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Eleanor (1463 KP) rated You - Season 1 in TV
Jun 7, 2019 (Updated Jun 7, 2019)
A creepy stalker tale for the modern era....
Well that was something; I’m all over the place with my feelings for this series from hating it to loving it; a bit like my feelings for its lead character and narrator Joe Goldberg (Penn Badgley.)
Joe is straight off the bat creepy stalker guy when he becomes obsessed with Guinevere “Beck” (Elizabeth Lail) off the back of meeting her in his bookshop - as if Amazon isn’t doing enough on its own to kill independent bookshops…. Convinced they should be together to pretty much save Beck from herself, Joe goes to ever increasing lengths to get to know everything about her and start manipulating her to become part of his life. It offers up a strong commentary on the power social media as well as the back stabbing competitive world of literature and socialites in New York
The narrative from Joe is hypnotic in him justifying his actions and Badgley’s voice is a perfect mixture of good wholesome guy with undertones that just make you shiver. As the series progressed, I got less and less creeped out by Joe and more frustrated with the other characters (oh my maybe Joe is brainwashing me.) With an almost Dexter feel to cheering on Joe at times I had to keep reminding myself that his moral compass was way off in comparison, just because someone is a self obsessed a****** doesn't mean they deserve to die.
The series started off very strongly but did drop off midway and I worry if the second season can bring back the initial engagement, I’ll certainly be tuning in to find out.
Joe is straight off the bat creepy stalker guy when he becomes obsessed with Guinevere “Beck” (Elizabeth Lail) off the back of meeting her in his bookshop - as if Amazon isn’t doing enough on its own to kill independent bookshops…. Convinced they should be together to pretty much save Beck from herself, Joe goes to ever increasing lengths to get to know everything about her and start manipulating her to become part of his life. It offers up a strong commentary on the power social media as well as the back stabbing competitive world of literature and socialites in New York
The narrative from Joe is hypnotic in him justifying his actions and Badgley’s voice is a perfect mixture of good wholesome guy with undertones that just make you shiver. As the series progressed, I got less and less creeped out by Joe and more frustrated with the other characters (oh my maybe Joe is brainwashing me.) With an almost Dexter feel to cheering on Joe at times I had to keep reminding myself that his moral compass was way off in comparison, just because someone is a self obsessed a****** doesn't mean they deserve to die.
The series started off very strongly but did drop off midway and I worry if the second season can bring back the initial engagement, I’ll certainly be tuning in to find out.
Josh Napper (40 KP) rated McFarland USA (2015) in Movies
Jun 14, 2019
HEADLINE:
McFarland USA
plot
Jim White moves his family after losing his last job as a football coach. He sees that some of the students are worth starting a cross-country team and turns seven students with no hope into one of the best cross-country teams.
What lessons did you learn from this story (theme/moral)? What do you think others will learn from it?
One man can open eyes, and not just one or two eyes but a whole family, team, school, community. Its not about where you are that truly matters, it’s about the people you are with here that truly matters. Even if you do not get the results you wanted to have when the final second ticks off the clock, you are, and you will always be a winner. No matter how much success you have on your own you are alone, so do it as a team, that way you are and never will be alone.
PARAGRAPH #4 What group of people would like this movie? Who would you recommend it to? Who would you not recommend it to?
i would recommend it to anyone who likes to run either cross country, track and field or running in general. i would also do the same to someone that likes a good storytale movie about life struggles and overcoming the odds.
What is your final word on the film: Is it good or bad?
Everyone from the creators of the movie to the extras of even the smallest scenes of the movie
RATING SYSTEM:
crap
poor
decent
even
Good
Great
perfect
I give the movie McFarland USA a movie rating of 6.
McFarland USA
plot
Jim White moves his family after losing his last job as a football coach. He sees that some of the students are worth starting a cross-country team and turns seven students with no hope into one of the best cross-country teams.
What lessons did you learn from this story (theme/moral)? What do you think others will learn from it?
One man can open eyes, and not just one or two eyes but a whole family, team, school, community. Its not about where you are that truly matters, it’s about the people you are with here that truly matters. Even if you do not get the results you wanted to have when the final second ticks off the clock, you are, and you will always be a winner. No matter how much success you have on your own you are alone, so do it as a team, that way you are and never will be alone.
PARAGRAPH #4 What group of people would like this movie? Who would you recommend it to? Who would you not recommend it to?
i would recommend it to anyone who likes to run either cross country, track and field or running in general. i would also do the same to someone that likes a good storytale movie about life struggles and overcoming the odds.
What is your final word on the film: Is it good or bad?
Everyone from the creators of the movie to the extras of even the smallest scenes of the movie
RATING SYSTEM:
crap
poor
decent
even
Good
Great
perfect
I give the movie McFarland USA a movie rating of 6.
