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LoganCrews (2861 KP) rated Lesson of the Evil (2012) in Movies
Nov 15, 2021
*Big band music playing loudly in the background*
Takashi Miike's đđ©đŠ đđ¶đŠđŽđ” - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even đđźđŠđłđȘđ€đąđŻ đđŽđșđ€đ©đ°, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichĂ©d moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.
Takashi Miike's đđ©đŠ đđ¶đŠđŽđ” - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even đđźđŠđłđȘđ€đąđŻ đđŽđșđ€đ©đ°, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichĂ©d moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.
Acanthea Grimscythe (300 KP) rated Annabelle: Creation (2017) in Movies
May 12, 2018
Iâve been waiting for quite some time to get the opportunity to watch Annabelle: Creation and thanks to my boyfriend, that chance finally arrived. My interest in the Conjuring universe as a whole began with the introduction of the Warrens in The Conuring. Having been a devout fan of anything paranormal, I knew their names and history long before I watched the fictionalized film. That said, I was definitely curious as to the story behind the doll, Annabelle. (I watched that film shortly after it came out, naturally.)
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit clichĂ© in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesnât rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesnât mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. Itâs like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others â especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasnât extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and itâs a pretty solid 4/5 for me.
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit clichĂ© in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesnât rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesnât mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. Itâs like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others â especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasnât extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and itâs a pretty solid 4/5 for me.
Bong Mines Entertainment (15 KP) rated Gold In My Veins - Single by Kid Pharaoh in Music
Jun 17, 2019
Kid Pharaoh is a rapper with Egyptian and Australian roots. Not too long ago, he released a music video for his self-produced single, entitled, âGold In My Veinsâ.
âGold on your neck, but I got gold in my brown skin. See yeah with your frontinâ ways. Your stunting chains and big face hundreds man. You hustling, but tell me what you covering? I never needed all that âcause I come from kings. So, what I need a Rollie for? Itâs my time. I donât need no gold to show how I shine. You can quit all that talking and lying.â â lyrics
Shot by Shaq Azhar in Wollongong, NSW, the audiovisual features Kid Pharaoh as the lead protagonist.
He plays an accountant in the office environment of Pharaoh Financial. The accountant comically analyses the expenses of a lavish rapperâs lifestyle. Also, he questions its worth and dismisses its relevance.
âCelebrating my Egyptian heritage and its rich history has always been at the forefront of what I do. But âGold In My Veinsâ allowed me to do so in a way that let me explore a new lane of sounds I was yet to touch. Inspired by the bounce and grooves of early 2000s Pharrell and Neptunes produced music I grew up with.â â Kid Pharaoh
âGold In My Veinsâ tells an interesting tale from Kid Pharaohâs point of view which claims his hip-hop kingship based on his royal ancestry.
Apparently, the savvy emceeâs soul is made of gold, and he is from a lineage of pharaohs who sat on thrones in the Valley of the Kings.
Later, Kid Pharaoh reveals that no one is messing with him because heâs the best in his city, state, and country.
âGold In My Veinsâ contains a relatable storyline, braggadocious raps, and lush instrumentation scented with a hip-hop fragrance.
âYou can tell these rappers I donât need to stunt. You can tell these rappers they donât need to front. With your false claims and your gold chains, I was born from the kings, one thing. You can tell âem keep the gold in your chain âcause yeah I got gold in my veins.â â lyrics
Kid Pharaoh provides a raw and unique voice for an underrepresented Arabic community in Australia.
https://www.bongminesentertainment.com/kid-pharaoh-gold-in-my-veins/
âGold on your neck, but I got gold in my brown skin. See yeah with your frontinâ ways. Your stunting chains and big face hundreds man. You hustling, but tell me what you covering? I never needed all that âcause I come from kings. So, what I need a Rollie for? Itâs my time. I donât need no gold to show how I shine. You can quit all that talking and lying.â â lyrics
Shot by Shaq Azhar in Wollongong, NSW, the audiovisual features Kid Pharaoh as the lead protagonist.
He plays an accountant in the office environment of Pharaoh Financial. The accountant comically analyses the expenses of a lavish rapperâs lifestyle. Also, he questions its worth and dismisses its relevance.
âCelebrating my Egyptian heritage and its rich history has always been at the forefront of what I do. But âGold In My Veinsâ allowed me to do so in a way that let me explore a new lane of sounds I was yet to touch. Inspired by the bounce and grooves of early 2000s Pharrell and Neptunes produced music I grew up with.â â Kid Pharaoh
âGold In My Veinsâ tells an interesting tale from Kid Pharaohâs point of view which claims his hip-hop kingship based on his royal ancestry.
Apparently, the savvy emceeâs soul is made of gold, and he is from a lineage of pharaohs who sat on thrones in the Valley of the Kings.
Later, Kid Pharaoh reveals that no one is messing with him because heâs the best in his city, state, and country.
âGold In My Veinsâ contains a relatable storyline, braggadocious raps, and lush instrumentation scented with a hip-hop fragrance.
