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Awix (3310 KP) rated The Killer Shrews (1959) in Movies
May 3, 2019 (Updated May 3, 2019)
Well, it was inevitable, wasn't it? When you make a list of those wild creatures that inspire sheer terror in everyday folk, forget about sharks, snakes, spiders, wolves, and the rest - shrews! Shrews are the really scary little buggers. Or so the makers of this film appear to have decided. Unconvincing ship captain (Best) ends up on a hurricane-wracked island populated by mad scientists and the giant, savage shrews they have spawned; much utter nonsense ensues.
Bad acting is compounded by post-synched dialogue and the impressive range of accents on display from the cast, but the thing is that this isn't just a monster movie where the monsters are shrews, it's a shrew-based monster movie where the shrews are realised by a combination of dogs in costume and sabre-toothed glove puppets. Genuinely very funny to watch; objectively deserves a very low score but highly entertaining if you're in the mood.
Bad acting is compounded by post-synched dialogue and the impressive range of accents on display from the cast, but the thing is that this isn't just a monster movie where the monsters are shrews, it's a shrew-based monster movie where the shrews are realised by a combination of dogs in costume and sabre-toothed glove puppets. Genuinely very funny to watch; objectively deserves a very low score but highly entertaining if you're in the mood.
Awix (3310 KP) rated Godzilla Vs Hedorah (1971) in Movies
May 17, 2019
The movie that goes to show that when it comes to allegorical fables about the environment featuring man-in-a-suit monsters, subtlety isn't always necessary. Pollution-spawned jelly-beastie develops various peculiar powers and threatens Japan; Godzilla turns up to deal with it. Is the subtext that we should choose nuclear power over fossil fuels? Unlikely but possible.
Godzilla Vs Hedorah makes itself distinctive amongst the Godzilla films of the early 70s by virtue of its sheer, insidious weirdness, most of it due to Banno's direction: there are sudden switches to black-and-white, split screen sequences, educational segments, and allegorical cartoons. Doesn't stop it being mostly awful, but in a strangely hypnotic way, and it least it's obviously about a serious issue for a change. Possibly most infamous for the sequence where Godzilla uses his atomic breath as rocket thrust to fly with, but much other weirdness is also present. Bad, but very watchably bad.
Godzilla Vs Hedorah makes itself distinctive amongst the Godzilla films of the early 70s by virtue of its sheer, insidious weirdness, most of it due to Banno's direction: there are sudden switches to black-and-white, split screen sequences, educational segments, and allegorical cartoons. Doesn't stop it being mostly awful, but in a strangely hypnotic way, and it least it's obviously about a serious issue for a change. Possibly most infamous for the sequence where Godzilla uses his atomic breath as rocket thrust to fly with, but much other weirdness is also present. Bad, but very watchably bad.
Erika (17789 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 31, 2019
This is one of those films where the trailers were better than the end product. Honestly, I barely remember G14, only that the title character doesn't show up until the end. At least Skull Island had some good Kong kicking ass moments and Tom Hiddleston in a tight shirt.
The main characters are uninteresting, basically, we've got Coach, that kid from Stranger Things, and the chick that's a relative of that American Horror Story actress. The movie did not make me care about them at all, I would have been fine with them all biting the dust. There's a little more about Monarch, but seriously, Thomas Middleditch was annoying.
Basically, I was there for Godzilla, and all the other monsters fighting. There wasn't enough of it, as far as I'm concerned. I guess it was worth seeing the action on the big screen. I'm vaguely interested to see Godzilla vs Kong (plz let Toby Kebbell do the mo-cap again).
The main characters are uninteresting, basically, we've got Coach, that kid from Stranger Things, and the chick that's a relative of that American Horror Story actress. The movie did not make me care about them at all, I would have been fine with them all biting the dust. There's a little more about Monarch, but seriously, Thomas Middleditch was annoying.
Basically, I was there for Godzilla, and all the other monsters fighting. There wasn't enough of it, as far as I'm concerned. I guess it was worth seeing the action on the big screen. I'm vaguely interested to see Godzilla vs Kong (plz let Toby Kebbell do the mo-cap again).
Awix (3310 KP) rated Abominable Science!: Origins of the Yeti, Nessie, and Other Famous Cryptids in Books
Mar 23, 2018 (Updated Mar 23, 2018)
A hard-headed look at a number of famous cryptids (legendary animals) from a palaeontologist (Prothero) and a 'professional skeptic' (Loxton), attempting to determine if cryptozoology really is a genuine science (Michael Sheard just writes the introduction). Also goes on to consider the further question - if people aren't actually seeing monsters, then why do they think they are?
