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David McK (3245 KP) rated Bill & Ted Face The Music (2020) in Movies

Aug 27, 2021 (Updated Sep 27, 2022)  
Bill & Ted Face The Music (2020)
Bill & Ted Face The Music (2020)
2020 |
7
7.0 (1 Ratings)
Movie Rating
I can't believe it's been over 30 years since the first Bill & Ted movie

Man, I feel old.

This is the long-mooted capper to the trilogy, with Bill & Ted's band Wyld Stallyns still waiting for that one song that (as per both 'Amazing Adventure' and 'Bogus Journey') will unite humanity. No, that one at the end of the last film didn't do it.

Now older - but no wiser - and with their kids grown up, the duo find themselves summoned to the future and told that all of space and time will be destroyed if they don't write that song in the next couple of hours.

Cue more time (and afterlife) -travelling idiocy as they decide to steal said song from their future selves, while their daughters also try to put together a band of musical prodigies from throughout history.

Good natured fun, in effect.
  
Singin' in the Rain (1952)
Singin' in the Rain (1952)
1952 | Classics, Comedy, Musical
Timeless
Hollywood star Don Lockwood (Gene Kelly) has to figure out how to save his first "talking picture" film after a negative early screening.

Acting: 10
I was amazed by the versatility of the actors/actresses in the film. To be able to hit lines passionately AND dance and sing through huge musical numbers has to take some serious skill, skill I couldn't even begin to possess. The performances of Gene Kelly, Donald O'Connor, and Debbie Reynold transcend time, holding strong an amazing 65 years later!

Reynolds was my favorite as (Kathy Selden). Her charm and humor are effortless and natural. Not only did she hold her own in her every scene, but she made every scene outstanding. I can't believe I am just now learning to appreciate this woman's greatness. I suppose that's what my Movies 365 quest is all about.

Beginning: 9
I suppose I should chime in here as this received my lowest score. Singin' In the Rain gets off to a very solid start as it grabs my attention right from the beginning. It's intriguing and I wasn't quite sure where they were going after the first ten minutes. Did I really enjoy the first ten minutes of the film? Absolutely. Does it compare to some of the best starts in film history. Sadly, not quite, but not far off either. Consider it a minor boo-boo that didn't even require a band-aid.

Characters: 10

Cinematography/Visuals: 10

Conflict: 10

Genre: 10
Compared to other musicals out there, you can't even mention the genre without thinking Singin' In the Rain. The musical numbers are extravagant and phenomenal. What's more, the film doesn't rely just on the music to succeed as the scripted dialogue is every bit as strong. La La Land astounded me. This film blew me away.

Memorability: 10

Pace: 10
Sometimes this can be hard to manage in a musical whether there's too much singing and not enough dialogue scenes or vice versa. This film does an excellent job of seamlessly blending the two. Every song had its purpose and each number is active and fun, keeping you engaged throughout the film. It never got slow at any point.

Plot: 10
The story was an evolving creation. You think something is going to happen then the film takes an entirely different turn. Just when you think you have it all figured out, they throw another surprise in. The plot is clever, intriguing, and unique. I have yet to see anything like it.

Resolution: 10

Overall: 99
I went into this film wondering what all the hype was about and, after watching, I can say it's not hype. Not by a long shot, not by any means. Singin' In the Rain is amazing today and it's going to be wonderful thirty years from now. It gets all the little things perfectly right like the classic scene where Don is having a conversation about the film as they're walking past different set pieces. Timeless.
  
Bohemian Rhapsody (2018)
Bohemian Rhapsody (2018)
2018 | Biography, Drama, Music
Come for the music, stay...for the music
My musical tastes end somewhere in the late 1970's/early 1980's. Billy Joel, ELO and, especially, Queen were in constant rotation on my turntable. So it was with a mixture of excitement and nervousness that I checked out BOHEMIAN RHAPSODY, the "Queen movie".

Fortunately, this film rekindled my love for the music of Queen. I gotta admit, I was cranking Queen tunes in the car on the ride home. Unfortunately, the storytelling is weak, so I really did not gain any insight into Freddy, his family, the group, his marriage, his bi-sexuality, his drug use, the times they lived in or the AIDS epidemic of the '80's. All these items were touched upon in the movie, but not delved into, leaving a void in the part of my brain that craves a good, meaningful and touching story with my movie/musicals. It certainly doesn't help this story that I have the wonderful A STAR IS BORN sitting in my recent memory.

But the music, the musical performances and the acting performances of all involved almost make up for this void, leaving a very satisfying experience at the movies.

BOHEMIAN RHAPSODY follows young Farrokh Bulsara as he joins the band SMILE, changes the bands name to QUEEN, changes his name to Freddie Mercury and becomes an International Superstar leading up to the inevitable fall and resurgence at the Live Aid concert in the 1980's.

In the lead, Rami Malik is wonderful. He has the essence of the superstar we know down well. He is a winning, watchable presence on screen and I wouldn't be surprised if he is mentioned when Oscar nominations roll around. Joining him as members of the band are Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Gwilym Lee as Brian May. All are effective enough in their roles - and believable in the musical scenes - with Lee standing out just a bit more than the others.

Also along for the ride are Lucy Boyton as Freddy's wife, Mary Austin and Tom Hollander, Mike Myers and Aidan Gillen as music execs aiding and attempting to guide Queen to the top. Only Allen Leech as Paul Prenter is unconvincing on the screen. But, I blame this more to the decisions of the screenwriters and directors for Paul is the "villain" of this piece - and a not-too-subtle villain at that.

But, Director Bryan Singer (X-MEN, THE USUAL SUSPECTS) is forgiven his lapses in content and subtlety as the music scenes are strong - and the film finishes with a 20 minute recreation of Queen at the Live Aid concert that is worth the price of admission all on it's own.

All in all, a good time at the movies. If you like Queen, you'll be entertained by this film.

Letter Grade: A-

8 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
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