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Jesters_folly (230 KP) rated The Funhouse in Books

Nov 11, 2020

The Funhouse

Dean Koontz | 1992 | Horror, Thriller

7.2

(6 Ratings)

Book Rating

Contains spoilers, click to show

I'll start off by saying that this is a re release of the Funhouse which was originally written under the pseudonym of Owen West.

I found the Funhouse to be a little disappointing, the majority of the book spends it's time building up to a big confrontation between Conrad, the main antagonist and Amy. Over 200 something pages we switch between finding out how Conrad is searching for Amy and what he will do to her to get revenge on her mother and how the past has already affected Amy's mother only for the final confrontation to take around 10 pages, most of which Conrad is not involved in the action and, when he does show up he's dealt with in a couple of sentences.
In the edition I read there is an afterword by Dean Koontz where he explains the history of the book, it was to be a book based on a film and, he had hoped that it would be the fist of many which is why it was written under the pseudonym Owen West. One thing the author says is that, because he had to work form a film script there wasn't much in the way of character building and so he had to spend time working on the back story. And I think that's part of the problem, the book shows us how events in Amy's mother's past have affected her mothers out look on life and her children and we see how the same events led Conrad down his path of revenge but the book ends with Amy and her brother leaving the fun house after escaping Conrad, which is probably the films end, the protagonist deals with the bad guy, walks away and cut to credits. However, with all the time spent on the character building I felt like we, the reader could have done with a bit more, probably only one more chapter but I would have liked to know how Amy's mother would have reacted when she found out what Conrad had done (As the book ended she didn't even know Conrad was around) and how it would have changed her outlook on her family. Would she have found the peace and forgiveness she was looking for? and would she stop treating her own children as monsters?
Over all 'The Funhouse' had it's moments but the felt like a let down with its quick ending.

Kudos

Johnny Marr recommended Taking Tiger Mountain (By Strategy) by Brian Eno in Music (curated)

"A little like David Bowie and his influence, with me being a teenager during the 70s meant I never stopped being affected by Brian's music. If you were a big Brian fan, you would get into a cast of characters - be it T. Rex or Roxy Music or Bowie - and you followed the connections of those artists. Eno managed to stay really intriguing. When Eno's first album - Here Come The Warm Jets - came out, it was a record you only had if you were in the know. It was obscure and underground but I had never gotten into it. I had a couple of friends who were Roxy freaks and bought everything and anything to do with the band and I had a best mate who was obsessed with Taking Tiger Mountain (By Strategy) and was playing it all the time. I got to know it really well and it has connected to a lot of records that I like. Arguably, Taking Tiger Mountain (By Strategy) was the blueprint for Wire. It was the blueprint for David Bowie's later records and you can hear the proto-Talking Heads on that record. People forget that Eno was omnipresent in the late 70s on collaborations with Bowie, Talking Heads and Devo. If you listen to Taking Tiger Mountain (By Strategy) that makes complete sense. It sounds like all of those bands four or five years before they made similar stuff. 'The True Wheel' sounds like something off Scary Monsters and it is four or five years before. 'Third Uncle' sounds like Talking Heads many years before - so make of that what you will. The idea of using the studio as an instrument, which has become commonplace now with people in their rooms on GarageBand, was a real innovation when Eno was doing it. There was no one else like him at the time. But, it is all about the listening experience and, like the Wire album, when I heard Taking Tiger Mountain (By Strategy) and listened to it a lot, it was everything rock music hadn't been up until then. I was making note of that - it was anti-blues, it was anti-rock and it was anti-faux authenticity. It was a long, long way away from Laurel Canyon."

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Kudos

Jesters_folly (230 KP) rated Scary Stories to Tell in the Dark (2019) in Movies

Aug 21, 2019

Contains spoilers, click to show

Scary Stories to tell in the dark is a film based on a series of children’s books famed for its terrifying art work. The film tells of what happens when a group of children discover the story book of Sarah Bellows, the town’s urban legend who is supposed to have poisoned and killed the children who heard her stories.
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.