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Pine tells the story of 10 year old Lauren and her father Niall, who live in a small Scottish village. Lauren’s mum, Christine, disappeared when Lauren was small, and Niall has never recovered. No one knows where she is. Lauren is bullied at school by a girl who lives in her village because of her mother, because of the way she looks and dresses, and because she can.
Lauren keeps seeing a strange woman around the village, a woman that everyone else forgets they’ve seen immediately after they’ve seen her. Lauren remembers the woman though.
Lauren wants to remember her mother - she wants to learn more about her, but Niall just can’t bring himself to talk about her. He has been badly affected by their apparent abandonment: he drinks too much, stays out late and expects the neighbours to look after, and often feed, Lauren.
There is an undercurrent of dread throughout this novel. I was never sure if it was going to turn into a full-blown horror-fest, and I don’t think I would’ve been disappointed if it had. All the ingredients are there: a child left alone in a farmhouse away from everyone else; a still, dark forest; a constantly dimly lit farmhouse with strange smells and noises; a strange figure moving in the trees and around the local houses, that everyone sees and no-one rememberers.
I loved the atmosphere of this book. I had to remember to actually breathe, and the tension was set at just the right level to achieve this for pretty much the entire book.
I won’t say anything else about what happens in the story, in the hope that it’ll encourage someone to read it. It definitely WON’T be time wasted! This is one of my highlights of my January reading!
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
Lauren keeps seeing a strange woman around the village, a woman that everyone else forgets they’ve seen immediately after they’ve seen her. Lauren remembers the woman though.
Lauren wants to remember her mother - she wants to learn more about her, but Niall just can’t bring himself to talk about her. He has been badly affected by their apparent abandonment: he drinks too much, stays out late and expects the neighbours to look after, and often feed, Lauren.
There is an undercurrent of dread throughout this novel. I was never sure if it was going to turn into a full-blown horror-fest, and I don’t think I would’ve been disappointed if it had. All the ingredients are there: a child left alone in a farmhouse away from everyone else; a still, dark forest; a constantly dimly lit farmhouse with strange smells and noises; a strange figure moving in the trees and around the local houses, that everyone sees and no-one rememberers.
I loved the atmosphere of this book. I had to remember to actually breathe, and the tension was set at just the right level to achieve this for pretty much the entire book.
I won’t say anything else about what happens in the story, in the hope that it’ll encourage someone to read it. It definitely WON’T be time wasted! This is one of my highlights of my January reading!
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
Kristy H (1252 KP) rated All the Best Lies in Books
Mar 19, 2020
The third book in the Ellery Hathaway series finds FBI Agent Reed Markham taking on a particularly personal case--his birth mother's murder. His mother, Camilla, was stabbed to death over forty years ago while baby Reed was nearby in his crib. Her killer was never found. It's a cold case now for the Las Vegas Police Department. Reed asks for Ellery's help and the two travel together to Las Vegas to search for answers. But Reed soon learns something shocking about his past, leading him to add someone incredibly close to him to his list of suspects. In Vegas, that list soon grows, and they realize that the killer--even after all these years--isn't happy with Reed and Ellery stirring things up.
This was another stellar entry in this series. I absolutely love Ellery and Reed, and it was great seeing Reed work on a case that meant so much to him. It reminded me of an early Harry Bosch in Michael Connelly's books, when he tries to track down his own mother's killer. Both Reed and Ellery deal with family issues in the book. As always, there is sizzling chemistry between the two. Their relationship just gets better and better, as each struggles with their own problems, and they grow closer and closer.
There's a lot of focus on Reed here, of course, as we learn more about both his mother and his adopted family, the Markhams (Reed was adopted by Senator Angus Markham from Virginia). His mother's case is mesmerizing, and there is no shortage of suspects, including lowlife drug dealer Billy Thorndike; her cop boyfriend, David; and more. Schaffhausen does an excellent job portraying Camilla's life forty years ago, and she comes to life easily.
As always, there are some wonderful twists and turns, and the book is easy-to-read. The pages turn quickly, between Reed and Ellery's excellent magnetism and the well-paced, absorbing mystery. This may be my favorite one so far, and that's saying a lot! 4.5 stars.
