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Crime Scene: The Vanishing at the Cecil Hotel
Crime Scene: The Vanishing at the Cecil Hotel
2021 | Crime, Documentary, Mystery
Scarily glamourises internet sleuthing
Crime Scene: The Vanishing at the Cecil Hotel is the latest stylised true crime documentary from Netflix, and it’s a pretty scary watch, but not in the way you’d expect from something that has been advertised as a supernatural murder mystery.

The 4 episode documentary series focuses on a notorious hotel in downtown L.A, Hotel Cecil, and the disappearance of a Canadian student, Elisa Lam, who went missing from the hotel in unexplained circumstances and who was later found dead. On paper this has everything a true crime lover wants: CCTV footage of the victim acting strangely, a creepy hotel with a dodgy history and a lot of strange and unusual circumstances, which culminates in Elisa Lam’s decomposing body being found in a water tank on the hotel roof days after her disappearance, the same water that the hotel guests have been drinking all along. It’s a truly fascinating story and if done properly, would have been very interesting. However in the hands of director Joe Berlinger, the disappearance of Elisa Lam has been turned into a dull, drawn out affair that dangerously glamourises baseless conspiracy theories.

One of the two main problems is that this documentary has been drawn out over 4 hour long episodes, when realistically the true story of Elisa Lam’s disappearance could still have been told effectively in an hour, maybe two maximum, without detracting from the facts. And I guess that’s really the problem with The Vanishing at the Cecil Hotel, it isn’t necessarily all that concerned about the facts but rather just wants to create a film-like entertaining story, with the facts almost an afterthought crammed into the final parts of the last episode. It features lengthy and pointless interviews from other guests and tourists to try and give us a feel of what life at the Cecil was like, and these are entirely unnecessary, as some short exposition from the hotel manager or officers involved would’ve sufficed. Every part of this case is stretched so thinly that you almost lose track after having to weed out the truth and facts amongst all the irrelevant interviews and chatter. It isn’t helped by the narration of some of Elisa’s Tumblr posts, which comes across as cheesy and irritating rather than emotional and meaningful like it was probably intended.

What is most irrelevant and dangerous about this documentary, and the second main problem, is the focus on internet sleuths. These are mostly YouTubers who have spent hours dissecting every aspect of the case and have put forward many outrageous theories, all of which are completely laughable. But instead of mocking these idiots, this documentary glamourises them and their theories, and has dedicated more of it’s runtime to them than it has to any of the real life detectives and investigators involved. Watching these people wheel out one ridiculous theory after another had me wanting to throw my remote at the screen to make it stop. The theories ranged from the questionably plausible (foul player or murder) to the downright ludicrous - someone copying the film Dark Water, possible links to the Lam-Elisa TB test and a vast cover up jointly orchestrated by the police, hotel management and coroners staff are the ones that made me laugh and cringe the most.

All jokes aside, this focus on internet sleuths is extremely damaging and dangerous and this is illustrated by the awful accusations they made about Pablo Vergara aka Morbid, who’s only crime was to make music that wouldn’t be considered mainstream. If this documentary had focused on slamming these people and highlighting the dangers of them getting involved, then it would’ve redeemed itself. But it doesn’t, it gives them centre stage and debunking their theories is almost an afterthought. They aren’t even condemned for their treatment of Pablo despite the obviously long lasting effects on his mental health. These people are crazy and this only serves to highlight the huge problem with internet, video streaming sites and social media – how Joe public can ever think they know better than qualified pathologists and investigators is beyond me. And how this documentary can indulge and glamourise these people is even worse. From working a day job in the emergency services, I know how damaging this sort of interference and public perception can be.

The story of Elisa Lam’s disappearance at the Hotel Cecil is undoubtedly an interesting one. However in Crime Scene: The Vanishing at the Cecil Hotel, the real story has been mauled and disrespected by the focus and respect given to the internet sleuths and their absurd theories. I feel like I’m being generous giving it a 3, it made me so angry.
  
