big win in my book for having not only great gameplay, but also for having a truly interesting story and side quests rife with epic mythical monster battles. Dragon's Dogma is game that you will enjoy playing again and again.
Billie Wichkan (118 KP) rated The Rules of Burken in Books
May 22, 2019
Twenty-four-year-old Charlotte Stahl would do anything for her older brother, Ian. After all, hed done everything for her growing up.He played Burken with hera hide-and-seek game they made up as kids.He comforted her when their mom deserted them. He raised her when their dad went to prison for murder. To Charlotte, Ian is the only reason shes still alivehes her rock. So when Ian asks her to play Burken in the isolated woods of Cadillac, Michigan, Charlotte feels she could use the nostalgia and agrees. Burkenits the one thing that never changes
...until Ian threatens to kill her in the middle of the game.
More than the rules have changed as Brother turns to Predator, Sister turns to Prey, and shes navigating the forests of Northern Michigan on foot with nothing but the clothesand a targeton her back.
If Charlotte wants to stay alive, she knows she has to untangle the web of her haunting past to find out where things went wrong, and at what point she lost sight of reality. With no other choice but to reopen old woundsand with Ian hot on her trailCharlotte learns that sometimes evil has to manifest in order for good to succeed. Which makes her wonder
Is Ian really a monster? Or her savior?
WOW!! This was a totally dark and twisted thriller that will keep you riveted until the very end.
This story was nothing that I expected.
I was literally on the edge of my seat while reading right from the start.
This book reveals in horrifying detail the unraveling of a seriously toxic family. Toxic for each other and those who come into contact with them.
The characters are intriguing and complicated. The plot is full of twists.
The ending I did not see coming Could not put down nor did I want to.
Highly Recommend!!!
Many Thanks to the Publisher and NetGalley for a surprisingly superb read!!!
...until Ian threatens to kill her in the middle of the game.
More than the rules have changed as Brother turns to Predator, Sister turns to Prey, and shes navigating the forests of Northern Michigan on foot with nothing but the clothesand a targeton her back.
If Charlotte wants to stay alive, she knows she has to untangle the web of her haunting past to find out where things went wrong, and at what point she lost sight of reality. With no other choice but to reopen old woundsand with Ian hot on her trailCharlotte learns that sometimes evil has to manifest in order for good to succeed. Which makes her wonder
Is Ian really a monster? Or her savior?
WOW!! This was a totally dark and twisted thriller that will keep you riveted until the very end.
This story was nothing that I expected.
I was literally on the edge of my seat while reading right from the start.
This book reveals in horrifying detail the unraveling of a seriously toxic family. Toxic for each other and those who come into contact with them.
The characters are intriguing and complicated. The plot is full of twists.
The ending I did not see coming Could not put down nor did I want to.
Highly Recommend!!!
Many Thanks to the Publisher and NetGalley for a surprisingly superb read!!!
Sassy Brit (97 KP) rated One Little Lie in Books
Jun 5, 2019
Yep, one little lie is all it takes for it to snowball out of control and turn into a humdinger of a white, furry monster. By the way there are no yetis in this story, that was just me trying to be clever…
Onwards and upwards… You know you want to…
Psychologist Connie’s patient, Alice Mann has a son who is a murderer. Alice’s son killed Deborah’s son and is desperate for her forgiveness. Connie wants Alice to leave it all alone and to not get involved with Deborah, however, in an effort to redeem herself, Alice starts up a support group for the parents of murderers, but there’s one little lie she’s told which is about to snowball out of control.
Confused? You should(n’t) be. But stick with me…
Tension grows between Alice and Deborah and a young girl goes missing. Soon the police are suspecting not only foul play, but that maybe the wrong person was locked up for Deborah’s son’s murder and still out there. (Slaps head, I mean, how thick are these policemen?)
After a slow start (there are several characters and it does jump around a bit) I found the twists and turns of this story really had me on edge. At times I felt I was walking on eggshells around Alice and Deb, just waiting for it all to explode. In my minds eye I can see this as a really good film or BBC drama! Visually I don’t think it would be so complicated. But then, maybe that’s not what I should be taking away from all this.
Incidentally, this carries on from Bad Sister, featuring the same psychologist Connie, and DI Lindsay Wade, but can easily be read as a standalone story. Actually I really liked this aspect, I wasn’t expecting that when I picked up the book.
Once I got into this, I discovered it is actually cleverly written so when you reach the end of each chapter, you’ll not want to stop!
Onwards and upwards… You know you want to…
Psychologist Connie’s patient, Alice Mann has a son who is a murderer. Alice’s son killed Deborah’s son and is desperate for her forgiveness. Connie wants Alice to leave it all alone and to not get involved with Deborah, however, in an effort to redeem herself, Alice starts up a support group for the parents of murderers, but there’s one little lie she’s told which is about to snowball out of control.
Confused? You should(n’t) be. But stick with me…
Tension grows between Alice and Deborah and a young girl goes missing. Soon the police are suspecting not only foul play, but that maybe the wrong person was locked up for Deborah’s son’s murder and still out there. (Slaps head, I mean, how thick are these policemen?)
After a slow start (there are several characters and it does jump around a bit) I found the twists and turns of this story really had me on edge. At times I felt I was walking on eggshells around Alice and Deb, just waiting for it all to explode. In my minds eye I can see this as a really good film or BBC drama! Visually I don’t think it would be so complicated. But then, maybe that’s not what I should be taking away from all this.
Incidentally, this carries on from Bad Sister, featuring the same psychologist Connie, and DI Lindsay Wade, but can easily be read as a standalone story. Actually I really liked this aspect, I wasn’t expecting that when I picked up the book.
Once I got into this, I discovered it is actually cleverly written so when you reach the end of each chapter, you’ll not want to stop!
King John: Treachery, Tyranny and the Road to Magna Carta
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The brilliantly compelling new biography of the treacherous and tyrannical King John, published to...
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The Whites, Jews, and Us
Cornel West and Rachel Valinsky
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The Witchfinder's Sister
9.0
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'VIVID AND TERRIFYING' Paula Hawkins, author of The Girl on the Train 'At once a feminist parable...