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LeftSideCut (3778 KP) rated Hellbound: Hellraiser II (1988) in Movies
Nov 24, 2021
The visuals go bigger and harder this time around. A longer portion of the movie is spent in the cenobites' hellish dimension, and it's a striking and otherwordly design. Once again, Pinhead and his cronies don't take up too much screentime, ensuring that they're presence is impactful. The narrative does explore the background of these antagonists a little more, but thankfully, doesn't completely destroy the mystery surrounding them, and provides an interesting plot device a bit later on.
The main villain is Dr Channard, a psychiatrist who has a dangerous obsession with the legend of the Lament Configuration. Kenneth Cranham steals the show in the role, and makes for a memorable bad guy, especially during the last half. He also has the best line - "and to think... I hesitated" - definitely a top moment in the history of horror.
Clare Higgins is another highlight, as she is in the first Hellraiser, her character delightfully more sinister than before.
Once again, Hellbound boasts some top class practical effects, contributing to its unique aesthetic, and Christopher Young absolutely smashes it out the park with another incredible music score.
Both Hellraiser and Hellbound are astonishing examples of how excellent, nightmarish, and beautiful this genre can be, and will always be hailed as high points. Great stuff.
LoganCrews (2861 KP) rated Lesson of the Evil (2012) in Movies
Nov 15, 2021
Takashi Miike's 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘴𝘺𝘤𝘩𝘰, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichéd moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.
Acanthea Grimscythe (300 KP) rated Annabelle: Creation (2017) in Movies
May 12, 2018
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit cliché in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesn’t rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesn’t mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. It’s like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others – especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasn’t extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and it’s a pretty solid 4/5 for me.