Pretty much guaranteed to make your average Bigfoot hunter or Nessie spotter squeal in outrage, but the writers' main proposition - that the famous cryptids are essentially products of 20th century pop culture - is coherent and well-argued, if nothing else. Some of the chapters are a bit more accessible than others, and they do take a variety of approaches - the section on sea serpents mainly focuses on the cultural development of the idea of such a creature, while the one on the Congo dinosaur is a fierce critique of creationist attempts to hijack science. A thoughtful and persuasive book.
Pretty much guaranteed to make your average Bigfoot hunter or Nessie spotter squeal in outrage, but the writers' main proposition - that the famous cryptids are essentially products of 20th century pop culture - is coherent and well-argued, if nothing else. Some of the chapters are a bit more accessible than others, and they do take a variety of approaches - the section on sea serpents mainly focuses on the cultural development of the idea of such a creature, while the one on the Congo dinosaur is a fierce critique of creationist attempts to hijack science. A thoughtful and persuasive book.
Awix (3310 KP) rated Pacific Rim: Uprising (2018) in Movies
Mar 27, 2018 (Updated Mar 28, 2018)
What-time-d'you-call-this-then late-arriving sequel to Guillermo del Toro's 2013 love letter to Japanese tokusatsu movies. A new generation of giant robot pilots must stop a new attempt to wipe out the human race using giant monsters.
The plot is fairly forgettable and possibly incoherent, as is most of the acting (though Scott Eastwood makes something of an impression in an underwritten part), but you go to this kind of film to see enormous robots and kaiju smacking each other about the head with bits of skyscraper, and this movie delivers that in spades. Possibly the first western movie to capture the real spirit of Japanese monster movies, and that makes up for a lot. The world-building isn't as interesting as in the first one, but it retains a few compellingly weird touches. Pure popcorn entertainment, but made with real energy and actually quite charming in a puppyish way.
The plot is fairly forgettable and possibly incoherent, as is most of the acting (though Scott Eastwood makes something of an impression in an underwritten part), but you go to this kind of film to see enormous robots and kaiju smacking each other about the head with bits of skyscraper, and this movie delivers that in spades. Possibly the first western movie to capture the real spirit of Japanese monster movies, and that makes up for a lot. The world-building isn't as interesting as in the first one, but it retains a few compellingly weird touches. Pure popcorn entertainment, but made with real energy and actually quite charming in a puppyish way.
Awix (3310 KP) rated Colossal (2016) in Movies
Mar 1, 2018 (Updated Mar 2, 2018)
Imagine the scene: you and your significant other are sitting down together for an evening in front of a movie but can't decide what to watch - you have your heart set on Manchester by the Sea, with its downbeat, naturalistic tale of small-town lives blighted by alcoholism. They, on the other hand, want to watch Terror of Mechagodzilla, a garish, barely coherent story about giant monsters battling equally big robots. What to do? Worry no more: here comes Colossal, to satisfy you both.
I mean, you have to admire a film for attempting to do something a little bit different, and this is certainly that, and good performances from the leads and an inventive script initially make this a refreshingly original film. In the end though, the sheer oddness of it, a problematic tonal inconsistency, and unconvincing characterisations mean that it doesn't quite hang together or completely satisfy. Still worth a look for sheer novelty value.
I mean, you have to admire a film for attempting to do something a little bit different, and this is certainly that, and good performances from the leads and an inventive script initially make this a refreshingly original film. In the end though, the sheer oddness of it, a problematic tonal inconsistency, and unconvincing characterisations mean that it doesn't quite hang together or completely satisfy. Still worth a look for sheer novelty value.
Awix (3310 KP) rated Invasion of Astro-Monster (1965) in Movies
Feb 22, 2018
Planet X marks the Spot
Sixth Godzilla movie, third for Rodan, second for Ghidorah, if anyone's counting. Not really a proper monster movie, if we're honest, more a sort of Japanese take on a flying-saucer B-picture. Aliens from Planet X ask to borrow Godzilla and Rodan to help deal with their local monster problem (King Ghidorah); evil plans are naturally afoot.
Almost wholly mad; still quite entertaining, but the lack of actual monster action (the three big beasts get very little screen-time) is inevitably quite disappointing. Rattling pace makes up for a lot of the film's flaws, and the basic idea - aliens try to conquer the world using monsters - would be endlessly recycled in future proper Godzilla films. Easy to dismiss this movie as quaintly dated 60s tosh, but surely a film where the forces of evil are driven off by the power of rape alarms has something to say to the #time's up generation.
Almost wholly mad; still quite entertaining, but the lack of actual monster action (the three big beasts get very little screen-time) is inevitably quite disappointing. Rattling pace makes up for a lot of the film's flaws, and the basic idea - aliens try to conquer the world using monsters - would be endlessly recycled in future proper Godzilla films. Easy to dismiss this movie as quaintly dated 60s tosh, but surely a film where the forces of evil are driven off by the power of rape alarms has something to say to the #time's up generation.
