"Let’s do horror. I would say The Descent, which was a film that was, I don’t know, maybe a few years old now. What I like about the first 45 minutes of the film is they develop the characters and the relationships between these women who are going to descend into this cave in the latter part of the film, and that’s where the horror and the mayhem starts to happen. But they give the time to draw you into the lives of these women, and so as a result, you care about them by the end of the film. I thought that was an accomplishment for a horror film. It also has one of the scariest scenes I’ve seen in a long time. They have these monsters down in the cave that are done with special effects ? green screen or however the hell they do it, CGI ? but there’s a scene where one of the girls, who now you care about, crawls through a tunnel and gets trapped in this space that’s too small, and she can’t move forward and she can’t move back. Talk about simple, but horrifying if you’re claustrophobic in any way. Really, really well shot and really well played."

"I didn't get into him at all for ages. For years and years I just thought, what is all the fuss about?' I just could not get into it. And then one day someone said: ""Have you listened to Hunky Dory?"". I hadn't checked that out at all. I really got into Hunky Dory. I transcribed and analysed nearly all the songs on it. I got into Low, and I quite like 'Heroes', and Scary Monsters. But there's a lot of stuff I don't like. I could probably list 10 Bowie songs that I think are amazing, and the rest of it I'm not too bothered about. I'm really obsessed with him as a character, as an artist. To me he's incredibly impressive and really exciting, his relentless drive to reinvent himself. Probably one of the most inspiring people I can think of. But musically, it's not quite as abundant. That last album: it's quite weird. I was really into Death Grips, he was really into Death Grips, and Kendrick Lamaar as well. It's an album that owes a lot to those guys, but then it's also got a saxophone player on it. This track 'Girl Loves Me', he uses the language from Clockwork Orange. It's just a brilliant idea."