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Jesus Christ Superstar (1973)
Jesus Christ Superstar (1973)
1973 | Drama, Musical, Drama
4
7.3 (6 Ratings)
Movie Rating
Very strange setting
Film version of the Andrew Lloyd Webber rock musical of the same name, and - unfortunately - it doesn't quite work.

Personally, I think that's because of the juxtaposition of the events being (re)told through the eyes of Judas Iscariot alongside the more modern setting, which is just *odd*: here, for example, the Roman empire seems to have access to jet fighters, tanks and rifles (amongst others ...)

I think if they had stuck to a more 'traditional' production design instead of trying to marry the story with a modern setting it would have worked better.
  
Tea for the Tillerman by Cat Stevens
Tea for the Tillerman by Cat Stevens
1970 | Folk, Rock, Singer-Songwriter
8.3 (4 Ratings)
Album Favorite

"The thing about Cat Stevens is I probably prefer Mona Bone Jakon as far as the songs and production goes, it's a little bit starker, a little rawer than the other ones, but the reason I picked Tea For The Tillerman was because of the song 'Father And Son'. It's not my favourite Cat Stevens song at all but it was written for a musical that was never made called Revolutia, a blended word of 'revolution' and 'Russia'. The song sort of doesn't make sense - why is this one guy singing both of these characters? It's Cat Stevens singing the high voice and the low voice - and you wondered, god, this guy was probably at the height of his worldwide fame and he's obviously a master craftsman, he can crank out the songs but why couldn't he get this musical made? Or maybe he didn't want to - it seems like he wanted to and it just never happened. Then he was like, oh, just put it out on the next album. And I think there's a couple of other songs that seem like they could be from that same musical - 'But I Might Die Tonight' I think is kind of similar. All these albums that I really love from the 70s and late 60s - David Bowie's Diamond Dogs or The Kinks' Arthur, and they are songs from musicals basically, but it doesn't make sense there's this one guy singing it. Maybe it's ego or something, but that's why I picked that album. I looked up on Wikipedia what the reviewers thought of the album and I think the Rolling Stone guy talked about "Cat Stevens' occasional overuse of dynamics", which was the thing we were trying to do with Break Line, make things dynamic - start small and get big, and it's just so funny that at that time a reviewer would be like, "I'm sick of all these dynamics - I want more compression!"

Source
  
The Rocky Horror Picture Show (1975)
The Rocky Horror Picture Show (1975)
1975 | Comedy, Musical
Gloriously kitsch
Film #4 on the 100 Movies Bucket List: The Rocky Horror Picture Show

The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.

The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).

This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.

Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.

One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.

And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.

The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
  
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    GeoShred Pro Version 2.5, an exciting update to the award-winning GeoShred musical instrument for...