Awix (3310 KP) rated Destroy All Monsters (1968) in Movies
Feb 23, 2018 (Updated May 17, 2019)
Ninth Godzilla movie earns an extra point just for sheer chutzpah. A bit like a monster version of The Expendables, but with better acting. In the distant future of 1999, aliens take over monster version of wildlife preserve, set about causing mischief in the great cities of Earth.
The utter gravity of the performances when coupled to the completely preposterous plot results in a movie which it is almost impossible to take seriously: there is the odd sign even the original film-makers had their tongues in their cheeks. Still, it has all your favourite monsters in the same movie (even in the same scene, most likely), although the prominence of the different characters depends more on what state the monster suit is in than their actual fame. Film-makers arguably missed a trick in making the climactic monster battle more of a mugging than a grand melee, but you can't have everything. Ridiculous, awesome: awesomely ridiculous, ridiculously awesome.
The utter gravity of the performances when coupled to the completely preposterous plot results in a movie which it is almost impossible to take seriously: there is the odd sign even the original film-makers had their tongues in their cheeks. Still, it has all your favourite monsters in the same movie (even in the same scene, most likely), although the prominence of the different characters depends more on what state the monster suit is in than their actual fame. Film-makers arguably missed a trick in making the climactic monster battle more of a mugging than a grand melee, but you can't have everything. Ridiculous, awesome: awesomely ridiculous, ridiculously awesome.
Awix (3310 KP) rated One Million Years B.C. (1967) in Movies
Feb 12, 2018
Not-bad Hammer dinosaur movie probably best-known for its special effects (by which I mean Ray Harryhausen's animation and Raquel Welch's costume). Bit-thick hero is kicked out of his own tribe, crosses a desert mostly populated by photo-blow-up monsters, meets another tribe who are so advanced they have discovered peroxide hair-dye and leg-waxing. Meanwhile Raquel Welch watches her dreams of being taken seriously as an actress go up in smoke.
Takes itself impressively seriously, all things considered; the decision to do the whole thing in made-up caveman language (sample dialogue: 'Tumak! Akita Loana!') makes it difficult to even have a coherent plot, let alone subtext, but I doubt that was the first concern. Harryhausen's dinosaurs are obviously rather wonderful; the decision to include photographically-enlarged lizards at certain points is questionable. It is what it is; the poster's claim that 'This is the way it was!' should probably not be taken too seriously.
Takes itself impressively seriously, all things considered; the decision to do the whole thing in made-up caveman language (sample dialogue: 'Tumak! Akita Loana!') makes it difficult to even have a coherent plot, let alone subtext, but I doubt that was the first concern. Harryhausen's dinosaurs are obviously rather wonderful; the decision to include photographically-enlarged lizards at certain points is questionable. It is what it is; the poster's claim that 'This is the way it was!' should probably not be taken too seriously.
Anna Marie Green (7 KP) rated the Xbox One version of Prey in Video Games
Jul 15, 2018
Excellent Graphics (4 more)
Character
Puzzle Challenge
Game Difficulty
Fun Mechanics
Can be Predictable (1 more)
Wonky Objective Icons
Don't Turn Away
Prey is the sequel to half-life that we'll never get from Valve.
Whether you want to sneak past a Thermal Phantom or atrack a Technopath head-on (which I do not recommend), Prey packs a flexible and versatile gameplay experience with difficulty levels that make you feel like a champion. The maze of Talos is bound to hold dark secrets, tragedies, and ridiculous jokes that will keep you entertained when you're lost for the 18th time.
With a great soundtrack that keeps you on you toes, monsters that scare the living daylights out of you, and that Bethesda charm that causes cups to vibrate (it's definitely more of a feature in this game— you'll see what I mean) Prey is one of the best games of 2017 and deserves some love in 2018.
Mooncrash is a terrifying and equally enrapturing DLC.
Whether you want to sneak past a Thermal Phantom or atrack a Technopath head-on (which I do not recommend), Prey packs a flexible and versatile gameplay experience with difficulty levels that make you feel like a champion. The maze of Talos is bound to hold dark secrets, tragedies, and ridiculous jokes that will keep you entertained when you're lost for the 18th time.
With a great soundtrack that keeps you on you toes, monsters that scare the living daylights out of you, and that Bethesda charm that causes cups to vibrate (it's definitely more of a feature in this game— you'll see what I mean) Prey is one of the best games of 2017 and deserves some love in 2018.
Mooncrash is a terrifying and equally enrapturing DLC.