âYou can tell these rappers I donât need to stunt. You can tell these rappers they donât need to front. With your false claims and your gold chains, I was born from the kings, one thing. You can tell âem keep the gold in your chain âcause yeah I got gold in my veins.â â lyrics
Kid Pharaoh provides a raw and unique voice for an underrepresented Arabic community in Australia.
https://www.bongminesentertainment.com/kid-pharaoh-gold-in-my-veins/
Under the Big Black Sun: A Personal History of L.A. Punk
John Doe and Tom DeSavia
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Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to...
The Ballad of John Latouche: An American Lyricist's Life and Work
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Born into a poor Virginian family, John Treville Latouche (1914-56), in his short life, made a...
Lonely Planet Best of Ireland
Lonely Planet, Neil Wilson, Fionn Davenport and Damian Harper
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Lonely Planet: The world's leading travel guide publisher Lonely Planet's Best of Ireland is your...
James Dean Bradfield recommended ...For the Whole World to See by Death in Music (curated)
Kristy H (1252 KP) rated Broken Horses in Books
Aug 12, 2021
A great memoir for music fans
BROKEN HORSES is Brandi Carlile's story. She grew up poor in Seattle, moving constantly as a child. Her family was musical, giving Brandi a love of music as a young child. She knew was gay since she was a teen--something that wasn't always appreciated in her rural town. She tells her story from childhood, where her love of music began, to coming out, to her marriage and life with her two children, to her musical successes.
"I was a mean, scrappy little trailer girl with the wrong clothes and a very sensitive soul that I was hiding behind a bravado that I had developed performing onstage."
I adore Brandi Carlile and have for a long time. Having such a talented out singer in our community makes us all feel proud. "See her, she's one of us!!" Having followed Brandi's career from the beginning, I know a decent amount about her. Hence my problem with a number of celebrity memoirs I read: if I read a memoir about someone I really love and already know a lot about them, if they write a fairly superficial memoir, I only learn so much.
Don't get me wrong, Carlile has written a good and interesting book. She's a fascinating person, and I enjoyed learning about her rather wild journey. I didn't know much about her childhood, so I found those pieces to be the most intriguing. She was a wild and tough kid, who was so musically talented from the beginning. Imagine being one of the people who heard her perform in a pageant or talent show when she was a young kid or teen!
After going through her coming out story, Carlile talks about her musical career, and it's all really amazing, but sometimes feels fast and glossed over. I always love knowing the history of songs, but would have liked knowing more details about things. We skip over full albums, time periods, and more. And, as many celebrity memoirs do, it often feels a bit preachy and overly me-oriented at times (something she'll laughingly and freely admit to). When we get to her meeting her wife, it's a fun story, but also really quick. Still, it's so nice to see a queer woman's story so normalized, and to have someone talk about gay motherhood so matter of factly.
Overall, I'm so glad Carlile decided to share her thoughts on her life. She's such an amazing individual who has lived such an intense and fascinating life so far. I wish she had gone more in-depth with her stories at times, but this is still a great book and certainly worth your time. At some point, I hope to get the audio version, as she sings versions of the songs she discusses in each chapter.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my second book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
"I was a mean, scrappy little trailer girl with the wrong clothes and a very sensitive soul that I was hiding behind a bravado that I had developed performing onstage."
I adore Brandi Carlile and have for a long time. Having such a talented out singer in our community makes us all feel proud. "See her, she's one of us!!" Having followed Brandi's career from the beginning, I know a decent amount about her. Hence my problem with a number of celebrity memoirs I read: if I read a memoir about someone I really love and already know a lot about them, if they write a fairly superficial memoir, I only learn so much.
Don't get me wrong, Carlile has written a good and interesting book. She's a fascinating person, and I enjoyed learning about her rather wild journey. I didn't know much about her childhood, so I found those pieces to be the most intriguing. She was a wild and tough kid, who was so musically talented from the beginning. Imagine being one of the people who heard her perform in a pageant or talent show when she was a young kid or teen!
After going through her coming out story, Carlile talks about her musical career, and it's all really amazing, but sometimes feels fast and glossed over. I always love knowing the history of songs, but would have liked knowing more details about things. We skip over full albums, time periods, and more. And, as many celebrity memoirs do, it often feels a bit preachy and overly me-oriented at times (something she'll laughingly and freely admit to). When we get to her meeting her wife, it's a fun story, but also really quick. Still, it's so nice to see a queer woman's story so normalized, and to have someone talk about gay motherhood so matter of factly.
Overall, I'm so glad Carlile decided to share her thoughts on her life. She's such an amazing individual who has lived such an intense and fascinating life so far. I wish she had gone more in-depth with her stories at times, but this is still a great book and certainly worth your time. At some point, I hope to get the audio version, as she sings versions of the songs she discusses in each chapter.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my second book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
Absolutely Manic Magazine
Lifestyle and Magazines & Newspapers
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Manic Magazine is a free magazine app for real men, which combines fashion for men, health tips,...
Worship Leader Magazine
Music and Magazines & Newspapers
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Since the first print issue in 1992, Worship Leader has evolved into the world's most authoritative...