This was another stellar entry in this series. I absolutely love Ellery and Reed, and it was great seeing Reed work on a case that meant so much to him. It reminded me of an early Harry Bosch in Michael Connelly's books, when he tries to track down his own mother's killer. Both Reed and Ellery deal with family issues in the book. As always, there is sizzling chemistry between the two. Their relationship just gets better and better, as each struggles with their own problems, and they grow closer and closer.
There's a lot of focus on Reed here, of course, as we learn more about both his mother and his adopted family, the Markhams (Reed was adopted by Senator Angus Markham from Virginia). His mother's case is mesmerizing, and there is no shortage of suspects, including lowlife drug dealer Billy Thorndike; her cop boyfriend, David; and more. Schaffhausen does an excellent job portraying Camilla's life forty years ago, and she comes to life easily.
As always, there are some wonderful twists and turns, and the book is easy-to-read. The pages turn quickly, between Reed and Ellery's excellent magnetism and the well-paced, absorbing mystery. This may be my favorite one so far, and that's saying a lot! 4.5 stars.
Kristy H (1252 KP) rated Summer of '79 in Books
Mar 19, 2020
This is an excellent novella following up with the Foley/Levin gang ten years after the events of Summer of '69. Kate and her children, Blair, Kirby, Tiger, and Jessie, gather again on Nantucket after the death of Kate's mother, Exalta.
"Exalta is dead. She died in her sleep two days earlier in the house on Fair Street, while Mr. Crimmins, their former caretaker, slept beside her."
There are a few books in the world that end perfectly, and you don't need another word. But many books are so engaging--the characters so vivid--that you often wonder what has happened to them. Elin Hilderbrand is such an excellent author and so good at world-building for her characters. It only makes sense that she would allow us to check in on her characters at a later date. And, because she's so good at bringing them to life, the concept works perfectly.
This is a slim e-book (coming out later in book form as part of a tribute anthology to the late Dorothea Benton Frank). I read it easily in one setting and quite enjoyed catching up with Kate and the kids, particularly the youngest, Jessie, who was my favorite in '69 and remains so ten years later.
"She feels like a stranger in her own family, but there’s nothing new about that."
Despite the somber occasion for which the family has gathered, it's quite fun to check in on them ten years later. Hilderbrand switches POV from Kate to all four of the kids, allowing us to see what they've been doing and how they feel. We also find Kate adjusting to moving into the role of family matriarch with the passing of her mother.
Overall, if you enjoyed Summer of '69, this is a great novella to catch you up on some beloved characters. I kind of wish we could have novellas like this for other favorite books. 4 stars.
"Exalta is dead. She died in her sleep two days earlier in the house on Fair Street, while Mr. Crimmins, their former caretaker, slept beside her."
There are a few books in the world that end perfectly, and you don't need another word. But many books are so engaging--the characters so vivid--that you often wonder what has happened to them. Elin Hilderbrand is such an excellent author and so good at world-building for her characters. It only makes sense that she would allow us to check in on her characters at a later date. And, because she's so good at bringing them to life, the concept works perfectly.
This is a slim e-book (coming out later in book form as part of a tribute anthology to the late Dorothea Benton Frank). I read it easily in one setting and quite enjoyed catching up with Kate and the kids, particularly the youngest, Jessie, who was my favorite in '69 and remains so ten years later.
"She feels like a stranger in her own family, but there’s nothing new about that."
Despite the somber occasion for which the family has gathered, it's quite fun to check in on them ten years later. Hilderbrand switches POV from Kate to all four of the kids, allowing us to see what they've been doing and how they feel. We also find Kate adjusting to moving into the role of family matriarch with the passing of her mother.
Overall, if you enjoyed Summer of '69, this is a great novella to catch you up on some beloved characters. I kind of wish we could have novellas like this for other favorite books. 4 stars.
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ClareR (5885 KP) rated Unsettled Ground in Books
Feb 21, 2021
I make no secret of the fact that I’m a huge Claire Fuller fan, and Unsettled Ground gave me no reason at all to think otherwise - it’s a beautiful book.