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Erika (17788 KP) Mar 1, 2021

Agree completely! The fact they were highlighting the crazy conspiracy theorists was scary. They legitimately distracted the police with all of the baseless conjecture.

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Sarah (7798 KP) Mar 2, 2021

So glad it's not just me. How they could focus on these people is bonkers.

"Isn’t it weird? How do they do that with their voices [ululates manically]? There’s a really good documentary called Death Cults or something, and it shows you them digging this enormous bunker, and [Elizabeth Clare Prophet] says: “The world is going to end on this date with a nuclear war”. The bunker’s not finished on time, but they go down anyway, come back out about a week later and the world hasn’t changed [laughs]. She says the master’s order wasn’t right, and that the world will actually be in four or five months. So they all go back down, and it doesn’t happen. It turns out she has brain tumours, which probably explains the entire cult, and then she dies. But it’s still going! They interviewed them a few years later. The women all look like Elizabeth Clare, with their suburban haircuts and clothes, and big smiles! There’s one piece on the album where they’re cursing pop music, and it’s just stunning. Hilarious. We play them at the beginning when we DJ!"

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Gimme Shelter (2014)
Gimme Shelter (2014)
2014 | Drama
(0 Ratings)
Movie Favorite

"Another one of my five favorite films would be Gimme Shelter, by the Maysles brothers. I spent many years making documentary films between my first film and my second film, Blue Valentine, and I learned to really embrace, and be humbled by life, and by telling a story where you’re telling someone else’s story. And there’s something about the Maysles brothers, and especially that movie, where they were able to witness these moments. Especially with Gimme Shelter, you know, these moments of American history — this concert at Altamont that turned into kind of the bad trip of Woodstock. And I love how they frame it with the band, the Stones, watching the footage, watching their memories; this document, this witness to this incredible time in American life — and this crime, this real crime in America. Also, for nothing else than the moment where Mick Jagger has to watch Tina Turner. Again, like watching the Scorsese movie — and the Pasolini movie — their use of music, you know, is to watch a real rock and roll movie in the theater, with that sound. It’s great."

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John Taylor recommended Monterey Pop (1968) in Movies (curated)

 
Monterey Pop (1968)
Monterey Pop (1968)
1968 |
(0 Ratings)
Movie Favorite

"Take great care with this documentary film of an all-day concert staged by John Phillips in small-town Monterey, California, for it holds within it the greatest single performance by any electric-music instrumentalist you have ever seen, or are likely to: the U.S. debut of the Jimi Hendrix Experience. Known as the man who revolutionized the electric guitar, Jimi Hendrix appears onstage in this film a man possessed. As David Bowie sang in “Ziggy Stardust”: “He could lick ’em by smiling/ He could leave ’em to hang/ They came on so loaded, man/ Well hung and snow-white tan/ . . . He was the nazz/ With God-given ass/ He took it all too far/ But boy could he play guitar.” Never will you see a performance so sensual. There are many great films to be found of Jimi playing, but none to rival this. In Monterey Pop, there are many performances worth watching, seminal, even—Janis Joplin, Otis Redding among them—but they are all just warm-up acts to Jimi, the greatest rock-and-roll star to ever tread the boards."

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The Millennium Collection: The Best of Bobby "Blue" Bland by 20th Century Masters
(0 Ratings)
Album Favorite

"My late friend and mentor, a guy called Roger Eagle, who used to run Eric's [club] in Liverpool, he turned me on to Bobby Bland. And straight away I was just blown away by the voice. This incredible voice. What I like about Bobby Bland is he has tinges of jazz in the R&B, it's not just straight ahead R&B, the jazz comes through. I was very fortunate to spend time with Bobby, and B.B. King as well, they were very close friends [of one another]. B.B. contributes to the film we made when we went over to Memphis and I spent a little time with Bobby [this documentary features on the DVD edition of M.H.'s 2008 solo album, Tribute to Bobby]. He's a profound influence on me, he's a truly great singer. His music lives with me, and I just love him and it. I love the R&B of that period. A wonderful experience, just knowing these guys, and spending time with them and listening to their stories."

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