Steve Fearon (84 KP) rated Kill List (2012) in Movies
Sep 7, 2018
Performances are strong (1 more)
Gruesome and Violent in a very effective way
The ending is very divisive (1 more)
Lots of elements are left unexplained
Intense, memorable but lacks clarity
Contains spoilers, click to show
Kill List is a very British Horror, that follows a clearly damaged ex-soldier that is drawn into the world of hit-men and assassinations in order to earn his way out of financial trouble.
Featuring a number of recognizable British tv actors, and a interesting edit style that chops out extraneous seconds here there and everywhere, often overlaying conversational narrative over a shot displaying a different scene, effectively giving you two informational elements at the same time.
It has some brutal violence, as the two hitman proceed to move down their list discovering generally bad people, which allows the viewer to avoid the moral conflict that might otherwise complicate the premise.
There are nods that the people hiring them know more than they are letting on, and the film builds to a slightly confusing crescendo with an ending similar to another very controversial horror film of recent years, that will shock some and disappoint others.
Overall it is an enjoyable but challenging film, that would have benefited from signposting a few more of the confusing elements more clearly, though the ending and its insinuations are more than likely intended to be of a vague and open nature by design.
Violent, upsetting and very dark in theme, Kill List is definitely a horror, and definitely not one for those of a weak constitution...it is flawed, and not a classic but it certainly is a solid choice for a rainy evening.
Featuring a number of recognizable British tv actors, and a interesting edit style that chops out extraneous seconds here there and everywhere, often overlaying conversational narrative over a shot displaying a different scene, effectively giving you two informational elements at the same time.
It has some brutal violence, as the two hitman proceed to move down their list discovering generally bad people, which allows the viewer to avoid the moral conflict that might otherwise complicate the premise.
There are nods that the people hiring them know more than they are letting on, and the film builds to a slightly confusing crescendo with an ending similar to another very controversial horror film of recent years, that will shock some and disappoint others.
Overall it is an enjoyable but challenging film, that would have benefited from signposting a few more of the confusing elements more clearly, though the ending and its insinuations are more than likely intended to be of a vague and open nature by design.
Violent, upsetting and very dark in theme, Kill List is definitely a horror, and definitely not one for those of a weak constitution...it is flawed, and not a classic but it certainly is a solid choice for a rainy evening.
JT (287 KP) rated Ca$h (2010) in Movies
Mar 10, 2020
A contender for one of the worst thrillers ever, this is nothing more than a total disaster. And that is being generous!
Director Stephen Milburn Anderson’s last outing was with Dead Men Can’t Dance back in 1997, and after such a long break you wonder why he stepped back behind the camera. The film’s central plot has been graced in Hollywood one way or another, at least in a different guise.
A bag of money from a robbery falls in the lap of Sam (Chris Hemsworth) and Leslie Phelan (Victoria Profeta) and so beings the moral dilemma. It doesn’t take long for the couple to blow and hide most of the money.
Sean Bean complete with trademark Sheffield accent steps in as Pyke Kubic tasked with recovering the half million dollar loot to split between himself and his brother who is in prison (also played by Bean).
For most you’d expect a game of cat and mouse, gripping edge of seat stuff. Forget that, what you are handed is a rather boring plot of Bean meticulously accounting for all the missing cash and spending time with the couple inside their home as some sort of unwanted house guest.
There is no need for violence here, he’s polite and calm but at the same time attempts to be chilling even insulting the couple for their lack of meat in home cooking. Christ, he even goes out to buy them food for their fridge!
It really is embarrassing to watch and sad, as put in the right hands this could have been a real sleeper hit. Two simple words, “don’t bother”!
Director Stephen Milburn Anderson’s last outing was with Dead Men Can’t Dance back in 1997, and after such a long break you wonder why he stepped back behind the camera. The film’s central plot has been graced in Hollywood one way or another, at least in a different guise.
A bag of money from a robbery falls in the lap of Sam (Chris Hemsworth) and Leslie Phelan (Victoria Profeta) and so beings the moral dilemma. It doesn’t take long for the couple to blow and hide most of the money.
Sean Bean complete with trademark Sheffield accent steps in as Pyke Kubic tasked with recovering the half million dollar loot to split between himself and his brother who is in prison (also played by Bean).
For most you’d expect a game of cat and mouse, gripping edge of seat stuff. Forget that, what you are handed is a rather boring plot of Bean meticulously accounting for all the missing cash and spending time with the couple inside their home as some sort of unwanted house guest.
There is no need for violence here, he’s polite and calm but at the same time attempts to be chilling even insulting the couple for their lack of meat in home cooking. Christ, he even goes out to buy them food for their fridge!
It really is embarrassing to watch and sad, as put in the right hands this could have been a real sleeper hit. Two simple words, “don’t bother”!
TP
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