The characters Jeanie and Julius are vulnerable people who just need someone to guide them when their mother dies, even though they are fiercely independent. This is a family that has always lived on the edge of their community - both their actual geographical location and socially. They live hand to mouth, and when Doris their mother dies, the twins have to go without food at times, when it transpires that Doris has left them with no money and debts. The cost of her funeral is the least of their problems (and they overcome that problem reasonably easily anyway).
There is a feeling that the twins are trapped by circumstance and by each other. Jeanie has never recovered from a childhood illness and is illiterate, and Julius is not only expected to look after her, but is trapped in their local area because he has severe travel sickness linked to their fathers terrible death. Their one comfort is their joint love of folk music (I wish I could have actually listened to these songs - I shall have to google them, and I hope they really exist!).
Claire Fullers use of language makes the everyday seem more lifelike in her books. I read most, if not all, of this with my heart in my mouth. How could I not? Jeanie and Julius are people who are shunned by society, taken advantage of and treated terribly. I feel I can’t leave this quite like this though: there are the good people, the ones that help.
I don’t want to spoil the story, so I’ll stop here, but what I will say is that this is another gorgeously written novel by Claire Fuller, and you should most definitely read it!
Many thanks to the publisher for providing me with an e-copy of this book through NetGalley to read and review.
The characters Jeanie and Julius are vulnerable people who just need someone to guide them when their mother dies, even though they are fiercely independent. This is a family that has always lived on the edge of their community - both their actual geographical location and socially. They live hand to mouth, and when Doris their mother dies, the twins have to go without food at times, when it transpires that Doris has left them with no money and debts. The cost of her funeral is the least of their problems (and they overcome that problem reasonably easily anyway).
There is a feeling that the twins are trapped by circumstance and by each other. Jeanie has never recovered from a childhood illness and is illiterate, and Julius is not only expected to look after her, but is trapped in their local area because he has severe travel sickness linked to their fathers terrible death. Their one comfort is their joint love of folk music (I wish I could have actually listened to these songs - I shall have to google them, and I hope they really exist!).
Claire Fullers use of language makes the everyday seem more lifelike in her books. I read most, if not all, of this with my heart in my mouth. How could I not? Jeanie and Julius are people who are shunned by society, taken advantage of and treated terribly. I feel I can’t leave this quite like this though: there are the good people, the ones that help.
I don’t want to spoil the story, so I’ll stop here, but what I will say is that this is another gorgeously written novel by Claire Fuller, and you should most definitely read it!
Many thanks to the publisher for providing me with an e-copy of this book through NetGalley to read and review.
ClareR (5885 KP) rated Mother May I in Books
Aug 2, 2021
Mother May I was an unputdownable book for me - a high octane thriller, where a mother must follow, to the letter, the instructions of the woman who has kidnapped her infant son.
Bree Cabbat has a storybook life. She wants for nothing, has beautiful children, and a caring, handsome husband. She has come from a life of poverty, and she knows just how lucky she is. Bree doesn’t want anyone to take this life away from her.
When a witch-like character kidnaps her son and tells her that she has to do a job for her - and that she has to follow the instructions to the letter, Bree agrees. She has no other choice. The thought of a child being kidnapped, no matter their age, is horrifying.
As the story progressed, I found myself a little unnerved to find myself empathising with the baby’s kidnapper: she has a pretty compelling reason for her actions. And Bree feels the same way. She has a similar background to the woman, and knows how hard it is to claw your way out of poverty - and how easy it is to fall even lower. The fact that the kidnapper has her baby is ever present in Bree’s mind. She doesn’t forgive her because of her life experiences. Bree just wants to do what the witch has told her to do, and to get her son back.
Bree learns that her husband has kept a pretty big secret, and it has been the cause of not just their own plight. Will their marriage survive this?
To be fair, I wasn’t much concerned with the state of Bree’s marriage for much of this book. I was more interested in the relationship between Bree and her son’s kidnapper.
This book is gripping. I’m warning you now: don’t pick this book up if you know you’re going to have to put it down soon after. You won’t want to!
Another great thriller from Joshilyn Jackson - highly recommended!
Bree Cabbat has a storybook life. She wants for nothing, has beautiful children, and a caring, handsome husband. She has come from a life of poverty, and she knows just how lucky she is. Bree doesn’t want anyone to take this life away from her.
When a witch-like character kidnaps her son and tells her that she has to do a job for her - and that she has to follow the instructions to the letter, Bree agrees. She has no other choice. The thought of a child being kidnapped, no matter their age, is horrifying.
As the story progressed, I found myself a little unnerved to find myself empathising with the baby’s kidnapper: she has a pretty compelling reason for her actions. And Bree feels the same way. She has a similar background to the woman, and knows how hard it is to claw your way out of poverty - and how easy it is to fall even lower. The fact that the kidnapper has her baby is ever present in Bree’s mind. She doesn’t forgive her because of her life experiences. Bree just wants to do what the witch has told her to do, and to get her son back.
Bree learns that her husband has kept a pretty big secret, and it has been the cause of not just their own plight. Will their marriage survive this?
To be fair, I wasn’t much concerned with the state of Bree’s marriage for much of this book. I was more interested in the relationship between Bree and her son’s kidnapper.
This book is gripping. I’m warning you now: don’t pick this book up if you know you’re going to have to put it down soon after. You won’t want to!
Another great thriller from Joshilyn Jackson - highly recommended!
ClareR (5885 KP) rated Space Hopper in Books
Feb 9, 2021
Space Hopper is a wonderful story about the love of mothers and daughters, loss, reconnection and time travel. Quite a mix there, and that’s exactly what drew me to this book.
Who, in Faye’s position, wouldn’t take the opportunity to visit someone they had loved and lost? What makes it all the more intriguing is the fact that this person is Faye’s mother. Although Faye is happily married with two young children, she feels a gap in her life - and the person she wants to fill that gap is her mother. But she died when Faye was 8 years old. When she accidentally steps inside the Space Hopper box that she has kept since childhood, that strength of feeling transports her back to the 1970’s and her childhood home.
This isn’t a book that you can rationalise, so it’s best not to, after all, it’s the strength of Faye’s feelings, I think, that take her back in time. It’s a very sad book at times, and if I was faced with Faye’s decision - to stay with my family or to see my mum after not seeing her for 30 years - I would be hard pressed to make the right choice. After all, what IS the right choice?
It does seem a little selfish of Faye to choose to go somewhere where she might not be able to return from, but there’s no doubting Faye’s love for her husband and children. But to be able to speak to her mum as an adult after so long - you can imagine how compelling that must have been for Faye.
I really enjoyed this, and I have so many thoughts about it that I could go on and on about it! It would make such a good book club book - there’s so much to discuss.
The writing is quite beautiful, and I cried at the end - I think that says it all, really.
Many thanks to The Pigeonhole for serialising this thought-provoking book.
Who, in Faye’s position, wouldn’t take the opportunity to visit someone they had loved and lost? What makes it all the more intriguing is the fact that this person is Faye’s mother. Although Faye is happily married with two young children, she feels a gap in her life - and the person she wants to fill that gap is her mother. But she died when Faye was 8 years old. When she accidentally steps inside the Space Hopper box that she has kept since childhood, that strength of feeling transports her back to the 1970’s and her childhood home.
This isn’t a book that you can rationalise, so it’s best not to, after all, it’s the strength of Faye’s feelings, I think, that take her back in time. It’s a very sad book at times, and if I was faced with Faye’s decision - to stay with my family or to see my mum after not seeing her for 30 years - I would be hard pressed to make the right choice. After all, what IS the right choice?
It does seem a little selfish of Faye to choose to go somewhere where she might not be able to return from, but there’s no doubting Faye’s love for her husband and children. But to be able to speak to her mum as an adult after so long - you can imagine how compelling that must have been for Faye.
I really enjoyed this, and I have so many thoughts about it that I could go on and on about it! It would make such a good book club book - there’s so much to discuss.
The writing is quite beautiful, and I cried at the end - I think that says it all, really.
Many thanks to The Pigeonhole for serialising this thought-provoking book.